PRESSBOOK ITALIANO Di CATTIVISSIMO ME
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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Illumination Entertainment, Founded by Chris Meledandri in 2007, Is One of the Entertainment Industry’S Leading Producers of All-Audience Event Films
CASE STUDY Illumination Entertainment, founded by Chris Meledandri in 2007, is one of the entertainment industry’s leading producers of all-audience event films. ILLUMINATION entertainment Illumination Entertainment Illumination Entertainment, CHALLENGE Sometimes, hardware settings on the system would be the founded by Chris Meledandri in With the enormous culprit, requiring a full machine 2007, is one of the entertainment success of the Despicable reboot for the reconfiguration industry’s leading producers Me franchise, Illumination to take place. of all-audience event films. In Entertainment outgrew July 2010, Illumination, which its editorial infrastructure The editors at Illumination has an exclusive financing and creating challenges in their Entertainment needed to set distribution partnership with studio workflow. Production up for dailies on their Avid Universal Pictures, released its increased, requiring additional systems prior to entering the first film, Despicable Me, starring edit bays and the ability for the review suite and then move editors to swap in and out of Steve Carell, which earned more into the review suite after the review suite for dailies. setup was complete. Each than $540 million worldwide system is comprised of an Avid and launched a beloved global In the past, an editor worked in system, with dual displays, a franchise. the review suite on a dedicated dual link playback monitor, a Avid system tied to a specific keyboard, a mouse, and audio edit bay. Editors working in output. other edit bays would come into the review suite, import When another editor occupied their settings and open their the review suite, the displaced projects on the Avid system editor would either have to tied to that review suite. -
Top Questions About Character Animation
Top Questions About Character Animation What are some of the exciting aspects of character animation, and how is it different than other computer animation forms? The phrase computer animation is often used as a catch-all for many computer generated effects including spinning logos, Flash programming on the Web or special effects in movies. These are not character animation. Character animation is the process of giving life to a character, whether it is a dog that can talk, a drawn person or an animated object. Character animation creates personality. How long does it take one person to create one minute of animation? This is difficult to pinpoint, but it can take one animator about 16 – 20 weeks of full-time work to produce 60 seconds of animation.1 At Pixar Animation Studios, due to their high level of quality control, animators have been known to work on two minutes of film for a year or more. How many animators typically work on an animated feature film? It depends on the studio and its needs, so anywhere from 20 – 80 animators could be working on an animated feature film. What is the biggest myth about character animation? A lot of people believe that the computer does all of the work for the animator, but the reality is that the animator is only using the computer as a tool to create detailed animation frame by frame. What are some of the most challenging aspects of character animation? Character animators work in fun, collaborative, exciting and detailed environments. They need to have a high level of patience while working with the tiny movements of a character frame by frame. -
UNIVERSAL PICTURES Presenta Una Produzione
UNIVERSAL PICTURES Presenta Una Produzione CHRIS MELEDANDRI STEVE CARELL in JASON SEGEL RUSSELL BRAND KRISTEN WIIG MIRANDA COSGROVE WILL ARNETT DANNY MCBRIDE JACK MCBRAYER e JULIE ANDREWS Produttori Esecutivi NINA ROWAN SERGIO PABLOS Basato sul racconto SERGIO PABLOS Sceneggiatura di CINCO PAUL & KEN DAURIO Prodotto da CHRIS MELEDANDRI JANET HEALY JOHN COHEN Diretto da CHRIS RENAUD PIERRE COFFIN Uscita italiana: 15 Ottobre 2010 CATTIVISSIMO ME - Pressbook SINOSSI In un ridente quartiere di periferia, circondato da steccati bianchi e cespugli di rose in fiore, si erge una casa nera, su un prato desolato. Ad insaputa del vicinato, dietro questa casa, c’è un grande rifugio segreto. Lì, in mezzo a un piccolo esercito di schiavi, scopriamo Gru (doppiato da Steve Carell), che sta progettando il più grande colpo della storia del mondo: rubare la luna! (si, proprio la luna) Gru adora ogni genere di misfatti. Armato di un arsenale di razzi che restringono o congelano e di veicoli in grado di combattere via terra e via aria, Gru travolge e conquista tutto ciò che trova sulla sua strada. Ma tutto questo cambia il giorno in cui si imbatte in tre ragazzine orfane molto determinate, che gli daranno filo da torcere e che vedono in lui qualcosa che nessun altro ha mai visto prima: un potenziale papà. Un cast di celebrità guidato da Steve Carell (Ortone e il mondo dei Chi, Agente Smart Casino Totale, The Office) dà voce ai vari personaggi del film: Jason Segel (Non mi scaricare, la sitcom ‘E alla fine arriva mamma’); Kristen Wiig (Saturday Night Live, Ghost Town); Danny McBride (Strafumati, Tropic Thunder, Land of the Lost); Will Arnett (Ortone e il mondo dei Chi, Arrested Development); Russell Brand (Non mi scaricare, Racconti incantati); Jemaine Clement (Flight of the Conchords); Jack McBrayer (30 Rock, Non mi scaricare); Miranda Cosgrove (star dello show di successo di Nickelodeon, iCarly); e la leggendaria Julie Andrews (Principe azzurro cercasi, Mary Poppins, Tutti insieme appassionatamente). -
Paris, Sustainable Sets Eu, Trip Gets the Green Light
News from European Film Commission Network ers have decided to extend the shoot in Croatia, adding locations in FRANCE and around Split to Season 4. According to Embassy Films, filming in Croatia will take place between the months of August and September. PARIS, SUSTAINABLE SETS On June 27th, Bruno Julliard, Deputy Mayor in charge of culture, and Christian Vivès, Director of Paris ERDF, signed the charter for filming CZECH REPUBLIC in Paris according to which the use of temporary electric connections is encouraged and made easier. This permits film crews to restrict the PRAGUE/INTERNATIONAL SETS use of generators, thus reducing sound and environmental disturbance. The Ridley Scott-produced Child 44, directed by Daniel Espinosa and TheCity of Paris and ERDF thus aim to facilitate the reception of film produced by Scott Free Productions, Prague’s Stillking Films, Sum- crews and preserve the quality of life of Parisians, while reducing the mit Entertainment and Worldview Entertainment, started its 75-day city’s environmental footprint. shoot in June. Featuring a stellar cast including Tom Hardy, Gary Old- ERDF, a public service company in charge of supplying electricity to man, and Noomi Rapace, the story is set in the Soviet Union during the 95% of the French metropolitan territory, has teamed up with the City Stalin era, where a disgraced Soviet military police officer investigates for the success of the Climate Plan. a series of child murders. Paris, capital of cinema, hosts more 950 film shoots in 6,000 different Another important international production starting in June in Prague locations every year. -
Case Study: the Secret Life of Pets, Minions, and Animation IT
CASE STUDY The Secret Life of Pets, Minions, and Animation IT Company Profile Illumination Mac Guff was founded in 2011 and is entirely dedicated to making animated feature films for Universal Pictures. The company is known for such global blockbusters as the Despicable Me franchise, The Lorax, Minions, The Secret Life of Pets, and Sing—all produced by Chris Meledandri’s Illumination Entertainment for Universal Pictures. Challenge Fast NAS + Petabyte-Scale Object Archive with Avere • Keeping up with archive capacity requirements and ActiveScale • Building the next-level infrastructure for growth With the astounding popularity of the animated feature films from Paris-based Illumination Mac Guff, it would seem the whole world already knows about the secret lives of pets and the villainous plots of Gru and his goggle-eyed minions. But few moviegoers—or even the studio’s own digital artists—would guess the inner workings of the production systems Solution behind the stories. And that, says Illumination Mac Guff Head of Technology Bruno Mahe, is An Avere FXT Edge filer cluster with ActiveScale™ by design. “Our primary objective in IT is to protect the artistic intention for every project. We object storage system offers a cost-effective archive do that by prioritizing support for digital artists, delivering maximum responsiveness to their workstations and providing seamless access to digital assets, regardless of the load on the solution for seamless access to petabytes of data. underlying IT infrastructure or the location of datasets.” “Avere Systems FXT Edge filers in front of our storage systems ensure highest performance Results to both desktops and the studio’s 80,000-core render farm. -
To Academy Oral Histories Marvin J. Levy
Index to Academy Oral Histories Marvin J. Levy Marvin J. Levy (Publicist) Call number: OH167 60 MINUTES (television), 405, 625, 663 ABC (television network) see American Broadcasting Company (ABC) ABC Circle Films, 110, 151 ABC Pictures, 84 A.I. ARTIFICIAL INTELLIGENCE, 500-504, 615 Aardman (animation studio), 489, 495 AARP Movies for Grownups Film Festival, 475 Abagnale, Frank, 536-537 Abramowitz, Rachel, 273 Abrams, J. J., 629 ABSENCE OF MALICE, 227-228, 247 Academy Awards, 107, 185, 203-204, 230, 233, 236, 246, 292, 340, 353, 361, 387, 432, 396, 454, 471, 577, 606, 618 Nominees' luncheon, 348 Student Academy Awards, 360 Academy of Motion Pictures Arts and Sciences, 361-362, 411 Academy Board of Governors, 312, 342, 346-349, 357, 521 Academy Film Archive, 361, 388, 391, 468 Public Relations Branch, 342, 344, 348, 356 Visiting Artists Program, 614, 618 ACCESS HOLLYWOOD (television), 100, 365 Ackerman, Malin, 604 Activision, 544 Actors Studio, 139 Adams, Amy, 535 THE ADVENTURES OF HUCKLEBERRY FINN, 71, 458 THE ADVENTURES OF TINTIN, 126 Aghdashloo, Shohreh, 543 Aldiss, Brian, 502 Aldrich, Robert, 102, 107, 111 Alexander, Jane, 232, 237 Ali, Muhammad, 177 ALICE IN WONDERLAND (2010), 172, 396 ALIVE, 335 Allen, Debbie, 432 Allen, Herbert, 201, 205 Allen, Joan, 527-528 Allen, Karen, 318, 610 Allen, Paul, 403-404 Allen, Woody, 119, 522-523, 527 ALMOST FAMOUS, 525-526, 595 ALWAYS (1989), 32, 323, 326, 342, 549 Amateau, Rod, 133-134 Amazing Stories (comic book), 279 AMAZING STORIES (television), 278-281, 401 Amblimation, 327, 335-336, 338, 409-410 -
Cartoon Business Erlands) (Neth Echt Utr 16, 20 Ch Ar 3 M -2 21
Cartoon Business erlands) (Neth echt Utr 16, 20 ch ar 3 M -2 21 Conference > New Emerging Business Models in Animation www.cartoon-media.eu pitching event for animated transmedia projects www.cartoon-media.eu Pub-MAS-15-Digit-programme-3.indd 1 16/02/16 13:51 Partners CARTOON BUSINESS IS ORGANISED BY WITH THE SUPPORT OF IN COLLABORATION WITH CARTOON IS SPONSORED BY 3 NFF: THE GO-TO FESTIVAL FOR DUTCH CINEMA INSPIRATION CO-PRODUCTION MARKET FOR 20 EUROPEAN FEATURE LENGTH PROJECTS CALL FOR ENTRIES 15 MARCH – 15 JUNE FILMFESTIVAL.NL/PROFESSIONALS Willemien van Aalst Gerben Schermer Festival Director - NFF Festival Director - HAFF Dear participants, elcome! We are delighted to meet you in the city that both the Netherlands Film Festival (NFF) and Holland Animation Film Festival (HAFF) operate from. We are proud to host the Cartoon W Business seminar in tandem with our solid partners. Annually in late September, the Netherlands Film Festival (NFF) is a vibrant event for connecting both filmmakers and audiences. The NFF, with the concurrent Holland Film Meeting, is the authoritative festival for Dutch cinema, fostering the interests of the Dutch film and film culture by drawing wide attention to it and by deepening and broadening knowledge about the discipline. We are very happy to see our great city brighten up with scores of animation enthusiasts and professionals in March at HAFF and now at Cartoon Business as well. HAFF is one of the leading international animation festivals and official partner of Cartoon d’Or. It is important to have these events celebrate the art and build on sustaining it. -
Dossier De Presse En Compétition
DOSSIER DE PRESSE EN COMPÉTITION Searchlight Pictures et Indian Paintbrush présentent Une production American Empirical BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE, KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE Un fi lm deWES ANDERSON Durée : 1h41 SORTIE LE 11 AVRIL 2018 Matériel téléchargeable sur www.foxpresse.fr Site offi ciel : http://www.foxfrance.com/ Presse online Distribution Presse CARTEL TWENTIETH CENTURY FOX MOONFLEET Constance Fontaine 241, Boulevard Péreire Matthieu Rey Tél. : 01 82 83 44 65 75017 Paris 6, Rue D’aumale 75009 Paris [email protected] Tél. : 01 58 05 57 00 Tél. : 01 53 20 01 20 Charline Meriguet matthieu-rey@moonfl eet.fr Tél. : 01 82 83 44 69 [email protected] Presse Wes Anderson Isabelle Duvoisin Tél. : 06 81 34 77 41 [email protected] 1 L’histoire En raison d’une épidémie de grippe canine, le maire de Megasaki ordonne la mise en quarantaine de tous les chiens de la ville, envoyés sur une île qui devient alors l’Ile aux Chiens. Le jeune Atari, 12 ans, vole un avion et se rend sur l’île pour rechercher son fidèle compagnon, Spots. Aidé par une bande de cinq chiens intrépides et attachants, il découvre une conspiration qui menace la ville. 2 Introduction et origines ÎLE AUX CHIENS, neuvième long métrage de D’ailleurs, L’ÎLE AUX CHIENS doit probablement autant Wes Anderson - et son deuxième film d’animation à l’héritage d’Akira Kurosawa qu’à l’histoire des films en stop motion - met en scène une véritable d’animation en stop motion. -
Lna 2006 Profiles J.Qxp
1 | Advertising Age | June 26, 2006 SpecialSpecial ReportReport:100 Profiles LEADING NATIONAL ADVERTISERSSupplement SUPPLEMENT June 26, 2006 100 LEADING NATIONAL ADVERTISERS Profiles of the top 100 U.S. marketers in this 51st annual ranking INSIDE TOP 100 RANKING COMPANY PROFILES SPONSORED BY The nation’s leading marketers Lead marketing personnel, ranked by U.S. advertising brands, agencies, agency expenditures for 2005. contacts, as well as advertising Includes data from TNS Media spending by media and brand, Intelligence and Ad Age’s sales, earnings and more for proprietary estimates of the country’s 100 largest unmeasured spending. PAGE 8 advertisers PAGE 10 This document, and information contained therein, is the copyrighted property of Crain Communications Inc. and The Ad Age Group (© Copyright 2006) and is for your personal, non-commercial use only. You may not reproduce, display on a website, distribute, sell or republish this document, or information contained therein, without prior written consent of The Ad Age Group. Are proud to connect you with the leading CMOs See all the interviews at adage.com/point LAUNCHING JUNE 28 © 2006 Crain Communications Inc. www.adage.com 3 | Advertising Age | June 26, 2006 Special Report 100 LEADING NATIONAL ADVERTISERS SUPPLEMENT ABOUT THIS PROFILE EDITION THE 51ST ANNUAL 100 Leading National the Top 100 ($40.13 billion) and for all measured spending in 18 national media, Advertisers Report crowned acquisition- advertisers ($122.79 billion) in the U.S. Yellow Pages Association contributed ladened Procter & Gamble Co. as the top U.S. ad spending by ad category: This spending in Yellow Pages and TNS Marx leader, passing previous kingpen General chart (Page 6) breaks out 18 measured Promotion Intelligence provided free- Motors Corp. -
Disruption in the Animation Feature Film Industry: Is Low-Cost, High-Quality Animated Features the Future?
http://techstory.in/disruption-in-animation-feature-film-industry/ Disruption In The Animation Feature Film Industry: Is Low-Cost, High-Quality Animated Features The Future? August 25, 2017 Globally, animation features are the most profitable genre of filmed-entertainment. Since Toy Story by Pixar opened-up the computer graphics imaging (CGI) animation landscape in 1995, the segment has been largely dominated by the majors. Toy Story unabashedly led the first tectonic shift in the modern-day animation ecosystem with its disruptive creative and technical mastery. In the 22 years since, about 150 CGI movies have been released, c. 80% of which have been productions by a select few studios and distributors – entirely driven by Hollywood. Animation is a capital-intensive medium, and the budget for the tent-pole films by the majors were in the $100-$200m range, until the genre of the mid-tier budget features ($50 – 80m) was born, and commercially established – led by the creative wonders from Chris Meledandri of Illumination (Minions, Despicable Me, etc.) fame. The economics on such high-quality mid-tier budget features were highly attractive. The ability for such films to also create high franchise value at significantly lower costs led to another disruptive change in the perception of animation filmmaking. Audiences love powerful storytelling and compelling visuals – the route to realizing this was secondary. Whilst Hollywood continues to remain the driving force in the global entertainment business, the world order is changing. China and India, among other facets of economic evolution, have a key role to play in the entertainment industry as well.