DOCSLIB.ORG

My Personal Trainer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
My Personal Trainer JANUARy 11 - 17, 2018 VOLUME 8 ISSUE 1 It’s Your Time.... at “My Personal Trainer” This New Year Avoid the Crowded Fitness Rush and Get the Personalized Attention You Need! It’s that time of year again were millions of My Personal Trainer offers a personalized ap- Americans are kick-starting their resolutions off by proach to their clients. Rather than figuring out how joining their local fitness centers or gyms. to do on your own, the certified personal trainers are The industry knows this, and many elevate their there to guide you through each workout. Through membership fees and rates to meet the demand. motivation, accountability, and safety My Personal Once you join after paying the highest cost of the Trainer gets you the results you want in a fraction year you quickly see your not alone. The places are of the time it would take you on your own. The high packed with new faces and new members who have intensity strength training sessions are time efficient, NO idea how to properly workout. If you’re lucky you requiring only two twenty-minute sessions per week might be shown one time on how to use the equip- for excellent results. The best part is the affordability ment which you quickly forget by the next day. for a one-on-one trainer with rates ranging between Even if you remember and have a routine in $79-$159 per month based on level of commitment. mind your often-stuck waiting for the machines to Whether you have a lot of fat to lose or just want become free to use. In turn, your workout experience to tone up My Personal Trainer regardless of age or takes a lot more of your valuable time. Intimidation present physical condition will help you achieve your alone can make the experience unpleasant. Your in- goal with their high intensity strength training inter- tentions were good, and you made the initial effort val training and fat burning nutritional program. over the mass of others who did nothing, but you If you’re unsure, then come experience My Per- quickly lose commitment or effort out of frustration sonal Trainer’s services for two complimentary ses- over lack of results and time! sions to become comfortable in taking the next step! WHATWHAT YOUYOU WHATWHAT YOUYOU GET!GET! • PrivateGET! GET!Personal Training • Private• Private Personal Personal Training Training • MeasurablePrivate Personal Results Training • MeasurablePrivate• MeasurablePrivate Personal Personal Results Training Training Tina V. • AccountabilityMeasurable Results Tina V. Tina V. • Measurable• AccountabilityMeasurable Results Mother with busy • Accountability• ExperienceAccountability Mother with busy • Accountability• ExperienceAccountability Mother with busyschedule lost • Experience• KnowledgeExperience schedule lost • KnowledgeExperience • KnowledgeExperience• CleanKnowledge Immaculate Studios schedule lost19 pounds of • CleanKnowledge Immaculate Studios 19 pounds of • FlexibleClean Immaculate Scheduling Studios • CleanKnowledge• FlexibleClean Immaculate Immaculate Scheduling Studios Studios 19 pounds offat and gained • PositiveFlexible LifeScheduling Style Change fat and gained • FlexibleClean• PositiveFlexible Immaculate Scheduling LifeScheduling Style Change Studios 2.2 pounds of • Positive Life Style Change fat and gained2.2 pounds of • PositiveFlexible• Positive LifeScheduling Life Style Change Change 2.2 pounds oflean muscle. WE OFFER • PositiveWHAT Life Style YOU Change lean muscle. AFFORDABLE WHAT YOU Your We Offer Affordable Monthly RatesDISCOUNTED $79-$159 WHATDON’TWHAT GET!YOU Enrollment • IntimidationDON’T GET! DON'T TAKE OUR WORD! • IntimidationDON’T GET! DON'T TAKE OUR WORD! MONTHLY RATES •WHAT Exercise & Nutrition YOU BS Call Us and Receive Two We Offer Affordable Monthly Rates $79-$159 DON’T• ExerciseIntimidation & Nutrition GET! BS DON'TCall Us TAKE and Receive OUR WORD! Two • FadIntimidation Temporary Diets DON'TComplimentary TAKE OUR Sessions WORD! and $79-$159 • Intimidation• FadExercise Temporary & Nutrition Diets BS ComplimentaryCall Us and Receive Sessions Two and DON’T• RevolvingExercise & DoorNutrition GET! BS DON'T TAKE OURCall WORD!Let Us andUs WOW Receive You! Two • RevolvingFad Temporary Door Diets ComplimentaryLet Us WOW Sessions You! and • Exercise• InexperienceFad Temporary & Nutrition Diets BS Call Us and ReceiveComplimentaryREADY Two TO COMMIT? Sessions and • Intimidation• InexperienceRevolving Door DON'T TAKE OURREADY WORD!Let Us TO WOW COMMIT? You! • Fad• OvercrowdingRevolving Temporary Door Diets Complimentary SessionsSave anLet Additional Usand WOW You! 25% Off • Exercise• OvercrowdingInexperience & Nutrition BS Call Us and ReceiveSaveREADY an Two Additional TO COMMIT? 25% Off • Revolving• NonInexperience Personal Door Group Classes Let Us WOW You!YourREADY Choice TO ofCOMMIT? Program • Fad• NonOvercrowding Temporary Personal Group Diets Classes Complimentary SessionsSaveYour anValid Choice withAdditional and coupon. Not of valid withProgram any other25% offers. ExpiresOff 6/15/17. • HighOvercrowding prices 57904TMS-0517 • Inexperience Save anValid withAdditional coupon. Not valid with any other25% offers. ExpiresOff 6/15/17. • HighNon Personal prices Group Classes READY TO57904TMS-0517 COMMIT? • Revolving Door Let Us WOW You!Your Choice of Program • Overcrowding• Non Personal Group Classes YourValid Choice with coupon. Not of valid withProgram any other offers. Expires 6/15/17. • High prices Save an Additional57904TMS-0517 25%Valid with Off coupon. Not valid with any other offers. Expires 6/15/17. • Inexperience• High prices READY TO57904TMS-0517 COMMIT? • Non Personal Group Classes Your Choice of Program • Overcrowding Save anValid withAdditional coupon. Not valid with any other25% offers. ExpiresOff 6/15/17. • High prices 57904TMS-0517 Your Choice of Program • Non Personal Group Classes Valid with coupon. Not valid with any other offers. Expires 6/15/17. • High prices 57904TMS-0517 PAGE 2 JANUARy 11 - 17, 2018 STEADY U Ohio: You Can Prevent Falls Love Story Falling is not a normal part of aging, and most falls can be prevented. By knowing and managing Mercy Health Rehabilitation Team your risk factors, you can live a full and active life free of the fear of falling. Helps Patient with “Perfect Proposal” You can reduce your risk of falling by paying In his mid-20s, Matt Karlovec more attention to what we like to call the “Three was diagnosed with encephalitis, an H’s:” your home, your health and your habits. inflammation of the brain. Compli- cations can include problems with Take Steps to Prevent a Fall senses, movement and speech. For nearly five years, he has this Winter! worked with the rehabilitation team One of the biggest risks from wintry weather is at Mercy Regional Medical Center falling, particularly among older adults. Icy condi- in Lorain to improve his quality of tions make it harder to stay on your feet, and the cold may cause us to limit our activity, life and help him be more indepen- which can lead to loss of strength and balance. Be Winter STEADY with these tips to stay dent at home. This team-approach on your feet this winter: to supporting Matt continued when • Have an overall winter preparedness plan. Matt decided to ask his girlfriend to • Maintain regular physical activity to ensure you have the strength and balance you marry him. need to prevent falls. Ask your doctor or physical therapist about easy indoor exercises To make it the perfect proposal, and seek opportunities to be active. Matt enlisted the help of his therapy • Eat well and drink plenty of water to make sure you have the strength and focus team. He wanted to propose on one to stay on your feet. Do some light stretching before going outdoors in cold or snowy knee so he worked diligently with weather to be more flexible and steady. his physical therapist practicing the • Coats, gloves, hats and other winter clothing are designed to keep you warm, but proposal on one knee. Addition- items that are bulky, don’t fit well or can catch on nearby objects can increase your risk of ally, his speech therapist helped him falling. practice what to say during the pro- • Wear boots and shoes that fit properly and have soles with good traction. Keep posal and his occupational therapist assistant helped him be successful in placing the shoes and walking aids (canes, walkers) dry and free of snow, ice, dirt and mud. ring on her finger. • Keep sidewalks and stairs outside your home clean of ice and snow. Make sure steps The big day arrived on Tuesday, December 19th when Matt asked Cathleen to marry leading into your home have sturdy handrails that can support you if you slip. Carry a him following his therapy session at Mercy Regional Medical Center. Matt was able to small bag or shaker of rock salt, sand or kitty litter in your pocket or purse to sprinkle in get down on one knee with modifications and asked Cathleen, who had stood by his side front of you for traction on icy paths. throughout his diagnosis, to marry him. She enthusiastically said yes. The therapists and • When walking on surfaces that may be icy, shorten your stride and walk with feet family were all there to celebrate with the newly engaged couple. pointed out slightly and knees gently bent to improve traction and balance. Avoid walk- ing in more than an inch of snow. Snow can hide curbs, uneven surfaces and other trip- ping hazards. Deficiency • Carry a cell phone and designate someone to call for help if you need it. Let loved Free Survey ones know when you are leaving the house and when you expect to be back; call them Private Suites after you return home. • Ask your post office, newspaper and garbage collector about service options that might make it safer for you when conditions are bad. • Invest in extra lamps, nightlights and exterior lights so that you can always see where you are walking, especially around doorways and stairs. Use the highest-wattage bulbs recommended for your fixtures. • Keep space heaters, cords and blankets out of walkways. If you must use throw rugs on cold floors, secure them to the floor with tape.
Load more

Recommended publications
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • John Gassner
    John Gassner: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Gassner, John, 1903-1967 Title: John Gassner Papers Dates: 1894-1983 (bulk 1950-1967), undated Extent: 151 document boxes, 3 oversize boxes (65.51 linear feet), 22 galley folders (gf), 2 oversize folders (osf) Abstract: The papers of the Hungarian-born American theatre historian, critic, educator, and anthologist John Gassner contain manuscripts for numerous works, extensive correspondence, career and personal papers, research materials, and works by others, forming a notable record of Gassner’s contributions to theatre history. Call Number: Manuscript Collection MS-54109 Language: Chiefly English, with materials also in Dutch, French, German, Greek, Hebrew, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, and Turkish Access: Open for research Administrative Information Acquisition: Purchases and gifts, 1965-1986 (R2803, R3806, R6629, G436, G1774, G2780) Processed by: Joan Sibley and Amanda Reyes, 2017 Note: The Ransom Center gratefully acknowledges the assistance of the Gladys Krieble Delmas Foundation, which provided funds to support the processing and cataloging of this collection. Repository: The University of Texas at Austin, Harry Ransom Center Gassner, John, 1903-1967 Manuscript Collection MS-54109 Biographical Sketch John Gassner was a noted theatre critic, writer, and editor, a respected anthologist, and an esteemed professor of drama. He was born Jeno Waldhorn Gassner on January 30, 1903, in Máramarossziget, Hungary, and his family emigrated to the United States in 1911. He showed an early interest in theatre, appearing in a school production of Shakespeare’s The Tempest in 1915. Gassner attended Dewitt Clinton High School in New York City and was a supporter of socialism during this era.
    [Show full text]
  • Reading the Theatrical Nebentext in Ben Jonson's Workes As
    From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet David J. Amelang Freie Universität Berlin, Germany ABSTRACT This article explores how certain dramatists in early modern England and in Spain, specifically Ben Jonson and Miguel de Cervantes (with much more emphasis on the former), pursued authority over texts by claiming as their own a new realm which had not been available—or, more accurately, as prominently available—to playwrights before: the stage directions in printed plays. The way both these playwrights and/or their publishers dealt with the transcription of stage directions provides perhaps the clearest example of a theatrical convention translated into the realm of readership. KEYWORDS: William Shakespeare; Ben Jonson; Lope de Vega; Miguel de Cervantes; stage directions. De indicaciones a descripciones: la De indicações a descrições: ler o Neben- lectura del Nebentext teatral en las text teatral em Workes de Ben Jonson Workes de Ben Jonson como expresión como expressão autoral* autorial RESUMEN: Este artículo analiza cómo RESUMO: Este artigo explora de que ciertos dramaturgos en las Inglaterra y forma certos dramaturgos em Inglaterra España del Renacimiento, especialmente e na Espanha do Renascimento, especi- Ben Jonson (y en menor medida tam- ficamente Ben Jonson e Miguel de Cer- bién Miguel de Cervantes), buscaron vantes (com maior ênfase no primeiro), establecer su posición autorial sobre sus procuraram estabelecer uma posição textos de una manera no disponible autoral sobre os seus textos ao reclama- hasta ese momento (o al menos no tan rem para si uma área que anteriormente claramente disponible) para escritores não estava disponível—ou, de forma de teatro: en las acotaciones escénicas de mais correta, não tão claramente dispo- las versiones impresas de sus obras.
    [Show full text]
  • Novello’S Dressing Room Had Other Reports About Its Condition
    1 HOME CHAT Remembering AUTUMN/FALL 2015 Graham Barry Day remembers Graham Payn on the 10th Anniversary of his death The Coward Family The business and personal friendships that sustained Noël Coward: Graham Payn Cole Lesley Lorn Lorraine Joan Hirst Noël Coward Screenplays A new publication from Barry Day featuring the screenplays of: In Which We Serve Brief Encounter The Astonished Heart Brief Encounter 70th Anniversary Showings Noël Coward On Film At The Regents Street Cinema Noël Coward: An Entertainer Abroad Exhibition at The Cadbury Research Library at Birmingham University 2 Remembering Graham Memories of Graham Payn by Barry Day Do you believe in happen-stance? course, “London Pride” coming over walk back in at any moment, even I never did. But my thirty-some year the radio into your living room. though he’d left us a decade earlier involvement with all things Coward at this point. It was fascinating but has made me wonder. I don’t know what sort of house depressing at the same time. I expected but certainly not the Ironically, it started in Jamaica. I’d unpretentious little semi-bungalow We were shown round by Miguel, the been visiting the Kingston office of at the end of what passed for a road servant who had been with him when the advertising agency I worked for leading up to the top of a mountain. he died. And then it became even and my wife and I decided to stay over But the view over the Spanish Main more depressing when Miguel made for a couple of days at a hotel on the was something else.
    [Show full text]
  • Dr. Strangelove's America
    Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar.
    [Show full text]
  • Sherlock Holmes Films
    Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led to stories or 4 novels) many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 1-25-2016 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co.
    [Show full text]
  • JULIUS CAESAR / 1953 (Júlio César)
    CINEMATECA PORTUGUESA-MUSEU DO CINEMA DEBORAH KERR – ATÉ À ETERNIDADE 11 e 15 de maio de 2021 JULIUS CAESAR / 1953 (Júlio César) um filme de Joseph L. Mankiewicz Realização: Joseph L. Mankiewicz / Argumento: Joseph L. Mankiewicz, a partir da peça homónima de William Shakespeare / Fotografia: Joseph Ruttenberg / Montagem: Herschel MacCoy e John Dumming / Música: Miklos Rozsa / Direcção Artística: Cedric Gibbons e Edward Carfagno / Guarda-Roupa: Edward Carfagno / Interpretação: James Mason (Bruto), Louis Calhern (César), John Gielgud (Cássio), Marlon Brando (Marco António), Edmond O’Brien (Casca), Greer Garson (Calpúrnia), Deborah Kerr (Pórcia), Michael Pate (Flávio), George Macready (Marulo), Alan Napier (Cícero), Richard Hale (Augure), William Cottrell (Cina), etc. Produção: John Houseman para a Metro-Goldwyn-Mayer / Cópia: 35mm, preto e branco, legendada em espanhol e eletronicamente em português, 120 minutos / Estreia Mundial: Nova Iorque, em 27 de Maio 1953 / Estreia em Portugal: Cinema Monumental, em 15 de Janeiro de 1954. Reposição no Cinema Estúdio, a 3 de Janeiro de 1969. _____________________________ Com Julius Caesar Joseph L. Mankiewicz renovou a sua associação com a Metro-Goldwyn-Mayer, onde começara a trabalhar em 1934 como argumentista e, a partir de 1936, como produtor. O último filme que produziu para a MGM foi Reunion in France (1942) de Jules Dassin, com Joan Crawford e John Wayne, depois do qual foi obrigado a afastar-se do estúdio devido a “divergências de ponto de vista”. No entanto, acolheu com enorme agrado a proposta de John Houseman de realizar Julius Caesar, precisamente o tipo de filme de prestígio bem ao gosto de Mankiewicz. Foi Houseman quem produziu a célebre versão da referida tragédia que Orson Welles encenou para o Mercury Theatre em 1937, onde havia a intenção muito vincada de transmitir uma mensagem anti-fascista.
    [Show full text]
  • Farmers Market Eyes Antioch a Look Inside the New Bay Theatre
    Palisadian-Post Serving the Community Since 1928 24 Pages Thursday, November 8, 2018 ◆ Pacific Palisades, California $1.50 Supporting Station 69 Mail Theft Reported in the Palisades By TRILBY BERESFORD low-up phone call, acknowledg- theft-related incident with a car- Reporter ing that many victims of mail rier during her tenure. tampering don’t report incidenc- Aside from this case, numer- ccording to the United es because they “assume nothing ous reports of tampered, lost and States Postal Service Office will happen.” stolen mail in Pacific Palisades Aof the Inspector General, an in- The Post subsequent- have surfaced through commu- dependent agency that investi- ly reached out to Post Master nity discussions on social media. gates cases of fraud, waste and Yvonne Smith, who explained In correspondence with the abuse, “a small number of em- that processing machines occa- Post, one community mem- ployees abuse the public’s trust sionally have issues that result in ber recalled sending checks in by delaying or stealing the mail.” damaged mail. the mail that were properly la- Suspected thievery recent- “Cases of mail theft and beled and addressed, but never ly surfaced in Pacific Palisades fraud are reported to the Postal received on the other end. (So when postal customer Jim Lu- Inspection Service,” she said, far, there is no evidence that the binski received three greeting confirming that this particular checks have been cashed.) cards that were ripped open with incident has been reported. After reporting this incident the money or gift cards removed Smith went on to say that to the post office supervisor, who from each colored envelope.
    [Show full text]
  • Orson Welles' Intermedial Versions of Shakespeare in Theatre, Radio and Film
    ORSON WELLES’ INTERMEDIAL VERSIONS OF SHAKESPEARE IN THEATRE, RADIO AND FILM by Clara Fernández-Vara B.A. English Studies, Universidad Autónoma de Madrid (Spain), 2000 Thesis Supervisor: Peter S. Donaldson Submitted to the Department of Comparative Media Studies in partial fulfilment of the requirements for the degree of Master of Science in Comparative Media Studies at the Massachusetts Institute of Technology, September 2004. © 2004 Clara Fernández-Vara. All rights reserved The author thereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 3 INDEX ABSTRACT .......................................................................................................................... 5 INTRODUCTION ................................................................................................................ 9 PARADOXES AND AMBIGUITIES IN ORSON WELLES’ OEUVRE ............................................ 17 ORSON WELLES AS AUTEUR ............................................................................................... 23 THESIS STRUCTURE............................................................................................................ 31 CHAPTER 1: 1937-1939: THE FEDERAL THEATRE PROJECT AND FAUSTUS; THE MERCURY THEATRE AND JULIUS CAESAR .................................................. 36 THE FABRICATION OF A THEATRE STAR ............................................................................ 36 THE FEDERAL THEATRE PROJECT: THE
    [Show full text]
  • January 16Th, 2010 Fred Bomar Collection Lot Description Price 9000
    January 16th, 2010 Fred Bomar Collection Lot Description Price (lot of 90+) San Francisco 49ers slabbed sports cards, includes some with autographs, players include Steve Young, Joe Montana, Patrick Willis, Kevan Barlow, Terrell Owens, Frank Gore, Jerry Rice, cards include rookie 9000 cards, slabbed fabric patches, etc., note: worth inspection $ 400 (lot of 200+) American football slabbed sports cards, includes some with autographs and cards not graded, players include Antonio Freeman, Curtis Enis, Natrone Means, Doug Feute, Doug Staley, Neil Smith, Skip Hicks, Drew Bledsoe, Deion Sanders, Mark Brunell, Troy Aikman, cards include rookie cards, etc., note: worth 9001 inspection $ 225 (lot of 300+) American football slabbed sports cards, includes some with autographs and cards not graded, players include Eric Dickerson, Joey Porter, Barry Sanders, Maurice Clarett, Doug Flutie, Randall Cunningham, 9002 Matt Cassell, Matt Ryan, cards include rookie cards, etc., note: worth inspection $ 425 (lot of 25) Oakland Raiders football slabbed sports cards, includes some with autographs and cards not graded, players include Johnnie Lee Higgins, Gene Upshaw, Jamarcus Russell, Nnamdi Asomugha, Tim Brown, 9003 cards include rookie cards, etc., note: worth inspection $ 75 (lot of 50+) Basketball slabbed sports cards, includes some with autographs and cards not graded, players 9004 include Dennis Johnson, Joe Smith, Don MacLean, Bernard King, Clyde Drexler, etc., note: worth inspection $ 150 (lot of 30+) Baseball slabbed sports cards, the majority are the
    [Show full text]
  • Year That the Locust
    YEARS OF THE LOCUST VAL GIELGUD Most peoplehave aninsatiable curiosity asto how various sorts ofwheelsgoround. Alarge number of Mr. Giclgud's locust - eatenyears have been spentat Savoy Hill and Broadcasting House, and people who are interested in how broadcasting works should be able to satisfy a good deal of their curiosity from these pages. But Mr. Gielgud isnot only B.H.C. Director of Drama, he has been an actor, a writer, a traveller, and a devotee of Siamese cats.I le has written onall these subjects, but he has also devoted not the least importantchapters ofhisauto- biography to considered statements on the contemporary theatre, the cinema and television.The style of thesechapters may be con- tentious,but they represent the pointof viewofanindividual whose position is, to some extent, unique inthe world of modern entertainment. 9'6Net. E FAMILY gor pr.; airni BENJAMIN TERRY:---- SARAH BALLARD ACTOR 50NOP AN INNKEEPER ACTRESS AT POPtTSpA %URN NA* .4CHss.0111em MARION TERRY FRED TERRY-zJULLA NEILSON ACTRESS (0.1930) ACTOR (0363-i913) ACTRESS FLORENCE TERRY WILLIAM MORRI ACTRESS (0.1816) SOUL TOR (04934) THYILIS NEILSON-TERRY= CECIL KING ACTRESS ALTO R DENNIS NEILSON TERRY MARY GLYNXE ACTOR01934 ACTRESS HAZEL TERRY ACTRESS JOHN GIELGUI) ELEANOR GIELGLLD ACTOR 0%. 9,4) EOS IF SS WOMAN (8.1907) IT'S IN TE Glisr..ANTHONY GIELGUD JOHN GIELGilD A ssass. /83/ (8 /791) LITHUANIAN FAMILY Founded /56/ POLISH CAVALRY (Come to Enyland /837) KATE TERRY-z -ARTHUR LEWIS ACTRESS (Died 1924.) (Pied 19011 1.G.F.WATTS. R.A. ADAM GIELGLED SCULPTOR - PAINTER0817-1904) DAME WAR OFFICE WRITER FOR PALL MALL GAZETTE 2.CHARLES KELLYELLEN TERRY ACTOR (0.1885) ACTRESS 3.3AMES CAREW (1848 - 1928) ACTOR MABEL TERRY Capt.
    [Show full text]
  • Who Is the Centre of the Movie Universe? Using Python and Networkx to Analyse the Social Network of Movie Stars
    Who is the Centre of the Movie Universe? Using Python and NetworkX to Analyse the Social Network of Movie Stars Rhyd Lewis School of Mathematics, Cardiff University, Cardiff, Wales. [email protected], http://www.rhydlewis.eu February 27, 2020 Abstract This paper provides the technical details of an article originally published in The Conversation in February 2020 [11]. The purpose is to use centrality measures to analyse the social network of movie stars and thereby identify the most “important” actors in the movie business. The analysis is presented in a step-by-step, tutorial- like fashion and makes use of the Python programming language together with the NetworkX library. It reveals that the most central actors in the network are those with lengthy acting careers, such as Christopher Lee, Nassar, Sukumari, Michael Caine, Om Puri, Jackie Chan, and Robert De Niro. We also present similar results for the movie releases of each decade. These indicate that the most central actors since the turn of the millennium include people like Angelina Jolie, Brahmanandam, Samuel L. Jackson, Nassar, and Ben Kingsley. 1 Introduction Social network analysis is a branch of data science that allows the investigation of social structures using networks and graph theory. It can help to reveal patterns in voting preferences, aid the understanding of how ideas spread, and even help to model the spread of diseases [7, 12, 14]. A social network is made up of a set of nodes (usually people) that have links, or edges between them that describe their relationships. In this article we analyse the social network formed by movie actors.
    [Show full text]