Second Annual Exhibition Exhibition Catalogue About the Company A Word from the Master of the Company Dr Christine Ridgen The Worshipful Company of Masons is number 30 in the order of precedence of the ancient Livery I am very pleased to recommend to you this sale of masons’ work in Companies of the City of London, as set by the Aldermen of the City in 1515. Today there are over support of the Masons’ Company Craft Fund. This charity supports 110 and the number continues to grow. masons during their early years in the craft and is a potential lifeline for them. Without the financial support we give them they would have The focus of the Livery Company is to preserve and encourage the use of natural stone in the built a hard time and could indeed drop out of training, so for the long environment. This includes supporting the training of craftsmen as well as the preservation and term health of this ancient craft we ask for your support by buying appreciation of iconic historic stone buildings. an Item. Current Covid-19 Regulations prevent a repeat of the excellent open event which we held last year in Gallery Different, but in addition to viewing this catalogue, do contact the gallery directly if you would like a personal visit to see the works of art on display (government regulations permitting). Details of how to acquire an item of work are included within the catalogue together with full descriptions of those items available. This event celebrates the excellent work done by these gifted masons, please enjoy this catalogue and be generous in selecting items of stone for your house, garden or that very special Christmas present. Encouraging the use of natural stone Dr Christine Ridgen, Master The Work of the Charity Being able to foster the future of stone masonry in skills training and building restoration is central to the Company’s existence, and in order to meet these objectives the Craft Fund Charity was set up in 1985 to promote any charitable purpose which will encourage the exercise of and maintain the standards of the craft of stonemasonry; preserve and improve the craft of stonemasonry; or foster promote and increase the interest of the public in the craft of stonemasonry. While the Trustees are Liverymen, the charity is independent of the Masons’ Company. The charity provides financial assistance for Yeoman Masons who are seeking training; provides Happily stonemasonry is still practised today and the Worshipful Company of Masons is at the funding for apprentices, students and trainees; awards an annual bursary at the City & Guilds forefront of supporting the craft through education and preservation. The Company’s membership of London Art School or other suitable training centre for a student nominated by the school. includes professionals from the construction and property sector, specialists in stonemasonry Additionally, the Fund makes an annual grant to the Building Crafts College to help give students as well as those with connections to or interest in the City and its national and international workplace experience; and provides a grant towards the cost of sending students to an annual study importance. Membership is made up of Liverymen, Freemen and Yeoman Masons. tour in Italy. Finally it has supported the periodic Stone Bench competitions in the City of London; and it also manages and funds the Duke of Gloucester Awards for Excellence in Stonemasonry. Front Cover: The White Goddess | Rosie Jones The Venue Josephine Crossland Gallery Different is delighted to be host of this event. A contemporary fine art Gallery in the heart of the West End, Gallery Different has a sculptural tradition and represents a number of artists who utlise stone Having studied under artist and sculptor Michelle de Bruin in Scotland, Josephine’s workshop is now in their fine art practice. based at the Hutton Stone Quarry in the Scottish Borders. Her work is hugely varied, ranging from architectural carving to hand cut lettering and sculpture. Last year she completed the Lettering Arts The Gallery welcomes all our guests to what promises to be a fascinating Trust Journeyman Scheme funded by the Worshipful Company of Masons where she was given the and enlightening exhbition to learn more about the work of the opportunity to study lettering under letter carver John Neilson in North Wales for 8 weeks. Company’s Craft Fund and to view, and to purchase some wonderful stone. The work is both from practising stonemasons and from student Her sculptural work often depicts and reflects observations of the natural world. stonemasons. Artwork is available to purchase in advance from this catalogue, as well during the exhibition, by contacting the gallery. All Artists will receive payment for their work, and all profits will go directly to the Masons’ Company Craft Fund. This exhibition takes place during the gallery’s Winter Collective, a group exhibiton of gallery artists. Any purchase of works from this exhibition will also benefit the Craft Fund. Gallery Different is a covid secure venue and the safety of our visitors is paramount. When able to do so, we are operating restricted numbers, sanitising stations, a one way system and private appointments so that you may visit to view and purchase in confidence and safety. How to Buy All work in the catalogue is priced excluding delivery which can be arranged at cost. Purchases may be made by contacting the Gallery by phone or email, or by visiting the Gallery website at www.gallerydifferent.co.uk where work may also be purchased online. Participating Artists Sue Aperghis Josh Locksmith Andy Waite Will Bowsher Lily Marsh Edgar Ward Josephine Crossland Catherine Martin Adeline Wartner George Edwards Liz Middleton Tom Waugh Louis Francis Freya Morris Shawn Williamson Lizard Carrie Horwood Ruairi Sweeney Liam Winship 22 x 30 x 30 cm Rosie Jones Alex Waddell Rachael Wragg Alabaster on wooden plinth James Kirby £600 Sue Aperghis After 30 years as a graphic designer and swapping a mouse for a chisel, Sue Aperghis graduated From the City And Guilds of London Art school, achieving a distinction in the architectural and historical Stone Carving Diploma. In carving her interpretation of Sargeant Jaggers First World War Officer figure for her final year piece, she was awarded the Masons Company prize. She was also successful in winning the overall graduating years lettering prize, and the Taylor Pearce and Roger De Grey awards for drawing. Trajan Alpabet Renaissance Ornament Portland Stone 38 x 40 x 2 cm Hands and Book £700 Conte pencil on Somerset paper 57 x 40 cm £200 Knight and Horse Conte pencil on Somerset paper 57 x 40 cm £200 Gather Caithness Limestone 30 x 17 x 8 cm £500 Drapery Long Study Scrolling Acanthus Relief Conte pencil on Somerset paper Renaissance Ornament 57 x 39 cm Portland Stone £250 8 x 8 x 15 cm £700 Will Bowsher George Edwards Will Bowsher has just finished his first year studying stonemasonry at Moulton College in George’s work is an exploration of historical art and architecture through drawing and carving. Northamptonshire. In 2018, George graduated with distinction in historic architectural stone carving from City and Guilds of London Art School. During his time there, he was awarded the Brinsley Ford travel scholarship, Before taking the decision to retrain, Will worked in the animation industry on a number of which took him to Rome for five weeks to study classical sculpture using his skills as a draughtsman. This children’s television programmes and advertisements. experience has influenced the development and direction his practice. The work in this exhibition has been made using knives and improvised tools. Since studying, George has been employed as a letter carver for a variety of private projects. The most notable being his contribution to the hand carved lettering on The British Normandy Memorial under lettering artist Richard Kindersley. Originally from Oxford, George now lives and works in South East London. Anteater 3 x 3 x 16 cm Soapstone Carving £100 Temple Voussoir 20 x 30 x 20 cm Study of a section of the romanesque ornament from the arch of the west doorway Cow of Temple church, London. 7 x 3.5 x 9 cm Lapine limestone. 2019 Soapstone Carving £2,400 £150 Louis Francis As a classically trained stone carver, Louis Francis has worked with stone for the last 12 years and is a registered member of the Registered Qualified Memorial Fixers administered by the National Association of Memorial Masons (NAMM). He set up Francis Stone Carving in 2013 and has been honoured to include work at Windsor Castle in his portfolio. His work is predominantly focused around letter carving and repairs. He has worked on many war memorials with his attention to detail becoming his strongest asset as he progresses through his career. In 2016 he was approached to work on a memorial in Cambridgeshire for the company Sacred Stone, carving memories onto stone facades in Long Barrow burial grounds. He thrives on the end result and meeting the criteria set by the customer often resulting in raising the expectations with the image on paper becoming an actual portrayal of work carved into any piece of stone. He feels that a memory needs to last a lifetime and since his work often arises from personal recommendations, he continues to aim for nothing but perfection. Wild at Heart Silence is Golden Life is Beautiful 87 x 8.5 x 4.3 cm 87 x 8.5 x 4.3 cm 87 x 8.5 x 4.3 cm Plum slate Plum slate Plum slate 24 carat gold 24 carat gold £1,500 £1,600 £1,600 Carrie Horwood After her sculpture degree Carrie moved from Canterbury to Gloucester to take up an apprenticeship at Gloucester Cathedral.