Wagner in Context
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Boston University College of Fine Arts School of Music Upcoming Events and Performances Boston University College of Fine Arts School of Music Wednesday, October 16, 8pm Boston University Center for Early Music Studies: Blue Heron Marsh Chapel Friday, October 18, 8pm Boston University All-Campus Orchestra Mark Miller, conductor CFA Concert Hall Saturday, October 19, 8pm Choral Ensembles Concert Marsh Chapel Tuesday, October 22, 8pm Dr. Gottfried Wagner Boston University Concert Orchestra Neal Hampton, conductor Tsai Performance Center Wagner in Context “Opera and politics: Richard Wagner (1813-2013) – a minefield” Boston University Theatre, 264 Huntington Avenue Marsh Chapel, 735 Commonwealth Avenue Tsai Performance Center, 685 Commonwealth Avenue CFA Concert Hall, 855 Commonwealth Avenue Tuesday, October 15, 2013, 7pm CFA Concert Hall bu.edu/cfa Text BUARTS to 22828 • twitter.com/BUArts • facebook.com/BUARTS Dr. Gottfried Wagner Boston University College of Fine Arts School of Music STRINGS Mike Roylance tuba Robinson Pyle CONDUCTING Born in 1947 in Bayreuth, Dr. Gottfried Wagner studied musicology, Steven Ansell viola * Eric Ruske horn * natural trumpet David Hoose * philosophy and German philology in Germany and Austria and wrote Edwin Barker double bass * Robert Sheena english horn Marc Schachman Ann Howard Jones * Cathy Basrak viola Thomas Siders trumpet baroque oboe Scott Allen Jarrett his dissertation on Kurt Weill and Bertolt Brecht at the University of Lynn Chang violin Ethan Sloane clarinet * Aaron Sheehan HPvoice Kevin Leong (SI) Wesley Collins viola Jason Snider horn Jane Starkman David Martins Vienna, which was published later as book in Germany, Italy and Daniel Doña pedagogy, chamber* Samuel Solomon baroque violin, viola Jameson Marvin (SII) Jules Eskin cello percussion Peter Sykes harpsichord * Scott Metcalfe Japan. The center of his studies are German and European culture Carolyn Davis Fryer James Sommerville horn and politics of the 19th and 20th centuries in connection with Jewish double bass Richard Stolzman clarinet MUSICOLOGY OPERA INSTITUTE Edward Gazouleas viola Linda Toote flute* Marie Abe * HL Phyllis Curtin ++ culture and history. His studies are published in eleven languages. Marc Johnson cello Victor Coelho * Melinda Sullivan-Friedman Bayla Keyes violin * PIANO Matthew Cron (SI) Matthew Larson He works internationally as a multimedia director, musicologist and Michelle LaCourse viola * Maria Clodes-Jaguaribe * LOA Brita Heimarck * William Lumpkin * writer. The Twilight of the Wagners, published first in Germany in Benjamin Levy double bass Gila Goldstein Lewis Lockwood (SII) Laura Raffo Lucia Lin violin * Linda Jiorle-Nagy Rebecca Marchand (SII) Jim Petosa (theater) 1997, created world-wide interest and is translated into six languages Malcolm Lowe violin Pavel Nersessian Thomas Peattie * Betsy Polatin (theater) Dana Mazurkevich violin Konstantinos Papadakis (SI) Joshua Rifkin * Emily Raini (theater) (USA: Picador 1999). Dr. Wagner has received several awards for Yuri Mazurkevich violin * Boaz Sharon * Andrew Shenton * STH/SOM Jeffrey Stevens * Ikuko Mizuno violin Jacquelyn Sholes* Nathan Troup his artistic and academic activities, as well as for his humanitarian John Muratore guitar COLLABORATIVE PIANO Patrick Wood Uribe * LOA Allison Voth * involvements. In 2005, he published Our Zero Hour (Vienna: Böhlau) George Neikrug cello ++ Michelle Alexander * Jeremy Yudkin * (SI) James Orleans double bass Shiela Kibbe * STAFF PIANISTS with Abraham Peck as result of his Post-Holocaust discourse (USA Barbara Poeschl-Edrich harp Robert Merfeld COMPOSITION Michelle Beaton Michael Reynolds cello * AND THEORY Anna Carr version issued in Fall 2013 by Texas Tech University Press). His latest Rhonda Rider cello ORGAN Vartan Aghababian Phillip Oliver book, “You shall have no other gods before me” – Richard Wagner, a Karen Ritscher viola Peter Sykes * Martin Amlin * Brendon Shapiro Todd Seeber double bass Deborah Burton * Lorena Tecu mine field, published in April 2013, won first prize as a reference book Laurence Wolfe double bass VOICE Justin Casinghino Christina Wright Michael Zaretsky viola Michelle Alexander * Richard Cornell * Noriko Yasuda in May 2013. A Polish edition will be published in Spring 2014, and Peter Zazofsky violin * Michael Beattie Joshua Fineberg * Jessica Zhou harp Penelope Bitzas * Samuel Headrick * VISITING SCHOLARS other editions are also in progress. He has been living in Italy since Eve Budnick David Kopp * Pei Chien 1983. WOODWINDS, BRASS, and Sharon Daniels * Mary Montgomery Koppel Xiaolong Feng PERCUSSION James Demler * Rodney Lister * Ziaolong Liu (SII) Ken Amis tuba Gary Durham Ketty Nez * Yang Liu (SII) Jennifer Bill saxophone Lynn Eustis * Andrew Smith Hui Tian Peter Chapman trumpet Phyllis Hoffman * John Wallace * Chen Wang Geralyn Coticone flute Matthew Larson Steven Weigt * Keju Wang Terry Everson trumpet * Betsy Polatin (theater) Jason Yust * John Ferrillo oboe Bonnie Pomfret Timothy Genis percussion Jerrold Pope * MUSIC EDUCATION Ian Greitzer clarinet Richard Bunbury * Ronald Haroutounian bassoon HISTORICAL Susan Conkling * John Heiss flute PERFORMANCE Diana Dansereau * Gregg Henegar bassoon Aldo Abreu recorder André de Quadros * Renee Krimsier flute Sarah Freiberg Ellison cello Jay Dorfman * Gabriel Langfur bass trombone Greg Ingles sackbut Andrew Goodrich * Don Lucas trombone * Laura Jeppesen Lee Higgins * Department Chairs Mark McKewen oboe viola da gamba Ron Kos * represented in bold Suzanne Nelsen bassoon Christopher Krueger Roger Mantie * Toby Oft trombone baroque flute Donna Nagle (SI) * Full-time faculty Elizabeth Ostling flute Catherine Liddell lute Sandra Nicolucci * ++ Emeritus Andrew Price oboe Douglas Lundeen natural horn HL - Humanities Leave Ken Radnofsky saxophone Scott Metcalfe LOA - Leave of Abscence Richard Ranti bassoon Martin Pearlman SAB - Sabbitcal Thomas Rolfs trumpet baroque ensembles * SAB SI - Semester I SII - Semester II SCHOOL OF MUSIC DEPARTMENT OF SCHOOL OF MUSIC PRODUCTION AND ENSEMBLES David Kopp, Associate Director of Academic Affairs J. Casey Soward, Assistant Director for Production and William McManus, Associate Director of the School of Music for Performance Music Education Michael Barsano, Manager of University-Wide Ensembles Phyllis Hoffman, Executive and Artistic Director of The Boston Michael Culler, Head Recording Engineer University Tanglewood Institute Wagner in Context gratefully acknowledges the BU Center for the Aaron Goldberg, Director of Athletic Bands Oshin Gregorian, Manager of Opera Institute SCHOOL OF MUSIC EXECUTIVE COMMITTEE Humanities, the BU Arts Initiative, the BU Jewish Cultural Endowment, the Diane McLean, Stage Manager Richard Cornell, Director ad interim School of Music Shane McMahon, Recording Engineer Phyllis Hoffman, Executive and Artistic Director of Boston BU Center for Study of Europe, the BU CFA Dean’s Office and the Boston David Dawson II, Scheduling and Recitals Coordinator University Tanglewood Institute , Librarian Ann Howard Jones, Director of Choral Ensembles Martin Snow, Keyboard Technician and Restoration David Kopp, Director, Graduate Studies, Associate Director of Wagner Society for their support. Molly Walker, Manager of School of Music Ensembles Academic Affairs Meredith Gangler, Librarian Michelle LaCourse, Chair, Applied Studies Shaun Ramsay, Assistant Director for Admissions and COLLEGE OF FINE ARTS ADMINISTRATION Student Affairs Benjamín Juárez, Dean, College of Fine Arts John Wallace, Director, Undergraduate Studies Richard Cornell, Director ad interim, School of Music William McManus, Associate Director of the School of Music for Jim Petosa, Director, School of Theatre Music Education Lynne Allen, Director, School of Visual Arts .