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Dancing Under Socialism: Ex-Yu Electronica | Norient.Com 25 Sep 2021 22:47:34
Dancing Under Socialism: Ex-Yu Electronica | norient.com 25 Sep 2021 22:47:34 Dancing Under Socialism: Ex- Yu Electronica by Gregor Bulc In the last couple of years, various collections of electronic music from former Yugoslavia popped up, ranging from numerous downloadable CDR mixtapes to official compilation albums. The Croatian film critic and media connoisseur Željko Luketić presents his favorite songs and clips. The trend of officially published compilations of Yugoslav electronic music started arguably in 2010 when Subkulturni Azil from Maribor, Slovenia, released the Ex Yu Electronica Vol I: Hometaping in Self-Management vinyl on its Monofonika label, followed by the Vol II: Industrial Electro Bypasses in the North – In Memoriam Mario Marzidovšek, dedicated solely to Slovenian scene. Here are some of the artist featured on these two vinyls, whose creativity and innovation, as well as sheer volume of music production and distribution effort remain unmatched to this day. Electric Fish – Stvar V (Slovenia 1985) Andrei Grammatik – Poslanica Duholovcima (Macedonia/Serbia 1988) https://norient.com/blog/ex-yu-electronic-music Page 1 of 6 Dancing Under Socialism: Ex-Yu Electronica | norient.com 25 Sep 2021 22:47:34 Mario Marzidovšek aka Merzdow Shek – Suicide In America (Slovenia 1987) The Ex Yu Electronica Vol III contains the art duo Imitacija Života’s hard-to- come-across videos, followed by a rarefied industrial electro breakbeat cover of Bob Dylan’s classic from Jozo Oko Gospe: Imitacija Života – Instrumentator (Croatia 1989) Video -
Academos Nr 1 2014 3 Aprilie.Indd
CUPRINS akademos A fost lansat Programul Cadru „Orizont 2020” pentru Parteneriatul Estic ..................................3 Dr. L. Romanciuc. De la Programul Cadru 7 la Programul Orizont 2020 ..................................4 Revistă de ştiinţă, Primul Forum moldo-român în domeniul ştiinţei şi educaţiei ......................................................6 inovare, cultură şi artă Rezoluţie .......................................................................................................................................9 Înregistrată la Ministerul Justiţiei la Monumentul limbii române ........................................................................................................10 Acad. Gr. Belostecinic, prof. univ., dr.hab. B. Chistruga, prof. univ., dr.hab. Gh. Iliadi, conf. 25.05.2005, nr. 189. cercet., dr. C. Guţu, conf. univ., dr. I. Movilă, conf. univ., dr. Gr. Baltag. Competitivitatea Categoria B şi creşterea economică în contextul economiei bazate pe cunoaştere, integrării regionale şi europene ......................................................................................................................................11 Acad. I.Bostan, dr. hab., prof. univ. V. Dulgheru, dr., conf. univ. V. Bostan, dr., conf. univ. A. Sochirean, drd. R. Crudu, drd. M. Guţu, drd. G. Porcescu. Sisteme pentru valorifi carea energiilor regenerabile ...............................................................................................................17 Acad. I. Bostan, dr.hab., prof. univ. V. Dulgheru, dr., conf. univ. -
The Memory of the Avant- Garde and the New Wave in the Contemporary
The Memory of the Avant- Garde and the New Wave in the Contemporary Serbian Novel Marko Avramović Institute for Literature and Arts, 2 Kralja Milana St, 11000 Belgrade, Serbia https://orcid.org/0000-0001-5878-5777 [email protected] This article is dealing with the topic of two past twentieth-century epochs in a few representative Serbian novels at the turn from the twentieth to the twenty-first century. These are the 1980s and the New Wave era in Yugoslavia, an epoch close to the past that can still be written about from the perspective of an immediate witness, and the avant-garde era, that is, the period between the two world wars marked in art by different movements of the historical avant-garde. The novels Milenijum u Beogradu (Millennium in Belgrade, 2000) by Vladimir Pištalo, Vrt u Veneciji (The Garden in Venice, 2002) by Mileta Prodanović, and Kiša i hartija (Rain and Paper, 2004) by Vladimir Tasić are being interpreted. In these novels, it is particularly noteworthy that the two aforementioned epochs are most commonly linked as part of the same creative and intellectual currents in the twentieth century. Keywords: Serbian literature / contemporary Serbian novel / literary avant-garde / New Wave / Zenitism / rock and roll / Pištalo, Vladimir / Prodanović, Mileta / Tasić, Vladimir In Vladimir Tasić’s Farewell Gift (2001), one of the key contemporary Serbian novels, the narrator at some points expresses a high apprecia- tion of the two epochs. One is personally experienced, while the other has long been placed in historical niches -
Authenticity in Electronic Dance Music in Serbia at the Turn of the Centuries
The Other by Itself: Authenticity in electronic dance music in Serbia at the turn of the centuries Inaugural dissertation submitted to attain the academic degree of Dr phil., to Department 07 – History and Cultural Studies at Johannes Gutenberg University Mainz Irina Maksimović Belgrade Mainz 2016 Supervisor: Co-supervisor: Date of oral examination: May 10th 2017 Abstract Electronic dance music (shortly EDM) in Serbia was an authentic phenomenon of popular culture whose development went hand in hand with a socio-political situation in the country during the 1990s. After the disintegration of Yugoslavia in 1991 to the moment of the official end of communism in 2000, Serbia was experiencing turbulent situations. On one hand, it was one of the most difficult periods in contemporary history of the country. On the other – it was one of the most original. In that period, EDM officially made its entrance upon the stage of popular culture and began shaping the new scene. My explanation sheds light on the fact that a specific space and a particular time allow the authenticity of transposing a certain phenomenon from one context to another. Transposition of worldwide EDM culture in local environment in Serbia resulted in scene development during the 1990s, interesting DJ tracks and live performances. The other authenticity is the concept that led me to research. This concept is mostly inspired by the book “Death of the Image” by philosopher Milorad Belančić, who says that the image today is moved to the level of new screen and digital spaces. The other authenticity offers another interpretation of a work, or an event, while the criterion by which certain phenomena, based on pre-existing material can be noted is to be different, to stand out by their specificity in a new context. -
Rez07-08 Jan2008 Web
korice_rez_07-08.qxp 7.1.2008 1:23 Page 1 Mirko Kova~ Jeta D`ara Specijalni dodatak JEDINKA U CENTRU, @ENA KOJA JE MODERNO SUPROTSTAVLJENA RULJI UZBURKALA KOSOVO KOSOVO www.rezmagazin.com 7/8 DECEMBAR 2007/JANUAR 2008. DECEMBAR 2007/JANUAR / CENA 150 DIN / BiH 4 KM / CRNA GORA 2 EUR / HRVATSKA 15 HRK / KOSOVO 2 EUR / GODINA I 15 HRK / KOSOVO CENA 150 DIN / BiH 4 KM CRNA GORA 2 EUR / HRVATSKA / REGION NA JEDNOM MJESTU korice_rez_07-08.qxp 7.1.2008 0:10 Page 2 rez_03-04.qxp 7.1.2008 1:28 Page 1 7/8 /decembar 2007/januar 2008./godine/ SADR@AJ REZONI=5 + KOLUMNA LIBARSKA MAGISTRALA: DJECA SU NOJSKA NAJJA^A, NENAD VELI^KOVI]=9 + BO@I]NA PRI^A, DRAGAN GMIZI] =12 + FRANCISKO SOBERON: POLITIKA, LJUDSKA PRAVA I UMETNOST SU KOMPLEMENTARNI, TANJA MATI]=14 + HAG I JA: BLISKI SUSRETI SA RU[ITELJIMA, BOJANA KOSTI]=15+ REZANCI=47 + PRI^A MESECA: SONATINA, MO@E I SONETINA, SLOBODAN TI[MA=56 + POZORI[TE: KREATIVNI RIZICI, IVAN PRAVDI]=58 + ELENA ILI], GLUMICA: SVEST O DRU[TVENOM TRENUTKU, TANJA MATI]=62 + FESTIVAL U PRI[TINI: SKENA UP ZA FARUKA BEGOLIJA, MILOT HASIMJA=65 + TEMA: KRAH BIOSKOPA U SRBIJI, IVAN BEVC=68+ FESTIVAL IDFA AMSTERDAM: REGIONALCI NA NAJVE]EM DOKUMENTARNOM PAZARU, OLIVER SERTI]=72+ GLAZBA LIJE^I RANE U BIV[OJ JUGOSLAVIJI, DAVOR KONJIKU[I]=83+ NO RULES: UKLJU^I SE, POJA^AJ I ROKAJ, MILAN B. POPOVI]=90+ ORU@JEM PROTIVU OTMI^ARA: SRBIJANSKI ROKENROL JE PRILI^NA KATASTROFA, VLADIMIR ARSENI]=92+ REZONANCA, NIKOLA RADI[I]=95+ REZERVAT: SPAM SVOJ MAJSTOR, TOMISLAV MARKOVI]=96+ STRIP: MAJA VESELINOVI]=97+ TEHNOLOGIJE: SMEM LI DA RAZMONTI- RAM BUDILNIK, DANDELLION KIMBAN=98+ GOST DIZAJNER JAKOV PONJAVI]: STRIKTNO SOFISTICIRANO=99 str. -
Belgrade Rocks - New York Times
Belgrade Rocks - New York Times http://travel.nytimes.com/2005/10/16/travel/16belgrade.html?ei=5070... October 16, 2005 Belgrade Rocks By SETH SHERWOOD Correction Appended NIGHT falls in the capital of the former Yugoslavia, and music fills the air. Everywhere. Along the banks of the Danube and Sava Rivers, serpentine chains of music-blasting splavovi - floating raft clubs - snake into the inky Balkan night. Fortified by huge meat-kebab dinners and Turkish coffees from Belgrade's myriad cafes, crowds of night owls line up to partake variously of Gypsy bands, electronic mixes, rock 'n' roll and a distinctly Serbian hybrid known as Turbofolk. As a parade of Puma-clad feet files down the metal gangway to a club called Exile, the night's marquee D.J., the New York City-based techno producer John Selway, prepares for his 2-to-6 a.m. set. "The most fun places to play are here, South America and Japan!" he shouts over rapid-fire industrial beats, praising the energy of the night life in the capital of Serbia and Montenegro, the name for what is left of Yugoslavia after its unraveling in the early 90's. "They're interested in new music and in building a scene!" Across the water, the lighted dome of St. Sava Church and illuminated stone walls of the centuries-old Kalemegdan Fortress hover over the capital's skyline. Just six years ago, during 78 days of NATO bombings intended to quell President Slobodan Milosevic's attacks on ethnic Albanians in the nation's Kosovo province, that same panorama exploded routinely in flame and debris. -
Nikola Tamindzic, Art Director 175 Stanton Street, Apt 4 // New York, NY 10002 Cargocollective.Com/Nikola // [email protected] // 917-981-9371
Nikola Tamindzic, Art Director 175 Stanton street, apt 4 // New York, NY 10002 cargocollective.com/nikola // [email protected] // 917-981-9371 Profile Skills I’m a highly accomplished and motivated Art Director & Interactive Designer with twelve years Graphic design, Flash, HTML/CSS, of experience in design, development, team management, and client communication. photography, sound design, strong understanding of database-driven I specialize in beauty & fashion, luxury lifestyle, and social media projects. solutions; excellent creative and conceptual abilities, project-level management experience, ability to learn Professional Experience quickly, high level of craftsmanship. Art Director ▪ Primary tools: Photoshop, Flash, Illustrator. New York // 2004-current ▪ Additional software tools: 3D Studio Working as a freelance Art Director with a number of New York-based advertising and Max, Dreamweaver, Fireworks, interactive agencies, including JWT, Tribal DDB, Atmosphere/BBDO, Continuity InDesign, Final Cut Pro, After Effects, McGarryBowen, MRM/McCann-Erickson, FCBi, RMG Connect, Ogilvy, and others. Acrobat, PowerPoint, QuickTime, etc. Client list: Maybelline, Kohl's, Diamond Trading Company, Avaya, AOL and AOL Mobile, Angara Diamonds, and many more. Quotes “Efficient team leader as well as team Art Director player; approaches web design from a Razorfish, Chicago // 2003-2004 holistic standpoint, and engages all assignments with a serious commitment Provided concept development and design direction for several large-scale projects at to design par excellence; strong Razorfish; presented, communicated and justified creative decisions in client presentations. attention to detail, and a keen eye for Experience with usability concerns and branding. integrated media development; functions best under high- pressure Client list: U.S. Cellular, Ennis Knupp, SPSS, Infiniti, Spencer Stuart. -
Zapik | Maj 2012
MAJ ‘12 brezplačna revija za študente in dijake Osišče: Teden mladih – najdaljši teden v letu! Tête-à-tête: Vibe Department Raziskujemo: Kje je najboljši burito? fotoreportaža: TMau gre naokrog #16 Po mesecih priprav in bedenja dolgo v noč je končno spet tu najdaljši teden v letu – Teden mladih. Kot že tradicionalno, tudi letos majsko številko posvečamo prav njemu in njegovim posebnostim. Ob 18. jubileju, ki ga festival športa, izobraževanja, zabave in kulture letos praznuje, jih ni malo. Eno izmed njih smo razkrili že na naslovnici, ostale pa preveri v sredici Zapika. Naslovnica: No, ne pišemo pa samo o Tednu mladih; svetujemo ti tudi, kam na mehiško pojedino, Oto Žan predstavljamo nostalgično ustvarjalko in pečemo mafine. Med 11. in 19. majem še zadnjič odvrzi skrbi, 20. maja pa se, poln zanosa, zakoplji v študijsko WWW.KSK.SI/JOST Na naslovnici: literaturo in razturaj na izpitih. TMau Se vidimo na Tednu mladih! Mojca Jagodic, odgovorna urednica Odgovorna urednica: Mojca Jagodic WWW.ZAPIK.SI [email protected] Tehnična urednica: Sandra Kert Oblikovanje: KAZALO Jure Vukovič KLUBOVANJE Creatizem Nočni tek po ulicah Kranja . 4 FOTOREPORTAŽA Zanimivi gostje in zanimive S TMaumu naokrog! . 18 teme – predavanja Tedna mladih . 4 Avtorji prispevkov: 3, 2, 1 … start! . 5 ŠTUDELO Študent spletni erotik . 20 Petra Ajdovec Dobrodelno vrtenje pedal . 5 Po večjih koncertih Tedna mladih . 6 Urša Bajželj WWW.ZAPIK.SI Smeha polna skleda . 6 Mladinski spletni portal zapik .si . 21 Jan Grilc Kaj pa če mi ni do Tabujev ali Big Foot Mame? . 7 Kolesarska invazija Jošta . 7 Mojca Jagodic USTVARJALNICA Nostalgični kič Maruše Štibelj . 22 Urša Kunstelj ZAPIKOVA ŠTAFETA Christian Pavuna Škratje in spletni novičarski portali . -
May 2017 Events
Events May 2017 Sightseeing Tours Highlights in May Historical city centre and Ljubljana castle Take a walk around the historical city centre, explore major attractions and Ljubljana Castle. Daily at 11:00 Index From: in front the Town Hall (duration 2 hours) Language: Slovene, English Price: adults € 13, children € 6,5, with Ljubljana Tourist card free of charge. Walking tour of Plečnik’s Ljubljana Festivals 4 An exploration of the life and work of the greatest Slovene architect. Exhibitions 5 Wednesdays and Saturdays at 12:00 From: Tourist Information Centre – TIC (duration 3 hours) Language: Slovene, English Price: € 20 Music 8 Taste Ljubljana food tour Opera, theatre, dance 12 Taste of 5 different dishes and 5 selected drinks included. Wednesdays and Saturdays at 12:00 Miscellaneous 13 From: Tourist Information Centre - TIC (duration 3 hours) Language: Slovene, English Price: € 38 Sports 15 Ljubljana beer lover’s experience Taste of 8 different beers and 3 snacks included, visit to Brewery Museum. Mondays and Fridays at 18:00 From: Slovenian Tourist Information Centre – STIC (duration 3 hours) Cover photo: D. Wedam 14 May 17 May – 17 June 25 – 27 May 25 May – 29 Oct Language: Slovene, English Edited and published by: Ljubljana Price: € 35 Tourism, Krekov trg 10, SI-1000 Ljubljana, Depeche Mode Lighting Guerrilla Druga Godba Biennial of Design Depeche Mode Ljubljana’s public Druga Godba T: +386 1 306 45 83, (BIO) Town Hall tour are considered spaces will once Festival BIO – The Biennial E: [email protected], Saturdays at 13:00 to be among the again come alive A special treat for of Design in From: in front of the Town Hall (duration 1 hour) W: www.visitljubljana.com originators of with lighting the lovers of world Ljubljana, organized Language: Slovene, English Photography: Archives of Ljubljana Price: € 5 electronic pop objects and site- music and various by Museum of Tourism and individual event organisers music. -
Libri Film Musica Serbia
Serbia libri film musica Il progetto "Racconta l'Europa all'Europa" è cofinanziato dall'Unione Europea LIBRI Serbia hardcore Dušan Veličković Zandonai, 2008 Brillanti e beffarde, colte e irriverenti, queste short stories, veri e propri “racconti dal vivo”, vanno quasi a comporre un romanzo in frantumi e narrano di un luogo chiamato Belgrado, di un Paese chiamato Serbia in una travagliata fase di transizione. Dušan Veličković presta la propria voce a una comunità lacerata, che vive in biblico tra un "passato che non è mai passato" e dal quale si ereditano conflitti, tragedie e triviali derive nazionalistiche, e un futuro appeso a un filo di incertezza e scetticismo che dovrà sciogliere il dilemma di una colpa collettiva. Sottocoperta Vladimir Arsenijević ComEdit 2000, 1 995 Sottocoperta è il posto dove avete il minor numero di possibilità di salvarvi quando la nave affonda. Nello stesso tempo è il posto dove potete vivere più a lungo, perché passa abbastanza tempo prima che l’acqua vi raggiunga. Un libro sulla Belgrado anni '90 di Vladimir Arsenijević che nei primi anni '80 dà vita alla punk band Urbana Gerila e successivamente ai Berliner Strasse, uno dei punti di riferimento del postrock jugoslavo. Nel 1994 è il più giovane scrittore ad aggiudicarsi il Premio NIN, il più importante riconoscimento letterario in Jugoslavia prima e in Serbia poi. Una tomba per Boris Davidović Danilo Kiš Adelphi, 2005 Il volto di Boris Davidović e quello butterato del suo carnefice, intento a estorcergli l’ennesima «falsa confessione», si fronteggiano nel buio di una cella densa di fumo: il primo cerca www.balcanicaucaso.org 1 di conservare la dignità nella caduta e nella morte, l'altro di preservare la severità impersonale e astratta della "giustizia" stalinista. -
Disciplin a Kitschme I Think I See Myself on CCTV Mp3, Flac, Wma
Disciplin A Kitschme I Think I See Myself On CCTV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Funk / Soul Album: I Think I See Myself On CCTV Country: Japan Released: 1998 Style: Alternative Rock, Drum n Bass, Funk MP3 version RAR size: 1952 mb FLAC version RAR size: 1640 mb WMA version RAR size: 1777 mb Rating: 4.9 Votes: 382 Other Formats: AIFF MPC AUD MP2 DXD VOC FLAC Tracklist 1 Enter 0:46 2 Behind Nine Hills 6:11 3 Oh Why? 6:19 4 Is That Really All? 6:56 5 I've Got Those Teknicolor Eyes 8:36 6 Do Not 4:42 7 Have You Ever Heard Of Any Other Rhythm? 5:30 8 U.S.P. 2:25 9 Queueing (99 And One Half Day) 8:06 10 Children Song 7:57 Have You Ever Heard Of Any Other Rhythm? (Now With Even More Bottom End Jam Club 11 6:02 Mix) Companies, etc. Manufactured By – D:Pop Records, Inc. Distributed By – Teichiku Records Co., Ltd. Notes (p) & (c) 1996 Babaroga Records Lincensed by Pinnacle Direct Manufactured by D:POP Records,Inc. Distributed by Teichiku Records co.,Ltd. Other versions Category Artist Title (Format) Label Category Country Year Disciplin A I Think I See Myself On Tom Tom BABA CDL 1 BABA CDL 1 Yugoslavia 1996 Kitschme CCTV (CD, Album) Music Tom Tom Disciplin A I Think I See Myself On Music, none none Yugoslavia 1996 Kitschme CCTV (Cass, Album) Babaroga Records I Think I See Myself On Disciplin A Mascom none CCTV (10xFile, MP3, none Serbia 2014 Kitschme Records Album, RE, 320) Related Music albums to I Think I See Myself On CCTV by Disciplin A Kitschme Pop 芳本美代子 - センチメンタル・カーニバル Pop Noll Disciplin - Idiot Pop Gary -
The Role of Music in the Conflict- Tool of Reconciliation Or a Deadly Weapon (Case Study of War in Former Yugoslavia)
The Role of Music in the Conflict- Tool of Reconciliation or a Deadly Weapon (Case Study of War in Former Yugoslavia) Institute for Cultural Diplomacy The Annual Conference on Cultural Diplomacy 2015 "Building Bridges of Peace and Reconciliation in Times of Greater Global Insecurity" (Berlin; December 10th - 13th, 2015) Zrinka Mozara, PhD student Abstract The aim of this paper is to provide an overview of the role that music played in the war during the conflict in former Yugoslavia. In the first part, the usage of music in building the common Yugoslavian identity is presented. Secondly, the influence of the music during the pre-conflict period is exposed. Furthermore, the role of music as a weapon is considered. Finally, the paper demonstrates the potential of music during the reconciliation period. 1. INTRODUCTION Throughout history, music has always been a useful instrument for propaganda and an efficient motivator for group action. Although music has the potential to bring people together, at the same time, this sense of belonging to a specific group may be used in order to build antagonistic sentiments towards the other group (Grant et al., 2010). Even though there has been relatively little research on connection between music and propaganda, existing evidence suggests that the most successful musical propaganda is an affirmative one which induces positive associations (Grant et al., 2010). On the other hand, there are lots of examples of the negative influences in music which raises the issue of justification of the censorship. Music simply cannot be seen as absolutely positive since there are many examples when music was tool of the oppression and persecution of others or it was used to encourage hatred and violence (Grant et al., 2010).