Managers of Decay
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Introducticn Tc Ccnservoticn
introducticntc ccnservoticn UNITED NATTONSEDUCATIONA],, SCIEIilIIFTC AND CULTIJRALOROANIZATTOII AN INIRODUCTION TO CONSERYATIOI{ OF CULTURAT PROPMTY by Berr:ar"d M. Feilden Director of the Internatlonal Centre for the Preservatlon and Restoratlon of Cultural Property, Rome Aprll, L979 (cc-ig/ws/ttt+) - CONTENTS Page Preface 2 Acknowledgements Introduction 3 Chapter* I Introductory Concepts 6 Chapter II Cultural Property - Agents of Deterioration and Loss . 11 Chapter III The Principles of Conservation 21 Chapter IV The Conservation of Movable Property - Museums and Conservation . 29 Chapter V The Conservation of Historic Buildings and Urban Conservation 36 Conclusions ............... kk Appendix 1 Component Materials of Cultural Property . kj Appendix 2 Access of Water 53 Appendix 3 Intergovernmental and Non-Governmental International Agencies for Conservation 55 Appendix k The Conservator/Restorer: A Definition of the Profession .................. 6? Glossary 71 Selected Bibliography , 71*. AUTHOR'S PREFACE Some may say that the attempt to Introduce the whole subject of Conservation of Cultural Propety Is too ambitious, but actually someone has to undertake this task and it fell to my lot as Director of the International Centre for the Study of the Preservation and Restoration of Cxiltural Property (ICCROM). An introduction to conservation such as this has difficulties in striking the right balance between all the disciplines involved. The writer is an architect and, therefore, a generalist having contact with both the arts and sciences. In such a rapidly developing field as conservation no written statement can be regarded as definite. This booklet should only be taken as a basis for further discussions. ACKNOWLEDGEMENTS In writing anything with such a wide scope as this booklet, any author needs help and constructive comments. -
A New Method for the Conservation of Ancient Colored Paintings on Ramie
Liu et al. Herit Sci (2021) 9:13 https://doi.org/10.1186/s40494-021-00486-4 RESEARCH ARTICLE Open Access A new method for the conservation of ancient colored paintings on ramie textiles Jiaojiao Liu*, Yuhu Li*, Daodao Hu, Huiping Xing, Xiaolian Chao, Jing Cao and Zhihui Jia Abstract Textiles are valuable cultural heritage items that are susceptible to several degradation processes due to their sensi- tive nature, such as the case of ancient ma colored-paintings. Therefore, it is important to take measures to protect the precious ma artifacts. Generally, ″ma″ includes ramie, hemp, fax, oil fax, kenaf, jute, and so on. In this paper, an examination and analysis of a painted ma textile were the frst step in proposing an appropriate conservation treat- ment. Standard fber and light microscopy were used to identify the fber type of the painted ma textile. Moreover, custom-made reinforcement materials and technology were introduced with the principles of compatibility, durabil- ity and reversibility. The properties of tensile strength, aging resistance and color alteration of the new material to be added were studied before and after dry heat aging, wet heat aging and UV light aging. After systematic examina- tion and evaluation of the painted ma textile and reinforcement materials, the optimal conservation treatment was established, and exhibition method was established. Our work presents a new method for the conservation of ancient Chinese painted ramie textiles that would promote the protection of these valuable artifacts. Keywords: Painted textiles, Ramie fber, Conservation methods, Reinforcement, Cultural relic Introduction Among them, painted ma textiles are characterized by Textiles in all forms are an essential part of human civi- the fexibility, draping quality, heterogeneity, and mul- lization [1]. -
AATA Online Categories
AATA Online Categories Methods of Examination, Analysis, and Documentation (formerly A1-A5) Contains abstracts about the process of obtaining and/or storing information using a variety of techniques, including microscopy, imaging, and dating techniques; analytical techniques that establish chemical composition or physical state; data collection and management (e.g., GIS and GPS); and computer modeling. If the abstract deals with a method of analysis or examination independent of a specific material, or if it deals with the analysis or examination of too wide a range of materials to justify inclusion in Materials and Objects: Analysis, Treatment, and Techniques, it is classified here. Crossover technology and technology transfer are also included in this section. Field Editor: Marie-Claude Corbeil, Canada Preventive Conservation and General Topics (formerly B1-B5) Abstracts in this section address the general body of knowledge relating to preventive conservation, collections care, general treatment procedures and materials, conservation practice, health and safety, policy and legislation, history, ethics, and theory. Included as well are abstracts relating to conservation management and cultural tourism. Abstracts that are potentially relevant to all conservators, regardless of specialty, or that discuss a wide variety of materials appear here. For example, a work dealing with the effects of environmental pollution on cultural property in general would be included in this section, whereas a work describing the effect of pollution on the corrosion of metals would be located in Metals and Metallurgical By-products. Field Editors: Ruth Norton, United States, and Francoise Hanssen-Bauer, Norway Archaeological Conservation (formerly C1-C5) Focuses on the documentation, analysis, and management of both underwater and terrestrial archaeological sites and assemblages for the purposes of their conservation and preservation. -
Conservation of Cultural and Scientific Objects
CHAPTER NINE 335 CONSERVATION OF CULTURAL AND SCIENTIFIC OBJECTS In creating the National Park Service in 1916, Congress directed it "to conserve the scenery and the natural and historic objects and the wild life" in the parks.1 The Service therefore had to address immediately the preservation of objects placed under its care. This chapter traces how it responded to this charge during its first 66 years. Those years encompassed two developmental phases of conservation practice, one largely empirical and the other increasingly scientific. Because these tended to parallel in constraints and opportunities what other agencies found possible in object preservation, a preliminary review of the conservation field may clarify Service accomplishments. Material objects have inescapably finite existence. All of them deteriorate by the action of pervasive external and internal agents of destruction. Those we wish to keep intact for future generations therefore require special care. They must receive timely and. proper protective, preventive, and often restorative attention. Such chosen objects tend to become museum specimens to ensure them enhanced protection. Curators, who have traditionally studied and cared for museum collections, have provided the front line for their defense. In 1916 they had three principal sources of information and assistance on ways to preserve objects. From observation, instruction manuals, and formularies, they could borrow the practices that artists and craftsmen had developed through generations of trial and error. They might adopt industrial solutions, which often rested on applied research that sought only a reasonable durability. And they could turn to private restorers who specialized in remedying common ills of damaged antiques or works of art. -
BROCHURE-ARRE-2011-UK:Mise En Page 1
Discovering European Heritage in Royal Residences Association of European Royal Residences Contents 3 The Association of European Royal Residences 4 National Estate of Chambord, France 5 Coudenberg - Former Palace of Brussels, Belgium 6 Wilanow Palace Museum, Poland 7 Palaces of Versailles and the Trianon, France 8 Schönbrunn Palace, Austria 9 Patrimonio Nacional, Spain 10 Royal Palace of Gödöllo”, Hungary 11 Royal Residences of Turin and of the Piedmont, Italy 12 Mafra National Palace, Portugal 13 Hampton Court Palace, United Kingdom 14 Peterhof Museum, Russia 15 Royal Palace of Caserta, Italy 16 Prussian Palaces and Gardens of Berlin-Brandenburg, Germany 17 Royal Palace of Stockholm, Sweden 18 Rosenborg Castle, Denmark 19 Het Loo Palace, Netherlands Cover: Chambord Castle. North facade © LSD ● F. Lorent, View from the park of the ruins of the former Court of Brussels, watercolour, 18th century © Brussels, Maison du Roi - Brussels City Museums ● Wilanow Palace Museum ● Palace of Versailles. South flowerbed © château de Versailles-C. Milet ● The central section of the palace showing the perron leading up to the Great Gallery, with the Gloriette in the background © Schloß Schönbrunn Kultur- und Betriebsges.m.b.H., Vienna ● Real Sitio de La Granja de San Ildefonso © Patrimonio Nacional ● View from the garden © Gödöllo “i Királyi Kastély ● The Margaria © Racconigi ● Venaria Reale. View of the Palace © Venaria Reale ● Mafra National Palace. Photo S. Medeiros © Palacio de Mafra ● Kew Palace © Historic Royal Palaces ● White Tower, Tower of London © Historic Royal Palaces ● Kensington Palace © Historic Royal Palaces ● Banqueting House © Historic Royal Palaces ● Hampton Court Palace © Historic Royal Palaces ● Grand Palace and Grand Cascade © Peterhof Museum ● Caserta – Royal Palace – Great staircase of honour © Soprintendenza BAPSAE. -
Best Landmarks in Amsterdam"
"Best Landmarks in Amsterdam" Created by: Cityseeker 20 Locations Bookmarked De Nieuwe Kerk "Spectacular Architecture" The Nieuwe Kerk is a 15th-century building, partly destroyed and refurbished after several fires. Located in the bustling Dam Square area of the city, this historic church has held a prominent place in the country's political and religious affairs over the centuries. It has been the venue for coronations of kings and queens, and also plays host to an array of by Dietmar Rabich exhibitions, concerts and cultural events. Admire its Gothic architecture, splendid steeples, glass-stained windows and ornate detailing. +31 20 638 6909 www.nieuwekerk.nl [email protected] Dam Square, Amsterdam Royal Palace of Amsterdam "The Royal Residence" Amsterdam's Royal Palace is the crown jewel of the city's cache of architectural marvels from the Dutch Golden Age. The palace was originally constructed in the 17th Century as the new Town Hall, designed by Jacob van Campen as a symbol of the Netherlands' far-reaching influence and its hefty stake in global commerce at that time. The palace by Diego Delso is an embodiment of opulence and lavish taste, generously adorned with marble sculptures, vivid frescoes and sparkling chandeliers that illuminate rooms of palatial proportions. Within, are numerous symbolic representations of the country's impressive economic and civic power in the realm of world politics in the 17th Century, including a larger-than-life statue of Atlas. In 1806, Louis Napoleon, brother of Napoleon Bonaparte, was named King Louis I of Holland, transforming the former Town Hall into his Royal Palace. -
Structure and Lining: a Review
Coddington, J. and Young, C. (2018) Structure and lining: A review. AIC News, 43(3), 1, 6-9. This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/162704/ Deposited on: 22 May 2018 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk 01- Lead Article Structure and Lining: A Review By Jim Coddington and Christina Young Historically, changes in the practice of structural conservation of paintings reflect the general thrust of change in conservation practice; slow and perhaps even methodical. Only occasionally can we identify landmark moments or events that have shifted the field. The 1974 Greenwich Lining Conference is one such event in the history of the conservation of paintings. The conference’s nominal topic was lining, or the addition of a second fabric to the back of the original, a profound intervention on the work of art and thus a topic of the great importance then and now. The conference papers and discussions scrutinized then current practices in lining and the structural restoration of paintings as well as new approaches that were in development at the time. Box start Conference Proceedings were published in 2000, as: Villers C., ed. 2004. Lining Paintings: Papers from the Greenwich Conference on Comparative Lining Techniques, Archetype Publications. Box end What was manifestly clear in 1974 was that our understanding of the mechanics of paintings, their mechanisms of deterioration and other fundamental questions was limited. -
A Day in Amsterdam"
"A Day in Amsterdam" Created by: Cityseeker 16 Locations Bookmarked De Nieuwe Kerk "Spectacular Architecture" The Nieuwe Kerk is a 15th-century building, partly destroyed and refurbished after several fires. Located in the bustling Dam Square area of the city, this historic church has held a prominent place in the country's political and religious affairs over the centuries. It has been the venue for coronations of kings and queens, and also plays host to an array of by Dietmar Rabich exhibitions, concerts and cultural events. Admire its Gothic architecture, splendid steeples, glass-stained windows and ornate detailing. +31 20 638 6909 www.nieuwekerk.nl [email protected] Dam Square, Amsterdam Royal Palace of Amsterdam "The Royal Residence" Amsterdam's Royal Palace is the crown jewel of the city's cache of architectural marvels from the Dutch Golden Age. The palace was originally constructed in the 17th Century as the new Town Hall, designed by Jacob van Campen as a symbol of the Netherlands' far-reaching influence and its hefty stake in global commerce at that time. The palace by Diego Delso is an embodiment of opulence and lavish taste, generously adorned with marble sculptures, vivid frescoes and sparkling chandeliers that illuminate rooms of palatial proportions. Within, are numerous symbolic representations of the country's impressive economic and civic power in the realm of world politics in the 17th Century, including a larger-than-life statue of Atlas. In 1806, Louis Napoleon, brother of Napoleon Bonaparte, was named King Louis I of Holland, transforming the former Town Hall into his Royal Palace. -
Creativity Matters: the Arts and Aging Toolkit © 2007 by the National Guild of Community Schools of the Arts, 520 8Th Avenue, Suite 302, New York, NY 10018
NATionaL GUILD OF CommUniTY SchooLS OF The ARTS CREATIVITY NATionaL CenTer For CreaTIVE Aging NEW Jersey PerForming ARTS CenTer MATTERS THE ARTS AND AGING JOHANNA MISEY BOYER TOOLKIT CREATIVITY MATTERS THE ARTS AND AGING TOOLKIT Creativity Matters: The Arts and Aging Toolkit © 2007 by the National Guild of Community Schools of the Arts, 520 8th Avenue, Suite 302, New York, NY 10018 All rights reserved. Published 2007 Printed in the United States of America Evaluation: Performance Results, Inc., Laytonsville, Maryland Editing: Ellen Hirzy, Washington, DC Design: fuszion, Alexandria, Virginia Photo Credits: Cover (top) and 14: PARADIGM, Solomons Company/Dance, Inc., New York, NY; cover (center): detail of work by Hang Fong Zhang, Center for Elders and Youth in the Arts, Institute on Aging, San Francisco, CA, Jeff Chapline, artistic director; cover (bottom) and 184: Concord Community Music School, Concord, NH, National Guild member since 1984; xxii, 32, 174, 178: Stagebridge Senior Theatre Company, Oakland, CA; 44: Amatullah Saleem (storyteller), Pearls of Wisdom program, Elders Share the Arts, Brooklyn, NY; 24: Alzheimer’s Association Orange County, Irvine, CA; 70: detail of work by Celia Sacks, Center for Elders and Youth in the Arts, Institute on Aging, San Francisco, CA, Jeff Chapline, artistic director; 122: The Golden Tones, Wayland, MA; 146: Irv Williams and Carla Vogel (musician and dancer), Kairos Dance Theatre, Minneapolis, MN; 164: Jesse Neuman-Peterson and Moses Williams (dancers), Kairos Dance Theatre, Minneapolis, MN. The author would like to acknowledge the support of Neil A. Boyer and the inspiration of the ladies on the garden level and her own well elder, Edward G. -
4-10 Matting and Framing.Pdf
PRESERVATION LEAFLET CONSERVATION PROCEDURES 4.10 Matting and Framing for Works on Paper and Photographs NEDCC Staff NEDCC Andover, MA The importance of proper matting, mounting and framing Do not use any type of foam board such as Fom-cor®, is often overlooked as a key part of collections care and “archival” paper faced foam boards, Gator board, preventative conservation. Poor quality materials and expanded PVC boards such as Sintra® or Komatex®, any improper framing techniques are a common source of lignin containing paper-based mat boards, kraft (brown) damage to artwork and cultural heritage materials that paper, non-archival or self-adhesive tapes (i.e. document are in otherwise good condition. Staying informed about repair tapes), or ATG (adhesive transfer gum), all of which proper framing practices and choosing conservation-grade are used in the majority of frame shops. mounting, matting and framing can prevent many problems that in the future will be much more difficult to MATTING solve or even completely irreversible. As Benjamin Franklin said, “An ounce of prevention is worth a pound of The window mat is the standard mount for works on cure.” paper. The ideal window mat will be aesthetically pleasing while safely protecting the piece from exterior damage. Mats are an excellent storage method for works on paper CHOICE OF A FRAMER and can minimize the damage caused from handling in When choosing a framer it is important to find someone collections that are used for exhibition and study. Some well-informed about best conservation framing practices institutions simplify their framing and storage operations and experienced in implementing them. -
AIC Newsletter Volume 1
ewsletter Published four times a year by THE AMERICAN INSTITUTE FOR CONSERVATION OF HISTORIC AND ARTISTIC WORKS Volume 1 number 1 December 1975 ·IN RESPONSE to popular demand, the directors of AIC voted at pants increase their skills and improve the effectiveness of the annual meeting in Mexico City to establish a quarterly their ability to preserve, interpret, and communicate the newsletter for the organization. This issue is the first; history of their states or areas. The seminar will include the second will be sent early in February 1976. programs on preservation and restoration and sessions on the artifact as a historical document. The seminar is intended The Newsletter will be modeled after the IIC newsletter and for professional employees of historical societies and muse will include information about up-coming conferences, semi ums in middle America. Further information is available from nars and courses of interest, both in the United States and AASLH, Educational Programs, 1400 Eighth Avenue S., Nashville, abroad. It will also contain news about the activities of Tennessee 37203. local conservation groups; news from the conservation train ing programs; a listing of positions available in the profes sion; news of AIC, its meetings, actions, and its new mem The Restoration and Conservation Laboratory, National Gallery bers. Personal notes, including changes of position, will of Canada, is sponsoring a seminar on April 6-7 conducted by Westby Percival-Prescott, Head, Picture Restoration Depart also be offered. ment, National Maritime Museum, Greenwich, England. The top The source of all this news is the membership of AIC, so ic is "Lining of Paintings -- a Reassessment," and the pro please help make AIC Newsletter a viable information resource gram will include recent technical films and lectures on lin by sending any and all information on the above topics (or ing procedures. -
Practical Techniques for Restoration of Architectural Formation Elements in Historical Buildings
World Journal of Engineering and Technology, 2019, 7, 193-207 http://www.scirp.org/journal/wjet ISSN Online: 2331-4249 ISSN Print: 2331-4222 Practical Techniques for Restoration of Architectural Formation Elements in Historical Buildings Mahran Anwar Conservation Department, Institute of Tourism, Hotel Management and Restoration, Alexandria, Egypt How to cite this paper: Anwar, M. (2019) Abstract Practical Techniques for Restoration of Architectural Formation Elements in His- Restoration of architectural formation elements is basically trying in estimat- torical Buildings. World Journal of Engi- ing the optimization method which places it old architectural artist in his neering and Technology, 7, 193-207. work. The article aims at rooting the methodology of restoration of the archi- https://doi.org/10.4236/wjet.2019.71013 tectural formation elements. It is essentially intellectual effort by the restorer Received: December 24, 2018 in assessing the best way the artist and the old architect in his work. In order Accepted: February 11, 2019 to reach the purpose behind this works and analyze the original available Published: February 14, 2019 techniques in the creation period, the restoration process can be completed as Copyright © 2019 by author(s) and fully as possible. The research is concerned with re-confidence in the classical Scientific Research Publishing Inc. methods in the restoration of buildings as consolidation and reconstruction. This work is licensed under the Creative The classical method is a real way to restore the building to its original form Commons Attribution International License (CC BY 4.0). especially in the availability of all technological tools to achieve reporting and http://creativecommons.org/licenses/by/4.0/ documentation.