DOCSLIB.ORG

Tony Hawk's Underground 2: Remix

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

wru.thu92online.com AcJiVISiox. activision.com lCflVlSloX bia Paciflc,tevel 5,51 BarsonSl, EIph! xsw ?i?1, AuilElia O2m5 mvision Pubrhhing.Inc. Acllvbion isareqistered tadema*aodTflUG s atadema*0i Adlbion Publbhinq,lnc All ilqib Bsefled.TonyHawkb aindemafr oirony Hawk,lnc. PSP version developed by Neve6offEnletuinment, Inc. and shak. MemoryStick 0uorM nay bercquked Gold separalely). Ali dghtsreseod- All olhertmdematuand tade namesarelhe propedyor thenrespedlve owners 80739.260.AU ULES.OO033 '+ , 'Plays&tiou", , UMo ad "608@'@ hdeMb or qi$d tEdemdsoi Sny Compu@E&ftinmm @. -tF' AllnigilsReed. ffi1ro2265 i:::::::i:,.,:,4,:,r.:.rur.,.,,,,1: PRECAUTIONS ',rl:tl1llt:irri::;:iil.i, ThisdisccontainsgamesoftwareforthePSPrM(Playstation@Portable)system.Neverusethis::: on anyother system, as it coulddamage it. Readthe PSPrM system Instruction Manual carefui , :: ensurecorect usage. Do not leave the disc near heat sources or in directsunlight or exces:.. moisture.Do not use cracked or deformed discs or discsthat have been repaired with adhesives :! 2 thiscould iead to mal{unction. I Pushdown one sldeofthe Placethe disc as shoer dkc as shown and gentiy pull gently pressingdownf,- ( upwards to remove lt. Usinq until it clickslito pl.r. excesslorce to temove the Storing the disc incon:: disc may result n damage, may retult in dam.ge. 8 B HEALTHWARNING Alwaysplay in a welllit environment. Take regular breaks, 15 minutesevery hour Avoid p aynq Y whentired or suffering from lack of sleep.Some individuals are sensitive lo flashing or flickerlng Iightsor geometricshapes and patterns, may have an undetectedepileptic condition and maJ WalkingandClimbing. ..."...9 experienceepileplic seizures when watching television or playingvideogames. Consult your Tagging. doctorbefore playing videogames ifyou have an epileptic condition and immediately should you experienceany of the followingsymptoms whilst playing: dizziness, altered vision, muscle ControlTips h{itching,other involuntary movement. loss ol awareness,confusion and/or convulsions. ScoringTips PIRACY ThePSPrM system and this disc contain technical protection mechanisms designed to preventthe SpecialMeter and Special Tricks unauthorisedreproduction of the copyrightworks present on the disc.The unauthorised use of CameraControl registeredtrademarks or the unauthorisedreproduction of copyrightworks by circumventinq thesemechanisms orothemise is prohibited by law TheN4ain Menu l{ youhave any information about pirate product or methodsused to circumventour technica protectionmeasures please email [email protected] orcall your local Custome. Create-A-Modes IZ Seryicenumber given at theback of thismanual. StoryMode '13 PARENTALCONTROL ThisPSPrM (Playstation@Portable) Game software has a presetParental Control Level based or :MultiplayerModes . 14 its content.You can set the ParentalControl Level on the PSPrMsystem to restridthe playbacf. Wireless(WLAN) Features . lo lilr of a PSPrMGamewith a ParentalControl tevel that is higherthan the levelset on the PSPrr :irt: system.For more information, please refer to the PSPrMsystem Instruction l\y'anual. Savingand Loading . 17 iu:i Create-A-Skater I t :,t, Create-A-Graphic 20i 9 Restricted to 18 and over Create-A-Goal LZ Not suitable for under 15 unless 7 accompanied by an adult Tricks 25 Recommended for WirelessPlay 28 5 mature players Game0ptions 31 Parental guidance 3 recommended Credits. 33 2 General CustomerSupport 41 Product utEs-00033 LicenseAgreement . .42,:::::::::::,,. GameO 2005Activlsof Publishin0. Inc. Libraryprograms O 2003-2005Sony Compuler Entertalnment n. ..::.:::|'. excusivelyliceised 10 SonyCompuier Enlertainment Europe. FoR lloN,lEUSE oNLY Unauthorisedcopyin! ' ' ':i:':' ..,:::t adaptaton,rental, lending, distribution, extraction. re-sae, arcade rse charginglor use, broadcast.p!blr performaiceand intefnel, cab e or anytelecommunications transmiss on. accessor useof th s productor anl :r'i,.,rrll:i:l:*llr trademarkor copyrightwork thai formspart oi this productare prohib ied. The commun cat on of this produc: ncludessoftware developed by the NetBSDFoundation, Inc. and ils contdbutorsFor a completelst oi contrlbutorsp ease see ww.scei.co.jplpsp-license/pspnet.txt. Pubish€d by Actvis on Publishing,Inc. Develop€c by NeversoitEntertanment, lnc. and Shaba. i . i r::: :::.:: : : :: : i :: I i i:i i i:::i il:i:t::::::,,riir,,l'. :, 1,1 li:.::::l:i:i: ' : . i I i :I II I I II i I i i i i i i i I i , . FB HOCMONE' Ad Hoc Mode is a'Wiretess (WLAN) feature thaf allows P0WER/H0LDswitch Wvoor more individualPSPrM systems to communicate directlywith eachother. GAMESHARING Disccover DC0UT connectors Some software titles feature Game Sharing facilities which enable the user lo share specific game featureswith other users who do not have a PSPrMGamein theirPSPrM system. INFFHSTBUETUFEMOTIE InlrastruclureMode is a Wireless(WLAN) feature that USB 0PENlatch c0nnector allows the PSPrMsystem to link to a nelwork via a Wireless(WLAN) Access Point (a deviceused to connect ::r:;;;;1:i1:r.rrt'r.'',; to a Wirelessnetwork). In orderto accessInfrastructure F,ISP'"(Playstation'Portable) according t0 the Mode features,several additionalitems are required, i::::ti:::::::::.$qtuf,th* including ::::ll::.]']i::indtrucfions,inits instruction manual. Turn the PSP'" systenr on a subscriptionto an InternetService Provider, a networkdevice (e.9. a WirelessADSL Router),a Wireless POWERindicator will light up green. The Home Menu will {,11111.enOihe (WLAN) Access Point and a PC. For further information :111::11;irrirtrbedispl.iyed.Pressthe OPEN latch to openthe disc cover lnseft , 'l91ry. and settingup details,please refer to the PSPrMsystem l:l:::,rrrillrthe Hawk'slJnderground 2 Bernlx disc with the label side InstructionManual. i::::,l:,l,taclng.{lg rear of thePsP'" system and then securely close the ii,,,,,,.,,,l::,!i!c!*et ,,,il.iii:i::: :t:r,.',rr::i':r5a1t*- a iconfrom the Home Menu and then select the O :ili::,.,:,i'run.Animage of the software will be displayed. Select the 1111,, l,lmaqq,anO press the X buttont0 commenceloading. F0llow the iii:,, :tOn.screen instructions and refer to this manual for information on li::11,,1,,1:lusingthesoftware. /vofe:Do not eject a PSP"Game while it isplavins i:,:,,,,,,,it iil..,,,MEMOFY STleH DUO* ::,,,,;,',,,Warningl Keep Memory Stick Duo'" media out of reachof small :::,,,..children, as the media could be swallowed by accident, :,:,itt: T0save.game settings and progress, insert a MemoryStick Duo'" .::,1,t.i!t9,ille Memory Stick Duo" slot 0f thePSP'" system. Saved game .idatartari.be loaded from the same Memory Stlck Duo'- or any :,Ug*oty6tiii&rDuol" containing previously saved game data. t, q*-.. - ," ,111i1iiTocroqch, press and hold the E butt0n.Crouching while skating tut ts.theskater go faster. ,1,,,,l.utulQ OLLIE(OR JUMP) r,::.t,::JQollie(or jump), press and release the E button.An ollie can ,,,:,1,,:dlsoneperformed atthe top 0f a rampto increaseheight and/or ,rr'distance (depending onthe type 0f ramp). GRABTRICKS Toperform a grab trick, you must first be in the air. 0nce in the ai1 press ' :::i the@ buttonin combinationwith one of the directional HOLD ::: buttons.Each direction on the directional buttons oerforms a indicator::::. differentgrab trick. The longer you hold the @ buttondown D: duringa grabtrick, the longer you'll "tweak" that grab trick. Rightspeakei .l't:tl. | :ati. Thescore for the trick increases over the lenoth of the orab. sTARTb.ut6iir tr:::r:i. )ELEU I OUEON FLIPTRICKS Soundbutton ' ToperJorm a flip trick, you must first be in the air. once in the air, Displaybutton pressthe lJ buttonin combination with one 0f the directional buttons.Each direction 0n the directional buttons performs a differentflip trick. GRINDTRICKS Toperform a grind trick, you must be near a railor a grindablesurface. Firstollie (press and release the E button),and then press the 6 buttonwhen near the rail/grindable sudace to performa grindtrick. 50-50= Whenparallel to a rail,press and hold the 6 button. Nosegrind= Pressthe I directionalbutton and the 6 button, .5-0 = Pressthe I directionalbutton and the 6 button. Boardslide/Lipslide= Rotate the board perpendicular ,,,,rli::, toa railand press the 6 button. 1111,,,,,,::,1,,,,," .: .,.t "'::,,,1;;:::::11:1::1;;;;1, ..: ....:,.r .-- : ttl-: = Pressthe I or I directionalbutton and the WAr-LRIDES = Pressthe I or , directionalbutton Toperform a wallride. approach a wall at a 450angle and 0llie intothe wall while holding the @ button.Press the E button t0wallie. Press the I directionalbutton and the E buttonto ri::trri.:wallieplant.Tod0 a vert wallplant, launch off a quarterpjpeand ::,:lr"presstne buttonon the way up. buttonwith a directionalbutton at the lip (0r top edge) E <F Pressthe and* directionalbuttons to balance. STICKERSLAP Jumpstraight into a walland press the E buttonto plantyour foot0n the wall and kick off in the oooosite direction. WALLPUSH Skateor manual straight into a walland hold the 6 buttonto pushoff the wall. SPINETRANSFERS Totransfer over a spine(two quarterpipe ramps placed backto- back),press the R buttonwhen launching offof one side of the sDrne. SKITCHING Toskitch (get pulled behind a vehicle),press the I directional .:itt:tt,. t:r . (r rf 8,0!\|E.!.ESS/FASTPTANTS/BEANPLANTS buttonwhen directly behind a vehicle.Press the and rt::,.;11r,11t directionalbuttons during a skitcht0 balancethe skater. Toperform a boneless, fastplant or beanplant(varies depending on pro quickly the skater), tap t t onthe directional buttons and FLATLANDTRICKS releasethe E button.These
Recommended publications
  • Copyrighted Material

    Copyrighted Material

    INDEX COPYRIGHTED MATERIAL JJWBT370_index.inddWBT370_index.indd 175175 88/30/10/30/10 88:23:22:23:22 PMPM JJWBT370_index.inddWBT370_index.indd 176176 88/30/10/30/10 88:23:22:23:22 PMPM A Billabong, 23 Access Hollywood, 56 Birdhouse Projects Activision Blitz fi nances impacting, 80–81 900 Films advertising creation for, 96 early days of, 15–17, 77–78 Boom Boom HuckJam sponsorship by, Hawk buy-out of, 81–82 56–57 video/fi lm involvement by, 19, 87–96 (see Tony Hawk video game designed/released also 900 Films) by, 6–7, 25–26, 36–43, 56–57, Black, Jack, 108 68–69, 73, 132, 140 (see Video Black Pearl Skatepark grand opening, games for detail) 134–136 Secret Skatepark Tour support from, 140 Blink-182, 133, 161, 162 skateboard controller designed by, 41–43 Blitz Distribution Tony Hawk Foundation contributions denim clothing investment by, 77–80 from, 158 fi nances of, 78–81 Adio Tour, 130–131 Hawk Clothing involvement offer to, 24 Adoptante, Clifford, 51, 55 Hawk relinquishing shares in, 82 Agassi, Andre, 132, 162–163 legal issues for, 17–19 Anderson, Pamela, 134, 162 skate team/company support by, 77 Antinoro, Mike, 71 video/fi lm involvement of, 90 Apatow, Judd, 107 Blogs, 99–104, 106 Apple iPhone, 91, 99–102 BMX Are You Smarter Than a 5th Grader?, 157, 158 Boom Boom HuckJam inclusion of, 48, Armstrong, Lance, 103, 108, 162 49, 51, 55–56, 58–59, 67 Athens, Georgia, 142 charitable fundraisers including, 133–134, Awards 161 MTV Video Music Awards, 131–132 Froot Loops’ endorsement including, 3, 4 Nickelodeon Kids’ Choice Awards, 7, 146 product merchandising
  • THIS WEEK ...We Focus on Some More Titles That Have Made an Impression on Eurogamer Readers, and Reveal Why

    THIS WEEK ...We Focus on Some More Titles That Have Made an Impression on Eurogamer Readers, and Reveal Why

    Brought to you by Every week: The UK games market in less than ten minutes Issue 6: 14th - 20th July WELCOME ...to GamesRetail.biz, your weekly look at the key analysis, news and data sources for the retail sector, brought to you by GamesIndustry.biz and Eurogamer.net. THIS WEEK ...we focus on some more titles that have made an impression on Eurogamer readers, and reveal why. Plus - the highlights of an interview with Tony Hawk developer Robomodo, the latest news, charts, Eurogamer reader data, price comparisons, release dates, jobs and more! Popularity of Age of Conan - Hyborian Adventures in 2009 B AGE OF CONAN VS WII SPORTS RESORT #1 A This week we look at the Eurogamer buzz performance around two key products since the beginning of 2009. First up is the MMO Age of #10 Conan - a game which launched to great fanfare this time last year, but subsequently suffered from a lack of polish and endgame content. #100 Eurogamer.net Popularity (Ranked) Recently the developer, Funcom, attempted to reignite interest in the game by marketing the changes made in the build-up to its first anniversary - point A notes a big feature and #1000 Jul free trial key launch, while point B shows the Feb Mar Apr May Jun Jan '09 Age of Conan - Hyborian Adventures re-review which put the game right at the top of the pile earlier this month - whether that interest can be converted into subs is a different question, but the team has given itself a good Popularity of Wii Sports Resort in 2009 chance at least.
  • Read Razorcake Issue #27 As A

    Read Razorcake Issue #27 As A

    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
  • Beyond the Board: Findings from the Field

    Beyond the Board: Findings from the Field

    Beyond the Board: Findings from the Field By Zoë B. Corwin, Tattiya Maruco, Neftalie Williams, Robert Reichardt, Maria Romero-Morales, Christine Rocha, and Constanza Astiazaran Photo credit: Maxim Mosclo (Cover) TABLE OF CONTENTS I: Why this study? 3 II: Where do the data come from? 4 • National Survey 5 • Case Studies 9 III: What do the data tell us about skateboarders? 11 • Mental and Physical Health 12 • Relationships and Community 13 • Race and Gender 16 • Skills 20 IV: Reflections and Recommendations 27 2 WHY THIS STUDY? The narrative around skateboarding is changing. Educational and cultural institutions are beginning to engage with skateboarding in new ways. Skateboard-focused non-profits, after-school programs, and summer camps are rapidly developing. Skateboarding is at the forefront of style and taste-making in popular culture. With the 2020 Olympics on the horizon, we expect even greater attention directed toward skateboarding and skateboarders (skaters). At the same time, skaters still thrive – and sometimes prefer to function – on the margins of mainstream society. Despite growing visibility and popularity, negative misconceptions regarding skateboarding persist. Unfavorable stereotypes affect resource allocation for skaters and impact the treatment they receive from non-skaters. Skaters are often not considered by municipalities, and educational and cultural institutions in the same manner as their other constituents. This report centers skaters’ perspectives with the intention of changing the way the broader community views skateboarding and the skateboarding community. Data highlight the value young people derive from skateboarding and the resources they believe would be helpful in their lives. The study is unique due to the: (1) focus on everyday skaters, (2) consideration of race and gender, (3) its national scope, and (4) the rigorous research methods employed.
  • JOSH TSUI Robomodo – Chicago, IL

    JOSH TSUI Robomodo – Chicago, IL

    JOSH TSUI Robomodo – Chicago, IL *** Date: November 14, 2016 Location: Illinois Institute of Technology – Chicago, IL Interviewer: A.D. Brazauskas, Zulema Hunt Transcription: Rachael Affenit and Xun Ma Length: 74 minutes, 28 seconds Project: History of Coin-Op in Chicago Josh Tsui – Illinois Institute of Technology 2 Transcription: 00:00:28 A.D. Brazauskas [AD]: I am A.D. Brazauskas with Josh Tsui - ​ Josh Tsui [JT]: Tsui [pronounced Soo-way] ​ AD: Sorry ​ JT: No no no, nobody ever gets it right the first time. ​ AD: So do you have any questions for me before we begin? ​ ​ JT: I’m sure I’ll have some later, but alright, go ahead. AD: It’s November 9th 2016, 10AM. So what is your current job title? JT: I am president and co-founder of Robomodo, a video game development house in Chicago. AD: Alright. So I know earlier you got into arcades, do you still spend time in arcades? JT: Believe it or not, yeah. The arcades that I’m at nowadays mostly are these family fun center type places, because I have kids, so you’ve got these Dave & Buster's type places. So I guess they’re called arcades, but recently I have been hanging out more at some of these barcades popping up lately, they’re basically craft beer and classic arcade machines. Then there’s an arcade out in Brookfield called the Galloping Ghost Arcade, and I’ve been there a lot because I’ve been shooting my documentary there. I believe it’s actually the largest arcade in the world, I think they have over 400 arcade machines there.
  • APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP

    APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP

    2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17
  • A Shape for Queerness: Glimpses, Loops, Holes, Language

    A Shape for Queerness: Glimpses, Loops, Holes, Language

    A Shape for Queerness: Glimpses, Loops, Holes, Language A Support Paper for the Exhibition titled A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought Submitted to the Faculty of Graduate Studies and Research in Partial Fulfillment of the Requirements For the Degree of Masters of Fine Art in Visual Arts University of Regina by James Nicholas Wilson Regina, Saskatchewan April 2019 ©2019: James Wilson UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE James Nicholas Wilson, candidate for the degree of Master of Fine Arts Visual Arts, has presented an Exhibition titled, A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought and a Support Paper titled A Shape for Queerness: Glimpses Loops, Holes, Language, in an oral examination held on February 13, 2019. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Mr. John G. Hampton, MacKenzie Art Gallery Co-Supervisor: Dr. Risa Horowitz, Department of Visual Arts Co-Supervisor: Prof. Sean Whalley, Department of Visual Arts Committee Member: Prof. David Garneau, Department of Visual Arts Committee Member: Prof. Leesa Streifler, Department of Visual Arts Chair of Defense: Dr. Darlene Juschka, Department of Women’s & Gender Studies Revised Oct.4/06 1 i Abstract A Wreath of Snakes, A Lexicon Devil, A Hole in Time, A Single Thought is a sculptural installation of 24 large-scale drawings and an artist’s book. The work is concerned with the formation of consciousness and the ways that the shared experience of queerness affects notions of time, lineage and orientation.
  • Annual Report

    Annual Report

    2006 ANNUAL REPORT PAVING THE WAY TO HEALTHY COMMUNITIES Mission Statement Letter From The Founder The Tony Hawk Foundation seeks to foster lasting improvements in society, with an emphasis on supporting and Nothing slowed down in 2006. Interest in public skateparks is still empowering youth. Through special events, grants, and technical assistance, the Foundation supports recreational on the rise, and more cities than ever are stepping up to the chal- programs with a focus on the creation of public skateboard parks in low-income communities. The Foundation favors lenge of providing facilities for their youth. However, our work is far programs that clearly demonstrate that funds received will produce tangible, ongoing, positive results. from over. Unfortunately, the cities that most desperately need public skateparks are the ones that don’t have sufficient budgets. Part of Programs our job is to augment those funds, but it is more important that we provide information and ensure that parks are built right. Knowledge The primary focus of the Tony Hawk Foundation is to help facilitate the development of free, high-quality public skateparks in low-income areas by providing information is power … but funding goes a long way. and guidance on the skatepark-development process, and through financial grants. While not all skatepark projects meet our grant criteria, the Tony Hawk Foundation Over the past year, we have awarded over $340,000 to 41 communities. strives to help communities in other ways to achieve the best possible skateparks— All told, that brings us to $1.5-million and 316 grants to help build parks that will satisfy the needs of local skaters and provide them a safe, enjoyable skateparks since our inception in 2002.
  • Skate Life: Re-Imagining White Masculinity by Emily Chivers Yochim

    Skate Life: Re-Imagining White Masculinity by Emily Chivers Yochim

    /A7J;(?<; technologies of the imagination new media in everyday life Ellen Seiter and Mimi Ito, Series Editors This book series showcases the best ethnographic research today on engagement with digital and convergent media. Taking up in-depth portraits of different aspects of living and growing up in a media-saturated era, the series takes an innovative approach to the genre of the ethnographic monograph. Through detailed case studies, the books explore practices at the forefront of media change through vivid description analyzed in relation to social, cultural, and historical context. New media practice is embedded in the routines, rituals, and institutions—both public and domestic—of everyday life. The books portray both average and exceptional practices but all grounded in a descriptive frame that ren- ders even exotic practices understandable. Rather than taking media content or technol- ogy as determining, the books focus on the productive dimensions of everyday media practice, particularly of children and youth. The emphasis is on how specific communities make meanings in their engagement with convergent media in the context of everyday life, focusing on how media is a site of agency rather than passivity. This ethnographic approach means that the subject matter is accessible and engaging for a curious layperson, as well as providing rich empirical material for an interdisciplinary scholarly community examining new media. Ellen Seiter is Professor of Critical Studies and Stephen K. Nenno Chair in Television Studies, School of Cinematic Arts, University of Southern California. Her many publi- cations include The Internet Playground: Children’s Access, Entertainment, and Mis- Education; Television and New Media Audiences; and Sold Separately: Children and Parents in Consumer Culture.
  • Sexuality in the Horror Soundtrack (1968-1981)

    Sexuality in the Horror Soundtrack (1968-1981)

    UNIVERSITY OF CALIFORNIA Los Angeles Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Morgan Fifield Woolsey 2018 © Copyright by Morgan Fifield Woolsey 2018 ABSTRACT OF THE DISSERTATION Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) by Morgan Fifield Woolsey Doctor of Philosophy in Musicology University of California, Los Angeles, 2018 Professor Raymond L. Knapp, Co-Chair Professor Mitchell Bryan Morris, Co-Chair In this dissertation I argue for the importance of the film soundtrack as affective archive through a consideration of the horror soundtrack. Long dismissed by scholars in both cinema media studies and musicology as one of horror’s many manipulative special effects employed in the aesthetically and ideologically uncomplicated goal of arousing fear, the horror soundtrack is in fact an invaluable resource for scholars seeking to historicize changes in cultural sensibilities and public feelings about sexuality. I explore the critical potential of the horror soundtrack as affective archive through formal and theoretical analysis of the role of music in the representation of sexuality in the horror film. I focus on films consumed in the Unites States during the 1970s, a decade marked by rapid shifts in both cultural understanding and cinematic representation of sexuality. ii My analyses proceed from an interdisciplinary theoretical framework animated by methods drawn from affect studies, American studies, feminist film theory, film music studies, queer of color critique, and queer theory. What is the relationship between public discourses of fear around gender, race, class, and sexuality, and the musical framing of sexuality as fearful in the horror film? I explore this central question through the examination of significant figures in the genre (the vampire, the mad scientist/creation dyad, and the slasher or serial killer) and the musical-affective economies in which they circulate.
  • Kevin Harris

    Kevin Harris

    Kevin Harris Derailed by skateboarding in 1976, Kevin Harris was never the same. As a gangly teenager nicknamed stickman, he pulled his shorts north of the belly button, walked school hallways holding his cherished skateboard instead of girlfriends' hands and rode every day, rain or shine. He graduated high school as a national champion and member of the Ripping Squad demonstration team with zero social life outside of skateboarding. Pictures torn out of SkateBoarder covered his bedroom wall instead of the expected Farah Fawcett bathing suit poster. Unfortunately for the teenager, his daydreams of becoming a world-famous professional skateboarder were crippled by location, location, location. California was the skateboarding epicenter and Kevin may as well have been winning contests on the dark side of the moon for all the attention Canada received. No legitimate pro had ever emerged from The Great White North. In 1978, when Kevin crushed the unofficial world record of 400 two-board 360s with an official 1,032 rotations, SkateBoarder magazine awarded him a teeny black and white photo. By 1981 there were barely any pros anywhere. The skating bubble burst and stragglers were looked upon with pity, unaware they were obsessed over a deflated loser fad. Kevin's collection of trophies failed to keep him company as he skated alone every night. Paying his own way to California contests, Kevin entered the emasculated international competitive pool as a way to motivate his skating and hang with other enthusiasts. There were so few competitors at a 1982 Del Mar Skate Ranch contest that they mashed the professionals and amateurs together.
  • Tony Hawk Full Booklet

    Tony Hawk Full Booklet

    “THE BIRDMAN” A Biography of Tony Hawk Introduction Hawk was born in Carlsbad, Cali- fornia to Nancy and Frank Peter Rupert Hawk and was raised in San Diego, Cali- fornia. When Hawk was young, he was described as being “hyperactive,” and his mother says that he was “so hard on himself and expected himself to do so many things.” One time, Tony struck out in baseball and was so distraught that he hid in a ravine and had to be “physically coaxed out” by his father. His frustration with himself was so harsh that his par- ents had him psychologically evaluated at school. The results were that Tony was “gifted,” he tested with an I.Q. of 144, and school advisors recommended plac- ing him in advanced classes. Given his first board at the age of 9, Hawk was a pro His parents supported his skate- by 14 and a multiple title-holder and champion by the boarding because it served as an outlet time he graduated from high school in 1986. for his excessive energy, and as Hawk’s skills developed, he became a profes- sional skateboarder at age fourteen and was the National Skateboard Association world champion for twelve consecutive years. “Big decisions in my life have always come easy and are made without hesitation. It is easier for me to make a life-changing decision than to decide what to get for dessert.” ii 1 further by landing a no-handed 900.[4] Simon cessfully land the trick during press interviews The 900 Tabron’s signature trick is the 900.