DOCSLIB.ORG

Karis 2014 15 04

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Karis 2014 15 04 2 3 Letter from the Editor Karis team Well, that went fast, didn’t it? This year is Pedagóg Redakcia almost over with only one stack left to PhDr. Beáta Makovická Majka Sobčáková climb: Christmas. For me it is a particularly Radko Stolárik poignant time of year– a time to reflect on Šéfredaktor Marika Tisoňová the past 12 months, but also a chance to Mária Sobčáková Valentína Pechová look forward to new challenges. I must say Vanda Zaklaiová this year has been amazing and we have the Zástupca Adrián Mišala, readers, supporters and believers to thank for this. I loved 2014 but I am anticipating Lenka Rendková Martina Rievajová everything that 2015 has to offer. Ester Malá So there we have it, our last issue of the year. Korektori Alexandra Horkavá We hope you’ve enjoyed reading as much as Martin Hoľma Michaela Hanušiaková we have enjoyed making it! If you would like Ľubica Bystričanová Andrea Minichová to get involved putting it together please do Kristína Lukašíková Rebeka Niníková get in touch. We‘ll be taking a short break Alica Bednáriková now to put the lights on the tree and hide Grafici Denisa Schlossárová some gifts underneath it. But we‘ll be back Martin Miškolci Slávka Párovská Foto: Kristína Kocáková Kristína Foto: soon, promise. Rado Budoš Oh, and one more thing. Have a very merry Propagácia Helena Galbavá Christmas and remember to make 2015 your best year! Lenka Rendková (koordinátor) Natália Fačková Barbora Kačková Mária Rusnáková Marika Tisoňová Majka Sobčáková Michaela Hanušiaková Fotografi Editor-in-chief Radko Stolárik Juraj Pivoňka Andrea Minichová Peter Könyveš Miriama Bernátová Kristína Kocáková Lujza Kočíková Rebeka Niníková Katarína Cigániková Jana Kovácsová Jana Uhrinová 4 5 Názory „Tento rok už po druhýkrát pokračujeme v tradícii a vytvorili sme skvelé, nové číslo, ktoré je nadupané a preplnené zaujímavými článkami. Medzi inými Obsah pribudla aj nová nástenka, pri ktorej tvorení sme si užili hromadu zábavy.“ Barbora Kačková 6 Udalosti 9 Čo si myslí Peter 12 Reviews „Druhé číslo tohtoročného Karisu je prvé do ktorého som sa aktívne zapojil ako člen redakcie. 19 Stanislava Karkošiaková Do Karisu budem prispievať recenziami možno nie až tak známych hudobných diel. Samozrejme, 24 Aurélie Decorde tradične si môžete prečítať aj rozhovory, tvorbu žiakov či iné recenzie. Na toto číslo sa môžete 26 Ján Korček skutočne tešiť.“ Rado Budoš 37 Volunteering 46 Marek Sliačan „Karis „ťahá“ už svoj štvrtý rok a každým číslom sa posúva vpred. Aj tentokrát jeho vytvorenie sprevádzali nové nápady a napokon ho zaplnili zaujímavé články z prostredia školy i mimo neho. Decembrové číslo dýcha tak trochu aj vianočnou náladou, dúfam teda, že sa Vám bude páčiť. Prajem príjemné čítanie!“ Valentína Pechová 6 7 Deň študentov 2014 komorné zoskupenie profesionálnych hudobníkov flamenco Los Remedios. Imatrikulácie v spojitosti s Dňom štu- Vášeň bola tak priam hmatateľná. dentov sa tentoraz konali na začiat- Táto tanečná dráma prinútila diváka ku týždňa, v utorok 18. novembra, v zamyslieť sa nad osudom každého kine Strojár. Súčasťou programu bolo človeka, ľudskou slobodou a hlavne vystúpenie Žiackej školskej rady, prí- rozhodnutiami, ktoré v živote robíme hovor pána riaditeľa a pani zástupky- každý deň. Úloha veštice a zároveň ne i vystúpenie školského zboru The smrtky, ktorá bola dokonale stvárnená Voice Within. Najdôležitejším bodom Michaelou Kukurovou, oživila programu však bolo predstavenie predstavenie a taktiež znásobila Čo sa stalo na Gbase? prvákov, ktorí si pripravili hranú scén- napätie príbehu. Jej úžasne zaspievané ku a aj nádherné hudobné a tanečné árie, ktoré nás sprevádzali celým predstavenia. Po premietnutí imat- vystúpením, boli naozaj výnimočné. rikulačného filmu boli vyhodnotené To isté sa dá povedať aj o tanečných Literatúra na cestách Halloween 2014 súťaže a odovzdané diplomy spolu so výkonoch ostatných účinkujúcich, ale sladkými muffinami. Druhá polovica predovšetkým hlavnej predstaviteľky Carmen. V októbri sa aj na našej škole uskutoč- Hoci je súčasťou predovšetkým západ- dňa sa niesla v znamení jazzu, kvalit- Niektorí z nás pocítili možno trochu nila beseda so slovenskými spisova- nej kultúry, na našom bilingválnom nej hudby v podaní novovzniknutého sklamanie nad deficitom spevu v tomto teľmi, zástupcami medzinárodnej or- gymnáziu sa halloweenské masky a jazzového kvarteta zo Žiliny. predstavení, keďže väčšia časť príbehu ganizácie spisovateľov zo slovenského dekorácie už stávajú tradíciou. I tento bola plná tanca a hlavné postavy centra PEN. Privítali sme pána Jozefa rok sa v utorok 28. októbra poobede Valentína Pechová predovšetkým tancovali. Ale hudba Banáša a pána Mareka Mittaša. Beseda zdobili školské chodby. Každý ročník G. Bizeta znela celým predstavením. bola zameraná na priblíženie sa lite- vyzdobil svoje príslušné poschodie. V Vzhľadom na lákavý a populárny ratúry mladým ľudom, no obsiahla i stredu školu zaplnili strašidlá, zombí- Carmen príbeh neskrotnej Carmen mali sme mnoho rád pre začínajúcich autorov. ci, rôzne druhy zvierat, no aj výstredná tak možnosť vidieť zase novú verziu zo Pán Banáš aj pán Mittaš ochotne od- upratovačka s vysávačom. Práve po- Carmen – symbol víťazstva slobody širokej palety interpretácie tohto diela. povedali na množstvo študentských sledná spomínaná dvojica získala cenu ducha a čistého erotizmu. Príbeh otázok, či už o ich vlastnej tvorbe, za najlepšiu masku. Počas prestávok plný lásky, vášne, túžby po slobode, Marika Tisoňová alebo o svete literatúry všeobecne. sme sa tiež mohli zúčastniť aktivít ako ale aj neodvrátiteľného osudu. Na Niektoré chvíle besedy boli osviežené Mystery boxes, súťaž o najstrašidelnej- tomto známom predstavení sme humorom a smiechom, iné motivovali šie jedlo, či výroba múmií. sa zúčastnili 26.11.2014 v Štátnej našich žiakov k tvoreniu a publikova- opere v Banskej Bystrici. Nové a Deň školských knižníc niu vlastných prác. experimentálne prevedenie tohto diela si vzali do rúk režisérka a Oko za oko, knihu za knihu. Citát v choreografka Dana Dinková anejednom z nás vzbudil zvedavosť. 8 9 jednu domov. Na treťom poschodí sa súťažilo o najstaršiu knihu. Kreatívne Láskavá glosa duše mali možnosť zapojiť sa do súťaže o najpútavejšiu obálku. Našim ušiam polahodila poézia, ktorá sa recitovala po triedach. Páriky na chodbách. V triede. V šatni, Podvyživené mysle žalúdky ich nútia Myslelo sa aj na tých najmladších. v bufete, na intrákoch, na stanici, vša- konzumovať tváre svojich spolusedia- Na GBAS prišli na návštevu deti zo de. Tieto „spektakulity“ priam pod- cich na pochmúrnych chodbových la- škôlky, neskôr deti z prvého stupňa súvajú dilemu, či prsty alebo zubná vičkách. Pre niekoho podľa jeho gusta, Základnej školy v Sučanoch. Tým sa kefka. Aby sme prežili v tejto príjem- pre mňa prechod tráviaceho traktu do okrem rôznych iných aktivít zahralo nej atmosfére, je potrebné rozlišovať reverzného chodu. divadlo. Ako sa na našu školu patrí niekoľko základných charakterových Piknikári. Nie je nič krajšie, ako vyjsť – po anglicky. Druháčky však vyšli aj typov dvojíc: si na romantický piknik. On doniesol za školské brány. Priniesli dobré sprá- Vodíková väzba. Pohľad do života rožky, ona paštétu. Ale no, pán vedúci, vy do Domova dôchodcov Dobrého týchto jedincov je vynikajúci námet vyššie tú latku. On doniesol špaldový Pastiera. Cez dedinský rozhlas dávali na dokumentárny film. Samec druhu chlieb, mrkvovo-jablkovú šťavu z Lidla do povedomia sviatok knižníc celým homo pseudoalfa sapiens sa nikdy, (bio fairtrade!), ona mozzarelu a hor- Sučanom. ale naozaj, nikdy nevzďaľuje od svojej kú čokoládu, na ktorej výrobu nebol Svojou snahou nám dali dievčatá naja- partnerky, druhu homo dobrovoľne vyťatý ani jeden strom v dažďovom príveskom sapiens, na viac než štyri pralese. Ani jedno sústo tohto jedla by Netrvalo dlho a pribudli aj citáty z kníh vo, že im knihy stále nie sú ľahostajné. kroky. Miláčik, však ma neopúšťaš? nebolo chutné, pokiaľ si popri prežú- polepené po škole. Priznajte sa, že ste To platí aj pre celú našu školu. A my Nie, láska, idem iba na toaletu. Oh, vaní nedáte aspoň osem bozkov. Teraz sa začítali! Poniektorým isto spôsobili im za všetko ďakujeme. Na záver ešte ešte že tie naše internátne steny sú si to všetko porozkladajte. Dobrú aj neskorý príchod na hodinu. jeden fakt: také tenké, nezniesol by som totiž to chuť. Škoda, že všetka táto romantika Hlavný zámer bol však iný: pritiahnuť Medzinárodný deň školských knižníc odlúčenie. prebieha v triede, kde mám ja zažívať pozornosť na Deň školských knižníc. vyhlásila Dr. Blanche Woolls, pre- Tragédi. Žijete svoj sen Rómea a Júlie. vzdelávací proces. Keďže ani v tomto GBAS nezaostáva, zidentka Medzinárodnej asociácie Ľúbezné. Máte 14 rokov, bojujete pro- A na záver kvíz pre všetkých našich naša šikovná dievčenská skupina z školského knihovníctva (IASL), a pri- ti vami vymysleným prekážkam, čo zaľúbencov: druhého ročníka pod vedením pani pomína sa od roku 1999. Deň je osla- bránia vašej láske. Viem. A súcitím. Dobrotovej a pani Ďaďovej si pripra- vou školských knižníc, ich významu a On je druhák, ona prváčka. Tragické. A/ Aj tak nám to nevydrží vila množstvo aktivít. A program bol prínosu pri vzdelávaní detí. Hlavnou Poprosím teda hodnoverné dodržanie B/ Už sa vidím pri oltári naozaj bohatý. myšlienkou je podpora vzťahu žiakov príbehu. Trojdňová lovestory a potom C/ Po maturite idem na materskú Na druhom poschodí zabralo miesto ku knihám, školskej knižnici, čítaniu a sa rituálne zabite. D/ Som príkladom pre slovenskú tra- Artforum okienko, kde sme mali mož- poznávaniu a získanie si väčšieho poč- Gurmáni.
Load more

Recommended publications
  • UNIVERS ZERO Title: RELAPS
    Bio information: UNIVERS ZERO Title: RELAPS (Archives 1984 – 1986) (Cuneiform Rune 280) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “…one of the most important groups of the 1980s ..Univers Zero conceptualize the Europe of the late 20th Century... dense, desperate and dark; …above all beautiful and dramatic, strongly marked by the cultural traditions of Europe…Univers Zero may be classified somewhere between Bach and Bartok, Magma and Stravinsky…They represent something new, monumental, and important… a stirring lament over a European continent in physical and cultural decay … a rare, intense, and magnanimous piece of work, and it is absolutely compulsory for everyone who’s...played their Magma records to shreds, and/or who would have wanted there to be a bit more electric bass and drums on Bartok’s string quartets.” – Thomas Hylland Eriksen, Puls [Norway], Feb 1989 “Univers Zero…forged a genre of music that might appropriately be dubbed post-rock, had the term not been coined 15 years too late. …the Belgian’s craft at calculated pomp and nervous precision make Godspeed You! Black Emperor’s apocalyptic grandiosity seem like a Michael Bay movie in comparison. …” – Popmatters [USA] “UZ’s music was an antecedent for the kind of instrumental and stylistic interspersion considered normal today by groups including Bang on a Can and Alarm Will Sound. Henry Cow’s complex, abstruse writing meets Bartok, Stravinsky, Messiaen and Ligeti, but with hints of early music, especially in UZ’s use of spinet and harmonium.
    [Show full text]
  • Alternately Known As 1313; Originally Releases 1977 by UZ, 1977 by Atem, Numerous Intervening Reissues, 1990 by Cuneiform
    UNIVERS ZERO UNIVERS ZERO CUNEIFORM 2008 REISSUE W BONUS TRACKS & REMASTER (alternately known as 1313; originally releases 1977 by UZ, 1977 by Atem, numerous intervening reissues, 1990 by Cuneiform) Cuneiform 2008 album features: Michel Berckmans [bassoon], Daniel Denis [percussion], Marcel Dufrane [violin], Christian Genet [bass], Patrick Hanappier [violin, viola, pocket cello], Emmanuel Nicaise [harmonium, spinet], Roger Trigaux [guitar], and Guy Segers [bass, vocal, noise effects] “ALBUM OF THE WEEK...Released in 1977, it was astonishing then: today, it sounds like the hidden source for every one of today's avant-garde rock bands. Chillingly beautiful, driven by the bassoon and cello more than the guitar and synth, each instrumental is both pastoral and burgeoning with terrible life. … This is edgy beyond belief. …Each piece magnificently refuses to deviate from its mood, its tense, thrilling, growling, restrained focus... The whole is like the rare, delicious bits of great film soundtrack that create menace and energy out of nowhere. … Univers Zero are a revelation …” – Sean O., Organ, #274, September 18th, 2008 “UZ's debut remains both benchmark and landmark. Reissued numerous times over the years…this definitive version finally presents this unprecedented music the way it was meant to be heard, clarifying how—emerging out of nowhere with little history to precede it— UZ has been so vital in changing the way chamber music is perceived. UZ's music was an antecedent for the kind of instrumental and stylistic interspersion considered normal today by groups including Bang on a Can and Alarm Will Sound. Henry Cow's complex, abstruse writing meets Bartok, Stravinsky, Messiaen and Ligeti, but with hints of early music, especially in UZ's use of spinet and harmonium.
    [Show full text]
  • UNIVERS ZERO Title: CLIVAGES (Cuneiform Rune 295)
    Bio information: UNIVERS ZERO Title: CLIVAGES (Cuneiform Rune 295) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “...an indispensable release for anyone who believes that "Bartók" and "rock" can fit comfortably in the same sentence.” – All Music Guide “Univers Zero's vision (is) pretty much unique & for those touched by it, nothing else will quite do...a sound that really couldn't be any other band in the world.'” – The Rough Guide To Rock The Belgian band Univers Zero is legendary for their uncompromising musical vision – a sound and stance Keyboard described as “Chamber music for the Apocalypse”. Simultaneously medieval & modern, its distinctive, dark and elegantly beautiful music has set the standard for “chamber rock”, a New Music hybrid of Francophone origin and worldwide appeal that UZ pioneered. UZ’s singular sound derives from its unique instrumentation (piano and keyboards, violin, clarinets saxophone, oboe, bassoon, English horn, electric bass, drums) combined with brooding gothic imagery, elements of European folk and other world musics, the iconoclasm and intensity of rock, the relentless sonic experimentation of the avant garde, and leader and composer Daniel Denis’ classically-inspired writing style, influenced by early 20th Century avant garde classical composers. In the hands of some of the best musicians in Europe, these factors result in a group on the cutting edge of creating a new, vital, and unique fusion of classical and rock music. The band has remained on the cutting edge of New Music throughout the course of a career that began in the ‘70s and continues today, stretching and disintegrating the boundaries of classical and rock music alike to create a new, vital, and unique fusion.
    [Show full text]
  • UNIVERS ZERO Title
    Bio information: UNIVERS ZERO Title: RELAPS (Archives 1984 – 1986) (Cuneiform Rune 280) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “…one of the most important groups of the 1980s ..Univers Zero conceptualize the Europe of the late 20th Century... dense, desperate and dark; …above all beautiful and dramatic, strongly marked by the cultural traditions of Europe…Univers Zero may be classified somewhere between Bach and Bartok, Magma and Stravinsky…They represent something new, monumental, and important… a stirring lament over a European continent in physical and cultural decay … a rare, intense, and magnanimous piece of work, and it is absolutely compulsory for everyone who’s...played their Magma records to shreds, and/or who would have wanted there to be a bit more electric bass and drums on Bartok’s string quartets.” – Thomas Hylland Eriksen, Puls [Norway], Feb 1989 “Univers Zero…forged a genre of music that might appropriately be dubbed post-rock, had the term not been coined 15 years too late. …the Belgian’s craft at calculated pomp and nervous precision make Godspeed You! Black Emperor’s apocalyptic grandiosity seem like a Michael Bay movie in comparison. …” – Popmatters [USA] “UZ’s music was an antecedent for the kind of instrumental and stylistic interspersion considered normal today by groups including Bang on a Can and Alarm Will Sound. Henry Cow’s complex, abstruse writing meets Bartok, Stravinsky, Messiaen and Ligeti, but with hints of early music, especially in UZ’s use of spinet and harmonium.
    [Show full text]
  • Kayo Dot Coffins on Io Mp3, Flac, Wma
    Kayo Dot Coffins On Io mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Coffins On Io Country: US Released: 2014 Style: Avantgarde, Goth Rock MP3 version RAR size: 1318 mb FLAC version RAR size: 1971 mb WMA version RAR size: 1321 mb Rating: 4.8 Votes: 267 Other Formats: XM AA MPC DTS VOX MOD APE Tracklist Hide Credits The Mortality Of Doves 1 11:54 Organ [Solo] – Tim Byrnes 2 Offramp Cycle, Pattern 22 9:25 3 Longtime Disturbance On The Miracle Mile 4:07 4 Library Subterranean 8:23 5 The Assassination Of Adam 5:47 Spirit Photography 6 10:06 Electric Piano [Rhodes] – Tim Byrnes Companies, etc. Mastered At – Chicago Mastering Service Pressed By – Rainbo Records Credits Design, Layout – Niels Geybels Drums, Percussion [Electric Percussion] – Keith Abrams Guitar – Ron Varod Lyrics By – Jason Byron Mastered By – Jason Ward Music By – Kayo Dot Recorded By, Mixed By – Marc Urselli Saxophone, Synth, Percussion [Electric Percussion] – Daniel Means Voice, Bass, Synth, Percussion [Electric Percussion], Guitar, Producer, Music By, Recorded By, Artwork – Toby Driver Notes Special thanks to those whose work has profoundly influenced this album: Peter Steele, Kazu Makino, Annie Lennox, Robert Smith, Peter Gabriel, Scritti Politti, Shannon Funchess, Bohren, Kings of Karaoke, Randall Dunn, Trey Spruance. Barcode and Other Identifiers Matrix / Runout: 8258 - FR49 081214 Mastering SID Code: IFPI LT05 Mould SID Code: IFPI A605 Barcode (Stickered): 7 23175 69931 1 Other (Mould ring): Rainbo CA Other versions Category Artist Title (Format) Label
    [Show full text]
  • John Zorn Marathon Royce Triple Threat Featuring Abraxas, Secret Chiefs 3 & Bladerunner & the Hermetic Organ
    John Zorn Marathon Royce Triple Threat featuring Abraxas, Secret Chiefs 3 & Bladerunner & The Hermetic Organ Sat, May 2 ROYCE TRIPLE THREAT 8pm – Abraxas: Psychomagia Royce Triple Threat Aram Bajakian Guitar Royce Hall Eyal Maoz Guitar 8pm Kenny Grohowski Drums RUNNING TIME: Shanir Blumenkranz Gimbri Approximately 3 hours; Two intermissions Intermission The Hermetic Organ 9pm – Secret Chiefs 3: Masada Book Two Royce Hall Trey Spruance Guitar Midnight Eyvind Kang Violin Ches Smith Drums RUNNING TIME: Approximately 45 minutes; Jason Schimmel Guitar No intermission Matt Lebofsky Keyboards Toby Driver Bass PRE-SHOW TERRACE EVENT: Round-Robin Duets: Intermission A Musical Improvisation 6:30 pm 10pm – Bladerunner Inspired by John Zorn’s improvisational John Zorn Sax techniques, a group of UCLA student Bill Laswell Bass musicians play a round-robin of s Dave Lombardo Drums pontaneous duets, culminating in a group imrov-jam session. THE HERMETIC ORGAN John Zorn Solo Organ Improvisations CAP UCLA SPONSOR: Supported in part by the Andrew W. Mellon Foundation ABOUT THE PROGRAM Although organ was Zorn’s first instrument (he often credits Lon Chaney MEDIA SPONSOR: in The Phantom of the Opera as a primal influence), in 2011 the saxophone great surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. The music is breathtaking, and distinguished by a spiritual mood that only a huge pipe organ like Royce Hall’s Skinner can create. A perfect outlet for Zorn’s dramatic sense of color and contrast, this performance reveals the composer’s mind at work in all its permutations.
    [Show full text]
  • Glasna Št. 2, Letnik 41 (Junij 2010)
    revija Zveze Glasbene mladine Slovenije letnik 41, številka GlasbakotGlasbakot rrevolucija,evolu intervjuintervju z AlenkoAlenko PinteričPinte Skunk Anansie Anansie Niet Kino Šiška – urbano središče mladih Carmina slovenica Nina Prešiček, intervju Deep Purple 4,50 € JUNIJ 2010 9 771855 891006 Preden jo mahnemo Novice, Naši glasbeniki v tujini ............................................................................ 2 Pogovor z Dubravko Tomšič Srebotnjak ..................................................... 3 Pogledi skladatelja mlajše generacije na sedanjost na morje … in prihodnost glasbe ...................................................................................................... 5 Jules Massenet: Werther ............................................................................................. 6 Noctiferia in Erykah Badu .......................................................................................... 7 V času, ko smo priča vedno višjim temperaturam, ki kar vabijo v Novi profi li: Gašper Piano .......................................................................................... 8 južne in predvsem obmorske destinacije, se vzpenjajo tudi najra- Glasbeni dnevnik – Uroš Rojko .........................................................................10 zličnejše glasbene zvezde, med katerimi velja izpostaviti zlasti tri. Želim ti dober koncert! – intervju z Markom Soršakom ..........13 Najprej zmagovalko popularnega šova Slovenija ima talent, mlado Odkrito: Marko Letonja .............................................................................................14
    [Show full text]
  • Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
    Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr.
    [Show full text]
  • Content Orchid
    OPETH Content Orchid CELESTIAL SEASON Solar Lovers AVANT-GARDE METAL 1 A Brief And Incomplete History MR. BUNGLE Of An Ongoing Experiment Disco Volante VED BUENS ENDE... Written In Waters 1980s 4 FLEURETY Min Tid Skal Komme CELTIC FROST MISANTHROPE Into The Pandemonium 1666...Theatre Bizarre VOIVOD RRRÖÖÖAAARRR 1996 25 VOIVOD Nothingface BAL-SAGOTH Starfire Burning On The Ice- Veiled Throne Of Ultima Thule early 1990s 8 MYSTICUM SCORN In The Streams Of Inferno Vae Solis OXIPLEGATZ DISHARMONIC ORCHESTRA Worlds And Worlds Not To Be Undimensional Conscious ARCTURUS Aspera Hiems Symfonia THE 3RD AND THE MORTAL Sorrow AMORPHIS Elegy ULVER Vargnatt 1997 33 CYNIC Focus BETHLEHEM Sardonischer Untergang DIABOLOS RISING Im Zeichen Irreligiöser 666 Darbietung UNHOLY SEPTIC FLESH The Second Ring Of Power The Ophidian Wheel TIAMAT SIGH Wildhoney Hail Horror Hail ANUBI 1995 17 Kai Pilnaties Akis Uzmerks Mirtis KOROVA OPETH A Kiss In The Charnel Fields My Arms, Your Hearse ARCTURUS La Masquerade Infernale 1999 55 ENOCHIAN CRESCENT CARNIVAL IN COAL Telocvovim French Cancan STRAPPING YOUNG LAD THE KOVENANT City Animatronic THE DILLINGER ESCAPE PLAN ARCTURUS The Dillinger Escape Plan (EP) Disguised Masters IN THE WOODS... IN THE WOODS... Omnio Strange In Stereo ANGIZIA SAMAEL Das Tagebuch Der Hanna Anikin Eternal SOLEFALD 1998 47 Neonism BEYOND DAWN DøDHEIMSGARD Revelry 666 International OXIPLEGATZ PECCATUM Sidereal Journey Strangling From Within STILLE VOLK OPETH Ex-uvies Still Life KOROVA Dead Like An Angel 2000 65 THE KOVENANT AGHORA Nexus Polaris Aghora BAL-SAGOTH FLEURETY Battle Magic Department Of Apocalyptic Affairs ULVER Themes From William Blake's The RAM-ZET Marriage Of Heaven And Hell Pure Therapy DøDHEIMSGARD FANTOMAS Satanic Art The Director's Cut Imprint 68 them their own.
    [Show full text]
  • KUHLMANN-THESIS-2018.Pdf (1.113Mb)
    FEMALE METAL FANS AND THE PERCEIVED POSITIVE EFFECTS OF METAL MUSIC A Thesis Submitted to the College of Graduate and Postdoctoral Studies In Partial Fulfillment of the Requirements For the Degree of Master In the Department of Educational Psychology and Special Education University of Saskatchewan By Anna Noura Kuhlmann Copyright Anna Noura Kuhlmann, January 2018. All rights reserved PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other uses of materials in this thesis in whole or part should be addressed to: Head of the Department of Educational Psychology and Special Education 28 Campus Drive University of Saskatchewan Saskatoon, Saskatchewan, S7N 0X1 Canada OR Dean College of Graduate and Postdoctoral Studies University of Saskatchewan 105 Administration Place Saskatoon, Saskatchewan, S7N 5A2 Canada i ABSTRACT Despite increasing literature that confirms the therapeutic benefits of music, metal music is still stigmatized as sexist, masculine, and detrimental to its fans.
    [Show full text]
  • ABIGOR 22 Is Stunning
    Weirdos and freaks, scientists and philosophers, Index libertines and mavericks of metal music! Crew 2 Half a year ago avantgarde-metal.com About Avantgarde-Metal 4 began to sprout its branches into the internet. Originally it was meant to be a little harbour for lovers of the metal sounds beyond the streamlines. But very Interviews soon it became obvious that we are not the only ones bored by the clichés and conventions of the metal scene. BETHLEHEM 5 DøDHEIMSGARD 12 Your interest in the weird sides of metal ABIGOR 22 is stunning. More than 45.000 visitors FLEURETY 31 show that the metal revolution has al- ready begun! And so avant-garde- KOROVAKILL 38 metal.com grew rapidly. In February DOL AMMAD 44 2007 we started with four people. Now ANGIZIA 51 the crew consists of 16 enthusiastic writ- MANES 60 ers from all corners of the world. More SATANOCHIO 63 than two hundred articles have been written to present you the most experi- BERGRAVEN 67 mental and innovative sounds metal can KEKAL 69 provide. THE AMENTA 74 IMPURE DOMAIN 78 So we thought that the time was ripe for [D]EKADEN[Z] 81 a big Christmas present for you – the first print edition of avant-garde- GIRE 84 metal.com. On 124 pages you can find ANSUR 88 all online interviews and reviews of the UMBAH 92 most important avant-garde metal al- BRACHIALILLUMINATOR 94 bums of 2007. And you can find the re- ABSTRUSE 98 sults of your voting for the best albums of this year. Discover the hidden Treas- ures & Reviews Never stop the Freak Show… Chrystof Retrospection 2007 102 rd 23 December
    [Show full text]
  • Práticas Colaborativas Em Música Experimental No Brasil Entre 2000 E 2016
    Universidade de São Paulo Escola de Comunicações e Artes Mário Augusto Ossent Del Nunzio Práticas colaborativas em música experimental no Brasil entre 2000 e 2016 Volume 1 São Paulo 2017 Mário Augusto Ossent Del Nunzio Práticas colaborativas em música experimental no Brasil entre 2000 e 2016 Volume 1 Tese apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Doutor em Música. Área de concentração: Processos de Criação Musical. Orientador: Prof. Dr. Rogério Luiz Moraes Costa São Paulo 2017 Nome: DEL NUNZIO, Mário Augusto Ossent Título: Práticas colaborativas em música experimental no Brasil entre 2000 e 2016 Tese apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Doutor em Música. Aprovado em: Banca Examinadora: Prof. Dr.: _______________________________________ Instituição: ______________ Assinatura: _____________ Prof. Dr.: _______________________________________ Instituição: ______________ Assinatura: _____________ Prof. Dr.: _______________________________________ Instituição: ______________ Assinatura: _____________ Prof. Dr.: _______________________________________ Instituição: ______________ Assinatura: _____________ Prof. Dr.: _______________________________________ Instituição: ______________ Assinatura: _____________ Agradecimentos À Natacha Maurer. A todos que concederam entrevistas durante o período da pesquisa (ver apêndice), bem como a todos com quem conversei sobre assuntos a ela relacionados durante este período. Também a todos que participaram das atividades transcritas no apêndice. A todos os envolvidos nas atividades do Ibrasotope – de fato, todos: todos os que tocaram em atividades que nós organizamos, todos que foram assistir e todos que colaboraram, dos mais diversos modos, para a manutenção das atividades ao longo desses quase 10 anos. A todos os envolvidos com a cena de música experimental no Brasil.
    [Show full text]