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Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
1. Executive Suite: Authenticity and Shared Pride Vs. Greed – Robvanes.Com
UvA-DARE (Digital Academic Repository) Executive Suite: Authenticity and Shared Pride vs. Greed van Es, R. Publication date 2015 Document Version Final published version Link to publication Citation for published version (APA): van Es, R. (Author). (2015). Executive Suite: Authenticity and Shared Pride vs. Greed. Web publication/site, RobvanEs.com. http://www.robvanes.com/2015/03/01/coming-soon/ General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 1. Executive Suite: Authenticity and Shared Pride vs. Greed – RobvanEs.com RobvanEs.com TRAINING AND ADVICE IN ORGANIZATIONAL PHILOSOPHY Home Consultant Senior Lecturer Publications Biography Blog Contact 1. Executive Suite: Authenticity and Shared Pride vs. Greed 1 March 2015 Movie blogs The first Hollywood movie to portray how company executives jockey for power is Executive Suite (1954). -
Di Tod Browning. Freaks: Da Cut Movie a Cult Movie
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Storia delle arti e conservazione dei beni artistici. Tesi di Laurea La pellicola “maudit” di Tod Browning. Freaks: da cut movie a cult movie. Relatore Prof. Fabrizio Borin Correlatore Prof. Carmelo Alberti Laureando Giulia Brondin Matricola 815604 Anno Accademico 2012 / 2013 Ringrazio il Prof. Fabrizio Borin Thomas mamma, papà, Martina Indice Introduzione........................................................................................................ pag. 3 1. Mostri 1.Mostri e Portenti........................................................................................... » 8 2. Freak Show.................................................................................................. » 30 2. La pellicola “maudit” 1. Il cinema dei mostri.................................................................................... » 42 2. Freaks: Tod Browning................................................................................ » 52 2.1. Brevi considerazioni................................................................................ » 117 3. Un rifiuto durato trent’anni......................................................................... » 123 4. Il piccolo contro il grande............................................................................ » 134 5. La pellicola ambulante: morte e rinascita................................................... » 135 3. Da cut movie a cult movie 1. Freak out!..................................................................................................... -
Representações Da Monstruosidade Na Caracterização Das Personagens Do Filme Freak (1932)
UNIVERSIDADE ANHEMBI MORUMBI IVON MENDES DE BARROS REPRESENTAÇÕES DA MONSTRUOSIDADE NA CARACTERIZAÇÃO DAS PERSONAGENS DO FILME FREAKS (1932) SÃO PAULO 2017 IVON MENDES DE BARROS REPRESENTAÇÕES DA MONSTRUOSIDADE NA CARACTERIZAÇÃO DAS PERSONAGENS DO FILME FREAKS (1932) Dissertação de Mestrado apresentada à Banca Examinadora, como exigência parcial para a obtenção do título de Mestre do Programa de Pós- Graduação em Comunicação, área de concentração em Comunicação Audiovisual da Universidade Anhembi Morumbi, sob a orientação do Prof. Dr. Luiz Antônio Vadico. SÃO PAULO 2017 FICHA CATALOGRAFICA B277r Barros, Ivon Mendes de Representações da monstruosidade na caracterização das personagens do filme Freak (1932). / Ivon Mendes de Barros - 2017. 142f.: il.; 30 cm. Orientador: Luiz Antonio Vadico. Dissertação (Mestrado em Comunicação) - Universidade Anhembi Morumbi, São Paulo, 2017. Bibliografia: f.131-138. 1. Comunicação. 2. Cinema. 3. Monstruosidade. 4. Caracte- rização visual. 5. Personagens. 6. Freaks. I. Título. CDD 302.2 IVON MENDES DE BARROS REPRESENTAÇÕES DA MONSTRUOSIDADE NA CARACTERIZAÇÃO DAS PERSONAGENS DO FILME FREAKS (1932) Dissertação de Mestrado apresentada à Banca Examinadora, como exigência parcial para a obtenção do título de Mestre do Programa de Pós- Graduação em Comunicação, área de concentração em Comunicação Audiovisual da Universidade Anhembi Morumbi, sob a orientação do Prof. Dr. Luiz Antônio Vadico. Aprovado em 29/09/2017 Prof. Dr. Luiz Antônio Vadico Prof. Dr. Rogério Ferraraz Prof. Dr. Marcelo Denny de Toledo Leite -
World War Ii and Us Cinema
ABSTRACT Title of Document: WORLD WAR II AND U.S. CINEMA: RACE, NATION, AND REMEMBRANCE IN POSTWAR FILM, 1945-1978 Robert Keith Chester, Ph.D., 2011 Co-Directed By: Dr. Gary Gerstle, Professor of History, Vanderbilt University Dr. Nancy Struna, Professor of American Studies, University of Maryland, College Park This dissertation interrogates the meanings retrospectively imposed upon World War II in U.S. motion pictures released between 1945 and the mid-1970s. Focusing on combat films and images of veterans in postwar settings, I trace representations of World War II between war‘s end and the War in Vietnam, charting two distinct yet overlapping trajectories pivotal to the construction of U.S. identity in postwar cinema. The first is the connotations attached to U.S. ethnoracial relations – the presence and absence of a multiethnic, sometimes multiracial soldiery set against the hegemony of U.S. whiteness – in depictions of the war and its aftermath. The second is Hollywood‘s representation (and erasure) of the contributions of the wartime Allies and the ways in which such images engaged with and negotiated postwar international relations. Contrary to notions of a ―good war‖ untainted by ambiguity or dissent, I argue that World War II gave rise to a conflicted cluster of postwar meanings. At times, notably in the early postwar period, the war served as a progressive summons to racial reform. At other times, the war was inscribed as a historical moment in which U.S. racism was either nonexistent or was laid permanently to rest. In regard to the Allies, I locate a Hollywood dialectic between internationalist and unilateralist remembrances. -
The Imagery of Interior Spaces
the imagery of interior spaces Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) the imagery of interior spaces. Copyright © 2019 by the editors and au- thors. This work carries a Creative Commons BY-NC-SA 4.0 International li- cense, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-19-9 (print) ISBN-13: 978-1-950192-20-5 (ePDF) doi: 10.21983/P3.0248.1.00 lccn: 2019937173 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J. -
The Cultural Impact of Science in the Early Twentieth Century
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English The Cultural Impact of culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an Science in the Early interconnected web of which science is a critical part, and to supersede such tired formulations as ‘Science and culture’. Twentieth Century Robert Bud is Research Keeper at the Science Museum in London. His award-winning publications in the history of science include studies of biotechnology and scientific instruments. Frank James and Morag Shiach James and Morag Frank Robert Greenhalgh, Bud, Paul Edited by Paul Greenhalgh is Director of the Sainsbury Centre at the University of East Anglia, Edited by and Professor of Art History there. He has published extensively in the history of art, design, and the decorative arts in the early modern period. Robert Bud Paul Greenhalgh Frank James is Professor of History of Science at the Royal Institution and UCL. -
Black Representation in American Short Films, 1928-1954
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2002 Black representation in American short films, 1928-1954 Christopher P. Lehman University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lehman, Christopher P., "Black representation in American short films, 1928-1954 " (2002). Doctoral Dissertations 1896 - February 2014. 914. https://scholarworks.umass.edu/dissertations_1/914 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. m UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST BLACK REPRESENTATION IN AMERICAN ANIMATED SHORT FILMS, 1928-1954 A Dissertation Presented by CHRISTOPHER P. LEHMAN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2002 W. E. B. DuBois Department of Afro-American Studies © Copyright by Christopher P. Lehman 2002 All Rights Reserved BLACK REPRESENTATION IN AMERICAN ANIMATED SHORT FILMS, 1928-1954 A Dissertation Presented by CHRISTOPHER P. LEHMAN Approved as to style and content by: Ernest Allen, Chair Johnl|L Bracey, Jr., Member Robert P. Wolff, Member Lynda Morgan, Member Esther Terry, Department Head Afro-American Studies W. E. B. DuBois Department of ACKNOWLEDGMENTS Several archivists have enabled me to find sources for my research. I thank Tom Featherstone of Wayne State University's Walter Reuther Library for providing a copy of the film Brotherhood ofMan for me. -
How Your Town Can a Recession 8 Danger Signals to Watch for 10
SPECIAL REPORT How Your Town Can Collier's AVOID A Recession • 8 Danger Signals To Watch For • 10 Specific Steps To Prevent Trouble APRIL 30, 1954 Pictun Collier's PUBLISHED BY THE CROWILL COLLIER PUBLISHING CO. CLARENCE E. STOUCH PAUL C. SMITH OF THE MONTH Chairman of the Board President EDWARD ANTHONY ARTICLES Publisher Once you've kept your appointment with IS THERE LIFE ON MARS? Dr. Fred L Whipple 21 the ten fascinating Hollywood stars you'll ROGER DAKIN meet in M-G-M's plush and highly polished CAN WE GET TO MARS? .... Dr. Wernher von Braun with Cornelius Ryan 22 Editor "Executive Suite", you'll see why this pow- A STAR IS REBORN Evelyn Harvey 32 erful romantic story was the perfect vehicle to rate the great high-powered casting of HE'S STILL THE BURMA SURGEON Peter Kalischer 34 GORDON MANNING our time. OF DICE AND MEN Richard Donovan and Hank Greenspun 64 Mutating Editor Yes, M-G-M really rolled out the rich (Concluding Nick the Greek—Fabulous King of the Gamblers) red-carpet treatment to welcome Cameron DAVID MANESS Hawley's breathtaking best-seller to the THE WRISTS THAT MADE MILWAUKEE FAMOUS Tom Meany 82 Assistant Managing Editor screen! They took its sizzling story of the YOU CAN BUILD A BETTER SCHOOLHOUSE Sey Chassler 98 personal affairs behind the cool facades of a skyscraper. They sharpened its staccato pace. ELEANOR STIERHEM RAWSON They enhanced its heartfelt intimacy. They Fiction Editor put flesh on its fabulous personages. SPECIAL WILLIAM 0. CHESSMAN HOW YOUR TOWN CAN AVOID A RECESSION Art Director William L. -
Freaks and Masculinity: Sideshow Performers in German and American Cinema
FREAKS AND MASCULINITY: SIDESHOW PERFORMERS IN GERMAN AND AMERICAN CINEMA Alexandra McCollum A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS DECEMBER 2013 Committee: Dr. Geoffrey Howes, Co-advisor Dr. Edgar Landgraf, Co-advisor ii ABSTRACT Dr. Geoffrey Howes, Co-advisor Dr. Edgar Landgraf, Co-advisor This project examines the portrayals of male sideshow performers in German and American cinema and literature. Specifically it investigates the manner in which the social expectations of the masculine social role are altered by the perceived physical and mental otherness in the figure of the freak. The main freak performers discussed here are the somnambulist Cesare from Das Cabinet des Dr. Caligari, Hans the dwarf from Freaks, Stan Carlisle from Nightmare Alley, who eventually becomes a geek with a travelling carnival, and Oskar Matzerath, the hunchbacked dwarf who is the protagonist of Die Blechtrommel. The examination of the male freak characters focuses upon three major areas which these works have in common: the portrayal of the freak as an unreliable narrator or signifying the presence of unreliable narration; the problematic interactions between the male freak and female characters, including romantic interests, and various manifestations of the male freak’s denial of responsibility. iii ACKNOWLEDGMENTS I would like to thank my advisors, Dr. Geoffrey Howes and Dr. Edgar Landgraf, as well as the members of Dr. Landgraf’s Fall 2012 thesis workshop course, for their contributions to and assistance with this work. iv TABLE OF CONTENTS Page INTRODUCTION ................................................................................................................. 1 The History of the Freak ........................................................................................... -
THE CHARLES AVERY RESIDENCE 904 North Benton Way; 2615-2617 West Marathon Street CHC-2018-478-HCM ENV-2018-479-CE
THE CHARLES AVERY RESIDENCE 904 North Benton Way; 2615-2617 West Marathon Street CHC-2018-478-HCM ENV-2018-479-CE Agenda packet includes: 1. Final Determination Staff Recommendation Report 2. Commission/ Staff Site Inspection Photos—March 22, 2018 3. Amended Findings Adopted by the Commission on February 15, 2018 4. Supplemental Application Materials Submitted by Applicant on March 15, 2018 5. Under Consideration Staff Recommendation Report 6. Historic-Cultural Monument Application 7. Materials Submitted by Owner on February 15, 2018 8. Correspondence from Owner’s Representative, Dated March 30, 2018 9. Letters from Members of the Public Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2018-478-HCM ENV-2018-479-CE HEARING DATE: April 19, 2018 Location: 904 North Benton Way TIME: 10:00 AM 2615-2617 West Marathon Street PLACE: City Hall, Room 1010 Council District: 13 – O’Farrell 200 N. Spring Street Community Plan Area: Silver Lake - Echo Park – Los Angeles, CA 90012 Elysian Valley Area Planning Commission: East Los Angeles EXPIRATION DATE: May 1, 2018 Neighborhood Council: Silver Lake Legal Description: Rowland Heights Tract, Lot 39 PROJECT: Historic-Cultural Monument Application for THE CHARLES AVERY RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument OWNERS: Steve Gaon Martin J. Gamboa, Et al. Lacdargent LLC c/o Jose Gamboa, Jr. 5470 Los Feliz Boulevard 7226 Idyllwild Lane Los Angeles, CA 90027 Riverside, CA 92505 APPLICANT: Georgene Smith Goodin Silver Lake Heritage Trust 3924 West Sunset Boulevard Los Angeles, CA 90026 RECOMMENDATION That the Cultural Heritage Commission: 1.