Glasna Št. 2, Letnik 41 (Junij 2010)

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Glasna Št. 2, Letnik 41 (Junij 2010) revija Zveze Glasbene mladine Slovenije letnik 41, številka GlasbakotGlasbakot rrevolucija,evolu intervjuintervju z AlenkoAlenko PinteričPinte Skunk Anansie Anansie Niet Kino Šiška – urbano središče mladih Carmina slovenica Nina Prešiček, intervju Deep Purple 4,50 € JUNIJ 2010 9 771855 891006 Preden jo mahnemo Novice, Naši glasbeniki v tujini ............................................................................ 2 Pogovor z Dubravko Tomšič Srebotnjak ..................................................... 3 Pogledi skladatelja mlajše generacije na sedanjost na morje … in prihodnost glasbe ...................................................................................................... 5 Jules Massenet: Werther ............................................................................................. 6 Noctiferia in Erykah Badu .......................................................................................... 7 V času, ko smo priča vedno višjim temperaturam, ki kar vabijo v Novi profi li: Gašper Piano .......................................................................................... 8 južne in predvsem obmorske destinacije, se vzpenjajo tudi najra- Glasbeni dnevnik – Uroš Rojko .........................................................................10 zličnejše glasbene zvezde, med katerimi velja izpostaviti zlasti tri. Želim ti dober koncert! – intervju z Markom Soršakom ..........13 Najprej zmagovalko popularnega šova Slovenija ima talent, mlado Odkrito: Marko Letonja .............................................................................................14 Lino Kuduzović, podprvakinjo taistega šova, obetavno pevko Majo Corinne Bailey Rae – The Sea ..............................................................................16 Keuc, in seveda fl avtistko Evo-Nino Kozmus, ki je – za razliko od Obisk pri skladatelju Jakobu Ježu ..................................................................17 obskurnega in neuspešnega »evrosongovskega« nastopa (s še bolj Pianistični recital Lovra Pogorelića ................................................................18 bizarno »gasilsko« skladbo) Kalamarov in Ansambla Roka Žlindre – z Vrednotenje glasbe – esej Leona Stefanije ...........................................19 zmago na evrovizijskem tekmovanju mladih glasbenikov dokazala, Glasbenoplesni performans Shen Wei Dance Arts .......................22 da je Slovenija navkljub svoji večkratni »provincialnosti« (obrobnosti) Koncert Elvis Jackson ..................................................................................................23 dežela z ogromnim glasbenopoustvarjalnim potencialom. Kako se Periskop: Livingstonov poslednji poljub .................................................24 bo glasbena pot vseh treh nastopajočih nadaljevala, je seveda težko Muzikal Hair .........................................................................................................................26 napovedovati, še posebej zato, ker se današnji glasbeni performativ, Koncert Kremerate Baltice .....................................................................................27 žal, pogosto ne fokusira več toliko na superiorno kvaliteto glasbe kot Performans Watching others ..............................................................................28 take, ampak predvsem na kolateralne družbene reprezentacije po Nogomet bo vedno imel prednost! – javna razprava .................30 ključu večje gledanosti, razvpitosti in (namerne) šokantnosti. Na kratko – K’Naan ........................................................................................................31 Poletje, ki po nekem nenavadnem naključju sovpada tudi z datu- mom izida druge številke revije Glasna, in še posebej festivalsko do- European jazz orchestra ..........................................................................................32 gajanje v številnih kulturnih središčih pri nas in na prizoriščih drugod ARMENSKE ČAROVNIKOV VAJENEC ČUDOVITI SVET PETER OBIŠČE Hadouken! – Novi album: For The Masses .............................................32 po Evropi, nam tako prinaša veliko razburljivih doživetij – o nekaterih GLASBENE ZGODBE GLASBIL ORKESTER Hiša kulture Celje (pogovor z Gregorjem Delejo) ...........................33 bomo prav gotovo poročali tudi v prihodnjih številkah revije. In o Robert Piotrowicz – intervju ................................................................................36 2 čem vse boste lahko brali v tej številki? Poleg nekaj poletnega branja, 3 Iz arhiva: Leonard Bernstein ................................................................................38 12. oktober 2010, ob 9.30 in 11.30 16. november 2010, ob 9.30 in 11.30 22. marec 2011, ob 9.30 in 11.30 19. april 2011, ob 9.30 in 11.30 pestrega nabora kritik glasbenih dogodkov in zanimivih novic boste Glasbeni potep okoli sveta – Marina Horak .........................................40 13. oktober 2010, ob 9.30 in 11.30 17. november 2010, ob 9.30 in 11.30 23. marec 2011, ob 9.30 in 11.30 20. april 2011, ob 9.30 in 11.30 našli veliko izčrpnih (pa tudi bolj spontanih) intervjujev z znanimi Še novice .................................................................................................................................42 glasbenimi osebnostmi in skupinami, od vsestranske glasbenice in Gallusova dvorana Cankarjevega doma Gallusova dvorana Cankarjevega doma Gallusova dvorana Cankarjevega doma Gallusova dvorana Cankarjevega doma Koncerti mladih glasbenikov ..............................................................................43 prve jugoslovanske beatnice Alenke Pinterič, pianistke Nine Prešiček, Performans Pozabljeno/prezrto ......................................................................44 mlade vokalistke Zvezdane Novakovič pa do skupin Niet in Skunk Spored: Spored: Spored: Spored: Ela banda – intervju .....................................................................................................46 Anansie. Lahko bi rekel, da je ta številka obarvana nekoliko revolu- ● Aram Satunts: ● Claude Debussy: ● Benjamin Britten: ● Ottorino Respighi: Mariborska skupina I vs. I ........................................................................................48 cionarno, kar se še posebej kaže v prispevkih, ki se osredotočajo na Armenska rapsodija Preludij k Favnovemu Vodnik skozi orkester Ptice, 1. Preludij Steven Loy: Glasba, ki diha ....................................................................................50 razmerja med glasbeno umetnostjo in njenim vplivom na družbene Ponudba in povpraševanje ...................................................................................51 in mentalitetne premike (v mislih imam predvsem hipijevska in štu- ● Lazar Saryan: popoldnevu ● Peter Iljič Čajkovski: (predstavitev simfoničnega orkestra Koncert skupine Swedish AZZ ...........................................................................52 dentska gibanja s konca šestdesetih prejšnjega stoletja), obenem Armenija, simfonične slike (izbor) ● Paul Dukas: Cvetlični valček iz baleta Hrestač in orkestrskih skupin) Sedem simfonij Sergeja Prokofj eva ..............................................................53 pa tudi v različnih estetskih povezavah, še posebej z likovno ume- ● ● po motivih slikarja Martirosa Saryana Čarovnikov vajenec Camille Saint-Saëns: Sergej Prokofj ev: Indie glasba – o ljubljanski koncertni renesansi ..............................54 tnostjo. Upam, da bo vsak od vas našel v reviji tisto, kar ga iz sveta ● ● Aram Hačaturjan: Georges Bizet: Simfonija št. 3 »Orgelska« Peter in volk, simfonična pripovedka Najave dogodkov ...........................................................................................................56 glasbe najbolj zanima. Naj za konec, preden se zapodite na kako Adagio iz baleta Spartak Arležanka (izbor) - 4. stavek: Maestoso-Allegro peščeno (in ne preglasno) plažo, parafraziram že velikokrat slišano Izvajalci: Brechtovo misel: revija je orožje, vzemi jo v roke! In za Glasno velja to Valček iz Maškarade še posebej! Plesi iz baleta Gajane (izbor) Izvajalci: Izvajalci: Orkester Slovenske fi lharmonije Orkester Slovenske fi lharmonije Orkester Slovenske fi lharmonije dirigent Simon Dvoršak Benjamin Virc, urednik Izvajalci: dirigent Simon Krečič dirigentka Živa Ploj Peršuh voditelj Janez Škof Orkester Slovenske fi lharmonije voditeljica Ana Marija Mitić voditelj Boštjan Gorenc Pižama Spored je namenjen otrokom, starim dirigent Karen Durgaryan Spored je namenjen osnovnošolcem III. Spored je namenjen učencem II. triade od 5 do 10 let. voditelj Juš Milčinski triade in srednješolcem. osnovnih šol. Spored je namenjen osnovnošolcem III. triade in srednješolcem. Spreminjamo svet z glasbo. V sodelovanju z: novice … Slovenska zmaga na evro- (Mehika), klarinetist Michele Marelli (Italija), Nastop APZ Univerze na Primorskem (projekt z litofoni). Javna Naši glasbeniki v tujini med koncerti pa je bil tudi tisti z naslovom učna ura: Eva-Nina Kozmus in Emmanuel Pahud. vizijskem tekmovanju mladih New generation, ki je v presojo ponudil dela »Pihalni trio Slovenske fi lharmonije (Matej predstavnikov najmlajše italijanske in slovenske diri genta Jiříja Bělohlávka, ki zdaj deluje pod Grahek, Jože Kotar in Zoran Mitev) se je v glasbenikov skladateljske generacije. taktirko mladega nadarjenega dirigenta Jakuba mesecu maju mudil Na letošnjem tekmovanju Kar 12 mladih je ponudilo svoje stvaritve, Hrùše. po Franciji, točneje v Evrovizijski mladi glas- izstopala sta predvsem dva, oba študenta
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