Pressive – That Stays with You Long After It Ends.” – Mike Watt, FILM THREAT
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NATALIA ALMADA El Velador (2011)
NATALIA ALMADA El velador (2011) ÍNDICE 1. Currículum 2 p 2. Influencias 4 p 3. Filmografía 12 p 4. Prensa y Textos 18 p 5. Documentos audiovisuales 47 p Documento elaborado por el Centro de Documentación y Estudios Avanzados de Arte Contemporáneo (CENDEAC) Octubre 2013 1 1. Currículum Natalia Almada (México, 1974), graduada en Bellas Artes y fotografía por la Escuela de Diseño de Rhode Island (Estados Unidos). En 2009 recibió el premio a la mejor dirección documental en el Sundance Film Festival por su película El general. Su trabajo más reciente, El velador, se estrenó en la sección New Directors/New Films de la pasada edición del Festival de Cannes. Entres sus filmes anteriores destacan: All Water Has a Perfect Memory, un corto experimental que recibió el reconocimiento internacional, y Al otro lado, su laureado debut, un documental sobre la inmigración, el tráfico de drogas y los corridos. El trabajo de Almada se ha proyectado, entre otros, en Documenta 13, Museum of Modern Art (MoMA), Guggenheim Museum de Nueva York y en la bienal de Whitney. Sus tres documentales hasta la fecha se han emitido en la conocida serie Point-of-View Documentary Films (POV). Actualmente reside en México. Más Información: [email protected] USA (+1 347) 228 8368 MÉXICO (+52 55) 5207 4401 http://www.altamurafilms.com/index.html Documento elaborado por el Centro de Documentación y Estudios Avanzados de Arte Contemporáneo (CENDEAC) Octubre 2013 2 OTRAS ACTIVIDADES LABORALES 2012 Asesora de artistas, Creative Capital, EUA 2012 Jurado del Consejo Nacional -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
“No Reason to Be Seen”: Cinema, Exploitation, and the Political
“No Reason to Be Seen”: Cinema, Exploitation, and the Political by Gordon Sullivan B.A., University of Central Florida, 2004 M.A., North Carolina State University, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Gordon Sullivan It was defended on October 20, 2017 and approved by Marcia Landy, Distinguished Professor, Department of English Jennifer Waldron, Associate Professor, Department of English Daniel Morgan, Associate Professor, Department of Cinema and Media Studies, University of Chicago Dissertation Advisor: Adam Lowenstein, Professor, Department of English ii Copyright © by Gordon Sullivan 2017 iii “NO REASON TO BE SEEN”: CINEMA, EXPLOITATION, AND THE POLITICAL Gordon Sullivan, PhD University of Pittsburgh, 2017 This dissertation argues that we can best understand exploitation films as a mode of political cinema. Following the work of Peter Brooks on melodrama, the exploitation film is a mode concerned with spectacular violence and its relationship to the political, as defined by French philosopher Jacques Rancière. For Rancière, the political is an “intervention into the visible and sayable,” where members of a community who are otherwise uncounted come to be seen as part of the community through a “redistribution of the sensible.” This aesthetic rupture allows the demands of the formerly-invisible to be seen and considered. We can see this operation at work in the exploitation film, and by investigating a series of exploitation auteurs, we can augment our understanding of what Rancière means by the political. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
Complicated Views: Mainstream Cinema's Representation of Non
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e. -
Wednesday, March 4 Rue Auditorium (Sweigart Hall 115)
Wednesday, March 4 Rue Auditorium (Sweigart Hall 115) 10:00-11:30 a.m. Screening of a Cult Classic Directed by Hal Ashby (Featured speaker Nick Dawson will analyze Ashby’s work Wednesday at 6:30 p.m.) 11:45 a.m.-12:45 p.m. Student-Faculty Panel Hauntings — in Melodrama, Mansions, Love and War Dr. Charles Frantz, Moderator, Department of Music, Composition, History, and Theory; Film & Media Studies faculty • Jacob’s Ladder (1990): Kyle VanLaningham, Filmmaking, TV & Radio major; Film & Media Studies minor • Women on the Verge of a Nervous Breakdown (1988, Spain): Jordan Wilson, Marine Science major, Biology minor • The Haunting (1963): Dr. Charles Frantz 1:10-2:40 p.m. Student Screenplays and Papers Classic Cult, American Style Dr. Cynthia Lucia, Moderator, Department of English; Film & Media Studies Program Director • “Scooter Squad,” written by Collin Cortright, Filmmaking, TV & Radio major • Lost Highway (1997), Emily Fraschilla, Biology major • The Rocky Horror Picture Show (1975), Annie Challice, Theatre major; Film & Media Studies minor • Iron Giant (1999), Frank Gigliotti, Filmmaking, TV & Radio major; Film & Media Studies minor • Heathers (1989), Elliot Schwartz, Psychology and Spanish double major; Gender and Sexuality Studies minor • The Blues Brothers (1980), Gabe Kennis, Arts & Entertainment Industry Management major • Twilight (2008), Belle McNamara, Musical Theatre and Arts & Entertainment Industry Management double major 2:50-4:20 Student film and Papers So Superbad, It’s Good Dr. Cynthia Lucia, Moderator, Department of English; -
HELENA from the WEDDING Directed by Joseph Infantolino
HELENA FROM THE WEDDING Directed by Joseph Infantolino “Absorbing...deftly written and acted!” -- Jonathan Rosenbaum USA | 2010 | Comedy-Drama | In English | 89 min. | 16x9 | Dolby Digital Film Movement Press Contact: Claire Weingarten | 109 W. 27th Street, Suite 9B | New York, NY 10001 tel: (212) 941-7744 x 208 | fax: (212) 941-7812 | [email protected] Film Movement Theatrical Contact: Rebeca Conget | 109 W. 27th Street, Suite 9B | New York, NY 10001 tel: (212) 941-7744 x 213 | fax: (212) 941-7812 | [email protected] 1 SYNOPSIS Newlyweds Alex (Lee Tergesen) and Alice (Melanie Lynskey) Javal are hosting a weekend-long New Year’s Eve party for their closest friends at a remote cabin in the mountains. They expect Alex’s best friend Nick (Paul Fitzgerald), newly separated from his wife, to show up at the cabin with his girlfriend Lola. Alex and Nick’s childhood friend Don (Dominic Fumasa) is also set to arrive with his wife-of-many-years Lynn (Jessica Hecht), as are Alice’s pregnant friend Eve (Dagmara Dominczyk) and her husband Steven (Corey Stoll) Any thoughts of a perfect weekend are quickly thrown out the window as Nick arrives with only a cooler of meat and the news that he and Lola have recently called it quits. Don and Lynn show up a few minutes later deep in an argument. Finally, Eve and Steven make it to the cabin with a surprise guest in tow—Eve’s friend Helena, who was a bridesmaid with Alice at Eve’s wedding. With tensions running high at the cabin, Alex tries to approach the young and beautiful Helena. -
Monstrous Nature: Environment and Horror on the Big Screen / Robin L
monstrous nature Monstrous Nature environment and horror on the big screen Robin L. Murray and Joseph K. Heumann university of nebraska press | lincoln and london © 2016 by the Board of Regents of the University of Nebraska Acknowledgments for the use of copyrighted material appear on pages ix– x, which constitute an extension of the copyright page. All rights reserved Manufactured in the United States of America Library of Congress Cataloging- in- Publication Data Names: Murray, Robin L., author. | Heumann, Joseph K., author. Title: Monstrous nature: environment and horror on the big screen / Robin L. Murray and Joseph K. Heumann. Description: Lincoln: University of Nebraska Press, [2016] | Includes bibliographical references and index. Identifiers: lccn 2015044552 (print) lccn 2015046477 (ebook) isbn 9780803285699 (cloth: alk. paper) isbn 9780803294905 (epub) isbn 9780803294912 (mobi) isbn 9780803294929 (pdf) Subjects: lcsh: Horror films— History and criticism. | Environmental protection and motion pictures. | Nature in motion pictures. Classification: lcc pn1995.9.h6 m875 2016 (print) | lcc pn1995.9.h6 (ebook) | ddc 791.43/6164— dc23 lc record available at http://lccn.loc.gov/2015044552 Set in Sabon Next by John Klopping. Designed by N. Putens. contents List of Illustrations vii Acknowledgments ix Introduction: Film, Environment, Horror xi part 1: anthropomorphism and the “big bug” movie 1. The Hellstrom Chronicle and Beetle Queen Conquers Tokyo: Anthropomorphizing Nature for Humans 3 2. “As Beautiful as a Butterfly”? Monstrous Cockroach Nature and the Horror Film 19 part 2: human ecology and the horror film 3. The Earth Bites Back: Vampires and the Ecological Roots of Home 41 4. Through an Eco- lens of Childhood: Roberto Rossellini’s Germany Year Zero and Guillermo del Toro’s The Devil’s Backbone 57 part 3: evolution and monstrous nature 5. -
Waitress Fact Sheet 20170313162903
Brought to life by a groundbreaking all-female creative team, this irresistible new hit features original music and lyrics by 5-time Grammy® nominee Sara Bareilles (“Brave,” “Love Song”), a book by acclaimed screenwriter Jessie Nelson (I Am Sam) and direction by Tony Award® winner Diane Paulus (Pippin, Finding Neverland). Inspired by Adrienne Shelly's beloved film, Waitress tells the story of Jenna - a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town's new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life. LOCAL DETAILS: Venue: Fox Cities Performing Arts Center – Thrivent Financial Hall Dates: November 28- December 3, 2017 Times: Tuesday through Friday at 7:30 p.m. Saturday at 2 p.m. and 7:30 p.m. Sunday at 1 p.m. and 6:30 p.m. TICKET INFORMATION: Tickets for Waitress are available now to Season Ticket Holders of the Kimberly-Clark Broadway Across America - Fox Cities Series. Groups of 10 or more are also on sale now. Individual tickets will go on sale to the public approximately eight to twelve weeks before opening night. FACTS: The show is based on the 2007 film of the same name which starred actress Keri Russell. This is the first Broadway show in history to feature women in each of the top four creative posts. The show first opened on Broadway in April 2016 and will begin its national tour in October 2017. -
CHRIS BUCK Born 1964, Toronto on Lives and Works in the Greater New York Area
CHRIS BUCK Born 1964, Toronto ON Lives and works in the Greater New York Area Solo Exhibitions 2018 Magnificent Hurt. Florida Museum of Photographic Arts, Tampa FL. January 10- March 16. 2017 Uneasy: Cover to Cover. PictureHouse Lab, New York NY. March 16–May 10. Uneasy. Krause Gallery, New York NY. February 10–March 1. 2014 Turn of the Century Portraiture. Galerie Youn, Montreal QC. September 11–October 5. (Canada) 2013 Presence: The Invisible Portrait. Foley Gallery, New York NY. January 16– February 24. 2002 The Sound of Music: New Portraits of Contemporary Musicians. Other Music Record Store, New York NY. May 19–July 27. 1999 FanClub, alternate Ogilvy & Mather, New York NY. 1998 FanClub. Curated by William Nabers. Saba Gallery, New York NY. September 10– October 5. Group Exhibitions 2020 The Red Show. [Nick Offerman image] Curated by Elizabeth Logan-Baravalle. The Market Gallery, Millbrook NY. Opening February 14. 2019 Racism – The Invention of the Human Races. [“Let’s Talk About Race” images] Curated by Susanne Wernsing. Historial Museum Frankfurt, Frankfurt; German Hygiene Museum, Dresden. Opening March 4. (Germany) Shady Acres, curated by Michelle Sulley & Jared Steffensen. [Suburban Smokers image] Utah Museum of Contemporary Art, Salt Lake City, UT. January 25-May 25. 2018 A Kingsland of Cards. [Portrait of Chen Xiangyun] Curated by Chen Xiangyun. Ingraham, Brooklyn NY. March 24. 2017 Emerging to Established. [Donald Trump image] Curated by Benjamin Krause. Krause Gallery, New York NY. January. 2016 Winning the White House: From Press Prints to Selfies. [Donald Trump image] Curated by Susan Carlson and Claartje van Dijk. -
Lloyd Kaufman – 1998
LLOYD KAUFMAN di Mary Rinaldi “La mia fortuna? Essere andato alla Yale University. Non per la laurea che ho preso, bensì perché lì dividevo la stanza con un fanatico del cinema horror. E’ con lui che ho fondato la Troma.” Così esordisce Lloyd Kaufman parlando di sé. Naturalmente riferendosi a Michael Herz. E come dargli torto? Kaufrnan & Herz SONO la Troma, e tramite essa hanno dato vita ad una sfilza di film tra i più demenziali, deliranti, sanguinolenti, folli sgangherati e grotteschi che punteggiano lo sterminato universo del genere horror. Qualcosa, insomma, di cui andare onestamente orgogliosi! Tuttavia, agli esorcii della sua carriera di produttore cinematografico, Kaufman si occupa della realizzazione di pellicole del calibro di Rocky e La febbre del sabato sera. Roba da non credere, eh? Infatti dura poco. Lloyd sente di non essere tagliato per lavorare con le majors hollywoodiane. La sua personale concezione del cinema non corrisponde a quella di nessun altro, fatta eccezione per Herz, e non può rientrare in nessuno degli schernì di narrazione in voga in quegli anni. Il nostro eroe si mette dunque in proprio, e vedono la luce alcuni film (commedie sexy, perlopiù) tipo Squeeze Play, Stuck On You e Waitress, dirette dallo stesso Kaufman con lo pseudonimo Samuel Weil, o in tandem con Michael Herz. E’ fatta. Siamo a cavallo fra gli anni ‘70 ed ‘80 e la Troma comincia la sua escalation. Il primo vero successo arriverà nel 1985, con The Toxic Avenger. E chi può dimenticare Melvin, quella sottospecie di brufoloso nerd, sbeffeggiato dagli amici, respinto dalle ragazze, che piomba in un bidone di scorie radioattive e si trasforma in un essere orrendamente sfigurato ma audace, coraggioso, con bicipiti fuori misura ed un altissimo tasso di testosterone! Pronto a difendere i più deboli, a vendicare i maltrattati dell’umanità, di lui si innamora una splendida e voluttuosa fanciulla (ovviamente cieca!), dando vita ad una delle più bizzarre coppie mai viste sul grande schermo. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter