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Beggar and King
BEGGAR AND KING BEGGAR AND KING BY RICHARD BUTLER GLAENZER NEW HAVEN: YALE UNIVERSITY PRESS LONDON: HUMPHREY MILFORD OXFORD UNIVERSITY PRESS MDCCCCXVII COPYRIGHT. 1917 BY YALE UNIVERSITY PRESS First published. October, 1917 PS Acknowledgment is made, with thanks, to Adventure, Ainslee s Magazine, The American Magazine, The Book man, The Boston Transcript, The Century Magazine, The Forum, Harper s Weekly, The International, Life, Metro politan, Munsey s Magazine, The New York Evening Sun, The New York Times, The Outlook (London), The Phcenix, Poet Lore, Poetry, Poetry Review (London), Rogue, The Royal Bermuda Gazette, The Smart Set, Town Topics and other magazines for permission to reprint such of the following as have appeared in their pages. 612853 LIBRARY TO MY MOTHER WHOM LOVE AND SELF-DENIAL HAVE LIFTED TO HEIGHTS BEYOND THE POWERS OF TRIBUTE My brain F II prove the female to my soul, My soul the father; and these two beget A generation of still-breeding" thoughts, And these same thoughts people this little -world In humours like the people of this world. Thus play I in one person many people, And none contented: sometimes am I king; Then treasons make me wish myself a beggar, And so I am: then crushing penury Persuades me I was better when a king; Then am I king d again. Whatever I be, Nor I nor any man that but man is With nothing shall be pleased, till he be eased With being nothing. KING RICHARD II, Act V, Scene 5. CONTENTS PAGE Masters of Earth 1 The East and the West : Buddha 3 Mater Dolorosa 4 The Wolf 5 Measure for Measure 6 A Twilight Impression 8 Ballade of Perfumes 9 Parabalou . -
SITW After Action Report
Inaugural 2019 Something in the Water Festival After Action Report Overview Brian S. Solis, AICP Assistant to the City Manager – Special Projects October 1, 2019 1 Pharrell Williams announced concept of Something in the Water Festival on 10/28/18 3/8/19 - 25,000 tickets sold out in 21 minutes 3/27/19 - Festival capacity increased to 35,000 tickets Sold out for a final time on 3/27/19, one month ahead of the Festival Friday, 4/26/19 main stage performances cancelled due to inclement weather (ticket purchasers refunded 33% of ticket price) Saturday, 4/27/19 main stage area peak scanned attendance in 34,700 range Sunday, 4/28/19 main stage area peak scanned attendance in 27,000 range 2 5th St. Stage Pop Up Church @ 20th St. on the Friday 2 pm – 11 pm (cancelled) Beach Saturday Noon – 11 pm (12:30 am) Sunday only Noon to 9:00 pm Sunday Noon – 10 pm (10:15 pm) Sony @ 19th St. and Pacific Ave. Convention Center - Separate detail Friday 2 pm – 11 pm Saturday Noon – 11 pm Adidas @ 24th St. Park Sunday Noon – 8 pm Friday 9 am – 7:30 pm (closed periodically due to weather) Timberland @ 17th St. and Pacific Saturday 9 am – 7:30 pm Ave. Friday Noon – 11 pm Array @ 31st St. Park Saturday 2pm – 11 pm (moved to MOCA due Sunday 2 pm – 11 pm to inclement weather) Movie Screening Friday only 7 pm – 11 pm 3 4 Something in the Water Festival Milestones and Activities 10/28/19 Mr. Williams announced concept of Festival to be held during the CBW 11/13/18 Initial City Council briefing to proceed with Festival 3/5/19 City Council authorized $250,000 and in-kind -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Illumination Entertainment, Founded by Chris Meledandri in 2007, Is One of the Entertainment Industry’S Leading Producers of All-Audience Event Films
CASE STUDY Illumination Entertainment, founded by Chris Meledandri in 2007, is one of the entertainment industry’s leading producers of all-audience event films. ILLUMINATION entertainment Illumination Entertainment Illumination Entertainment, CHALLENGE Sometimes, hardware settings on the system would be the founded by Chris Meledandri in With the enormous culprit, requiring a full machine 2007, is one of the entertainment success of the Despicable reboot for the reconfiguration industry’s leading producers Me franchise, Illumination to take place. of all-audience event films. In Entertainment outgrew July 2010, Illumination, which its editorial infrastructure The editors at Illumination has an exclusive financing and creating challenges in their Entertainment needed to set distribution partnership with studio workflow. Production up for dailies on their Avid Universal Pictures, released its increased, requiring additional systems prior to entering the first film, Despicable Me, starring edit bays and the ability for the review suite and then move editors to swap in and out of Steve Carell, which earned more into the review suite after the review suite for dailies. setup was complete. Each than $540 million worldwide system is comprised of an Avid and launched a beloved global In the past, an editor worked in system, with dual displays, a franchise. the review suite on a dedicated dual link playback monitor, a Avid system tied to a specific keyboard, a mouse, and audio edit bay. Editors working in output. other edit bays would come into the review suite, import When another editor occupied their settings and open their the review suite, the displaced projects on the Avid system editor would either have to tied to that review suite. -
UNIVERSAL PICTURES Presenta Una Produzione
UNIVERSAL PICTURES Presenta Una Produzione CHRIS MELEDANDRI STEVE CARELL in JASON SEGEL RUSSELL BRAND KRISTEN WIIG MIRANDA COSGROVE WILL ARNETT DANNY MCBRIDE JACK MCBRAYER e JULIE ANDREWS Produttori Esecutivi NINA ROWAN SERGIO PABLOS Basato sul racconto SERGIO PABLOS Sceneggiatura di CINCO PAUL & KEN DAURIO Prodotto da CHRIS MELEDANDRI JANET HEALY JOHN COHEN Diretto da CHRIS RENAUD PIERRE COFFIN Uscita italiana: 15 Ottobre 2010 CATTIVISSIMO ME - Pressbook SINOSSI In un ridente quartiere di periferia, circondato da steccati bianchi e cespugli di rose in fiore, si erge una casa nera, su un prato desolato. Ad insaputa del vicinato, dietro questa casa, c’è un grande rifugio segreto. Lì, in mezzo a un piccolo esercito di schiavi, scopriamo Gru (doppiato da Steve Carell), che sta progettando il più grande colpo della storia del mondo: rubare la luna! (si, proprio la luna) Gru adora ogni genere di misfatti. Armato di un arsenale di razzi che restringono o congelano e di veicoli in grado di combattere via terra e via aria, Gru travolge e conquista tutto ciò che trova sulla sua strada. Ma tutto questo cambia il giorno in cui si imbatte in tre ragazzine orfane molto determinate, che gli daranno filo da torcere e che vedono in lui qualcosa che nessun altro ha mai visto prima: un potenziale papà. Un cast di celebrità guidato da Steve Carell (Ortone e il mondo dei Chi, Agente Smart Casino Totale, The Office) dà voce ai vari personaggi del film: Jason Segel (Non mi scaricare, la sitcom ‘E alla fine arriva mamma’); Kristen Wiig (Saturday Night Live, Ghost Town); Danny McBride (Strafumati, Tropic Thunder, Land of the Lost); Will Arnett (Ortone e il mondo dei Chi, Arrested Development); Russell Brand (Non mi scaricare, Racconti incantati); Jemaine Clement (Flight of the Conchords); Jack McBrayer (30 Rock, Non mi scaricare); Miranda Cosgrove (star dello show di successo di Nickelodeon, iCarly); e la leggendaria Julie Andrews (Principe azzurro cercasi, Mary Poppins, Tutti insieme appassionatamente). -
Case Study: the Secret Life of Pets, Minions, and Animation IT
CASE STUDY The Secret Life of Pets, Minions, and Animation IT Company Profile Illumination Mac Guff was founded in 2011 and is entirely dedicated to making animated feature films for Universal Pictures. The company is known for such global blockbusters as the Despicable Me franchise, The Lorax, Minions, The Secret Life of Pets, and Sing—all produced by Chris Meledandri’s Illumination Entertainment for Universal Pictures. Challenge Fast NAS + Petabyte-Scale Object Archive with Avere • Keeping up with archive capacity requirements and ActiveScale • Building the next-level infrastructure for growth With the astounding popularity of the animated feature films from Paris-based Illumination Mac Guff, it would seem the whole world already knows about the secret lives of pets and the villainous plots of Gru and his goggle-eyed minions. But few moviegoers—or even the studio’s own digital artists—would guess the inner workings of the production systems Solution behind the stories. And that, says Illumination Mac Guff Head of Technology Bruno Mahe, is An Avere FXT Edge filer cluster with ActiveScale™ by design. “Our primary objective in IT is to protect the artistic intention for every project. We object storage system offers a cost-effective archive do that by prioritizing support for digital artists, delivering maximum responsiveness to their workstations and providing seamless access to digital assets, regardless of the load on the solution for seamless access to petabytes of data. underlying IT infrastructure or the location of datasets.” “Avere Systems FXT Edge filers in front of our storage systems ensure highest performance Results to both desktops and the studio’s 80,000-core render farm. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Class Founds Award Graham Shirley and Sheila Venable
College of William & Mary Law School William & Mary Law School Scholarship Repository Student Newspaper (Amicus, Advocate...) Archives and Law School History 1987 The Advocate (Vol. 18, Issue 12) Repository Citation "The Advocate (Vol. 18, Issue 12)" (1987). Student Newspaper (Amicus, Advocate...). 167. https://scholarship.law.wm.edu/newspapers/167 Copyright c 1987 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/newspapers 'volume XVllI, Number 12 Eight Pages The Advocate The AMERICA'S OLDEST LAW SCHOOL ~v()ca e Marshall-Wythe Sch ool of Law F O l:~DED 1779 Libel Night '87 Blasi Expounds on First Amendment the truth or free speech as a step the "subjectivism of the actual to the truth. Rather, this political malice standard. It mandates get By Phillip Steele truth is that "the final end of the ting into the mind of the reporter, state is to serve the people. And a and can involve intrusive Reminding us that "public happy person is one who draws on discovery. " discussion is an imperative to the courage to think as you will and Another troubling aspect for preservation of freedom," Pro speak as you think." . Blasi is the extension of the actual fessor Vincent Blasi expounded Though never defining it, the malice principle to public figures. the virtues of the First Amend "courage" Blasi alluded to is the He stated this can be used to pro ment while visiting Marshall willingness to let others speak tect people who do not really exer Wythe last week as a Cutler their minds even when the majori cise power and have not thrust Lecturer. -
Lna 2006 Profiles J.Qxp
1 | Advertising Age | June 26, 2006 SpecialSpecial ReportReport:100 Profiles LEADING NATIONAL ADVERTISERSSupplement SUPPLEMENT June 26, 2006 100 LEADING NATIONAL ADVERTISERS Profiles of the top 100 U.S. marketers in this 51st annual ranking INSIDE TOP 100 RANKING COMPANY PROFILES SPONSORED BY The nation’s leading marketers Lead marketing personnel, ranked by U.S. advertising brands, agencies, agency expenditures for 2005. contacts, as well as advertising Includes data from TNS Media spending by media and brand, Intelligence and Ad Age’s sales, earnings and more for proprietary estimates of the country’s 100 largest unmeasured spending. PAGE 8 advertisers PAGE 10 This document, and information contained therein, is the copyrighted property of Crain Communications Inc. and The Ad Age Group (© Copyright 2006) and is for your personal, non-commercial use only. You may not reproduce, display on a website, distribute, sell or republish this document, or information contained therein, without prior written consent of The Ad Age Group. Are proud to connect you with the leading CMOs See all the interviews at adage.com/point LAUNCHING JUNE 28 © 2006 Crain Communications Inc. www.adage.com 3 | Advertising Age | June 26, 2006 Special Report 100 LEADING NATIONAL ADVERTISERS SUPPLEMENT ABOUT THIS PROFILE EDITION THE 51ST ANNUAL 100 Leading National the Top 100 ($40.13 billion) and for all measured spending in 18 national media, Advertisers Report crowned acquisition- advertisers ($122.79 billion) in the U.S. Yellow Pages Association contributed ladened Procter & Gamble Co. as the top U.S. ad spending by ad category: This spending in Yellow Pages and TNS Marx leader, passing previous kingpen General chart (Page 6) breaks out 18 measured Promotion Intelligence provided free- Motors Corp. -
Disruption in the Animation Feature Film Industry: Is Low-Cost, High-Quality Animated Features the Future?
http://techstory.in/disruption-in-animation-feature-film-industry/ Disruption In The Animation Feature Film Industry: Is Low-Cost, High-Quality Animated Features The Future? August 25, 2017 Globally, animation features are the most profitable genre of filmed-entertainment. Since Toy Story by Pixar opened-up the computer graphics imaging (CGI) animation landscape in 1995, the segment has been largely dominated by the majors. Toy Story unabashedly led the first tectonic shift in the modern-day animation ecosystem with its disruptive creative and technical mastery. In the 22 years since, about 150 CGI movies have been released, c. 80% of which have been productions by a select few studios and distributors – entirely driven by Hollywood. Animation is a capital-intensive medium, and the budget for the tent-pole films by the majors were in the $100-$200m range, until the genre of the mid-tier budget features ($50 – 80m) was born, and commercially established – led by the creative wonders from Chris Meledandri of Illumination (Minions, Despicable Me, etc.) fame. The economics on such high-quality mid-tier budget features were highly attractive. The ability for such films to also create high franchise value at significantly lower costs led to another disruptive change in the perception of animation filmmaking. Audiences love powerful storytelling and compelling visuals – the route to realizing this was secondary. Whilst Hollywood continues to remain the driving force in the global entertainment business, the world order is changing. China and India, among other facets of economic evolution, have a key role to play in the entertainment industry as well. -
Pharrell Williams
Bowling Green State University ScholarWorks@BGSU Media Company Leader Presentations School of Media and Communication Spring 2018 i am OTHER: Pharrell Williams Renei Jackson Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/mclp Recommended Citation Jackson, Renei, "i am OTHER: Pharrell Williams" (2018). Media Company Leader Presentations. 9. https://scholarworks.bgsu.edu/mclp/9 This Book is brought to you for free and open access by the School of Media and Communication at ScholarWorks@BGSU. It has been accepted for inclusion in Media Company Leader Presentations by an authorized administrator of ScholarWorks@BGSU. i am OTHER Pharrell Williams A Presentation by Renei Jackson Background • Pharrell Lanscilo Williams was born on April 5, 1973 in the city of Virginia Beach, VA • He grew up being “the problem child” at school always making beats on the tables and being sent to detention. • He was born in a predominantly African-American community as a child where he didn’t really fit in because of his mix of inspiration from skaters such as Tony Hawk and Christian Hosoi to renown hip hop artists Dougie Fresh and Slick Rick. • His family later moved to the suburbs where he was surrounded by a primarily White community. Being involved in different environments made him depend on music to connect to other people. Transition into Fame • He first came into fame as a songwriting and production duo, Neptune, with his friend Chad Hugo in the 90s. • They produced hits for artists ranging from Jay-Z to Britney Spears. He produced some artists most well known songs such as Nelly’s “Hot in Herre,” Gwen Stefani’s “Hollaback Girl”, Kelis’ “My Milkshake Brings All the Boys to the Yard,” and Justin Timberlake’s “Senorita.” • In a study done by Complex, during 2003, The Neptunes were responsible for 43% of the songs playing on the radio in the United States.