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Culture & Confinement
Culture & confinement « Je crois que l'art est la seule forme d'activité par laquelle l'homme en tant que tel se manifeste comme véritable individu. Par elle seule, il peut dépasser le stade animal, parce que l'art est un débouché sur des régions où ne domine ni le temps, ni l'espace. » Marcel Duchamp Avant toute chose, un petit cadeau en ce temps de confinement https://www.youtube.com/watch?v=IMXD4h5w8D8 Papageno, revu et corrigé, un délice. Pour vous permettre de découvrir quelques pépites, voici quelques sites culturels : • L'INA offre trois mois d'abonnement gratuit Madelen, l'offre SVOD de l'INA, est lancée depuis le mercredi 18 mars, avec trois mois d'abonnement gratuit. Vous pouvez ainsi avoir accès au large catalogue vidéo d'archives et revoir, à votre guise, certains moments cultes de la télévision. • L'Opéra de Paris met en ligne gratuitement ses spectacles C'est inédit : depuis le 17 mars à 19h30, l'Opéra de Paris met en accès libre et gratuitement plusieurs spectacles issus des archives de l'institution. Concrètement, l'internaute peut visionner une représentation disponible sur le site Internet de l'Opéra pendant 6 jours. <https://www.operadeparis.fr/> et celui de /Culturebox/ <https://www.france.tv/spectacles-et-culture/>. À la fin de ce délai, cette production est remplacée par une autre et ainsi de suite jusqu'en mai. Voici le programme des opéras proposés : Du 06 au 12/04: /Le Barbier de Séville/ (2014) Du 13 au 19/04: /Soirée Robbins/ (2018) Du 20 au 26/04: /Les contes d’Hoffmann/ (2016) Du 27 au 03/05: /Carmen/ (2017) Et du 17/03 au 03/05: le cycle des symphonies de Tchaïkovski par l'Orchestre de l'Opéra de Paris dirigé par Philippe Jordan. -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
The Festival D'aix
FESTIVAL D’AIX-EN-PROVENCE 2017 69th edition 3 – 22 JULY 2017 PRESS RELEASE www.festival-aix.com PRESS OFFICE Valérie Weill | [email protected] +33 (0)1 44 88 59 66 | +33 (0)6 85 22 74 66 Christine Delterme | [email protected] CONTENTS THE INSTITUTION PAGES 4 - 5 CALENDAR PAGES 6 - 8 OPERA PAGES 9 - 15 CONCERTS PAGES 16-17 AIX EN JUIN PAGES 18 - 21 ACADEMIE DU FESTIVAL PAGES 22-30 PASSERELLES PAGES 31-34 TALKS AND EVENTS PAGE 35 TOURS IN 2017 PAGE 36 ESTIMATED BUDGET 2017 PAGE 37 SUSTAINABLE DEVELOPMENT PAGES 38-39 SPONSORS AND PARTNERSHIPS PAGES 40-47 PRICES PAGE 48 PRACTICAL INFORMATION PAGE 49 3 FESTIVAL D’AIX-EN-PROVENCE 2017 THE FESTIVAL D’AIX KEY FIGURES 2016 | by 31 December 2016 | | ATTENDANCE | | PASSERELLES | 75,526 SPECTATORS 3,200 STUDENTS FROM 133 CLASSES of 87 educational institutions (schools, secondary 40% OF TICKETS SOLD FOR LESS THAN 55 ¤ schools, highschools, music schools, universities, 534 YOUNG PEOPLE ENJOYED THE conservatoires) « CHILDREN DISCOVERY » RATE including 1,170 students from Aix-Marseille 39,972 TICKETS FOR OPERAS AND CONCERTS Université (370 through the Opera ON programme) ( not including the Académie ) 2,250 YOUNG ADULTS AND ADULTS 35,554 SPECTATORS FOR AIX EN JUIN, THE BENEFITED FROM THE RAISING AWARENESS ACADEMIE, THEIR PUBLIC REHEARSAL AND OF OPERA PROGRAMME THEIR LIVE BROADCASTING as well as 110 associations and social partners 220 AMATEUR ARTISTS | AIX EN JUIN | 1 450 SPECTATORS 17 004 SPECTATORS or the opening performance Ouverture[s] including 12,736 for free performances 3 000 -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
Italian Bookshelf
This page intentionally left blank x . ANNALI D’ITALIANISTICA 37 (2019) Italian Bookshelf www.ibiblio.org/annali Andrea Polegato (California State University, Fresno) Book Review Coordinator of Italian Bookshelf Anthony Nussmeier University of Dallas Editor of Reviews in English Responsible for the Middle Ages Andrea Polegato California State University, Fresno Editor of Reviews in Italian Responsible for the Renaissance Olimpia Pelosi SUNY, Albany Responsible for the 17th, 18th, and 19th Centuries Monica Jansen Utrecht University Responsible for 20th and 21st Centuries Enrico Minardi Arizona State University Responsible for 20th and 21st Centuries Alessandro Grazi Leibniz Institute of European History, Mainz Responsible for Jewish Studies REVIEW ARTICLES by Jo Ann Cavallo (Columbia University) 528 Flavio Giovanni Conti and Alan R. Perry. Italian Prisoners of War in Pennsylvania, Allies on the Home Front, 1944–1945. Lanham, MD: Fairleigh Dickinson Press, 2016. Pp. 312. 528 Flavio Giovanni Conti e Alan R. Perry. Prigionieri di guerra italiani in Pennsylvania 1944–1945. Bologna: Il Mulino, 2018. Pp. 372. 528 Flavio Giovanni Conti. World War II Italian Prisoners of War in Chambersburg. Charleston: Arcadia, 2017. Pp. 128. Contents . xi GENERAL & MISCELLANEOUS STUDIES 535 Lawrence Baldassaro. Baseball Italian Style: Great Stories Told by Italian American Major Leaguers from Crosetti to Piazza. New York: Sports Publishing, 2018. Pp. 275. (Alan Perry, Gettysburg College) 537 Mario Isnenghi, Thomas Stauder, Lisa Bregantin. Identitätskonflikte und Gedächtniskonstruktionen. Die „Märtyrer des Trentino“ vor, während und nach dem Ersten Weltkrieg. Cesare Battisti, Fabio Filzi und Damiano Chiesa. Berlin: LIT, 2018. Pp. 402. (Monica Biasiolo, Universität Augsburg) 542 Journal of Italian Translation. Ed. Luigi Bonaffini. -
PRESENTS Table of Contents
PRESENTS Table of Contents Welcome................................................................................................................. 3 Staff and Board of Directors..........................................................................6 About Pittsburgh Festival Opera.................................................................7 Cornetti’s Candid Concert and After-Party | July 10................................8 Marianne: Unstaged | July 11, 18, and 25.................................................10 Pit Crew: Singer-Free Sundays | July 12, 19, and 26..............................13 Leitmotif: Walking through Wagner | July 16..........................................17 I, Too, Sing | July 17...........................................................................................18 Composer Spotlight: Mark Adamo | July 23.............................................20 Putting it Together: Online Young Artists Program | July 24..........21 2020 OYAP Faculty........................................................................................... 26 Rusalka: A Mermaid’s Tale | July 25............................................................27 Contributions, Gifts, and Institutional Support................................. 29 Welcome from the President We need 20-20 vision to view the events of 2020. Much of what we took for granted, including the highest ever level of our economy and the lowest ever level of unemployment, suggested a bright future for the performing arts. We at Pittsburgh Festival Opera were especially -
Mnetoday Presentation-Final.Key
1 WHO WE ARE 1st DIGITAL INSIDER IN MONTENEGRO. WE PUBLISH IN ENGLISH We deliver a fresh selection of influential interviews, events, activities and social events in Montenegro to an international audience from around the world. 2 OUR TEAM A GROUP OF CREATIVE INDIVIDUALS WITH FRESH IDEAS Authors, marketers and digital geeks, who are passionate for style, creativity and innovations. 3 WHAT MAKES US DIFFERENT MEANINGFUL CONTENT WHICH SELLS STORYTELLING Nothing is more important than the ability of your brand to speak. Our creative team will create a unique and tailor-made image of your business which will tell the story. FULL SCALE PRODUCTION Visuals are important. Our production team will create a photography or video which will be a good commercial for your business. Gain more clients by attracting their attention in motion. 4 OUR READERS FROM AROUND THE WORLD GENDER: M 51% | F 49% AGE: ~25-25 y.o TOP 10 LOCATIONS: Montenegro, United States, Serbia, United Kingdom, Norway, Russia, Germany, Italy, Croatia, Canada 5 CHANNELS Web iOS app Apple News iTunes Weekly Digest Social Media We create 360 online presence through implementing the innovative digital tools to make the creative content visible and noticeable. 6 TITLE AWESOME PARTNERSHIPS SUMMER 2017 This year we were an official partner for the biggest cultural events in Montenegro such as Operosa Montenegro Opera Festival and Kotor Art. During these events season, we have been an informational supplier for the international audience about the days of art and performances. 7 WHAT WE CAN OFFER THE BEST REPRESENTATION OF YOUR BUSINESS We offer a 5-star package for your brand, which is entirely custom made and shapes your offer in the best possible way. -
1 La Bande Fm Actuellement Utilisee Dans Le Ressort Du
LA BANDE FM ACTUELLEMENT UTILISEE DANS LE RESSORT DU CTR DE BORDEAUX Apparaissent en gris les radios dont l’autorisation arrive à échéance le 30 juin 2007 et en italique les radios du service public. CHARENTE (16) ZONE MHZ CAT. RADIOS RCF ACCORDS 16 96,8 A (Association Accords 16) ATTITUDE 98,3 A (Association Quartier Orange, votre Radio) FORUM 94,1 B (Association GRAL) MIXX FM 94,7 B (SARL Leader Médias) EUROPE 2 ANGOULEME 100,3 C (SARL Europe 2 Charente) RTL2 88,8 D (SA Sodera) FUN RADIO 90,2 D (SA SERC) NOSTALGIE 95,8 D (SAS Radio Nostalgie) CHERIE FM 97,9 D (SAS Chérie FM) NRJ 102,2 D (SA NRJ) ANGOULEME RFM 102,6 D (SNC Performances) SKYROCK 103,1 D (SA Vortex) RIRE ET CHANSONS 107,3 D (SAS Rire et Chansons) RMC 105 E (SAM RMC) RTL 106,2 E (SA CLT UFA) EUROPE 1 106,7 E (SAM Lagardère Active Broadcast) 87,6 SP FRANCE CULTURE 92,4 SP FRANCE INTER 95,1 SP FRANCE MUSIQUE 101,5 SP FRANCE BLEU LA ROCHELLE 105,5 SP FRANCE INFO 1 ZONE MHZ CAT. RADIOS 88 SP FRANCE CULTURE BLANZAC 90,6 SP FRANCE MUSIQUE 105,8 SP FRANCE INTER BROSSAC 101 SP FRANCE BLEU LA ROCHELLE 89 SP FRANCE INTER CHALAIS 93,7 SP FRANCE MUSIQUE 101,7 SP FRANCE CULTURE RCF ACCORDS 16 89,9 A (Association Accords 16) MIXX FM 99,9 B (SARL Leader Médias) EUROPE 2 COGNAC 101,9 C (SARL Europe 2 Charente) COGNAC CHERIE FM 96 D (SAS Chérie FM) NRJ 98,6 D (SA NRJ) RTL2 107 D (SA Sodera) 105,5 SP FRANCE INFO RCF ACCORDS 16 95,4 A (Association Accords 16) RCF ACCORDS 16 104,1 A (Association Accords 16) FORUM 97,1 B (Association GRAL) MIXX FM 106,5 B (SARL Leader Médias) RIRE ET CHANSONS 88,6 D (SAS Rire et Chansons) CONFOLENS NRJ 99,8 D (SA NRJ) MFM 102,4 D (SARL Cirtes) CHERIE FM 104,5 D (SAS Chérie FM) 87,8 SP FRANCE INTER 93,9 SP FRANCE CULTURE 98,6 SP FRANCE MUSIQUE 101 SP FRANCE BLEU LA ROCHELLE 88,2 SP FRANCE CULTURE MONTMOREAU 90,8 SP FRANCE MUSIQUE 100,5 SP FRANCE INTER LA R.D.C. -
Lm990810.Pdf
LeMonde Job: WMQ1008--0001-0 WAS LMQ1008-1 Op.: XX Rev.: 09-08-99 T.: 11:06 S.: 111,06-Cmp.:09,11, Base : LMQPAG 17Fap: 100 No: 0274 Lcp: 700 CMYK LA NUIT DE MIDI 0123 SUPPLEMENT a Tout sur l’éclipse La nuit de midi en 16 pages ECLIPSE DU 11 AOÛT 1999 clipseinfo 99, le l’éclipse totale de Eclipseinfo 99 fédère E mensuel Ciel et Soleil du 11 août. de nombreux acteurs Espace et Le Monde Créée à l’initiative qui souhaitent faire se sont regroupés de l’Association partager l’intérêt a Explications, pour vous proposer française de ce phénomène ce supplément sur d’astronomie, exceptionnel. conseils, adresses 55e ANNÉE – No 16963 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE MARDI 10 AOÛT 1999 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Boris Eltsine Eclipse totale, le guide complet change encore b « Le Monde » consacre un cahier spécial à l’éclipse de Soleil du 11 août b Seize pages une fois d’explications scientifiques, de rappels historiques et de conseils pratiques b Une liste des sites de premier d’observation et des animations b Our guide to the eclipse with an english translation MERCREDI 11 AOÛT, l’éclipse qu’environ 5 000 communes, tout totale de Soleil, la dernière du le reste du territoire métropolitain ministre deuxième millénaire, sera sans connaîtra une éclipse partielle. doute la plus regardée de l’his- Le Monde publie un supplément BORIS ELTSINE a limogé, lundi toire de l’humanité. Le phéno- spécial de seize pages, bilingue 9 août, le gouvernement russe et mène traversera en effet des (français-anglais), comprenant un ETIENNE DELESSERT son premier ministre, Sergueï Ste- zones densément peuplées : l’Eu- dossier complet sur le phéno- pachine. -
French Musical Broadcasting from 1965 to 1974: a Multiplication of the Productions but a Reduced Number of the Stations Christophe Bennet
French Musical Broadcasting from 1965 to 1974: a Multiplication of the Productions but a reduced Number of the Stations Christophe Bennet To cite this version: Christophe Bennet. French Musical Broadcasting from 1965 to 1974: a Multiplication of the Produc- tions but a reduced Number of the Stations. 2015. hal-01146913 HAL Id: hal-01146913 https://hal.archives-ouvertes.fr/hal-01146913 Preprint submitted on 29 Apr 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. French Musical Broadcasting from 1965-1974 – PLM – Christophe Bennet – August 2014 FRENCH MUSICAL BROADCASTING FROM 1965 TO 1974: A MULTIPLICATION OF THE PRODUCTIONS BUT A REDUCED NUMBER OF THE STATIONS by Christophe BENNET In 1965, Henry Barraud retired. One can suggest, like historian Karine Lebail, that “this was the end of an age for broadcasting music.1” Although no longer in charge of music, he was still exerting an administrative supervision on its broadcasting, but the director of the Chaîne nationale’s manager fiercely opposed the project of a specialization of the various possible stations of the ORTF. In fact, he was afraid of a ghettoisation of classical music, already criticized as being elitist : culture is indivisible. -
Creative Europe Culture Music Projects
Creative Europe Culture Music Projects July 2020 Creative Europe NETWORKS - MUSIC More information on the European Union is available on the Internet (http://europa.eu). Luxembourg : Publications Office of the European Union, 2020 PRINT ISBN : 978-92-9484-121-6 doi : 10.2797/97142 EC-02-19-821-EN-C PDF ISBN : 978-92-9484-120-9 doi : 10.2797/746060 EC-02-19-821-EN-N © Education, Audiovisual and Culture Executive Agency, 2020 The Commission’s reuse policy is implemented by Commission Decision 2011/833/EU of 12 December 2011 on the reuse of Commission documents (OJ L 330, 14.12.2011, p. 39 – https://eur-lex.europa.eu/eli/ dec/2011/833/oj). Unless otherwise noted, the reuse of this document is authorised under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence (https://creativecommons.org/licenses/by/4.0/). This means that reuse is allowed, provided appropriate credit is given and any changes are indicated. For any use or reproduction of elements that are not owned by the EU, permission may need to be sought directly from the respective rightholders. The EU does not own the copyright in relation to any images which do not carry the copyright indicator © European Union. CREDITS Cover photo : © Louise Mather. Creative Europe Culture Music Projects July 2020 TABLE OF CONTENTS TABLE OF CONTENTS FOREWORD 8 - 9 CREATIVE EUROPE PROGRAMME AND INFOGRAPHICS 10 - 11 MUSIC 12 - 77 CLASSICAL MUSIC 12 - 22 EEE - Emerging European Ensembles 12 ARDEA - International Classical Music Masterclasses ARDEA 13 Music Up Close Network - connecting -
France Musique
C’est l’été sur France Musique Séries inédites, émissions, concerts, festivals… du 5 juillet au 29 août 2021 + 9 webradios sur francemusique.fr QUELQUES CHIFFRES ÉDITO France Musique, c’est 1 radio, 1 site, 9 webradios et une salle de concert virtuelle de plus de 4000 œuvres en audio et vidéo. À la En route ! pointe deÉ ditola vie musicale, France Musique est le premier site de tous © Christophe Abramowitz /RF Abramowitz Christophe © les passionnés de musique classique et de jazz. oilà l’été ! Nous l’attendions impatiemment cet été 2021. Il nous donne le plaisir retrouvé de la route des festivals qui nous ont tant Vmanqué l’été dernier. Fidèle à sa promesse estivale, nous sommes très heureux de vous prendre à nouveau par la main et de vous emmener à Aix, Montpellier, Beaune, Orange, Prades, Marciac, La Roque d’Anthéron, au Pays de la Meije, à Londres, Verbier, Salzbourg et Bayreuth. + d'1 million 1,5 million Partager la musique par ceux qui la font, partout en France et en Europe, Auditeurs / jour d'écoutes tel est notre crédo, notre raison d’être. Source : Médiamétrie 126 000 Septembre 2020 - Mars 2021 Il y aura sans doute beaucoup d’émotion dans ces retrouvailles des /mois à la demande artistes et du public. (podcasts + AOD) Médiamétrie eStat podcast / AT Internet – Moyenne mensuelle, Septembre 2020 - Mars 2021 Fidèle à sa tradition, cet été est aussi l’occasion de souffler des bougies 343 000 et de célébrer les grands noms du classique, du jazz, de la chanson. fans Facebook Cet été, vos copains de cabines, vos voisins de plage s’appellent Pauline Viardot, Camille Saint-Saëns, Georges Brassens et… Louis Armstrong.