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Dean E. Vogel, CTA President
Building the Future the High Desert Way: Excellence, Innovation, Equity and Pride (YHU\RQHLV,QYLWHGWRWKH :(/&20(5(&(37,21 IRU )RRG6SLULWV0XVLF 'DQFLQJDQG)XQ RQ )ULGD\1RYHPEHU SP &RKLED%DOOURRP 6SRQVRUHGE\WKH%XVLQHVV3DUWQHUV CALIFORNIA TEACHERS ASSOCIATION Page Welcome Letter . 1 CTA Board of Directors and NEA Directors from California . 2 High Desert Service Center Council Facts . 3-4 General Information . 5-6 Agenda Friday, November 21. 7 Saturday, November 22 . 7 Sunday, November 23 . 8 Your Personal Conference Schedule . 9 Workshops-at-a-Glance. 10 Workshop Descriptions . 11-16 Trainers and Conference Staff . 17 Biographies Dean E. Vogel, CTA President . 18 Eric C. Heins, CTA Vice President . 19 Mikki Cichocki-Semo, CTA Secretary-Treasurer . 20 Joyce Powell, Executive Committee Member, National Education Association . 21 Business Partners. 22 Urgent Care Information . .. 23 EMAC Reception . .. Inside Back Cover Hotel Map . .. Back Cover CALIFORNIA TEACHERS ASSOCIATION Welcome to the 2014 High Desert Service Center Fall Leadership Conference Building the Future the High Desert Way: Excellence, Innovation, Equity and Pride! Welcome to the 2014 High Desert Service Center Fall Leadership Conference. It is a pleasure for our Service Center Council to again host this annual conference! We are excited to join with you to share, learn and teach so that we all may be the most effective education advocates for our members and the communities in which we serve. Prior to 1989, High Desert chapters participated in the San Gorgonio and Sierra Service Centers. However, it became clear that the best way to address the unique needs of our unique region would be to establish our own service center. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Ethnic Diversity in OACUHO .2
Ethnic Diversity in OACUHO OJUNE 2018 02 | ACKNOWLEDGEMENTS ACKNOWLEDGEMENTS This project would not have been possible without the contributions, compassion, and energy of many. Dialogue related to the lack of diverse support with the report’s commentary on representation in our field has undoubtedly Indigeneity in OACUHO. existed quietly between members for some time, but I must first thank two people who Without question, I must thank the started a louder conversation within anonymous research participants of this OACUHO: Aman Litt and Brian Cunha. project. Self-identified professionals of Aman and Brian presented The Elephant in colour contributed their voices and the Room: Ethnic Diversity in OACUHO at experiences in a variety of ways: focus the 2017 OACUHO Spring Conference at groups, interviews, and anonymous survey Carleton University. Thank you encouraging contributions. The participants include a space within our association to have this current association members, past conversation. members, and student staff from member institutions. Your voices tell the story of this I must also thank the members who report, and they matter deeply to this demonstrated their interest in keeping this project’s purpose. conversation going throughout the rest of the Spring Conference and upon returning Thank you to the 2017-2018 OACUHO to campus. Your interest and engagement Board and President, Amanda Ziegler, who fueled the support for this project. supported this project and gave the project team the space to conduct its work. Thank Ife Kolade, Carmen Law, and Dirk Rodricks you to 2018-2019 President Ian each served as Subcommittee Leads for Crookshank, for showing full support of this project. -
Senate the Senate Was Not in Session Today
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, FRIDAY, JANUARY 19, 2007 No. 11 Senate The Senate was not in session today. Its next meeting will be held on Monday, January 22, 2007, at 1 p.m. House of Representatives FRIDAY, JANUARY 19, 2007 The House met at 10 a.m. and was PLEDGE OF ALLEGIANCE weather patterns to change. Think called to order by the Speaker pro tem- The SPEAKER pro tempore. Will the about what we have seen in the last pore (Mr. ROSS). gentleman from New York (Mr. WALSH) few weeks alone: snow in Los Angeles, billions of dollars in damage to Cali- f come forward and lead the House in the Pledge of Allegiance. fornia citrus crops because of a freeze. DESIGNATION OF THE SPEAKER Mr. WALSH of New York led the The burning of fossil fuels has con- PRO TEMPORE Pledge of Allegiance as follows: tributed to erratic weather. Last year, we had the warmest weather in the The SPEAKER pro tempore laid be- I pledge allegiance to the Flag of the United States of America, and to the Repub- United States continent in 112 years. fore the House the following commu- Now, instead of separating the world nication from the Speaker: lic for which it stands, one nation under God, indivisible, with liberty and justice for all. with our politics, it is imperative that HOUSE OF REPRESENTATIVES, we bring the world together to meet Washington, DC, January 19, 2007. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
John Gassner
John Gassner: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Gassner, John, 1903-1967 Title: John Gassner Papers Dates: 1894-1983 (bulk 1950-1967), undated Extent: 151 document boxes, 3 oversize boxes (65.51 linear feet), 22 galley folders (gf), 2 oversize folders (osf) Abstract: The papers of the Hungarian-born American theatre historian, critic, educator, and anthologist John Gassner contain manuscripts for numerous works, extensive correspondence, career and personal papers, research materials, and works by others, forming a notable record of Gassner’s contributions to theatre history. Call Number: Manuscript Collection MS-54109 Language: Chiefly English, with materials also in Dutch, French, German, Greek, Hebrew, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, and Turkish Access: Open for research Administrative Information Acquisition: Purchases and gifts, 1965-1986 (R2803, R3806, R6629, G436, G1774, G2780) Processed by: Joan Sibley and Amanda Reyes, 2017 Note: The Ransom Center gratefully acknowledges the assistance of the Gladys Krieble Delmas Foundation, which provided funds to support the processing and cataloging of this collection. Repository: The University of Texas at Austin, Harry Ransom Center Gassner, John, 1903-1967 Manuscript Collection MS-54109 Biographical Sketch John Gassner was a noted theatre critic, writer, and editor, a respected anthologist, and an esteemed professor of drama. He was born Jeno Waldhorn Gassner on January 30, 1903, in Máramarossziget, Hungary, and his family emigrated to the United States in 1911. He showed an early interest in theatre, appearing in a school production of Shakespeare’s The Tempest in 1915. Gassner attended Dewitt Clinton High School in New York City and was a supporter of socialism during this era. -
Playing House with Coward's “Hay Fever”
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-17-2011 Playing House with Coward’s “Hay Fever” Sarah M. Klocke University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Other Theatre and Performance Studies Commons, and the Performance Studies Commons Recommended Citation Klocke, Sarah M., "Playing House with Coward’s “Hay Fever”" (2011). University of New Orleans Theses and Dissertations. 1383. https://scholarworks.uno.edu/td/1383 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Playing House with Coward’s “Hay Fever” A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre, and Communication Arts Theatre Performance: Directing by Sarah Marie Klocke B.A. Arkansas Tech University December 2011 Acknowledgements Thank you cast and crew of Hay Fever. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Reading the Theatrical Nebentext in Ben Jonson's Workes As
From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet David J. Amelang Freie Universität Berlin, Germany ABSTRACT This article explores how certain dramatists in early modern England and in Spain, specifically Ben Jonson and Miguel de Cervantes (with much more emphasis on the former), pursued authority over texts by claiming as their own a new realm which had not been available—or, more accurately, as prominently available—to playwrights before: the stage directions in printed plays. The way both these playwrights and/or their publishers dealt with the transcription of stage directions provides perhaps the clearest example of a theatrical convention translated into the realm of readership. KEYWORDS: William Shakespeare; Ben Jonson; Lope de Vega; Miguel de Cervantes; stage directions. De indicaciones a descripciones: la De indicações a descrições: ler o Neben- lectura del Nebentext teatral en las text teatral em Workes de Ben Jonson Workes de Ben Jonson como expresión como expressão autoral* autorial RESUMEN: Este artículo analiza cómo RESUMO: Este artigo explora de que ciertos dramaturgos en las Inglaterra y forma certos dramaturgos em Inglaterra España del Renacimiento, especialmente e na Espanha do Renascimento, especi- Ben Jonson (y en menor medida tam- ficamente Ben Jonson e Miguel de Cer- bién Miguel de Cervantes), buscaron vantes (com maior ênfase no primeiro), establecer su posición autorial sobre sus procuraram estabelecer uma posição textos de una manera no disponible autoral sobre os seus textos ao reclama- hasta ese momento (o al menos no tan rem para si uma área que anteriormente claramente disponible) para escritores não estava disponível—ou, de forma de teatro: en las acotaciones escénicas de mais correta, não tão claramente dispo- las versiones impresas de sus obras. -
World Literatures: Exploring the Cosmopolitan-Vernacular Exchange, Edited by Stefan Helgesson, Annika Mörte Alling, Yvonne Lindqvist, and Helena Wulff, 246–260
21. Seclusion versus Accessibility: The Harems of Constantinople as Aesthetic Worlds in Stories by Elsa Lindberg-Dovlette Helena Bodin Comparative Literature, Stockholm University At the turn of the twentieth century, the harem was still a secluded and concealed space, unknown to most westerners and there- fore arousing their curiosity. Novels about life in a harem, such as Pierre Loti’s Les Désenchantées (1906),1 set in cosmopolitan Constantinople, were bestsellers and widely translated in the early twentieth century. Likewise, for several decades, descrip- tions of visits to Turkish harems had been essential elements in travelogues about Constantinople by female writers such as the Englishwoman E. C. C. Baillie and the Danish Elisabeth Jerichau Baumann,2 while motifs from harems, painted by such artists as 1 Pierre Loti, Les Désenchantées: Roman des harems turcs contemporains (Paris: Calmann-Lévy, 1906). 2 E. C. C. Baillie, A Sail to Smyrna: Or, an English Woman’s Journal; Including Impressions of Constantinople, a Visit to a Turkish Harem, and a Railway Journey to Ephesus ... (London: Longmans, Green, and Co., 1873), 165–99, as mentioned by Mary Roberts, Intimate Outsiders: The Harem in Ottoman and Orientalist Art and Travel Literature (Durham: Duke University Press, 2007), 62–63; Elisabeth Jerichau-Baumann, Brogede rejsebilleder (Kjøbenhavn: Forlagsbureauet, 1881), esp. 20–28, discussed by Elisabeth Oxfeldt, Journeys from Scandinavia: Travelogues How to cite this book chapter: Bodin, Helena. “Seclusion versus Accessibility: The Harems of Constantinople as Aesthetic Worlds in Stories by Elsa Lindberg-Dovlette”. In World Literatures: Exploring the Cosmopolitan-Vernacular Exchange, edited by Stefan Helgesson, Annika Mörte Alling, Yvonne Lindqvist, and Helena Wulff, 246–260. -
Home Chat of the Lindsay Duncan Option 1 the Full Day , Birmingham University; Lunch; Planned Arrangements
A MAGAZINE ABOUT THE LIFE AND WORK OF SIR NOËL COWARD • NOVEMBER 2011 NOËL’S BIRTHDAY In the UK, 16th December. AGM at the Noël Coward Theatre, Richard Briers will guest at the flower-laying ceremony, luncheon at the Grand Saloon, Theatre Royal, Drury Lane - AND Rebecca Caine and Stefan Bednarczyck in cabaret. In the US On the 17th, a screening at the Paley Center, New York, of a film not previously shown, with the flower-laying ceremony and luncheon on the 18th - not to be missed! THE GRAND TOUR A day in Birmingham - 30 June 2012 to see Coward’s ballet ‘The Grand Tour’ AND visit the Coward Special Collection at Birmingham University. HAY FEVER A date for your diary - Saturday 17th March 2012 for a matinée performance at The Noël Coward Theatre. Hay Fever stars Lindsay Duncan, Jeremy Northam, Kevin McNally and Olivia Colman. - date confirmation and more to follow. STAR QUALITY The World of Noël Coward An exhibition that has toured the world reaches New York and will prove to be the most comprehensive yet! March through August 2012. Supported by a range of US Noël Coward events. Noël Coward and Kay Thompson with ‘Matelot’at Goldenhurst PRODUCED AND PUBLISHED BY THE INTERNATIONAL NOËL COWARD SOCIETY - 1- www.noëlcoward.net EDITORIAL he most exciting period in the world of Coward lies ahead of us as we move towards the end of the year and embrace 2012. Lindsay Duncan will play Judith Bliss in a new West End production of Hay Fever , the first time a Coward play has been revived in the Noël Coward Theatre since it was refurbished and renamed after him. -
Time Travelers Camporee a Compilation of Resources
1 Time Travelers Camporee A Compilation of Resources Scouts, Ventures, Leaders & Parents…. This is a rather large file (over 80 pages). We have included a “Table of Contents” page to let you know the page numbers of each topic for quick reference. The purpose of this resources to aid the patrols, crews (& adults) in their selection of “Patrol Time Period” Themes. There are numerous amounts of valuable information that can be used to pinpoint a period of time or a specific theme /subject matter (or individual).Of course, ideas are endless, but we just hope that your unit can benefit from the resources below…… This file also goes along with the “Time Traveler” theme as it gives you all a look into a wide variety of subjects, people throughout history. The Scouts & Ventures could possibly use some of this information while working on some of their Think Tank entries. There are more events/topics that are not covered than covered in this file. However, due to time constraints & well, we had to get busy on the actual Camporee planning itself, we weren’t able to cover every event during time. Who knows ? You might just learn a thing or two ! 2 TIME TRAVELERS CAMPOREE PATROL & VENTURE CREW TIME PERIOD SELECTION “RESOURCES” Page Contents 4 Chronological Timeline of A Short History of Earth 5-17 World Timeline (1492- Present) 18 Pre-Historic Times 18 Fall of the Roman Empire/ Fall of Rome 18 Middle Ages (5th-15th Century) 19 The Renaissance (14-17th Century) 19 Industrial Revolution (1760-1820/1840) 19 The American Revolutionary War (1775-1783) 19 Rocky Mountain Rendezvous (1825-1840) 20 American Civil War (1861-1865) 20 The Great Depression (1929-1939) 20 History of Scouting Timeline 20-23 World Scouting (Feb.