DOCSLIB.ORG

Nikola Tamindzic, Art Director 175 Stanton Street, Apt 4 // New York, NY 10002 Cargocollective.Com/Nikola // [email protected] // 917-981-9371

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nikola Tamindzic, Art Director 175 Stanton Street, Apt 4 // New York, NY 10002 Cargocollective.Com/Nikola // Nikola@Nikola-Tamindzic.Com // 917-981-9371 Nikola Tamindzic, Art Director 175 Stanton street, apt 4 // New York, NY 10002 cargocollective.com/nikola // [email protected] // 917-981-9371 Profile Skills I’m a highly accomplished and motivated Art Director & Interactive Designer with twelve years Graphic design, Flash, HTML/CSS, of experience in design, development, team management, and client communication. photography, sound design, strong understanding of database-driven I specialize in beauty & fashion, luxury lifestyle, and social media projects. solutions; excellent creative and conceptual abilities, project-level management experience, ability to learn Professional Experience quickly, high level of craftsmanship. Art Director ▪ Primary tools: Photoshop, Flash, Illustrator. New York // 2004-current ▪ Additional software tools: 3D Studio Working as a freelance Art Director with a number of New York-based advertising and Max, Dreamweaver, Fireworks, interactive agencies, including JWT, Tribal DDB, Atmosphere/BBDO, Continuity InDesign, Final Cut Pro, After Effects, McGarryBowen, MRM/McCann-Erickson, FCBi, RMG Connect, Ogilvy, and others. Acrobat, PowerPoint, QuickTime, etc. Client list: Maybelline, Kohl's, Diamond Trading Company, Avaya, AOL and AOL Mobile, Angara Diamonds, and many more. Quotes “Efficient team leader as well as team Art Director player; approaches web design from a Razorfish, Chicago // 2003-2004 holistic standpoint, and engages all assignments with a serious commitment Provided concept development and design direction for several large-scale projects at to design par excellence; strong Razorfish; presented, communicated and justified creative decisions in client presentations. attention to detail, and a keen eye for Experience with usability concerns and branding. integrated media development; functions best under high- pressure Client list: U.S. Cellular, Ennis Knupp, SPSS, Infiniti, Spencer Stuart. situations, thrives in deadline- oriented environments.” Interactive Designer ▪ Carlos Manalo, Creative Director Buzzbait, Chicago // 2001-2002 Buzzbait, Chicago Designed and produced interactive, usable and dynamic Flash interfaces, and worked with “A rare breed – showing both clear developers to ensure correct translation of design and usability concepts. understanding of design (color, layout) Client list: Frankel, United Airlines, Asterisk, Anexsys, AT&T, Learning Curve, Raging and understanding of new media and its Thunder IMAX. potential, in particular UI design, which is very hard to come by. Nikola is one of the top Flash developers I have come Lead Designer across in a long time, and I see him as Xceed, Chicago // 2000-2001 being very passionate in his work.” Formulated and executed the intended vision and voice of the project; directed and created ▪ Fernando Carpenter, Creative Director appropriate visual content, and made recommendations on relevant technologies appropriate Totalmass, San Francisco to the delivery of the solution. “You must be some kind of genius.” Client list: CSI: Crime Scene Investigation, Caterpillar, Casual Corner, Investprivate.com, ▪ Chris Anderson, Editor-in-Chief British Telecom, Hilton Hotels. Wired magazine, San Francisco Graphic Designer Formal Education B92, Yugoslavia // 1998-2000 ▪ Belgrade Academy of Fine Art Concepting, design and execution of web, print and CD-ROM projects for B92 New Media School of Performing Arts, 1996-99 department, winners of two MTV Europe Free Your Mind awards. ▪ Belgrade University Client list: Darkwood Dub, Tuxedomoon, Primer.org, Jukebox B92. Organizational Science, 1991-92 .
Load more

Recommended publications
  • Diplomsko Delo
    UNIVERZA V LJUBLJANI FILOZOFSKA FAKULTETA ODDELEK ZA ETNOLOGIJO IN KULTURNO ANTROPOLOGIJO ODDELEK ZA ZGODOVINO DIPLOMSKO DELO LJUBLJANA, 2015 PATRICIJA JEREB UNIVERZA V LJUBLJANI FILOZOFSKA FAKULTETA ODDELEK ZA ETNOLOGIJO IN KULTURNO ANTROPOLOGIJO ODDELEK ZA ZGODOVINO PATRICIJA JEREB Ne računajte na nas! Razpad Jugoslavije in vpliv rock 'n' rolla v protivojnih akcijah v Srbiji v devetdesetih letih prejšnjega stoletja Diplomsko delo Študijski program: Etnologija in kulturna antropologija Zgodovina Mentorja: red. prof. dr. Rajko Muršič red. prof. dr. Božo Repe Ljubljana, 2015 Zahvala Iskreno se zahvaljujem mentorjema prof. dr. Rajku Muršiču in prof. dr. Božu Repetu za vse strokovne nasvete in vsestransko pomoč pri izdelavi diplomskega dela ter vsem svojim sogovornikom, saj brez njih moje diplomsko delo ne bi bilo mogoče. Zahvaljujem se staršem in prijateljem za vso podporo in spodbudne besede v času študija. Izvleček Ne računajte na nas! Razpad Jugoslavije in vpliv rock 'n' rolla v protivojnih akcijah v Srbiji v devetdesetih letih prejšnjega stoletja Diplomsko delo obravnava tematiko razpada Jugoslavije in vpliv rocka v protivojnih akcijah v Srbiji. Vojne na območju nekdanje Jugoslavije so v srbski družbi pustile neizbrisen pečat. Vojna kultura ni vplivala samo na razmah kriminala temveč je močno zaznamovala tudi glasbeno sceno. Protivojne akcije so bile relativno pogoste; vojni situaciji so se upirale različne organizacije, ki so z akcijami opozarjale na nesmiselnost vojne in njene posledice. Prav tako so protivojno držo izražali posamezni rock glasbeniki, ki so izvedli nekaj uspešnih projektov. Najodmevnejši projekt je skupina Rimtutituki, ki je v februarju 1992 posnela pacifistično pesem Slušaj 'vamo (Poslušaj) z eksplicitnim sporočilom. Rock ni preprečil tragičnega konca SFRJ, to niti ni bil namen, brez dvoma pa izpeljani glasbeni projekti predstavljajo velik uspeh in iskro upanja vsem narodom nekdanje skupne države.
    [Show full text]
  • Tuxedomoon the Ghost Sonata Mp3, Flac, Wma
    Tuxedomoon The Ghost Sonata mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Ghost Sonata Country: Russia Released: 2000 Style: Modern Classical, Avantgarde MP3 version RAR size: 1237 mb FLAC version RAR size: 1955 mb WMA version RAR size: 1244 mb Rating: 4.9 Votes: 544 Other Formats: WMA MMF FLAC MPC AA MOD VQF Tracklist Hide Credits The Funeral Of A Friend 1 1:09 Written-By – Geduldig*, Principle* The Ghost Sonata 2 5:36 Written-By – Reininger*, Brown* Catalyst 3 0:42 Written-By – Principle* An Affair At The Soiree 4 3:39 Written-By – Reininger*, Geduldig*, Principle*, Brown* Music Number Two 5 2:56 Written-By – Reininger*, Brown* A Drowning 6 2:07 Written-By – Reininger*, Principle*, Brown* The Cascade 7 3:02 Written-By – Reininger*, Brown* A Mystic Death 8 2:16 Written-By – Geduldig*, Principle* Basso Pomade (Dogs Lickin' My Heart) 9 2:36 Written-By – Reininger*, Brown* Licorice Stick Ostinato 10 2:19 Written-By – Reininger*, Brown* The Laboratory (Parts 1 & 2) 11 5:08 Written-By – Reininger*, Principle*, Brown* Les Odalisques 12 4:10 Written-By – Reininger*, Geduldig*, Principle*, Brown* An Unsigned Postcard 13 3:06 Written-By – Reininger*, Principle*, Brown* Music Number Two (Reprise) 14 4:18 Written-By – Reininger*, Brown* Credits Edited By – James Neiss*, Peter Principle Engineer – Jerome Sandron*, Bruno Donini, Drem Bruinsma, Gilles Martin Liner Notes [Brussels 12/90, Background And Event] – James Neiss* Liner Notes [Notes On The Notes] – Peter Principle Liner Notes [Random Recollections] – Blaine L. Reininger, Bruce Geduldig, Gilles Martin, JJ La Rue, Nina Shaw , Saskia Lupini, Steven Brown Performer – Blaine L.
    [Show full text]
  • Belgrade Rocks - New York Times
    Belgrade Rocks - New York Times http://travel.nytimes.com/2005/10/16/travel/16belgrade.html?ei=5070... October 16, 2005 Belgrade Rocks By SETH SHERWOOD Correction Appended NIGHT falls in the capital of the former Yugoslavia, and music fills the air. Everywhere. Along the banks of the Danube and Sava Rivers, serpentine chains of music-blasting splavovi - floating raft clubs - snake into the inky Balkan night. Fortified by huge meat-kebab dinners and Turkish coffees from Belgrade's myriad cafes, crowds of night owls line up to partake variously of Gypsy bands, electronic mixes, rock 'n' roll and a distinctly Serbian hybrid known as Turbofolk. As a parade of Puma-clad feet files down the metal gangway to a club called Exile, the night's marquee D.J., the New York City-based techno producer John Selway, prepares for his 2-to-6 a.m. set. "The most fun places to play are here, South America and Japan!" he shouts over rapid-fire industrial beats, praising the energy of the night life in the capital of Serbia and Montenegro, the name for what is left of Yugoslavia after its unraveling in the early 90's. "They're interested in new music and in building a scene!" Across the water, the lighted dome of St. Sava Church and illuminated stone walls of the centuries-old Kalemegdan Fortress hover over the capital's skyline. Just six years ago, during 78 days of NATO bombings intended to quell President Slobodan Milosevic's attacks on ethnic Albanians in the nation's Kosovo province, that same panorama exploded routinely in flame and debris.
    [Show full text]
  • WEGART NOVINKY MAREC 2007 – 1. Časť
    WEGART NOVINKY MAREC 2007 – 1. čas ť Arcade Fire – Neon Bible Netrpezlivo o čakávaný nový album kanadského súboru bol nahrávaný v kostole prerobenom na štúdio s použitím nahrávok píš ťalového organa, basových steel drums, verklíka, ale i živých nahrávok budapeštianskeho orchestra a vojenského zboru. Výsledkom je, ako sa dalo od týchto geniálnych Kana ďanov o čakáva ť, originálny a vyzretý album. Formát: CD (limitovaná edícia) CENA: 650 Sk Kat. č.: 1723674 EAN: 602517236745 Godspeed You! Black Emperor – Yanqui U.X.O. (Constellation) Montrealskí GY!BE si získali celosvetové uznanie svojou epickou, inštrumentálnou hudbou a taktiež militantne anarchistickými postojmi. Hudbu charakterizuje dramaticky gradovaný štýl, kde gitary znejú ako sláky a sláky ako bombardujúce rakety. Na svojom zrejme poslednom albume sa dnes už neexistujúca kapela zamerala na priamo čiary, intenzívny sound. Zatvorte oči a predstavte si pulzujúci život na Zemi tesne pred nukleárnou apokalypsou. A potom pomaly za čínajú pada ť bomby... Formát: CD/2LP CENA: 650/690 Sk Kat. č.: CST024 EAN: 666561002411 No-Man – Speak (Headphone Dust) Legendárni No-Man (Steven Wilson, Tim Bowness) v reedícii vydávajú albumy zo svojho najlepšieho obdobia. Speak je dozaista jeden z ich top-albumov, poetický, elegantný, nad časový, s nádhernými baladickými songami a bartókovskými hus ľami ich vtedajšieho spoluhrá ča Bena Colemana. Nájdeme tu dve coververzie songov od Donovana a Nicka Drakea. Prvá CD-edícia vyšla v roku 1999 na zna čke Materiali Sonori, táto remastrovaná digipaková reedícia vyšla vo Wilsonovom vlastnom vydavate ľstve. Formát: CD CENA: 590 Sk Kat. č.: HDNMCD11 EAN: 636551289023 Benjy Ferree - Leaving The Nest (Domino) Svieži folkový album barmana z Washingtonu, ktorý v minulosti pôsobil ako pestún (staral sa o deti režiséra Davida Lyncha), barman i neúspešný herec.
    [Show full text]
  • La Mamelle and the Pic
    1 Give Them the Picture: An Anthology 2 Give Them The PicTure An Anthology of La Mamelle and ART COM, 1975–1984 Liz Glass, Susannah Magers & Julian Myers, eds. Dedicated to Steven Leiber for instilling in us a passion for the archive. Contents 8 Give Them the Picture: 78 The Avant-Garde and the Open Work Images An Introduction of Art: Traditionalism and Performance Mark Levy 139 From the Pages of 11 The Mediated Performance La Mamelle and ART COM Susannah Magers 82 IMPROVIDEO: Interactive Broadcast Conceived as the New Direction of Subscription Television Interviews Anthology: 1975–1984 Gregory McKenna 188 From the White Space to the Airwaves: 17 La Mamelle: From the Pages: 87 Performing Post-Performancist An Interview with Nancy Frank Lifting Some Words: Some History Performance Part I Michele Fiedler David Highsmith Carl Loeffler 192 Organizational Memory: An Interview 19 Video Art and the Ultimate Cliché 92 Performing Post-Performancist with Darlene Tong Darryl Sapien Performance Part II The Curatorial Practice Class Carl Loeffler 21 Eleanor Antin: An interview by mail Mary Stofflet 96 Performing Post-Performancist 196 Contributor Biographies Performance Part III 25 Tom Marioni, Director of the Carl Loeffler 199 Index of Images Museum of Conceptual Art (MOCA), San Francisco, in Conversation 100 Performing Post-Performancist Carl Loeffler Performance or The Televisionist Performing Televisionism 33 Chronology Carl Loeffler Linda Montano 104 Talking Back to Television 35 An Identity Transfer with Joseph Beuys Anne Milne Clive Robertson
    [Show full text]
  • Michele Mulazzani's Playlist: Le 999 Canzoni Piu' Belle Del XX Secolo
    Michele Mulazzani’s Playlist: le 999 canzoni piu' belle del XX secolo (1900 – 1999) 001 - patti smith group - because the night - '78 002 - clash - london calling - '79 003 - rem - losing my religion - '91 004 - doors - light my fire - '67 005 - traffic - john barleycorn - '70 006 - beatles - lucy in the sky with diamonds - '67 007 - nirvana - smells like teen spirit - '91 008 - animals - house of the rising sun - '64 009 - byrds - mr tambourine man - '65 010 - joy division - love will tear us apart - '80 011 - crosby, stills & nash - suite: judy blue eyes - '69 012 - creedence clearwater revival - who'll stop the rain - '70 013 - gaye, marvin - what's going on - '71 014 - cocker, joe - with a little help from my friends - '69 015 - fleshtones - american beat - '84 016 - rolling stones - (i can't get no) satisfaction - '65 017 - joplin, janis - piece of my heart - '68 018 - red hot chili peppers - californication - '99 019 - bowie, david - heroes - '77 020 - led zeppelin - stairway to heaven - '71 021 - smiths - bigmouth strikes again - '86 022 - who - baba o'riley - '71 023 - xtc - making plans for nigel - '79 024 - lennon, john - imagine - '71 025 - dylan, bob - like a rolling stone - '65 026 - mamas and papas - california dreamin' - '65 027 - cure - charlotte sometimes - '81 028 - cranberries - zombie - '94 029 - morrison, van - astral weeks - '68 030 - springsteen, bruce - badlands - '78 031 - velvet underground & nico - sunday morning - '67 032 - modern lovers - roadrunner - '76 033 - talking heads - once in a lifetime - '80 034
    [Show full text]
  • March:April Newslett
    M a r c h / a p r i l 2 0 0 8 Ae n-t Te r Rt a i An m Ie nNt WELCOME TO THE A-TRAIN NEWSLETTER! The A-Train newsletter is back in a new bimonthly format. With it comes several new releases, positive reviews and Top News exciting live performances. Enjoy! •Sam Markus opens for Spring is upon us! As we shed our raincoats and winter jackets Cat Power at the Wiltern Theater, Los Angeles, Ca and check to see if we still fit in the shorts from last year, trading in the fog for flip-flops and dark clouds for double scoop cones, we are •Bloodkin performance at SXSW is noted on R.E.M.’s reminded of what a sunny day can do to the soul. web site With warm breezes comes that feeling of nostalgia for soundtracks of the new season, rolling down your windows and •Madeline Plays 2 showcases at SXSW and letting the neighborhood take a load-off to the tunes of your gets featured in Vioila! personal jukebox. To freshen up that collection, A-Train is very •New releases from happy to announce its new releases along with amazing Tuxedomoon and Radhika announcements of awards, show stoppers and tour dates. With a Miller lineup this hot you can be sure to toss the earmuffs and mittens till •Tour dates from Chris next year! Standring, Peter White, Rick Braun, and Richard Elliot - The A-Train Staff A - T r a i n E n t e r t a i n m e n t • P .
    [Show full text]
  • Thesis Writing Deliverables (Pdf)
    DEFENSE SPEECH Discovering and listening to music has always been my biggest passion in life and my primary way of coping with my emotions. I think its main appeal to me since childhood has been the comfort it brings in knowing that at some point in time, another human felt the same thing as me and was able to survive and express it by making something beautiful. For my project, I recorded a 9 track album called Strange Machines while I was on leave of absence last year. This term, I created a 20 minute extended music video to accompany it. All of this lives on a page I coded on my personal website with some fun bonus content that I’ll scroll through at the end of this presentation. I’ll put the link in the comments so anyone who’s interested can check it out at their own pace. I have so much fun making music and feel proud when I have a cohesive finished product at the end. I’m not interested in becoming a virtuoso musician or a professional producer. A lot of trained musicians gatekeep, intimidate, and discourage amateurs. People mystify and mythologize the creative process as if it’s the product of some elusive, innate genius rather than practice, experimentation, and a simple love of music. As someone who’s work exists entirely as digital recordings, there’s no inherent reason for me to be an amazing guitar player who can play a song perfectly all the way through, as mistakes can be easily cut out and re-recorded.
    [Show full text]
  • Poets on Punk Libertines in Libertines in the Ante-Room of Love: Poets on Punk ©2019 Jet-Tone Press the Ante-Room All Rights Reserved
    Libertines in the Ante-Room of Love: Poets on Punk Libertines in Libertines in the Ante-Room of Love: Poets on Punk ©2019 Jet-Tone Press the Ante-Room All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, electronic, of Love: mechanical, photocopying, recording, or otherwise, without prior permission of the publisher. Poets on Punk Published by Jet-Tone Press 3839 Piedmont Ave, Oakland, CA 94611 www.Jet-Tone.press Cover design by Joel Gregory Design by Grant Kerber Edited by ISBN: 978-1-7330542-0-1 Jamie Townsend and Grant Kerber Special thanks to Sara Larsen for the title Libertines in the Ante-Room of Love (taken from Sara’s book The Riot Grrrl Thing, Roof Books, 2019), Joel Gregory for the cover, Michael Cross for the extra set of eyes, and Wolfman Books for the love and support. Jet - Tone ©2019 Jet-Tone Press, all rights reserved. Bruce Conner at Mabuhay Gardens 63 Table of Contents: Jim Fisher The Dollar Stop Making Sense: After David Byrne 68 Curtis Emery Introduction 4 Jamie Townsend & Grant Kerber Iggy 70 Grant Kerber Punk Map Scream 6 Sara Larsen Landscape: Los Plugz and Life in the Park with Debris 79 Roberto Tejada Part Time Punks: The Television Personalities 8 Rodney Koeneke On The Tendency of Humans to Form Groups 88 Kate Robinson For Kathleen Hanna 21 Hannah Kezema Oh Bondage Up Yours! 92 Jamie Townsend Hues and Flares 24 Joel Gregory If Punk is a Verb: A Conversation 99 Ariel Resnikoff & Danny Shimoda The End of the Avenida 28 Shane Anderson Just Drifting
    [Show full text]
  • Tradition, Exoticism, and Cosmopolitism in Italian Popular Music (1950S-1980S)
    Differentia: Review of Italian Thought Number 2 Spring Article 15 1988 Tradition, Exoticism, and Cosmopolitism in Italian Popular Music (1950s-1980s) Paolo Prato Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Prato, Paolo (1988) "Tradition, Exoticism, and Cosmopolitism in Italian Popular Music (1950s-1980s)," Differentia: Review of Italian Thought: Vol. 2 , Article 15. Available at: https://commons.library.stonybrook.edu/differentia/vol2/iss1/15 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. Tradition, Exoticism and Cosmopolitism in Italian Popular Music ( 1950s-1980s) Paolo Prato INTRODUCTION Richard Wolfe's ProfessionalFake Book (Columbia Pictures Pub­ lications, 1983), a compilation of over 1000 songs for the club pianist-Broadway's best, contemporary hits, folk songs, movie greats, classical themes, etc.-includes nine Italian pieces. There are Neapolitan evergreens (0 sole mio, Come Back to Sorrento and Malafemmena), one a love song (Santa Lucia), another a Sicilian folk song (Eh cumpari), another an opera highlight (La donna e mobile) and three "modern" songs (Volare, Ciao ciao bambina, Cara mia) from the 1950s. The list makes up an average package of what many people outside Italy consider to be Italian popular music. The songs are part of that "knowledge at hand" (Alfred Schutz) DIFFERENT/A 2 (Spring 1988) DIFFERENT/A 196 which is necessary to cope with what is strange within everyday life routines.
    [Show full text]
  • Origins of the Movement's Strategy: the Case of the Serbian Youth
    IPS34210.1177/0192512112458129International Political Science ReviewNikolayenko 4581292012 Article International Political Science Review 34(2) 140 –158 © The Author(s) 2012 Origins of the movement’s Reprints and permission: sagepub.co.uk/journalsPermissions.nav strategy: The case of the DOI: 10.1177/0192512112458129 Serbian youth movement Otpor ips.sagepub.com Olena Nikolayenko Abstract Using the case of the Serbian social movement Otpor (Resistance), this article argues that learning is critical to the development of an effective movement strategy. This article specifies three learning mechanisms: (1) participation in previous protest campaigns, (2) the cross-national diffusion of ideas, and (3) within- movement deliberation practices. The empirical analysis is based upon semi-structured interviews with former movement participants. This research seeks to contribute to the comparative democratization literature by tracing the development of the movement’s strategy in a hybrid regime falling somewhere between democracy and dictatorship. Keywords social movements, nonviolent resistance, democratization, Serbia, youth During the past few years, there has been growing interest in the study of movement strategies (Downey and Rohlinger, 2008; Ganz, 2009; Jasper, 2004, 2006; McCammon, 2012; Maney et al., 2012; Meyer and Staggenborg, 2008). Strategy is a long-term plan of action pursued by a chal- lenger organization to attain its goals, while tactics are the means used to execute the strategy. Empirical research indicates that strategy is vital to a movement’s success. Szymanski (2003), for example, demonstrates the impact of strategy on the outcome of two temperance campaigns in the USA. Similarly, McCammon (2012) shows how the use of protest tactics affected women’s struggle for changes in US jury laws.
    [Show full text]
  • New Wave in Yugoslavia: Socio-Political Context  Udc 316.723:78(497.11)
    FACTA UNIVERSITATIS Series: Philosophy, Sociology, Psychology and History Vol. 12, No1, 2013, pp. 69 - 83 NEW WAVE IN YUGOSLAVIA: SOCIO-POLITICAL CONTEXT UDC 316.723:78(497.11) Jelena Božilović University of Niš, Faculty of Philosophy, Serbia E-mail: [email protected] Abstract. This paper analyzes the social and political implications of a popular culture music trend known as New Wave in SFRY. This trend was created in Great Britain and USA by the end of the 1970's but it "moved" to our country, as well, due to its opennes to Western culture. The Yugoslav New Wave was not a sheer copy of the Western trend but it managed to create its own original music expression becoming a phenomenon of one generation. The most popular new wave bands (Prljavo kazalište, Azra, Haustor, Film, Lajbah, Šarlo akrobata, Električni orgazam, Idoli) left a significant mark on the society, generation and the whole epoch not only in the sense of the music they created but also in the social, cultural and political sense. The New Wave was an avant-gard music trend whose ideals were reflected in simple musical forms, characteristic ideological engagement, visual presentations (music album covers and posters) and particularly in their lyrics full of irony, allusions and metaphors in relation to the establishment of the time. The paper compares the Western and Yugoslav new wave and punk music with a reference to their achievements and influence which is still present in contemporary culture. Key words: New Wave, Subculture, SFRY, Socialist ideology, Urban culture INTRODUCTION The new music trend, known as New Wave, originated in Great Britain and the Unated States of America in the late 1970s.
    [Show full text]