The Korean Wave 2007

Total Page:16

File Type:pdf, Size:1020Kb

The Korean Wave 2007 THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2007 THE KOREAN WAVE AS VIEWED THROUGH THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS This booklet is a collection of 65 articles selected by Korean Cultural Service New York from articles on Korean culture by The New York Times in 2007. THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2007 First edition, March 2008 Edited & published by Korean Cultural Service New York 460 Park Avenue, 6th Floor, New York, NY 10022 Tel: 212 759 9550 Fax: 212 688 8640 Website: http://www.koreanculture.org E-mail: [email protected] Copyright©2008 by Korean Cultural Service New York All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. From the New York Times © 2007 The New York Times All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of the Material without express written permission is prohibited. Cover & text design by Jisook Byun Printing & binding by Karis Graphic Corp. Printed in New York Korean Cultural Service New York CONTENTS FOREWORD DANCE&THEATER The Korean Wave and American Views of Korea, Yesterday and Today 008 KO–ryO DANCE Theater 081 The Korean Wave: Last Year, Twenty–five Years Ago 012 A Contest for the World, Led by South Koreans 082 With Crews, And Zoos, A B–Boy World 084 MOVIES Jump 087 Tazza 017 FILM 018 FOOD It Came From the River, Hungry for Humans (Burp) 019 Koreans Share Their Secret for Chicken With a Crunch 089 Asian–American Theaters Plan New Festival 021 Heated Competition. Steaming Neighbors. This Is Frozen Yogurt? 092 Voice of a Murderer 022 Pancakes of the World, Dressed for Dinner 095 Drawing A Line From Movie To Murder 023 Rising Star Knows What, Not Who, Is Cooking 097 Festival Distinguished by Its Strong Actresses 025 E–Mo KIM BAB 099 Asian Cinema, Swimming in Crime and Cuteness 027 Korean Fire and Spice In Balance 100 An Immigrant Uprooted, A Teenager Cast Adrift 030 They’re All Through With Love, Yet Searching for More 031 LIFE STylE New YORK KOREAN FILM Festival 033 Traditional Korean Marriage Meets Match on the Internet 103 Welcome Pause for Breath in Telluride 034 As Women Rise, Corporate Korea Corks the Bottle 105 New Tactics Aim to Make Korean Film a Hit in the U.S. 036 South Koreans Connect Through Search Engine 108 A World Where an Antonioni Might Not Get a Distribution Deal 038 Shamanism Enjoys Revival in Techno–Savvy South Korea 110 Who Needs Plot When You’ve Got Dragons? 041 A House To Grow Into 113 A Portraitist Of a Subdued, Literary Korea 042 World Express 115 Victoria Lim, Peter Sheren 116 MUSIC A New Lifestyle in South Korea: First Weekends, and Now Brunch 117 Sensitivity and a Surprise For ‘La Traviata’ at the Met 045 South Korea, Where Boys Were Kings, Revalues Its Girls 120 Finding a Balance Between the Present and the Past 047 What the Left Hand Can Do, Hands in the Audience Applaud 049 &MORE Strong Expression, Delivered With Spirit and Teamwork 050 The Kids Are All Hype, and Hope 125 A Motley Group of Musicians In a Concerto of Contrasts 051 Park Feels Right at Home Among Sybase Leaders 127 Played ‘William Tell’? Yes They Did, Yes They Did, Yes They Did, Did, Did 052 Pak Inspires New Generation of Countrywomen 129 New York Philharmonic Is Invited to North Korea 053 The I.O.C. Should Pick the Welcoming Backyard 132 Another Movement Of Musical Diplomacy 054 Choi Finds Plenty of Success by Playing With Golf’s Greats 134 The Graphic Designers 136 FINE ART Faster Fashion, Cheaper Chic 137 Sun Koo Yuh 057 A Longtime Shepherd of Korean Fashion 140 An Art Gallery in the Lobby 058 To the Glee of South Korean Fans, A Game’s Sequel Is Announced 143 That Unruly, Serendipitous Show in Venice 061 SquarePants RoundTrip: SpongeBob’s Yearlong Ride to Atlantis, via Korea 145 CHILDREN OF DARKNESS 065 The Wizard of Whimsy 148 To See the World in Ballpoint Pen 069 Korean War 150 Korea’s Extraordinary Send–Offs for Ordinary People 071 Korean Artists Mix, and Nature Mingles 074 THE LIST OF 2007 The New York Times articles on Korean Culture 152 Asia Society Will Build a Contemporary Art Collection 076 A Gossamer Gate to Memory: All Who Enter Must Duck 078 Korean Art in Houston 079 eading about Korea in the pages of The New and geopolitical: the North Korean nuclear issue, the York Times in 1907, one would find an exotic U.S. military presence, and the Presidential election kingdom on the far fringes of America’s inter- in December were big stories. But what would have The Korean Wave and Rests. Russia and Japan had recently fought a war over shocked a reader from 1907 or 1957 was the attention Korea, and the victorious Japanese had established a paid to stories about culture, in many different forms, Protectorate in Seoul, soon to be a colonial govern- both culture in Korea and Korean culture in America. American Views of Korea, ment. The Chinese Empire had for centuries consid- From films to sports, food to fine arts, fashion to video ered Korea an intimate part of its political and cultural games, Korea in 2007 was not just a distant object of sphere of influence, but China was caught up in its geopolitical interest but part of the cultural landscape Yesterday and Today own imminent disintegration. The news from Korea in America, and in New York in particular. was of foreign abandonment and domestic turmoil. By Charles K. Armstrong Music and movies were the most common subject of The Korean government dispatched a special envoy Korea–related cultural reportage in 2007. Koreans have to the international court at the Hague to plead for long been recognized for their talent for classical mu- Korea’s independence, only to be rebuffed; Emperor sic, and are disproportionately represented among the Kojong was forced to abdicate under Japanese pres- top soloists and orchestras in the U.S., Europe, indeed sure; the Japanese military was busy putting down all over the world. Many of The New York Times music a Korean insurgency and demanding total control stories covered Korean musicians performing Western over Korean affairs. The New York Times condemned classical music in New York. The first Korea–related Japan’s “obliteration of the Kingdom of Korea” (July music story in January featured two Korean singers 28), but America showed little interest in actively com- playing the leading roles in the Metropolitan Opera ing to Korea’s defense. production of La Traviata, the tenor Wookyung Kim Fifty years later, the U.S. was very much involved with and soprano Hei–kyung Hong. At the end of the year, Korea. In 1957 the Korean War, in which 54,000 the announcement that the New York Philharmonic American lives had been lost, was just four years in would perform in Pyongyang in early 2008 dominat- the past. South Korea was an American ally recovering ed both the front pages and the cultural sections of from the devastation of that conflict, still deeply de- The New York Times. pendent on American economic assistance. The U.S. If stories about music tended to deal with Koreans and the Soviet Union debated the “Korean Question” playing Western classical music, stories about film in the United Nations; Syngman Rhee presided over were very much about Korean movies. For several years a war–ravaged but pro–U.S. Republic of Korea; the Korean films have been a hot commodity among film Korean situation appeared to be stabilizing, but for critics and aficionados in the U.S., and especially in Americans, ominous signs of trouble loomed in the New York, arguably the epicenter of art–film apprecia- former French colony of Vietnam. tion in America (with all due respect to Hollywood). Foreign intervention, domestic intrigue, dependency, New York has hosted a Korean film festival since war and rumors of war characterized American report- 2002. Several new Korean films in 2007 were criti- age on Korea in 1907 and 1957. Politics was ubiquitous, cally acclaimed in the pages of the Times. When it but culture was nowhere to be seen. Coverage of Korea comes to movies, New York — and the U.S. in general in The New York Times in 2007 was very different. — were part of the worldwide phenomenon that has FOREWORD To be sure, there was plenty of politics, both domestic been called the “Korean Wave.” Charles K. Armstrong is the Korea Foundation Associate Professor of Korean Studies in the Social Sciences and the Director of the Center for Korean Research at Columbia University. A specialist in the modern history of Korea and East Asia, Professor Armstrong has published several books on contemporary Korea, including most recently The Koreas (Routledge, 2007). 9 Foreword The Korean Wave and American Views of Korea, Yesterday and Today ne of the most unexpected developments in the region: China can more easily accept Korean any Korean films have been hits among in Korea’s globalization at the turn of the pop culture than Japanese, for example, because of American film critics in recent years.
Recommended publications
  • L'équipe Des Scénaristes De Lost Comme Un Auteur Pluriel Ou Quelques Propositions Méthodologiques Pour Analyser L'auctorialité Des Séries Télévisées
    Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées Quentin Fischer To cite this version: Quentin Fischer. Lost in serial television authorship : l’équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l’auctorialité des séries télévisées. Sciences de l’Homme et Société. 2017. dumas-02368575 HAL Id: dumas-02368575 https://dumas.ccsd.cnrs.fr/dumas-02368575 Submitted on 18 Nov 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License UNIVERSITÉ RENNES 2 Master Recherche ELECTRA – CELLAM Lost in serial television authorship : L'équipe des scénaristes de Lost comme un auteur pluriel ou quelques propositions méthodologiques pour analyser l'auctorialité des séries télévisées Mémoire de Recherche Discipline : Littératures comparées Présenté et soutenu par Quentin FISCHER en septembre 2017 Directeurs de recherche : Jean Cléder et Charline Pluvinet 1 « Créer une série, c'est d'abord imaginer son histoire, se réunir avec des auteurs, la coucher sur le papier. Puis accepter de lâcher prise, de la laisser vivre une deuxième vie.
    [Show full text]
  • Booxter Export Page 1
    Cover Title Authors Edition Volume Genre Format ISBN Keywords The Museum of Found Mirjam, LINSCHOOTEN Exhibition Soft cover 9780968546819 Objects: Toronto (ed.), Sameer, FAROOQ Catalogue (Maharaja and - ) (ed.), Haema, SIVANESAN (Da bao)(Takeout) Anik, GLAUDE (ed.), Meg, Exhibition Soft cover 9780973589689 Chinese, TAYLOR (ed.), Ruth, Catalogue Canadian art, GASKILL (ed.), Jing Yuan, multimedia, 21st HUANG (trans.), Xiao, century, Ontario, OUYANG (trans.), Mark, Markham TIMMINGS Piercing Brightness Shezad, DAWOOD. (ill.), Exhibition Hard 9783863351465 film Gerrie, van NOORD. (ed.), Catalogue cover Malenie, POCOCK (ed.), Abake 52nd International Art Ming-Liang, TSAI (ill.), Exhibition Soft cover film, mixed Exhibition - La Biennale Huang-Chen, TANG (ill.), Catalogue media, print, di Venezia - Atopia Kuo Min, LEE (ill.), Shih performance art Chieh, HUANG (ill.), VIVA (ill.), Hongjohn, LIN (ed.) Passage Osvaldo, YERO (ill.), Exhibition Soft cover 9780978241995 Sculpture, mixed Charo, NEVILLE (ed.), Catalogue media, ceramic, Scott, WATSON (ed.) Installaion China International Arata, ISOZAKI (ill.), Exhibition Soft cover architecture, Practical Exhibition of Jiakun, LIU (ill.), Jiang, XU Catalogue design, China Architecture (ill.), Xiaoshan, LI (ill.), Steven, HOLL (ill.), Kai, ZHOU (ill.), Mathias, KLOTZ (ill.), Qingyun, MA (ill.), Hrvoje, NJIRIC (ill.), Kazuyo, SEJIMA (ill.), Ryue, NISHIZAWA (ill.), David, ADJAYE (ill.), Ettore, SOTTSASS (ill.), Lei, ZHANG (ill.), Luis M. MANSILLA (ill.), Sean, GODSELL (ill.), Gabor, BACHMAN (ill.), Yung
    [Show full text]
  • NATALIA ALMADA El Velador (2011)
    NATALIA ALMADA El velador (2011) ÍNDICE 1. Currículum 2 p 2. Influencias 4 p 3. Filmografía 12 p 4. Prensa y Textos 18 p 5. Documentos audiovisuales 47 p Documento elaborado por el Centro de Documentación y Estudios Avanzados de Arte Contemporáneo (CENDEAC) Octubre 2013 1 1. Currículum Natalia Almada (México, 1974), graduada en Bellas Artes y fotografía por la Escuela de Diseño de Rhode Island (Estados Unidos). En 2009 recibió el premio a la mejor dirección documental en el Sundance Film Festival por su película El general. Su trabajo más reciente, El velador, se estrenó en la sección New Directors/New Films de la pasada edición del Festival de Cannes. Entres sus filmes anteriores destacan: All Water Has a Perfect Memory, un corto experimental que recibió el reconocimiento internacional, y Al otro lado, su laureado debut, un documental sobre la inmigración, el tráfico de drogas y los corridos. El trabajo de Almada se ha proyectado, entre otros, en Documenta 13, Museum of Modern Art (MoMA), Guggenheim Museum de Nueva York y en la bienal de Whitney. Sus tres documentales hasta la fecha se han emitido en la conocida serie Point-of-View Documentary Films (POV). Actualmente reside en México. Más Información: [email protected] USA (+1 347) 228 8368 MÉXICO (+52 55) 5207 4401 http://www.altamurafilms.com/index.html Documento elaborado por el Centro de Documentación y Estudios Avanzados de Arte Contemporáneo (CENDEAC) Octubre 2013 2 OTRAS ACTIVIDADES LABORALES 2012 Asesora de artistas, Creative Capital, EUA 2012 Jurado del Consejo Nacional
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley
    [Show full text]
  • 2011 FESTIVAL GUIDE Acpinfo.Org Welcome to the Atlanta Celebrates Photography Festival 2011, Our 13Th Year of Celebrating Photography Across the Metro-Atlanta Area!
    2011 FESTIVAL GUIDE ACPinfo.org Welcome to the Atlanta Celebrates Photography Festival 2011, our 13th year of celebrating photography across the Metro-Atlanta area! During the ACP festival, Atlanta will be transformed by photography. Hundreds of venues, from your favorite museum to your local coffee- shop, will be infused with the creative efforts of local photographers to internationally-known artists; you might even see snapshots from your Atlanta friends and neighbors! From inspiration to education, ACP 2011 delivers the best in photography, from enlightening exhibitions at participating galleries, to provocative public art installations on the streets of Atlanta. To get the most out of the Festival, grab a highlighter and spend a few minutes discovering your favorites in the Festival Guide. Highlight events that look interesting to you, then indicate your favorites on the calendar at the front of the guide (there is also an index of artists and venues to assist your search for a particular event). Then you’ll have an easy schedule that can guide your month-long photography experience! With so much to choose from, we know it can be a bit overwhelming! There are far too many events and exhibitions for one person to attend, so don’t get discouraged. There’s something for everyone; try starting with ACP’s featured events (pgs 14 - 21) and join us as we explore where photography meets contemporary art and culture. We look forward to seeing you in the coming weeks, and again, we’d love to hear about your Festival experience. Let us know, by sending an email to: [email protected] Cover Art: Emmet Gowin, Edith, Chincoteague, Virginia, 1967 Disclaimer: The listings compiled in this guide are submitted by companies and individuals, and are considered as advertisements.
    [Show full text]
  • Olivier Assayas France
    Les pouvoirs de la fiction L’auteur Zoom Olivier Assayas, né en 1955, est scénariste et réalisateur. Il Assayas par Assayas. Des débuts aux Destinées sentimentales, débute sa carrière de cinéaste en 1985 avec Désordre, après avec Jean-Michel Frodon (Stock, 2014) avoir été critique aux Cahiers du cinéma. Parmi ses longs-métrages : L’Enfant de l’hiver (1989), Paris À l’origine de ce livre ambitieux et s’éveille (1991), Une nouvelle vie (1993), L’Eau froide (1994), Irma personnel, il y a d’abord la rencontre, Vep (1996), Fin août, début septembre (1999), Les Destinées puis le dialogue jamais interrompu sentimentales (2000), Demonlover (2002), Clean (2004), Paris, je entre le critique Jean-Michel Frodon et t’aime (2006), Boarding Gate (2007), L’Heure d’été (2008), Après le cinéaste Olivier Assayas. Au-delà de Mai (2012), Sils Maria (2014). leurs conversations, le résultat est une Il a également à son actif de nombreux courts-métrages et des passionnante autobiographie artistique, documentaires. Il a, par ailleurs, réalisé la mini-série Carlos autant le destin d’un cinéaste à part qu’une (2010). réflexion sans complaisance sur son métier, une plongée au coeur même de la machine à faire du cinéma. L’œuvre Une ronde entre producteurs, actrices, acteurs, glamour et misères, financements et déboires, Assayas par Assayas. Des débuts aux Destinées sentimentales, difficultés et victoires, des débuts jusqu’aux Destinées avec Jean-Michel Frodon (Stock, 2014) sentimentales, cette adaptation à grand spectacle du roman de Rock & cinéma, de Thomas Sotinel, préface d’Olivier Assayas (La Jacques Chardonne qui fera connaître Olivier Assayas du public.
    [Show full text]
  • K O R E a N C in E M a 2 0
    KOREAN CINEMA 2006 www.kofic.or.kr/english Korean Cinema 2006 Contents FOREWORD 04 KOREAN FILMS IN 2006 AND 2007 05 Acknowledgements KOREAN FILM COUNCIL 12 PUBLISHER FEATURE FILMS AN Cheong-sook Fiction 22 Chairperson Korean Film Council Documentary 294 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Animation 336 EDITOR-IN-CHIEF Daniel D. H. PARK Director of International Promotion SHORT FILMS Fiction 344 EDITORS Documentary 431 JUNG Hyun-chang, YANG You-jeong Animation 436 COLLABORATORS Darcy Paquet, Earl Jackson, KANG Byung-woon FILMS IN PRODUCTION CONTRIBUTING WRITER Fiction 470 LEE Jong-do Film image, stills and part of film information are provided by directors, producers, production & sales companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF APPENDIX (Pusan International Film Festival), SIFF (Seoul Independent Film Festival), Women’s Film Festival Statistics 494 in Seoul, Puchon International Fantastic Film Festival, Seoul International Youth Film Festival, Index of 2006 films 502 Asiana International Short Film Festival, and Experimental Film and Video Festival in Seoul. KOFIC appreciates their help and cooperation. Contacts 517 © Korean Film Council 2006 Foreword For the Korean film industry, the year 2006 began with LEE Joon-ik's <King and the Clown> - The Korean Film Council is striving to secure the continuous growth of Korean cinema and to released at the end of 2005 - and expanded with BONG Joon-ho's <The Host> in July. First, <King provide steadfast support to Korean filmmakers. This year, new projects of note include new and the Clown> broke the all-time box office record set by <Taegukgi> in 2004, attracting a record international support programs such as the ‘Filmmakers Development Lab’ and the ‘Business R&D breaking 12 million viewers at the box office over a three month run.
    [Show full text]
  • September-0Ctober 2013
    september-0ctober 2013 On September 10, 1988, Museum of the As we enter our 25th anniversary year, I while doing the rounds through the Moving Image opened its doors to the can tell you that it has been a thrilling ride galleries, and then repair a video arcade public. At the time, years before the for the Museum, at least as action-packed game. He was a true professional, but will promise of the Internet and digital media as The Great Train Robbery. We have be best remembered as a great husband, were captured in the now-quaint phrase transformed and expanded over the years father, and friend, and he will be missed. “Information Superhighway,” the idea of a to serve a growing audience and to offer an We will pay tribute to Richie on October Museum, built on an historic site for movie increasingly ambitious slate of exhibitions, 4 at an event to mark the opening of a production, that would take a unified view screenings, and education programs. wonderful photo exhibit, The Booth, about of the disparate worlds of film, television, Our film programs range from the best projectionists and their workspaces. and video games, seemed as audacious as of classic Hollywood—as in our complete it was unprecedented. There was, simply, Howard Hawks retrospective—to the best Richie was a great showman; more than no museum like it in the world. It was an of contemporary world cinema—as in our anything at the Museum, he was obsessed innovative blend of a science museum, focus on the great French director Claire with making sure that we put on the best an art museum, a technology museum, Denis.
    [Show full text]
  • Newsletter 19/06 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 19/06 DIGITAL EDITION Nr. 190 - September 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 19/06 (Nr. 190) September 2006 editorial Hallo Laserdisc- und DVD-Fans, sein, mit der man alle Fans, die bereits ein lich zum 22. Bond-Film wird es bestimmt liebe Filmfreunde! Vorgängermodell teuer erworben haben, wieder ein nettes Köfferchen geben. Dann Was gibt es Neues aus Deutschland, den ärgern wird. Schick verpackt in einem ed- möglicherweise ja schon in komplett hoch- USA und Japan in Sachen DVD? Der vor- len Aktenkoffer präsentiert man alle 20 auflösender Form. Zur Stunde steht für den liegende Newsletter verrät es Ihnen. Wie offiziellen Bond-Abenteuer als jeweils 2- am 13. November 2006 in den Handel ge- versprochen haben wir in der neuen Ausga- DVD-Set mit bild- und tonmäßig komplett langenden Aktenkoffer noch kein Preis be wieder alle drei Länder untergebracht. restaurierten Fassungen. In der entspre- fest. Wer sich einen solchen sichern möch- Mit dem Nachteil, dass wieder einmal für chenden Presseerklärung heisst es dazu: te, der sollte aber nicht zögern und sein Grafiken kaum Platz ist. Dieses Mal ”Zweieinhalb Jahre arbeitete das MGM- Exemplar am besten noch heute vorbestel- mussten wir sogar auf Cover-Abbildungen Team unter Leitung von Filmrestaurateur len. Und wer nur an einzelnen Titeln inter- in der BRD-Sparte verzichten. Der John Lowry und anderen Visionären von essiert ist, den wird es freuen, dass es die Newsletter mag dadurch vielleicht etwas DTS Digital Images, dem Marktführer der Bond-Filme nicht nur als Komplettpaket ”trocken” wirken, bietet aber trotzdem den digitalen Filmrestauration, an der komplet- geben wird, sondern auch gleichzeitig als von unseren Lesern geschätzten ten Bildrestauration und peppte zudem alle einzeln erhältliche 2-DVD-Sets.
    [Show full text]
  • ABRAMS the Art of Books SPRING 2021 International RIGHTS GUIDE SPRING 2021 INTERNATIONAL RIGHTS GUIDE Table Contents Of
    ABRAMS The Art of Books SPRING 2021 iNTERNATIONAL RIGHTS GUIDE SPRING 2021 INTERNATIONAL RIGHTS GUIDE Table of ContentsTable 1 Art and Photography 9 Entertainment 18 Cernunnos 22 Food & Drink 29 ABRAMS Image 31 Design & Gardening 36 Craft 45 ABRAMS Image 60 The Overlook Press 67 ABRAMS Press 76 Contact Information Please send us your requests via the survey link, below. https://forms.gle/F2wFkTJhrLRuJkdi7 Cover: From Animals, photograph by Daniel Szalai Art & Photography From Human Ants SELLING POINTS WORKERS OF THE WORLD A new addition to Abrams’ PHOTOGRAPHY BY EDUARD FLORIN NIGA,TEXT BY ELEANOR SPICER RICE list of superb and popular books on animals and insects Nature’s most successful insects captured in remarkable Cutting edge macrophotography macrophotography reveals nature in new ways With threats to the Earth, RIGHTS SOLD readers are flocking to books Japanese (Graphic-Sha) that explore the natural world SPECIFICATIONS * 80 color photographs * 144 pages * WIDTH: 11" - 279mm * HEIGHT: 11 1/2" - 292mm * Hardcover with jacket PUB MONTH: MAY 2021 NATURE, PHOTOGRAPHY ISBN 978-1-4197-4849-3 US $40.00 ALSO AVAILABLE Wise Trees ISBN 978-1-4197-2700-9 US $40.00 In Ants, photographer Eduard Florin Niga brings us incredibly Microsculpture close to the most numerous animals on Earth, whose ability to ISBN 978-1-4197-2695-8 organize colonies, communicate among themselves, and solve US $40.00 complex problems has made them an object of endless fascination. Among the more than 30 species photographed by Niga are leafcutters that grow fungus for food, trap–jaw ants with fearsome mandibles, bullet ants with potent stingers, warriors, drivers, gliders, harvesters, and the pavement ants that are always underfoot.
    [Show full text]
  • (Hagen) Kim 4218 TAMU, College Station, TX 77843-4218 (Tel:) 1-979-862-3267; (Fax:) 1-979-845-3884 Hagenkim [email protected]
    Hwagyun (Hagen) Kim 4218 TAMU, College Station, TX 77843-4218 (Tel:) 1-979-862-3267; (Fax:) 1-979-845-3884 http://people.tamu.edu/ hagenkim [email protected] Education University of Chicago, Ph.D. in Economics (Committee: Robert E. Lucas Jr., Lars P. Hansen, and Boyan Jovanovic) University of Chicago, M.A. in Economics Seoul National University, B.A. in Economics Academic Positions 2016-present: Associate Professor with Tenure, Finance, Mays Business School, Texas A&M University 2010-2016: Assistant Professor, Finance, Mays Business School, Texas A&M University 2007-2010: Assistant Professor, Economics, Texas A&M University 2004-2007: Assistant Professor, Economics, State University of New York at Bu¤alo Refereed Publications “Evaluating Factor Pricing Models Using High Frequency Panels” (with Y Choi, Y. Chang, and J. Y. Park), Quantitative Economics: Journal of the Econometric Society, accepted for publication “Does Ambiguity Matter? Estimating Asset Pricing Models with a Multiple-Priors Recursive Utility” (with D. Jeong and J. Y. Park), Journal of Financial Economics, Vol. 115 (2) (February 2015): 361-382 “Do Individuals Have Preferences Used in Macro-Finance Models? An Experimental Investigation”(with A. Brown), Management Science, Vol. 60 (4) (April 2014): 939-958 “Momentum E¤ect as Part of a Market Equilibrium”(with S. Choi), Journal of Financial and Quantitative Analysis, Vol. 49 (1) (February 2014): 107-130 “Term Structure Dynamics with Macro Factors using High Frequency Data”(with H. Park), Journal of Empirical Finance, Vol. 22 (June 2013), 78-93 “Using the Credit Spread as an Option-Risk Factor: Size and Value E¤ects in CAPM”(with Y.
    [Show full text]
  • Download Press
    Tearless Press Kit A VR Film by Gina Kim when ghosts speak history… Tearless Press Kit Table of Contents 1. About Tearless 2. Treatment 3. Director’s Statement 4. Technical Specs 5. Creative Team 6. Stills Tearless Press Kit 1. About Tearless Tearless is a 360 3D immersive VR project on “US comfort women,”* forced by the South Korean government to serve US soldiers in camp towns outside the US military bases. Using immersive media technology, this project focuses on these women’s memories within a detainment center called “Monkey House”—a prison established by the South Korean government and staffed by the US military in the 1970s to isolate and treat comfort women with STDs. * NOTE: While the term “comfort women” has been associated with the Japanese imperial army’s use of sexual slavery before and during the World War 2, it is now increasingly understood more generally as instances of government forced prostitution as seen in a recent decision by the Seoul High Court. A VR Film by Gina Kim. A Mass Ornament Films Production. In Co-production with Venta VR. Written and Directed by Gina Kim Produced by Zoe Sua Cho Executive Produced by Gina Kim Co-Executive Produced by Sam Jeon This production was supported by UCLA Transdisciplinary Research Acceleration Grant, UCLA Faculty Research Grant, UCLA TFT Dean's Vision Fund. Tearless Press Kit 2. Treatment Following the Korean War, an average of 25,000 US soldiers per year have resided in the US military bases in South Korea, occupying as much as 17.7 percent of the nation’s habitable land.
    [Show full text]