Cultural Resource Management

Total Page:16

File Type:pdf, Size:1020Kb

Cultural Resource Management CULTURAL RESOURCE MANAGEMENT CRM VOLUME 22 NO. I 1999 U.S. DEPARTMENT OF THE INTERIOR National Park Service Cultural Resources PUBLISHED BY THE VOLUME 22 NO. I 1999 NATIONAL PARK SERVICE Contents ISSN 1068-4999 Information for parks, federal agencies, Indian tribes, states, local governments, and the private sectior that promotes and main­ Jamestown Island Revisited 1607- tains high standards for preserving and man­ aging cultural resources Five Years of Jamestown 3 DIRECTOR Karen G. Rehm Robert Stanton ASSOCIATE DIRECTOR The Jamestown Archeological Assessment 4 CULTURAL RESOURCE STEWARDSHIP AND PARTNERSHIPS Marley R. Brown III and David Orr Katherine H. Stevenson EDITOR Finding the Town in Jamestown Ronald M. Greenberg Archeology of the 17th-Century Capital 7 ASSOCIATE EDITOR Audrey J. Horning Janice C. McCoy GUEST EDITOR Jamestown Island's Documentary History Karen G. Rehm Clues to the Past 10 Martha W. McCartney ADVISORS David Andrews Editor, NPS Looking Beyond the Town Joan Bacharach Archeological Survey at Jamestown Island 13 Museum Registrar, NPS Randall J. Biallas Dennis B. Blanton Historical Architect, NPS John A. Bums Architect, NPS Continuing Jamestown's Military Tradition Harry A. Butowsky The Civil War Years 15 Historian, NPS David F. Riggs Pratt Cassity Executive Director, National Alliance of Preservation Commissions Muriel Crespi Lessons from the Past 17 Cultural Anthropologist, NPS Douglas W. Owsley Mary Cullen Director, Historical Services Branch Parks Canada Jamestown Rediscovery Mark Edwards Executive Director, DC. Preservation League Archeological Cultural Resources Management for the New Millennium 19 Roger E. Kelly William M. Kelso Archeologist,NPS Antoinette J. Lee Historian, NPS Cultural Resource Management and Interpretation A Cooperative Venture 22 ASSISTANTS Karen G. Rehm and Diane G. Stallings Denise M. Mayo Jessica Oliveri An electronic version of this issue of CRM can be accessed through the CRM home­ page at <http://www.cr.nps.gov/crm>. This site features a database of CRM articles from the past 21 years, and an online comment and subscription form. Submit your email address to be included on our electronic mailing list. You will receive notices of new issues and links to articles and supplementary information available only online. Cover: The NewTowne site is clearly discernible in a recent aerial photograph.This photograph was taken by Aerial Survey Corporation, digitized, and will be used for plotting archeological sites and land plat information and for monitoring shoreline erosion. Upper photo, Dr. Audrey Horning revealing the new discoveries and understandings of NewTowne during one of the two Jamestown archeology weekends. Lower photo, Dr. Audrey Horning and the field school uncovering portions of NewTowne. Photos by Tony belcastro. Statements of fact and views are the responsibility of the authors and do not necessarily reflect an opinion or endorsement on the part of the editors, the CRM advi­ sors and consultants, or the National Park Service. Send articles and correspondence to the Editor; CRM, U.S. Department of the Interior, National Park Service, Cultural Resources, 1849 C Street, NW, Suite 350NC,Washington, DC 20240; 202-343-8164, fax 202-343-5260; email: <[email protected]>. 2 CRM No 1—1999 Karen G. Rehm From time to time over the past half cen­ tury or so, my late old friend Pinky Harrington and I have eyed the Jamestown archeological potential in the perspective of archeology accom­ Five Years of Jamestown plished and to come, and spoken of our hopes for future research and investigation. The theme his issue of CRM focuses on the has always been conservation, caution in ground Jamestown Archeological investigation, employing state-of-the-art technol­ Assessment that began in 1992. The ogy, recognizing that it will be infinitely articles represent the major aspects improved in the future, and a comprehensive, of thiTs five-year project that focused on a holistic holistic, interdisciplinary address to all research, approach to taking a third look at an archeologi­ above and below ground, archival and living his­ cal site of international significance. Testing inno­ tory resources included. vative methodologies and applying an analysis of The accomplished five-year investigations the natural environment to the understanding of and studies have addressed these needs. The the historical events were primary objectives of whole island has been surveyed, and the whole the Assessment, as presented in the first article archeological potential has been conserved for written by Marley Brown and David Orr. Although future and more sophisticated and complete major archeology was conducted in the 1930s and research resources. I personally thank all those 1950s, reopening the town sites and examining who have participated in this effort, and welcome the historical documentation with the current generations of future investigations that will con­ knowledge of the time period, as discussed in Audrey Homing's article and Martha McCartney's tinue to tell the story of Jamestown Island from essay, provide greater insight into a time period the Paleoindian to the ever-arriving present. that is essential to understanding Jamestown and John L. Cotter Don Linebaugh its role in establishing British North America. (The College of Conducting a Phase I survey of the entire Virginia Antiquities in rediscovering the very early William and Mary Jamestown Island was critical to this understand­ years of Jamestown. Center for ing. Dennis Blanton's article on this aspect of the Finally, the application of these new findings Archaeological survey emphasizes the need for all parks to take a and providing this information to the public is Research), comprehensive look at their history. The discovery examined in the article by Karen Rehm and Diane Superintendent Alec of the Clovis points pushes back the timeline of Stallings. Americans are fascinated by the process Gould, and Greg Brown (Colonial human occupation to 10,500 BP. The tree ring of uncovering the past and how the new discover­ Williamsburg study drastically alters the basic facts of those ies provide a fuller and maybe a different twist to Foundation) at the early years at Jamestown and enables us to under­ what they learned so many years ago in school. ground breaking stand the relationship between the English settlers Through this new appreciation, support for contin­ ceremony for the and Powhatans in a different light. David Riggs' ued research and preservation will grow. survey, spring of examination of the Civil War and its impact on The establishment of Colonial National 1993. Photo cour­ tesy NPS. Jamestown demonstrates the need to push the Historical Park in 1930* marked a turning point for the cultural resource management program in timeline forward as the National Park Service. Nearly 70 years later, it well. is still demonstrating the need for sound resource The articles by management guided by scholarly research and Douglas Owsley and investigation. Colonial wishes to thank Kate William Kelso look at Stevenson, Associate Director, Cultural Resource other aspects of arche­ Stewardship and Partnerships, NPS, for her sup­ ology and challenges port of this project. federal policies and methodologies. Dr. Owsley presents the * Originally designated Colonial National Monument. findings of re-examin­ ing skeletal remains Karen G. Rehm is Chief Historian at Colonial discovered at National Historical Park. She is the guest editor of Jamestown more than this issue of CRM. 40 years ago. Dr. Kelso provides a view of John L. Cotter, Ph.D., was the Jamestown archeolo- archeology as applied gist from 1953-1957. He developed a grid system for by the Association for New Towne that identified all the known structural the Preservation of ruins, resulting in a historical base map that is still used today and was essential to the Jamestowm Archeological Assessment. CRM No 1 — 1999 3 Marley R. Brown III and David Orr The Jamestown Archeological Assessment amestown and Williamsburg, the first his days at Jamestown is the emergence of cultural and second capitals of the Colony of resources management as a recognized profession. Virginia, are close rivals as the most Both developments are evident in the intellectual excavated historic sites in the United perspective guiding the current round of archeolog­ StatesJ. But it was at Jamestown that modern his­ ical study of the National Park Service property on torical archeology was born when J.C. Harrington Jamestown Island, a project that began officially in was lured there in 1936 while still a graduate stu­ the fall of 1992 with the negotiation of a coopera­ dent in anthropology at the University of Chicago. tive agreement between the National Park Service Harrington, who died at the age of 96 in April and the Colonial Williamsburg Foundation. This 1998, reflected on his work at Jamestown in a agreement was based on a scope of work distrib­ reminiscence published a few years ago. He uted in June of that year which identified a number acknowledged that his and subsequent excava­ of interrelated studies needed to properly evaluate tions of the town site emphasized architectural and manage the island's cultural resources. These remains at the expense of other physical evi­ included a detailed bibliographic survey of all dence, but he stressed that he did recognize the sources—written, photographic, and drawn—that importance of archeology as a way of understand­ shed light on Jamestown's history, a series of inter­ ing
Recommended publications
  • Introducticn Tc Ccnservoticn
    introducticntc ccnservoticn UNITED NATTONSEDUCATIONA],, SCIEIilIIFTC AND CULTIJRALOROANIZATTOII AN INIRODUCTION TO CONSERYATIOI{ OF CULTURAT PROPMTY by Berr:ar"d M. Feilden Director of the Internatlonal Centre for the Preservatlon and Restoratlon of Cultural Property, Rome Aprll, L979 (cc-ig/ws/ttt+) - CONTENTS Page Preface 2 Acknowledgements Introduction 3 Chapter* I Introductory Concepts 6 Chapter II Cultural Property - Agents of Deterioration and Loss . 11 Chapter III The Principles of Conservation 21 Chapter IV The Conservation of Movable Property - Museums and Conservation . 29 Chapter V The Conservation of Historic Buildings and Urban Conservation 36 Conclusions ............... kk Appendix 1 Component Materials of Cultural Property . kj Appendix 2 Access of Water 53 Appendix 3 Intergovernmental and Non-Governmental International Agencies for Conservation 55 Appendix k The Conservator/Restorer: A Definition of the Profession .................. 6? Glossary 71 Selected Bibliography , 71*. AUTHOR'S PREFACE Some may say that the attempt to Introduce the whole subject of Conservation of Cultural Propety Is too ambitious, but actually someone has to undertake this task and it fell to my lot as Director of the International Centre for the Study of the Preservation and Restoration of Cxiltural Property (ICCROM). An introduction to conservation such as this has difficulties in striking the right balance between all the disciplines involved. The writer is an architect and, therefore, a generalist having contact with both the arts and sciences. In such a rapidly developing field as conservation no written statement can be regarded as definite. This booklet should only be taken as a basis for further discussions. ACKNOWLEDGEMENTS In writing anything with such a wide scope as this booklet, any author needs help and constructive comments.
    [Show full text]
  • A New Method for the Conservation of Ancient Colored Paintings on Ramie
    Liu et al. Herit Sci (2021) 9:13 https://doi.org/10.1186/s40494-021-00486-4 RESEARCH ARTICLE Open Access A new method for the conservation of ancient colored paintings on ramie textiles Jiaojiao Liu*, Yuhu Li*, Daodao Hu, Huiping Xing, Xiaolian Chao, Jing Cao and Zhihui Jia Abstract Textiles are valuable cultural heritage items that are susceptible to several degradation processes due to their sensi- tive nature, such as the case of ancient ma colored-paintings. Therefore, it is important to take measures to protect the precious ma artifacts. Generally, ″ma″ includes ramie, hemp, fax, oil fax, kenaf, jute, and so on. In this paper, an examination and analysis of a painted ma textile were the frst step in proposing an appropriate conservation treat- ment. Standard fber and light microscopy were used to identify the fber type of the painted ma textile. Moreover, custom-made reinforcement materials and technology were introduced with the principles of compatibility, durabil- ity and reversibility. The properties of tensile strength, aging resistance and color alteration of the new material to be added were studied before and after dry heat aging, wet heat aging and UV light aging. After systematic examina- tion and evaluation of the painted ma textile and reinforcement materials, the optimal conservation treatment was established, and exhibition method was established. Our work presents a new method for the conservation of ancient Chinese painted ramie textiles that would promote the protection of these valuable artifacts. Keywords: Painted textiles, Ramie fber, Conservation methods, Reinforcement, Cultural relic Introduction Among them, painted ma textiles are characterized by Textiles in all forms are an essential part of human civi- the fexibility, draping quality, heterogeneity, and mul- lization [1].
    [Show full text]
  • Conservation of Cultural and Scientific Objects
    CHAPTER NINE 335 CONSERVATION OF CULTURAL AND SCIENTIFIC OBJECTS In creating the National Park Service in 1916, Congress directed it "to conserve the scenery and the natural and historic objects and the wild life" in the parks.1 The Service therefore had to address immediately the preservation of objects placed under its care. This chapter traces how it responded to this charge during its first 66 years. Those years encompassed two developmental phases of conservation practice, one largely empirical and the other increasingly scientific. Because these tended to parallel in constraints and opportunities what other agencies found possible in object preservation, a preliminary review of the conservation field may clarify Service accomplishments. Material objects have inescapably finite existence. All of them deteriorate by the action of pervasive external and internal agents of destruction. Those we wish to keep intact for future generations therefore require special care. They must receive timely and. proper protective, preventive, and often restorative attention. Such chosen objects tend to become museum specimens to ensure them enhanced protection. Curators, who have traditionally studied and cared for museum collections, have provided the front line for their defense. In 1916 they had three principal sources of information and assistance on ways to preserve objects. From observation, instruction manuals, and formularies, they could borrow the practices that artists and craftsmen had developed through generations of trial and error. They might adopt industrial solutions, which often rested on applied research that sought only a reasonable durability. And they could turn to private restorers who specialized in remedying common ills of damaged antiques or works of art.
    [Show full text]
  • Creativity Matters: the Arts and Aging Toolkit © 2007 by the National Guild of Community Schools of the Arts, 520 8Th Avenue, Suite 302, New York, NY 10018
    NATionaL GUILD OF CommUniTY SchooLS OF The ARTS CREATIVITY NATionaL CenTer For CreaTIVE Aging NEW Jersey PerForming ARTS CenTer MATTERS THE ARTS AND AGING JOHANNA MISEY BOYER TOOLKIT CREATIVITY MATTERS THE ARTS AND AGING TOOLKIT Creativity Matters: The Arts and Aging Toolkit © 2007 by the National Guild of Community Schools of the Arts, 520 8th Avenue, Suite 302, New York, NY 10018 All rights reserved. Published 2007 Printed in the United States of America Evaluation: Performance Results, Inc., Laytonsville, Maryland Editing: Ellen Hirzy, Washington, DC Design: fuszion, Alexandria, Virginia Photo Credits: Cover (top) and 14: PARADIGM, Solomons Company/Dance, Inc., New York, NY; cover (center): detail of work by Hang Fong Zhang, Center for Elders and Youth in the Arts, Institute on Aging, San Francisco, CA, Jeff Chapline, artistic director; cover (bottom) and 184: Concord Community Music School, Concord, NH, National Guild member since 1984; xxii, 32, 174, 178: Stagebridge Senior Theatre Company, Oakland, CA; 44: Amatullah Saleem (storyteller), Pearls of Wisdom program, Elders Share the Arts, Brooklyn, NY; 24: Alzheimer’s Association Orange County, Irvine, CA; 70: detail of work by Celia Sacks, Center for Elders and Youth in the Arts, Institute on Aging, San Francisco, CA, Jeff Chapline, artistic director; 122: The Golden Tones, Wayland, MA; 146: Irv Williams and Carla Vogel (musician and dancer), Kairos Dance Theatre, Minneapolis, MN; 164: Jesse Neuman-Peterson and Moses Williams (dancers), Kairos Dance Theatre, Minneapolis, MN. The author would like to acknowledge the support of Neil A. Boyer and the inspiration of the ladies on the garden level and her own well elder, Edward G.
    [Show full text]
  • 4-10 Matting and Framing.Pdf
    PRESERVATION LEAFLET CONSERVATION PROCEDURES 4.10 Matting and Framing for Works on Paper and Photographs NEDCC Staff NEDCC Andover, MA The importance of proper matting, mounting and framing Do not use any type of foam board such as Fom-cor®, is often overlooked as a key part of collections care and “archival” paper faced foam boards, Gator board, preventative conservation. Poor quality materials and expanded PVC boards such as Sintra® or Komatex®, any improper framing techniques are a common source of lignin containing paper-based mat boards, kraft (brown) damage to artwork and cultural heritage materials that paper, non-archival or self-adhesive tapes (i.e. document are in otherwise good condition. Staying informed about repair tapes), or ATG (adhesive transfer gum), all of which proper framing practices and choosing conservation-grade are used in the majority of frame shops. mounting, matting and framing can prevent many problems that in the future will be much more difficult to MATTING solve or even completely irreversible. As Benjamin Franklin said, “An ounce of prevention is worth a pound of The window mat is the standard mount for works on cure.” paper. The ideal window mat will be aesthetically pleasing while safely protecting the piece from exterior damage. Mats are an excellent storage method for works on paper CHOICE OF A FRAMER and can minimize the damage caused from handling in When choosing a framer it is important to find someone collections that are used for exhibition and study. Some well-informed about best conservation framing practices institutions simplify their framing and storage operations and experienced in implementing them.
    [Show full text]
  • Practical Techniques for Restoration of Architectural Formation Elements in Historical Buildings
    World Journal of Engineering and Technology, 2019, 7, 193-207 http://www.scirp.org/journal/wjet ISSN Online: 2331-4249 ISSN Print: 2331-4222 Practical Techniques for Restoration of Architectural Formation Elements in Historical Buildings Mahran Anwar Conservation Department, Institute of Tourism, Hotel Management and Restoration, Alexandria, Egypt How to cite this paper: Anwar, M. (2019) Abstract Practical Techniques for Restoration of Architectural Formation Elements in His- Restoration of architectural formation elements is basically trying in estimat- torical Buildings. World Journal of Engi- ing the optimization method which places it old architectural artist in his neering and Technology, 7, 193-207. work. The article aims at rooting the methodology of restoration of the archi- https://doi.org/10.4236/wjet.2019.71013 tectural formation elements. It is essentially intellectual effort by the restorer Received: December 24, 2018 in assessing the best way the artist and the old architect in his work. In order Accepted: February 11, 2019 to reach the purpose behind this works and analyze the original available Published: February 14, 2019 techniques in the creation period, the restoration process can be completed as Copyright © 2019 by author(s) and fully as possible. The research is concerned with re-confidence in the classical Scientific Research Publishing Inc. methods in the restoration of buildings as consolidation and reconstruction. This work is licensed under the Creative The classical method is a real way to restore the building to its original form Commons Attribution International License (CC BY 4.0). especially in the availability of all technological tools to achieve reporting and http://creativecommons.org/licenses/by/4.0/ documentation.
    [Show full text]
  • Cultural Heritage in Postwar Recovery ICCROM Conservation Studies 6
    ICCROM COnseRvatIOn studIes 6 Cultural Heritage in Postwar Recovery iCCROM COnSeRvatiOn StUdieS 6 Cultural Heritage in Postwar Recovery Papers from the iCCROM FORUM held on October 4-6, 2005 EditEd by nicholas Stanley-Price Cultural Heritage in Postwar Recovery. Papers from the ICCROM FORUM held on October 4-6, 2005, edited by Nicholas Stanley-Price. ICCROM Conservation Studies 6, ICCROM, Rome. ISBN 92-9077-201-8 © 2007 ICCROM International Centre for the Study of the Preservation and Restoration of Cultural Property Via di San Michele, 13 00153 Rome, Italy www.iccrom.org Designed by Maxtudio, Rome Printed by Ugo Quintily S.p.A. Contents Preface v NICHOLAS STANLEY-PRICE the thread of continuity: cultural heritage in 1 postwar recovery 1 NICHOLAS STANLEY-PRICE Cultural destruction by war, and its impact on 17 2 group identities NEAL ASCHERSON Postwar reconstruction and the recovery of cultural 26 3 heritage: critical lessons from the last fifteen years SULTAN BARAKAT divided cities and ethnic conflict in the urban domain 40 4 JON CALAME Hmong postwar identity production: heritage maintenance 51 5 and cultural reinterpretation GARY YIA LEE Recovering a family heritage: a personal experience in east 60 6 Germany HERMANN GRAF VON PÜCKLER Cultural Heritage in Postwar Recovery. Papers from the ICCROM FORUM held on October 4-6, 2005, edited by Nicholas Stanley-Price. Political conflict and recovery of cultural heritage in Palestine 68 ICCROM Conservation Studies 6, ICCROM, Rome. 7 SUAD AMIRY AND KHALDUN BSHARA ISBN 92-9077-201-8 Armed conflict
    [Show full text]
  • The Actions and Effects of Dr. Zahi Hawass
    Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2011 Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass Bonnie Jean Roche Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the Arts and Humanities Commons Repository Citation Roche, Bonnie Jean, "Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass" (2011). Browse all Theses and Dissertations. 1049. https://corescholar.libraries.wright.edu/etd_all/1049 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. MUSEUMS AND RESTITUTION: THE ACTIONS AND EFFECTS OF DR. ZAHI HAWASS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By BONNIE JEAN ROCHE Bachelors of Liberal Arts Bowling Green State University, 2008 2011 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES June 10, 2011 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Bonnie Jean Roche ENTITLED Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities. _________________________________ Donovan Miyasaki, Ph.D. Project Director _________________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program Committee on Final Examination: __________________________________ Dawne Dewey, MA. __________________________________ Karla Huebner, Ph.D. __________________________________ Andrew Hsu, Ph.D. Dean, School of Graduate Studies ABSTRACT Roche, Bonnie Jean.
    [Show full text]
  • A Review on Image Inpainting Techniques and Datasets
    A Review on Image Inpainting Techniques and Datasets David Josue´ Barrientos Rojas Bruno Jose´ Torres Fernandes Sergio Murilo Maciel Fernandes Escola Politecnica´ de Pernambuco Escola Politecnica´ de Pernambuco Escola Politecnica´ de Pernambuco Universidade de Pernambuco Universidade de Pernambuco Universidade de Pernambuco Recife, Brazil Recife, Brazil Recife, Brazil Email: [email protected] Email: [email protected] Email: [email protected] Abstract—Image inpainting is a process that allows filling in target regions with alternative contents by estimating the suitable information from auxiliary data, either from surrounding areas or external sources. Digital image inpainting techniques are classified in traditional techniques and Deep Learning techniques. Traditional techniques are able to produce accurate high-quality results when the missing areas are small, however none of them are able to generate novel objects not found in the source image neither to produce semantically consistent results. Deep Learning techniques have greatly improved the quality on image inpainting delivering promising results by generating semantic Fig. 1. Digital Inpainting example using Context Encoders [2] hole filling and novel objects not found in the original image. However, there is still a lot of room for improvement, specially on arbitrary image sizes, arbitrary masks, high resolution texture II. INPAINTING TECHNIQUES synthesis, reduction of computation resources and reduction of training time. This work classifies and orders chronologically the Existing image inpainting techniques can be divided into most prominent techniques, providing an overall explanation on two different groups: traditional and deep learning-based meth- its operation. It presents, as well, the most used datasets and ods. evaluation metrics across all the works reviewed.
    [Show full text]
  • Accelerated Aging of Paper: Can It Really Foretell the Permanence of Paper
    Preservation Research and Testing Series No. 9503 Accelerated Aging of Paper: Can It Really Foretell the Permanence of Paper Chandru Shahani Preservation Research and Testing Office Preservation Directorate Library of Congress Washington, D.C. November 1995 Proceedings from the ASTM/ISR Workshop on the Effects of Aging on Printing and Writing Papers. Philadelphia, PA July 1994 Accelerated Aging of Paper Preservation Research and Testing Series No. 9503 November 1995 Page 1 of 18 Library of Congress ♦ Preservation Directorate www.loc.gov/preservation/ Accelerated Aging of Paper: Can It Really Foretell the Permanence of Paper Chandru Shahani Preservation Research and Testing Office Library of Congress, Washington, D.C. Introduction After more than a century of scientific investigation into the permanence, or lack thereof, of paper (Kantrowitz, 1940; Fellers, 1989), this field of inquiry is more fertile than ever. We, and our predecessors before us, have done our utmost, and we still wonder about exactly how paper ages. This is a tribute to the complexity of paper and the everchanging, constantly advancing technology of its manufacture. Many issues remain to be resolved, but few merit as much concern as the development of a consensus around a sound and practical accelerated aging methodology. Such a development would in itself serve to resolve many other long-standing issues. The present NISO, as well as ISO standards for permanent paper are heavily weighted towards specifying the composition of paper, rather than its performance (NISO, 1992; ISO, 1994). While the recent revision of ISO 9706 improved upon the NISO permanent paper standard by incorporating an accelerated aging test, it did not do so to replace any of the composition related requirements.
    [Show full text]
  • Detection and Inpainting of Facial Wrinkles Using Texture Orientation Fields and Markov Random Field Modeling Nazre Batool, Rama Chellappa
    Detection and Inpainting of Facial Wrinkles Using Texture Orientation Fields and Markov Random Field Modeling Nazre Batool, Rama Chellappa To cite this version: Nazre Batool, Rama Chellappa. Detection and Inpainting of Facial Wrinkles Using Texture Orienta- tion Fields and Markov Random Field Modeling. IEEE Transactions on Image Processing, Institute of Electrical and Electronics Engineers, 2014, 23, pp.3773 - 3788. 10.1109/TIP.2014.2332401. hal- 01096624 HAL Id: hal-01096624 https://hal.inria.fr/hal-01096624 Submitted on 17 Dec 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 Detection and Inpainting of Facial Wrinkles using Texture Orientation Fields and Markov Random Field Modeling Nazre Batool, Member, IEEE, and Rama Chellappa, Life Fellow, IEEE Abstract—Facial retouching is widely used in media and BeautifyTM [15], Perfect365TM [16]) which provide minimum entertainment industry. Professional software usually require user interaction for facial touch ups have also been introduced. a minimum level of user expertise to achieve the desirable However, both professional and user-friendly software have results. In this paper, we present an algorithm to detect facial wrinkles/imperfection. We believe that any such algorithm would limitations.
    [Show full text]
  • Creativity & Aging Study
    PROJECT TITLE: The Creativity and Aging Study The Impact of Professionally Conducted Cultural Programs on Older Adults Final Report: April 2006 Executive Summary In 2001, the National Endowment for the Arts developed a cooperative agreement with The George Washington University to conduct a multisite national study with the aim of measuring the impact of professionally conducted community based cultural programs on the general health, mental health, and social activities of older persons, age 65 and older. Referred to as the Creativity and Aging Study, the project’s formal title is “The Impact of Professionally Conducted Cultural Programs on Older Adults”. No previous study of this nature using an experimental design and a control group had been carried out. The study takes place in three different sites across the country—the metro Washington, DC area; Brooklyn; and San Francisco. Each site involves two groups—(1) the Intervention Group, comprised of older individuals involved in a weekly participatory art program, and (2) those involved in a Control Group, comprised of individuals involved in their ongoing activities as usual. Each site recruited at least 100 older persons—50 participants in the Intervention Group and Control Group alike. The overall study has had 300 participants—150 in the Intervention Groups, 150 in the Control Groups. The average age in all three sites, Intervention and Control Groups alike, was approximately 80 years of age, The age range has been 65-103 years. Approximately 30 percent of the participants reflect racial and ethnic minorities. The groups were very well matched in level of functioning at the start of study, with very similar physical health, mental health, and level of activity profiles.
    [Show full text]