Serbians Still Cherish Long-Gone Yugoslav Holiday
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Prosopomorphic Vessels from Moesia Superior1
S. Nikolić, A. Raičković, Prosopomorphic Vessels from Moesia Superior Starinar LVIII/2008, 135-153 SNEŽANA NIKOLIĆ, Institute of Archaeology, Belgrade ANGELINA RAIČKOVIĆ, Institute of Archaeology, Belgrade PROSOPOMORPHIC VESSELS FROM MOESIA SUPERIOR1 UDC: Received: February 19, 2009 DOI: Accepted: May 04, 2009 Short communication Abstract: The prosopomorphic vessels from Moesia Superior had the form of beakers varying in outline but similar in size. They were wheel-thrown, mould-made or manufactured by using a combination of wheel-throwing and mould-made appliqués. Given that face vessels are considerably scarcer than other kinds of pottery, more than fifty finds from Moesia Superior make an enviable collection. In this and other provinces face vessels have been recovered from military camps, civilian settlements and necropolises, which suggests that they served more than one purpose. It is generally accepted that the faces-masks gave a protective role to the vessels, be it to protect the deceased or the family, their house and possessions. More than forty of all known finds from Moesia Superior come from Viminacium, a half of that number from necropolises. Although tangible evidence is lacking, there must have been several local workshops producing face vessels. The number and technological characteristics of the discovered vessels suggest that one of the workshops is likely to have been at Viminacium, an important pottery-making centre in the second and third centuries. Key words: The prosopomorphic vessels, Viminacium, Moesia Superior, 2nd /3rd century AD. he main characteristic of prosopomor- functioned as burial urns.4 These curious vessels show phic vessels is that they display a human various shapes, manufacturing techniques and sizes, Tface or basic facial features: the eyes, but are considerably less frequent than most Roman eyebrows, nose and mouth, quite often also a beard, forms. -
UNIVERS ZERO Title: RELAPS
Bio information: UNIVERS ZERO Title: RELAPS (Archives 1984 – 1986) (Cuneiform Rune 280) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “…one of the most important groups of the 1980s ..Univers Zero conceptualize the Europe of the late 20th Century... dense, desperate and dark; …above all beautiful and dramatic, strongly marked by the cultural traditions of Europe…Univers Zero may be classified somewhere between Bach and Bartok, Magma and Stravinsky…They represent something new, monumental, and important… a stirring lament over a European continent in physical and cultural decay … a rare, intense, and magnanimous piece of work, and it is absolutely compulsory for everyone who’s...played their Magma records to shreds, and/or who would have wanted there to be a bit more electric bass and drums on Bartok’s string quartets.” – Thomas Hylland Eriksen, Puls [Norway], Feb 1989 “Univers Zero…forged a genre of music that might appropriately be dubbed post-rock, had the term not been coined 15 years too late. …the Belgian’s craft at calculated pomp and nervous precision make Godspeed You! Black Emperor’s apocalyptic grandiosity seem like a Michael Bay movie in comparison. …” – Popmatters [USA] “UZ’s music was an antecedent for the kind of instrumental and stylistic interspersion considered normal today by groups including Bang on a Can and Alarm Will Sound. Henry Cow’s complex, abstruse writing meets Bartok, Stravinsky, Messiaen and Ligeti, but with hints of early music, especially in UZ’s use of spinet and harmonium. -
Alternately Known As 1313; Originally Releases 1977 by UZ, 1977 by Atem, Numerous Intervening Reissues, 1990 by Cuneiform
UNIVERS ZERO UNIVERS ZERO CUNEIFORM 2008 REISSUE W BONUS TRACKS & REMASTER (alternately known as 1313; originally releases 1977 by UZ, 1977 by Atem, numerous intervening reissues, 1990 by Cuneiform) Cuneiform 2008 album features: Michel Berckmans [bassoon], Daniel Denis [percussion], Marcel Dufrane [violin], Christian Genet [bass], Patrick Hanappier [violin, viola, pocket cello], Emmanuel Nicaise [harmonium, spinet], Roger Trigaux [guitar], and Guy Segers [bass, vocal, noise effects] “ALBUM OF THE WEEK...Released in 1977, it was astonishing then: today, it sounds like the hidden source for every one of today's avant-garde rock bands. Chillingly beautiful, driven by the bassoon and cello more than the guitar and synth, each instrumental is both pastoral and burgeoning with terrible life. … This is edgy beyond belief. …Each piece magnificently refuses to deviate from its mood, its tense, thrilling, growling, restrained focus... The whole is like the rare, delicious bits of great film soundtrack that create menace and energy out of nowhere. … Univers Zero are a revelation …” – Sean O., Organ, #274, September 18th, 2008 “UZ's debut remains both benchmark and landmark. Reissued numerous times over the years…this definitive version finally presents this unprecedented music the way it was meant to be heard, clarifying how—emerging out of nowhere with little history to precede it— UZ has been so vital in changing the way chamber music is perceived. UZ's music was an antecedent for the kind of instrumental and stylistic interspersion considered normal today by groups including Bang on a Can and Alarm Will Sound. Henry Cow's complex, abstruse writing meets Bartok, Stravinsky, Messiaen and Ligeti, but with hints of early music, especially in UZ's use of spinet and harmonium. -
Recreating Viminacium in 3D and Presenting Roman Cultural Heritage
Golubović and Mrđić - Rebirth of the Past...(155-167) Archaeology and Science 13 (2017) SNEŽANA GOLUBOVIć, 904:725.182]:004.92”652”(497.11) Institute of Archaeology 930.85(497.11:100) Belgrade, Serbia COBISS.SR-ID 264134156 [email protected] Original research article NEMANJA MRĐIć, Received: April 06th 2018 Institute of Archaeology Accepted: April 30th 2018 Belgrade, Serbia [email protected] reBIRTH oF tHe Past – reCREATInG VIMInaCIuM In 3d and PRESENTING ROMAN CULTURAL HERITAGE ABSTRACT Recreating invisible or highly damaged archaeological remains in 3D technologies has become one of the best ways to bring the past to regular visitors. The Project ARCHEST was designed to improve the presentation of the site and to, consequently, attract new visitors. The main objectives were support- ing the archaeology-related creative sectors to operate transnationally and to increase the knowledge of common Roman history through the most important archaeological sites. Additionally, there was an objective to increase the audience with an integrated approach and modern technology, transforming a non-audience into a new audience and changing the opinion that archaeology is something boring or too elitist. The results of the project have a huge appeal to ordinary audiences and support a better understanding and acceptance of Roman civilization through clear images which, at the same time, do not contradict the scientific concept but, rather, aim to support it. keyWords: 3d reConstruCtIon, VIRTUAL reaLIty, VIMInaCIuM, arCHest. INTRODUCTION museums are not scientists and are not able to un- derstand remains in the same way as profession- A visualisation of the past is one of the most als. -
CURRICULUM VITAE Dr. Ana Kostic Art Historian Assistant Professor
CURRICULUM VITAE Dr. Ana Kostic Art Historian Assistant professor, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia Research associate, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia PERSONAL INFORMATION Family name, First name: Kostic Ana Date of birth: 13/01/1984 Nationality: Serbia LANGUAGES Serbian – native speaker; English – very good; French – good, Bulgarian – passive, Macedonian - passive • AREAS OF SPECIAL INTEREST Main research areas are Serbian 19th century art, Balkan visual culture, the religious art in Serbia and relation between religious art, society, state and politics. • EDUCATION 2016: PhD in History of Art, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia. PhD Supervisor: Prof. Nenad Makuljevic, Title of PhD thesis: ,,State, Society and Religious art in the Principality of Serbia (1830-1882)”. 2010. MA in History of Art, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia. MA Supervisor: Prof. Nenad Makuljevic. Title of MA thesis: “Church complex in Lozovik”. 2009. BA in History of Art, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia. MA Supervisor: Prof. Nenad Makuljevic. Title of Graduate thesis: ,,Depiction of St. Sava reconciles his brothers in the Serbian 19th Century Church painting”. • CURRENT POSITION 2017 - Present: Assistant professor, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia. 2018 – Present: Research associate, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia. • PREVIOUS POSITIONS 2016-2017: Assistant, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia. 2012-2017: Research Assistant, Department of History of Art, Faculty of Philosophy, Belgrade University, Serbia. -
Dragan Kapicic Myths of the Kafana Life Secrets of the Underground
investments s e i t r e p o offices r p y r u x u l houses apartments short renting Dragan Kapicic Myths of the Kafana Life Secrets of the Underground Belgrade Impressions of the foreigners who arrive to Serbia Beach in the Centre of the City 2 Editorial Contents ife in Belgrade is the real challenge for those who have decided to spend part of their THEY SAID ABOUT SERBIA 04 lives in the Serbian capital. Impressions of the foreigners who arrive LReferring to this, one of our collocutors to Serbia through economic and in this magazine issue was the most emotional - Dragan Kapicic, one-time diplomatic channels basketball ace and the actual President of the Basketball Federation of Serbia. ADA CIGANLIJA Belgrade is also the city of secrets since 06 it has become a settlement a couple Beach in the Centre of the City of thousands years ago. Mysteries are being revealed almost every day. INTERVIEW The remains of the Celtic, Roman, 10 Byzantine, and Turkish architectures DRAGAN KAPICIC, are entwined with the modern ones The Basketball Legend that have been shaping Belgrade since the end of the 19th century. Secretive is also the strange world SPIRIT OF THE OLD BELGRADE 12 of underground tunnels, caves and Myths of the Kafana Life shelters that we open to our readers. Many kilometres of such hidden places lie under the central city streets and APARTMENTS 18 parks. They became accessible for visitors only during the recent couple short RENTING of years. 27 Also, Belgrade has characteristic bohemian past that is being preserved HOUSES 28 in the traditions of restaurants and cafes. -
Inheriting the Yugoslav Century: Art, History, and Generation
Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 ABSTRACT Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 Copyright by Ivana Bago 2018 Abstract The dissertation examines the work contemporary artists, curators, and scholars who have, in the last two decades, addressed urgent political and economic questions by revisiting the legacies of the Yugoslav twentieth century: multinationalism, socialist self-management, non- alignment, and -
Political Trends & Dynamics
Briefing Political Trends & Dynamics The Far Right in the EU and the Western Balkans Volume 3 | 2020 POLITICAL TRENDS & DYNAMICS IN SOUTHEAST EUROPE A FES DIALOGUE SOUTHEAST EUROPE PROJECT Peace and stability initiatives represent a decades-long cornerstone of the Friedrich-Ebert-Stiftung’s work in southeastern Europe. Recent events have only reaffirmed the centrality of Southeast European stability within the broader continental security paradigm. Both de- mocratization and socio-economic justice are intrinsic aspects of a larger progressive peace policy in the region, but so too are consistent threat assessments and efforts to prevent conflict before it erupts. Dialogue SOE aims to broaden the discourse on peace and stability in southeastern Europe and to counter the securitization of prevalent narratives by providing regular analysis that involves a comprehensive understanding of human security, including structural sources of conflict. The briefings cover fourteen countries in southeastern Europe: the seven post-Yugoslav countries and Albania, Greece, Turkey, Cyprus, Bulgaria, Romania, and Moldova. PREVIOUSLY PUBLISHED • Civic Mobilizations • The Digital Frontier in • The European Project in the Western in Southeast Europe Southeast Europe Balkans: Crisis and Transition February / March 2017 February / March 2018 Volume 2/2019 • Regional Cooperation in • Religion and Secularism • Chinese Soft Power the Western Balkans in Southeast Europe in Southeast Europe April / Mai 2017 April / May 2018 Volume 3/2019 • NATO in Southeast Europe -
Kafana Singers: Popular Music, Gender and Subjectivity in the Cultural Space of Socialist Yugoslavia
Nar. umjet. 47/1, 2010, pp. 141161, A. Hofman, Kafana Singers: Popular Music, Gender Original scienti c paper Received: Dec. 31, 2009 Accepted: March 5, 2010 UDK 78.036 POP:316](497.1)"195/196"(091) 78.036 POP:39](497.1)"195/196"(091) ANA HOFMAN Department for Interdisciplinary Research in Humanities, SRC SASA, Ljubljana KAFANA SINGERS: POPULAR MUSIC, GENDER AND SUBJECTIVITY IN THE CULTURAL SPACE OF SOCIALIST YUGOSLAVIA This article explores the phenomenon of kafana singers in the light of the of cial socialist discourses on popular music and gender during the late 1950s and 1960s in the former Yugoslavia. It seeks to understand how/did the process of estradization along with the socialist gender policy in uence the shift in (self)representation of the female performers in the public realm. By focusing on the dynamic of controversial discourses on folk female singers, the article aims to show how the changes in the of cial discourse helped their profession to become an important resource of their subject actualizations, implicated in the creation of a new sense of social agency. As controversial musical personas, kafana singers personal and professional lives show nuanced interplay between socialist culture policy and its representational strategies. Key words: kafana singers, popular music, socialist culture policy, estradization, gender politics Petar Lukoviþ, a journalist, writes about the folk singer Lepa Lukiþ in his book Bolja prolost: prizori iz muziĀkog ivota Jugoslavije 19401989 [A Better Past: Scenes from Yugoslav Music Life 19401989], making the following observation: In the future feminist debates, Lepa Lukiþ will occupy a special place: before her, women in estrada were more or less objecti ed, primarily treated like disreputable persons. -
Disillusioned Serbians Head for China's Promised Land
Serbians now live and work in China, mostly in large cities like Beijing andShanghai(pictured). cities like inlarge inChina,mostly andwork live Serbians now 1,000 thataround andsomeSerbianmedia suggest by manyexpats offered Unofficial numbers +381 11 4030 306 114030 +381 Belgrade in Concern Sparks Boom Estate Real Page 7 Issue No. No. Issue [email protected] 260 Friday, October 12 - Thursday, October 25,2018 October 12-Thursday, October Friday, Photo: Pixabay/shanghaibowen Photo: Skilled, adventurous young Serbians young adventurous Skilled, China – lured by the attractive wages wages attractive the by –lured China enough money for a decent life? She She life? adecent for money enough earning of incapable she was herself: adds. she reality,” of colour the got BIRN. told Education, Physical and Sports of ulty Fac Belgrade’s a MAfrom holds who Sparovic, didn’t,” they –but world real the change glasses would rose-tinted my thought and inlove Ifell then But out. tryit to abroad going Serbia and emigrate. to plan her about forget her made almost things These two liked. A Ivana Ivana Sparovic soon started questioning questioning soonstarted Sparovic glasses the –but remained “The love leaving about thought long “I had PROMISED LAND PROMISED SERBIANS HEAD HEAD SERBIANS NIKOLIC are increasingly going to work in in towork going increasingly are place apretty just than more Ljubljana: Page 10 offered in Asia’s economic giant. economic Asia’s in offered DISILLUSIONED love and had a job she ajobshe had and love in madly was She thing. every had she vinced con was Ana Sparovic 26-year-old point, t one FOR CHINA’S CHINA’S FOR - - - BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE for China. -
The Genealogy of Dislocated Memory: Yugoslav Cinema After the Break
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses April 2014 The Genealogy of Dislocated Memory: Yugoslav Cinema after the Break Dijana Jelaca University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Communication Commons Recommended Citation Jelaca, Dijana, "The Genealogy of Dislocated Memory: Yugoslav Cinema after the Break" (2014). Doctoral Dissertations. 10. https://doi.org/10.7275/vztj-0y40 https://scholarworks.umass.edu/dissertations_2/10 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE GENEALOGY OF DISLOCATED MEMORY: YUGOSLAV CINEMA AFTER THE BREAK A Dissertation Presented by DIJANA JELACA Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2014 Department of Communication © Copyright by Dijana Jelaca 2014 All Rights Reserved THE GENEALOGY OF DISLOCATED MEMORY: YUGOSLAV CINEMA AFTER THE BREAK A Dissertation Presented by DIJANA JELACA Approved as to style and content by: _______________________________________ Leda Cooks, Chair _______________________________________ Anne Ciecko, Member _______________________________________ Lisa Henderson, Member _______________________________________ James Hicks, Member ____________________________________ Erica Scharrer, Department Head Department of Communication TO LOST CHILDHOODS, ACROSS BORDERS, AND TO MY FAMILY, ACROSS OCEANS ACKNOWLEDGMENTS This dissertation is about a part of the world that I call “home” even though that place no longer physically exists. I belong to that “lost generation” of youth whose childhoods ended abruptly when Yugoslavia went up in flames. -
REPORT on HUMAN RIGHTS STATUS of LGBT PERSONS in SERBIA 2011 REPORT PRODUCED BY: Gay Straight Alliance, May 2012
REPORT ON HUMAN RIGHTS STATUS OF LGBT PERSONS IN SERBIA 2011 REPORT PRODUCED BY: Gay Straight Alliance, May 2012 COVER ILLUSTRATION: Collage: Dragan Lončar (Clips from the daily media and parts of attack victims’ statements) TRANSLATION: Vesna Gajišin 02 03 C O N T E N T S I INSTEAD OF AN INTRODUCTION 07 II DOES INSTITUTIONAL DISCRIMINATION 08 OF THE LGBT POPULATION EXIST IN SERBIA? III LEGAL FRAMEWORK 10 IV EVENTS OF IMPORTANCE FOR THE 12 STATUS OF HUMAN RIGHTS AND THE STATUS OF LGBT PEOPLE IN SERBIA IN 2011 V SUMMARY OF THE REPORT 14 VI THE RIGHT TO LIFE 18 VII INVIOLABILITY OF PHYSICAL 19 AND MENTAL INTEGRITY VIII THE RIGHT TO A FAIR TRIAL AND THE 31 RIGHT TO EQUAL PROTECTION OF RIGHTS AND TO A LEGAL REMEDY IX FREEDOM OF ASSEMBLY AND 44 FREEDOM OF ASSOCIATION X THE RIGHT TO WORK 58 XI HEALTH CARE 60 XII SOCIAL WELFARE 62 XIII THE RIGHT TO EDUCATION 65 COURT DOCUMENTS 69 02 03 T H A N K S ! Members of Gay Straight Alliance Lawyers of Gay Straight Alliance, Aleksandar Olenik and Veroljub Đukić Victims of violence and discrimination who had the courage to speak out and report their cases Partners from the NGO sector: Belgrade Centre for Human Rights, Belgrade Fund for Political Excellence, E8 Centre, Centre for Modern Skills, Centre for Euro-Atlantic Studies, Centre for Cultural Decontamination, Centre for New Politics, Centre for Youth Work, Centre for Empowerment of Young People Living with HIV / AIDS “AS”, Centre for Gender Alternatives – AlteR, Dokukino, European Movement in Serbia, Centre for Free Elections and Democracy - CeSID, Policy Center, Fractal, Civic Initiatives, Centre “Living Upright”, Dr.