00028947980018 0002894798
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Booklet
4.K Der Herr lebet Der Herr lebet Der Herr lebet – Kantate zum 1. Ostertag TVWV 1:284 Kantate zum 1. Ostertag Cantata for Easter Day für Sopran, Alt, Bass, Chor, 2 Trompeten, Pauken, Streicher und B.c. Coro Coro 1 Coro (Orchester-Tutti) 2:09 Der Herr lebet und gelobet sei mein Hort, The Lord lives and praised be my refuge, 2 Aria – Basso (Orchester-Tutti) 6:56 der Herr lebet! the Lord lives! 3 Recitativo – Alto (Orgel) 0:44 Und gelobet sei mein Hort, und der Gott And praised be my refuge, and may the 4 Aria – Soprano (Streicher und B.c.) 5:28 meines Heils müsse erhaben werden. God of my salvation be exalted. 5 Coro („Der Anfangsspruch“) 2:12 Aria Aria Nun jauchzet, ihr Himmel! Die Höll ist Now rejoice, ye heavens! Hell is conquered, Ehr und Dank sey Dir gesungen – Kantate zum Michaelisfest TVWV 1:413 bezwungen, for Christ has won and Satan has lost. für Bass, Chor, 2 Trompeten, Pauken, Streicher und B.c. denn Christus gewinnet und Satan verliert. Man’s enemy has suffered loss, now Jesus Der Menschenfeind besteht mit Schanden, has risen from the dead, 6 Choral (Streicher und B.c.) 1:08 weil Jesus davon auferstanden, leading Hell’s kingdom captive. 7 Aria – Basso (Orchester-Tutti) 7:48 das Höllenreich gefangen führt. 8 Recitativo – Basso (Orgel) 0:32 9 Aria – Basso (Orchester-Tutti) 7:16 Recitativo Recitativo bl Choral (Tutti) 1:49 O Heiland, gib auch mir die Kraft zum O Saviour, give me too the power to rise Auferstehn! again! Denn blieb ich noch in Sünden liegen, so For if I lay in sin, I would lose the fruit of Der Geist giebt Zeugnis – Kantate zum 1. -
Koor & Orkest Collegium Vocale Gent
2010-2011 architectuur theater dans muziek 2010-2011 blauwe zaal grote podia deSingel Desguinlei 25 / B-2018 Antwerpen ma vr 10 19 uur / za 16 19 uur KOOR & ORKEST www.desingel.be [email protected] COLLEGIUM VOCALE T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 GENT OLV. PHILIPPE HERREWEGHE DO 18 NOV 2010 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2010-2011 VOCALE BAROK KOOR & ORKEST COLLEGIUM VOCALE GENT OLV. PHILIPPE HERREWEGHE DO 18 NOV 2010 THE ENGLISH CONCERT OLV. HARRY BICKET DO 9 DEC 2010 L’ARTE DEL MONDO OLV. WERNER EHRHARDT ZA 29 JAN 2011 AKADEMIE FÜR ALTE MUSIK BERLIN & COLLEGIUM VOCALE GENT OLV. DANIEL REUSS DO 7 APRIL 2011 inleiding Diederik Verstraete / 19.15 uur / blauwe foyer begin 20.00 uur pauze omstreeks 20.50 uur einde omstreeks 21.45 uur teksten programmaboekje Diederik Verstraete coördinatie programmaboekje deSingel & Diederik Verstraete KOOR EN ORKEST COLLEGIUM VOCALE GENT PHILIPPE HERREWEGHE muzikale leiding DOROTHEE MIELDS, HANA BLAZIKOVA sopraan DAMIEN GUILLON altus THOMAS HOBBS tenor PETER KOOIJ bas JOHANN SEBASTIAN BACH (1685-1750) Cantate ‘Jesu, der du meine Seele’, BWV 78 23’ voor sopraan, alt, tenor, bas, koor, traverso, 2 hobo’s, strijkers en basso continuo CHRISTOPH GRAUPNER (1683-1760) Cantate ‘Ach stirb mein Herz’ 20’ voor sopraan, alt, tenor, bas, koor, 2 hobo’s d’amore, strijkers en basso continuo pauze gelieve uw GSM uit te schakelen JOHANN SEBASTIAN BACH Magnificat in D, BWV 243 35’ voor 2 sopranen, alt, tenor, bas, koor, 3 trompetten, De inleidingen kan u achteraf beluisteren via www.desingel.be pauken, 2 traverso’s, 2 hobo’s, 2 hobo’s d’amore, Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze. -
Andreas Scholl: «La Música De Bach Va Dirigida Al Alma Del Oyente
ENTREVISTAS EN LÍNEA “Bach es, sin duda, el compositor más difícil para la voz” Fotos: James McMillan/Decca Andreas Scholl: “La música de Bach va dirigida al alma del oyente” por Lorena Jiménez Alonso l oeste del casco antiguo de Leipzig y rodeada del paraje natural del Johannapark, se encuentra la Lutherkirche; la iglesia que lleva el nombre del teólogo alemán Martín Lutero, artífice de la Reforma Protestante, y quien a principios del siglo AXVI acabó con la hegemonía católica en Europa. Esta entrevista tiene lugar en un banco de la nave lateral de la Iglesia Luterana, minutos después de que Andreas Scholl, acompañado al clavecín por George Christoph Biller (decimosexto Thomaskantor después de J. S. Bach), cantase con el público la música que Johann Sebastian Bach escribió en esta ciudad para el culto dominical luterano. julio-agosto 202 pro ópera La participación vocal activa de los asistentes, dispuestos en Thomaskirche (Iglesia de Santo Tomás). Fue algo increíble, muy diferentes bancos de la iglesia según sus voces: sopranos, emotivo; en esta iglesia te sientes muy cerca de Bach. Es el lugar mezzosopranos, contraltos, tenores, barítonos y bajos, como para el que Bach creó su obra; estás en el mismo lugar para el coristas del que para muchos es hoy el contratenor actual más que Bach compuso la música que estás cantando y eso es algo importante del mundo, es uno de los muchos eventos musicales extraordinario. que se organizan durante el Bachfest Leipzig; festival de referencia en toda Alemania que durante diez días reúne a los Además, en este festival tienes la oportunidad de trabajar mejores artistas internacionales de música barroca. -
Septem Verba a Christo
GIOVANNI BATTISTA PERGOLESI Septem verba a Christo SOPHIE KARTHÄUSER CHRISTOPHE DUMAUX JULIEN BEHR KONSTANTIN WOLFF RENÉ JACOBS FRANZ LISZT Verbum I: Pater, dimitte illis: non enim sciunt qui faciunt (Luke 23:34) 1 | Christus (bass) Recitativo Huc, o dilecti filii 1’57 2 | Aria En doceo diligere 4’38 3 | Anima (alto) Aria Quod iubes, magne Domine 4’02 Verbum II: Amen dico tibi: hodie mecum eris in Paradiso (Luke 25:43) 4 | Christus (tenor) Recitativo Venite, currite 0’55 5 | Aria Latronem hunc aspicite 4’23 6 | Anima (soprano) Aria Ah! peccatoris supplicis 5’04 Verbum III: Mulier ecce filius tuus (John 19:26) 7 | Christus (bass) Recitativo Quo me, amor? 2’01 8 | Aria Dilecta Genitrix 3’35 9 | Anima (soprano) Recitativo Servator optime 1’18 10 | Aria Quod iubes, magne Domine 5’59 Verbum IV: Deus meus, deus meus, ut quid dereliquisti me? (Mark 15:34) 11 | Christus (bass) Aria Huc oculos 5’57 12 | Anima (alto) Aria Afflicte, derelicte 5’40 Verbum V: Sitio (John 19:28) 13 | Christus (bass) Aria O vos omnes, qui transitis 5’19 14 | Anima (tenor) Aria Non nectar, non vinum, non undas 4’13 Verbum VI: Consummatum est (John 19:29) 15 | Christus (bass) Aria Huc advolate mortales 6’09 16 | Anima (soprano) Aria Sic consummasti omnia 5’35 Verbum VII: Pater, in manus tuas commendo spiritum meum (Luke 23:44-46) 17 | Christus (bass) Recitativo Quotquot coram cruce statis 1’36 18 | Aria In tuum, Pater, gremium 5’33 19 | Anima (tenor) Aria Quid ultra peto vivere 6’25 Soprano Sophie Karthäuser Countertenor Christophe Dumaux Tenor Julien Behr Bass Konstantin -
ANDREAS SCHOLL Sydney Recital Hall and the Gran Teatre Del Liceu, Barcelona
TAMAR HALPERIN Tamar Halperin was born in Israel and studied at Tel Aviv University, the Schola Cantorum Basiliensis, Basel, and the Juilliard School, New York, where she obtained a doctorate in 2009. Her repertory focuses on Baroque music, but she is also an enthusiastic performer of classical and contemporary THOMAS W. BUSSE music: she composes, arranges and performs popular, jazz and FUND PRESENTS electronic music, some of which has been recorded on the Act and Garage labels. Her collaboration with the jazz pianist Michael Wollny led to the album Wunderkammer, which won the 2010 ECHO Klassik Award for best piano album. As a soloist and chamber musician she has performed in Israel, Europe, United States, Mexico, Japan, Korea and Australia, appearing in many prestigious venues, including Carnegie Hall and Alice Tully Hall, New York, the Wigmore Hall, the Musashino Hall in Tokyo, the ANDREAS SCHOLL Sydney Recital Hall and the Gran Teatre del Liceu, Barcelona. She has collaborated with Laurence Cummings, the New countertenor York Philharmonic Orchestra, and the London-based Serafin Camerata Orchestra. Her numerous prizes and awards include an honorary prize at the 2004 Van Vlaanderen Musica Antiqua Brugge Competition, the Presser Award in 2005, the REC Music Award in 2006 and the Eisen-Picard Performing Arts Award in 2006 and 2007. Tamar Halperin, piano Wednesday, October 1, 2014 Corbett Auditorium 8:00 p.m. This performance is supported by the Thomas W. Busse Trust. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. -
Johann Sebastian Bach Du Treuer Gott Leipzig Cantatas BWV 101 - 115 - 103
Johann Sebastian Bach Du treuer Gott Leipzig Cantatas BWV 101 - 115 - 103 Collegium Vocale Gent Philippe Herreweghe Johann Sebastian Bach (1685–1750) Nimm von uns, Herr, du treuer Gott, BWV 101 Mache dich, mein Geist, bereit, BWV 115 Ihr werdet weinen und heulen, BWV 103 Dorothee Mields Soprano Damien Guillon Alto Thomas Hobbs Tenor Peter Kooij Bass Collegium Vocale Gent Philippe Herreweghe Menu Tracklist ------------------------------ English Biographies Français Biographies Deutsch Biografien Nederlands Biografieën ------------------------------ Sung texts Johann Sebastian Bach (1685-1750) Nimm von uns, Herr, du treuer Gott, BWV 101 [1] 1. Coro: Nimm von uns, Herr, du treuer Gott ______________________________________________________________7’44 [2] 2. Aria (tenor): Handle nicht nach deinen Rechten ________________________________________________________3’30 [3] 3. Recitativo e choral (soprano): Ach! Herr Gott, durch die Treue dein__________________________________2’13 [4] 4. Aria (bass): Warum willst du so zornig sein? ___________________________________________________________ 4’14 [5] 5. Recitativo e choral (tenor): Die Sünd hat uns verderbet sehr _________________________________________ 2’11 [6] 6. Aria (soprano, alto): Gedenk an Jesu bittern Tod _______________________________________________________5’59 [7] 7. Choral: Leit uns mit deiner rechten Hand _______________________________________________________________0’55 Mache dich, mein Geist, bereit, BWV 115 [8] 1. Coro: Mache dich, mein Geist, bereit ____________________________________________________________________4’00 -
18.04.24 Soph Resume 9 Pt
STEVEN SOPH, Tenor (857) 523-0793 | [email protected] | www.stevensoph.com “The demanding role of the Evangelist was expertly inhabited by tenor Steven Soph.” – Chicago Classical Review Upcoming Engagements Soloist Garrop, Terra Nostra Champaign-Urbana Symphony Orchestra Stephen Alltop 2019 Uriel Haydn, Die Schöpfung Master Chorale of South Florida (Ft. Lauderdale) Brett Karlin 2019 Soloist J.S. Bach, BWV 61, 140 Philharmonia Baroque Orchestra Patrick Dupré Quigley 2018 Soloist J.S. Bach, BWV 105 Oregon Bach Festival Scott Allen Jarrett 2018 Evangelist J.S. Bach, Matthäus-Passion Bach Society of St. Louis A. Dennis Sparger 2018 Soloist Handel, Messiah New Jersey Symphony Orchestra Patrick Dupré Quigley 2018 Soloist Handel, Messiah Spire Chamber Ensemble (Kansas City) Ben Spalding 2018 Select Recent Engagements Soloist J.S. Bach, BWV 80 Pro Musica Colorado Chamber Orchestra Cynthia Katsarelis 2018 Soloist J.S. Bach, Oster-Oratorium Bethany Lutheran Church (Denver) James Kim 2018 Evangelist J.S. Bach, Johannes-Passion Boston University Ruben Valenzuela 2018 Evangelist J.S. Bach, Matthäus-Passion Seraphic Fire (Miami) Patrick Dupré Quigley 2018 Soloist Handel, Messiah Augustana College Jon Hurty 2018 Soloist J.S. Bach, BWV 34 The Cleveland Orchestra Franz Welser-Möst 2017 Evangelist J.S. Bach, Johannes-Passion University of North Texas Richard Sparks 2017 Soloist J.S. Bach, Mass in B minor Chicago Chorale Bruce Tammen 2017 Evangelist J.S. Bach, Matthäus-Passion Brown University Frederick Jodry 2017 Soloist Handel, Messiah Apollo Chorus of Chicago Stephen Alltop 2017 Soloist Handel, Messiah Master Chorale of South Florida Brett Karlin 2017 Soloist Handel, Messiah Spire Chamber Ensemble Ben Spalding 2017 Evangelist Keiser, Brockes-Passion University of Connecticut Jun Lee 2017 Soloist Mozart, Requiem The Cleveland Orchestra Patrick Dupré Quigley 2017 Soloist Stravinsky, Threni The Cleveland Orchestra Franz Welser-Möst 2017 Soloist J.S. -
Booklet & CD Design & Typography: David Tayler Cover Art: Adriaen Coorte
Voices of Music An Evening with Bach An Evening with Bach 1. Air on a G string (BWV 1069) Johann Sebastian Bach (1685–1750) 2. Schlummert ein (BWV 82) Susanne Rydén, soprano 3. Badinerie (BWV 1067) Dan Laurin, voice flute 4. Ich folge dir gleichfalls (St. John Passion BWV 245) Susanne Rydén, soprano; Louise Carslake, baroque flute 5. Giga (BWV 1004) Dan Laurin, recorder 6. Schafe können sicher weiden (BWV 208) Susanne Rydén, soprano 7. Prelude in C minor (BWV 871) Hanneke van Proosdij, harpsichord 8. Schlafe mein Liebster (BWV 213) Susanne Rydén, soprano 9. Prelude in G major (BWV 1007) David Tayler, theorbo 10. Es ist vollbracht (St. John Passion BWV 245) Jennifer Lane, alto; William Skeen, viola da gamba 11. Sarabanda (BWV 1004) Elizabeth Blumenstock, baroque violin 12. Kein Arzt ist außer dir zu finden (BWV 103) Jennifer Lane, alto; Hanneke van Proosdij, sixth flute 13. Prelude in E flat major (BWV 998) Hanneke van Proosdij, lautenwerk 14. Bist du bei mir (BWV 508) Susanne Rydén, soprano 15. Passacaglia Mein Freund ist mein J.C. Bach (1642–1703) Susanne Rydén, soprano; Elizabeth Blumenstock, baroque violin Notes The Great Collectors During the 1980s, both Classical & Early Music recordings underwent a profound change due to the advent of the Compact Disc as well as the arrival of larger stores specializing in music. One of the casualties of this change was the recital recording, in which an artist or ensemble would present an interesting arrangement of musical pieces that followed a certain theme or style—much like a live concert. Although recital recordings were of course made, and are perhaps making a comeback, most recordings featured a single composer and were sold in alphabetized bins: B for Bach; V for Vivaldi. -
Radio 3 Listings for 10 – 16 April 2010 Page 1 of 11 SATURDAY 10 APRIL 2010 Ballade for Piano and Orchestra - Concertante No.2 Famously Banned
Radio 3 Listings for 10 – 16 April 2010 Page 1 of 11 SATURDAY 10 APRIL 2010 Ballade for Piano and Orchestra - Concertante No.2 famously banned. In the 1970s he moved away from what he Mario Angelov (piano), Bulgarian National Radio Symphony called his 'saucy' songs and became a Rastafarian, writing songs SAT 01:00 Through the Night (b00rs742) Orchestra, Milen Nachev (conductor) such as 'War in-a Babylon'. Carlinhos Brown's music has its Susan Sharpe presents rarities, archive and concert recordings roots in religious music of the African Yoruba deities, but his from Europe's leading broadcasters 06:40AM style ranges far and wide. He is seen as hugely influential in Rózycki, Ludomir (1884-1953) Brazil, not only because of his music, but also because of his 01:01AM Stanczyk - Symphoni Scherzo (Op.1) (1904) work in the favelas of northern Brazil, where he runs a music Ravel, Maurice (1875-1937) National Polish Radio Symphony Orchestra, Janusz Przbylski school. L'Heure espagnole (The Spanish Hour) (conductor) Philippe Do (tenor - Torquemada, a clockmaker), Marie-Ange WORLD ROUTES Todorovitch (mezzo-soprano - Concepción, Torquemada's 06:49AM wife), Nicolas Rivenq (baritone - Ramiro, a muleteer), Alain Chopin, Frédéric (1810-1849) Presented by Lucy Duran Vernhes (bass - Don Iñigo Gomez, a banker), Yves Saelens Scherzo no.1 in B minor (Op.20) Produced by Roger Short (tenor - Gonzalve, a student poet), Orchestre National de Lille Valerie Tryon (piano). (Lille National Orchestra), Jean-Claude Casadesus (conductor) Tel. 020 7765 4661 Fax. 020 7765 5052 01:50AM SAT 07:00 Breakfast (b00rwnsy) e-mail [email protected] Poulenc, Francis (Jean Marcel) (1899-1963) Saturday - Suzy Klein Sonata for Two Pianos (1953) Saturday 10th April, 3:00pm Roland Pöntinen & Love Derwinger (pianos) Suzy Klein presents Breakfast. -
BOOKLET CCS SA SEL 3705 21-11-2017 13:26 Pagina 1
BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 1 CHANNEL CLASSICS CCS SA SEL 6717 SUPER ARTISTS IN SUPER AUDIO 15 tracks 69 minutes 32 composers 11 channel classics artists BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 2 BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 3 CCS SA 33412 Allegro from Concerto No.1 - A. Vivaldi 1 Holland Baroque Rachel Podger, violin ‘La Cetra’ A. Vivaldi 12 Violin Concertos, opus 9 on historical instruments SA-CD.net 5 stars: ... a triumphant return to Vivaldi ... Classics Today 5 stars: ... a search for the best recording of a given set of Vivaldi violin concertos gets easier with every new release from Rachel Podger ... Podger is a dynamic and unfailingly accurate virtuoso with exceptional interpretive instincts ... WQXR: Album of the Week: ... it's well tuned, and supported by a richly varied continuo of archlute, theorbo, gui - tar, organ and harpsichord ... Stereophile 5 stars: ... Podger and her Dutch band seek out the peculiari - ties, the differences and surprises ... the fast movements are joyful, almost dancelike, and the slow move - ments are embellished in ways that can be practically bluesy … the recording is spectacular … these per - formances are beauties, every one ... 3 BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 4 CCS SA 32713 Götterdämmerung - Siegfried's Funeral March - R.Wagner 2 Budapest Festival Orchestra Iván Fischer, conductor Petra Lang, soprano R. Wagner Götterdämmerung Die Meistersinger von Nürnberg Excerpts Siegfried – Idyll BBC Music Magazine 5 stars: ... Fischer’s Meistersinger is quite sprightly yet poised, with an attractively underlying warmth, and his Siegfried-Idyll has chamber-like translucency .. -
Georg Friedrich Händel (1685-1759)
Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella -
De Tenor Mattijs Hoogendijk Begon Zijn Zangstudie Bij Riekje Bakker En Felix Schoonenboom Aan Het Conservatorium in Zwolle
De tenor Mattijs Hoogendijk begon zijn zangstudie bij Riekje Bakker en Felix Schoonenboom aan het conservatorium in Zwolle. Hij volgde er zijn eerste masterclasses van Louise Wohlafka, Jard van Nes en Max van Egmond. Hij zong 'Il Combattimento di Tancredi e Clorinda' o.l.v. Kees Koelmans, Schubert 'Auf dem Strom' met hoornist Ab Koster en pianist Elizabeth van Malde en 'Jonah the Naysayer' met Willem Breuker. Mattijs zong tijdens de opleiding geregeld concerten in Duitsland bij docent en dirigent Tilo Lehmann. Het vervolg van zijn conservatoriumopleiding deed Mattijs bij Cora Canne Meijer in Amsterdam. Hij studeerde cum laude af met het programma Dichterliebe van Robert Schumann en de rol van Tamino uit Mozart’s Zauberflöte. Met zijn soepele stem, lyrische geluid en gemakkelijke hoogte heeft Mattijs zich ontwikkeld tot een veelzijdig zanger met een breed repertoire. Mattijs zong verschillende projecten met Opera Nijetrijne, Holland Opera en Barokopera Amsterdam. Orfeo van Monteverdi, Midsummer Night’s Dream, King Arthur en Dido and Aeneas van Purcell. Hij zong in le Nozze di Figaro en het Zauberflöte Requiem. In het Holland Festival zong hij in 'Weltparlament' en 'Engel-prozessionen', twee delen uit 'Licht, die sieben Tage der Woche', een 29 uur durende operacyclus van Carlheinz Stockhausen. Samen met Barokopera Amsterdam viert Mattijs dit jaar hun twintigjarig jubileum met de rol van Willem de Derde in de voorstelling 'Queen Mary'. Mattijs is een veelgevraagd oratorium- en concertzanger. De Passionen van Bach, de Messiah en het Mozart Requiem behoren tot het regelmatig terugkerende repertoire. Hij zong Schütz en Buxtehude bij Jos van Veldhoven, de evangelist in een Johannes Passion onder leiding van Nico van der Meel en in een door Pierre Audi geënsceneerde versie van dit werk.