Time Travelers Camporee a Compilation of Resources
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The Patriot Press Volume 22 October 2019 Issue 9 Patriot District National Capital Area Council Boy Scouts of America
The Patriot Press http://www.ncacbsa.org/patriot/press Volume 22 October 2019 Issue 9 Patriot District National Capital Area Council Boy Scouts of America In this Issue of the Patriot Press From the District Chairman 2 From the District Commissioner 3 Patriot District Events 4 Cub Scout and Scouts BSA Roundtables 5 Fall Camporee: Scout Cooking Skills on Display 6 Information Regarding Future Camporees 6 Road to Scouting Event a Great Success 8 Scouting for Food 2019 8 Membership Notes 9 Join Cub Scouts / Free Pinewood Derby Car Kits 10 Friends of Scout 2020 11 Popcorn! Popcorn! Popcorn! 11 B-P Still Wants You! 12 Key District Contacts 12 NCAC Duty to God Brunch 13 Scout Oath and Scout Law 14 Lion Program: Join the Pack 15 Build Your Lion Adventure Flyer 16 The Patriot Press Volume 22 October 2019 Issue 9 From the District Chairman Patriot District Scouts and Scouters, We’ve got so much happening in the next couple of months. There are many things that your units can do; Scouting for Food, Fall Camporee, and just plain have FUN! This is the best time of the year for camping! Fall Camporee: This year’s camporee will be held at Camp Snyder on October 25-27. The theme is outdoor cooking! This event provides a great opportunity to show off your cout cooking skills and have a wonderful weekend! RECHARTERING is coming! Look for changes. Be sure and get together with your Unit Commissioners for updates! Do you have volunteers in your units that would be interested in helping out at the District level? Please ask them to contact District Commissioner Dave Astle or me. -
Iris Barry: American Film Archive Pioneer Bruce Henson School of Information and Library Science University of North Carolina at Chapel Hill
IRIS BARRY: AMERICAN FILM ARCHIVE PIONEER BRUCE HENSON SCHOOL OF INFORMATION AND LIBRARY SCIENCE UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL Since their creation in the early 1890s, motion pictures alone institutions, large organizations, or government have emerged as one of the great art forms of the Twen- agencies, striving to make their “collections available tieth Century. Today, a public awareness exists in for viewing, whether for scholarly, artistic or generally America of the necessity of preserving the history of cultural purposes ” (Bowser & Kuiper, 1980, p. 13). In film. Until the mid 1930s, however, film was not ac- order to achieve this goal, archives collect, catalog, pre- knowledged as an art form and was considered expend- serve, and renovate their films. able after its commercial value was exhausted, a situa- In terms of comprehensive film collection and ex- tion that resulted in the irrevocable loss of many films and enormous gaps in America’s film heritage. Iris hibition in the United States, the privately funded film Barry’s legacy to American film archives is pervasive in archive established at the Museum of Modern Art that she was able to remedy the failure of film produc- (MOMA) in New York City in 1935, has served as the ers, government, and the public to recognize the sig- model for all future archives. The pioneer of the Ameri- nificance of preserving motion pictures, and to elevate can Film Archive field is Iris Barry, the first curator of film to the status of art, thus ensuring that film is avail- MOMA’s Film Library. -
The Carrying Trade and the First Railways in England, C1750-C1850
The Carrying Trade and the First Railways in England, c1750-c1850 Carolyn Dougherty PhD University of York Railway Studies November 2018 Abstract Transport and economic historians generally consider the change from moving goods principally on roads, inland waterways and coastal ships to moving them principally on railways as inevitable, unproblematic, and the result of technological improvements. While the benefits of rail travel were so clear that most other modes of passenger transport disappeared once rail service was introduced, railway goods transport did not offer as obvious an improvement over the existing goods transport network, known as the carrying trade. Initially most railways were open to the carrying trade, but by the 1840s railway companies began to provide goods carriage and exclude carriers from their lines. The resulting conflict over how, and by whom, goods would be transported on railways, known as the carrying question, lasted more than a decade, and railway companies did not come to dominate domestic goods carriage until the 1850s. In this study I develop a fuller picture of the carrying trade than currently exists, highlighting its multimodal collaborative structure and setting it within the ‘sociable economy’ of late eighteenth- and early nineteenth-century England. I contrast this economy with the business model of joint-stock companies, including railway companies, and investigate responses to the business practices of these companies. I analyse the debate over railway company goods carriage, and identify changes in goods transport resulting from its introduction. Finally, I describe the development and outcome of the carrying question, showing that railway companies faced resistance to their attempts to control goods carriage on rail lines not only from the carrying trade but also from customers of goods transport, the government and the general public. -
Book of Abstracts: Studying Old Master Paintings
BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 1618 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 1618 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenthcentury 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From noninvasive insitu assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini -
Tunnel from Wikipedia, the Free Encyclopedia This Article Is About Underground Passages
Tunnel From Wikipedia, the free encyclopedia This article is about underground passages. For other uses, see Tunnel (disambiguation). "Underpass" redirects here. For the John Foxx song, see Underpass (song). Entrance to a road tunnel inGuanajuato, Mexico. Utility tunnel for heating pipes between Rigshospitalet and Amagerværket in Copenhagen,Denmark Tunnel on the Taipei Metro inTaiwan Southern portal of the 421 m long (1,381 ft) Chirk canal tunnel A tunnel is an underground or underwater passageway, dug through the surrounding soil/earth/rock and enclosed except for entrance and exit, commonly at each end. A pipeline is not a tunnel, though some recent tunnels have used immersed tube construction techniques rather than traditional tunnel boring methods. A tunnel may be for foot or vehicular road traffic, for rail traffic, or for a canal. The central portions of a rapid transit network are usually in tunnel. Some tunnels are aqueducts to supply water for consumption or for hydroelectric stations or are sewers. Utility tunnels are used for routing steam, chilled water, electrical power or telecommunication cables, as well as connecting buildings for convenient passage of people and equipment. Secret tunnels are built for military purposes, or by civilians for smuggling of weapons, contraband, or people. Special tunnels, such aswildlife crossings, are built to allow wildlife to cross human-made barriers safely. Contents [hide] 1 Terminology 2 History o 2.1 Clay-kicking 3 Geotechnical investigation and design o 3.1 Choice of tunnels vs. -
The New Answers Book 3
First printing: February 2010 Copyright © 2009 by Answers in Genesis. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission of the publisher, except in the case of brief quotations in articles and reviews. For information write: Master Books®, P.O. Box 726, Green Forest, AR 72638 ISBN-13: 978-0-89051-579-2 ISBN-10: 0-89051-579-4 Library of Congress Number: 2008903202 Unless otherwise noted, all Scripture is from the New King James Version of the Bible. Printed in the United States of America Please visit our website for other great titles: www.masterbooks.net For information regarding author interviews, please contact the publicity department at (870) 438-5288. ® ACKNOWLEDGMENTS AND SPECIAL THANKS Acknowledgments and special thanks for reviewing or editing chapters: Steve Fazekas (theology, AiG), Frost Smith (biology, editor, AiG), Mike Matthews (editor, AiG), Gary Vaterlaus (science education, editor, AiG), Tim Chaffey (theology, Midwest Apologetics), Dr. John Whitcomb (theology, presi- dent of Whitcomb Ministries), Dr. Larry Vardiman (atmospheric science, chair- man of the department of astro-geophysics at the Institute for Creation Research), Ken Ham (biology, president and CEO of Answers in Genesis), Donna O’Daniel (biology, AiG), Dr. Tim Clarey (geology), Christine Fidler (CEO of Image in the UK), Mark Looy (editor, AiG), Dr. Terry Mortenson (history of geology, AiG), John Upchurch (editor, AiG), Dr. Jason Lisle (astrophysics, AiG), Dr. John Morris (geological engineering, president of the Institute for Creation Research), Dr. Andrew Snelling (geology, director of research at AiG), Dr. David Menton (retired, cell biology, former associate professor of anatomy at Washington Uni- versity School of Medicine, now AiG), Dr. -
Soviet Film Archives Provide Americana Two Missing Works of D.W. Griffith
/:*« The Museum of Modern Art No. kO V(/est 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart Monday, March 2k, I969 FOR IMMEDIATE RELEASE SOVIET FILM ARCHIVES PROVIDE AMERICANA TWO MISSING WORKS OF D.W. GRIFFITH Two early valued works of David Wark Griffith, father of American films, were discovered in the State Film Archives of the Soviet Union. The missing films, made in 1918 and 1919; have been donated by the Soviets to The Museum of Modern Art, which in turn has given to the Russians some early newsreels referring to events in Russian history. A world-wide search was made among film archivists and private collectors to locate the two Griffith films, "A Romance of Happy Valley," starring Lillian Gish, and "Scarlet Days" with Richard Barthlemess. Both films will be screened for the public, March 2k and 25, at 2:00 p.m. and 5:30 p.m., in the Museum Auditorium, though the titles are still in Russian. English titles will be made later, Eileen Bowser, Associate Curator in charge of Collections, Department of Film, says from the complete list of original titles from D.W. Griffith films now in the Museum archives. Referring to "A Romance of Happy Valley," Mrs. Bowser described it as a pastoral romance with an especially fine performance by Lillian Gish, while "Scarlet Days," she said, is of interest because it reminds us that Griffith was among the early creators of the Western genre. He made one-reel Westerns during his Biograph period, but this is the only full-length Western made by the master film-maker. -
Using Object-Based Learning at the London Transport Museum
EDUCATING ABOUT TRANSPORT HISTORY: DEVELOPING OBJECT-LEARNING PROGRAMS AT THE LONDON TRANSPORT MUSEUM An Interactive Qualifying Project Report submitted to the Faculty of the Worcester Polytechnic Institute, in partial fulfillment of the Bachelor of Science degree in cooperation with the London Transport Museum Submitted by: Andrew Barth Luke Perreault Ryan Santos Woodrow Shattuck Project Advisors: Professor Zhikun Hou Professor Wesley Mott Sponsor Liason: Elizabeth Poulter Submitted on: 19 June 2013 Abstract Incorporating engineering objects into educational outreach programs is a proven means to excite students about transport engineering. Grounded in theories of museum education and object-based learning, we offer means to help the London Transport Museum (LTM) achieve this mission: narratives on various disciplines of transport engineering, an engineering object catalog, and “toolkits” for using objects in engineering education programs. These resources and suggestions for acquiring new engineering objects are designed to enhance current and future program development. i Table of Contents Abstract ............................................................................................................................................ i Authorship...................................................................................................................................... iv Table of Figures ............................................................................................................................. vi Acknowledgements -
Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames Permalink https://escholarship.org/uc/item/5pg3z8fg Author Chien, Irene Y. Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Kristen Whissel Professor Greg Niemeyer Professor Abigail De Kosnik Spring 2015 Abstract Programmed Moves: Race and Embodiment in Fighting and Dancing Videogames by Irene Yi-Jiun Chien Doctor of Philosophy in Film and Media Designated Emphasis in New Media University of California, Berkeley Professor Linda Williams, Chair Programmed Moves examines the intertwined history and transnational circulation of two major videogame genres, martial arts fighting games and rhythm dancing games. Fighting and dancing games both emerge from Asia, and they both foreground the body. They strip down bodily movement into elemental actions like stepping, kicking, leaping, and tapping, and make these the form and content of the game. I argue that fighting and dancing games point to a key dynamic in videogame play: the programming of the body into the algorithmic logic of the game, a logic that increasingly organizes the informatic structure of everyday work and leisure in a globally interconnected information economy. -
From Free Cinema to British New Wave: a Story of Angry Young Men
SUPLEMENTO Ideas, I, 1 (2020) 51 From Free Cinema to British New Wave: A Story of Angry Young Men Diego Brodersen* Introduction In February 1956, a group of young film-makers premiered a programme of three documentary films at the National Film Theatre (now the BFI Southbank). Lorenza Mazzetti, Lindsay Anderson, Karel Reisz and Tony Richardson thought at the time that “no film can be too personal”, and vehemently said so in their brief but potent manifesto about Free Cinema. Their documentaries were not only personal, but aimed to show the real working class people in Britain, blending the realistic with the poetic. Three of them would establish themselves as some of the most inventive and irreverent British filmmakers of the 60s, creating iconoclastic works –both in subject matter and in form– such as Saturday Day and Sunday Morning, The Loneliness of the Long Distance Runner and If… Those were the first significant steps of a New British Cinema. They were the Big Screen’s angry young men. What is British cinema? In my opinion, it means many different things. National cinemas are much more than only one idea. I would like to begin this presentation with this question because there have been different genres and types of films in British cinema since the beginning. So, for example, there was a kind of cinema that was very successful, not only in Britain but also in America: the films of the British Empire, the films about the Empire abroad, set in faraway places like India or Egypt. Such films celebrated the glory of the British Empire when the British Empire was almost ending. -
2018 Wisconsin River District Camporee
BOY SCOUTS OF AMERICA 2018 Wisconsin River District Camporee Our staff anticipates your spirited participation in the merit badge courses, flag ceremonies and campfires. It is our intent to provide an atmosphere for your unit to thrive and “have a blast.” Please read this entire Leaders’ Guide. The most successful units will have read and attained a complete understanding of all the sections covered in this Leaders’ Guide. TABLE OF CONTENTS Section Page IMPORTANT DATES Ends On I General Information 2 Early Bird Registration II Vehicles & Trailers 6 April 6,2018 III Registration Process 6 IV Camporee Schedule 7 Registration Deadline April 20, 2018 V Inspections 8 VI Cast Iron Chef 9 Camporee Begins April 27, 2018 VII Campfire 9 VIII Merit Badges 9 Camporee Ends April 29, 2018 IX Check-Out Process 11 X Location 11 XI Maps 12 2018 Wisconsin River Camporee – Leaders’ Guide Page 1 of 12 SECTION I. General Information We are pleased to hold this year’s Camporee at Ed Bryant Scout Reservation in Mauston, WI. As with all BSA activities, we request that units follow the principles of Leave No Trace: 1. PLAN AHEAD AND PREPARE – Proper trip planning and preparation help accomplish trip goals safely and enjoyably while minimizing damage to natural and cultural resources. Units who plan ahead can avoid unexpected situations and minimize their impact by complying with area regulations. Be aware of weather and prepare accordingly. Allow enough travel time to ensure you have adequate time to set up your campsite. Bring proper cooking equipment and plan meals to minimize trash. -
The French New Wave and the New Hollywood: Le Samourai and Its American Legacy
ACTA UNIV. SAPIENTIAE, FILM AND MEDIA STUDIES, 3 (2010) 109–120 The French New Wave and the New Hollywood: Le Samourai and its American legacy Jacqui Miller Liverpool Hope University (United Kingdom) E-mail: [email protected] Abstract. The French New Wave was an essentially pan-continental cinema. It was influenced both by American gangster films and French noirs, and in turn was one of the principal influences on the New Hollywood, or Hollywood renaissance, the uniquely creative period of American filmmaking running approximately from 1967–1980. This article will examine this cultural exchange and enduring cinematic legacy taking as its central intertext Jean-Pierre Melville’s Le Samourai (1967). Some consideration will be made of its precursors such as This Gun for Hire (Frank Tuttle, 1942) and Pickpocket (Robert Bresson, 1959) but the main emphasis will be the references made to Le Samourai throughout the New Hollywood in films such as The French Connection (William Friedkin, 1971), The Conversation (Francis Ford Coppola, 1974) and American Gigolo (Paul Schrader, 1980). The article will suggest that these films should not be analyzed as isolated texts but rather as composite elements within a super-text and that cross-referential study reveals the incremental layers of resonance each film’s reciprocity brings. This thesis will be explored through recurring themes such as surveillance and alienation expressed in parallel scenes, for example the subway chases in Le Samourai and The French Connection, and the protagonist’s apartment in Le Samourai, The Conversation and American Gigolo. A recent review of a Michael Moorcock novel described his work as “so rich, each work he produces forms part of a complex echo chamber, singing beautifully into both the past and future of his own mythologies” (Warner 2009).