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Warfare and Society in the Barbarian West, 450–900
WARFARE AND SOCIETY IN THE BARBARIAN WEST, 450–900 Warfare was an integral part of early medieval life. It had a character of its own and was neither a pale shadow of Roman military practice nor an insignificant precursor to the warfare of the central Middle Ages. This book recovers its distinctiveness, looking at warfare in a rounded context in the British Isles and western Europe between the end of the Roman Empire and the break-up of the Carolingian Empire. The era was one of great changes in the practice of war. Guy Halsall relates warfare to many aspects of medieval life, economy, society and politics. He examines the raising and organisation of early medieval armies and looks at the conduct of campaigns. The survey includes the equipment of warriors and the horrific experience of battle as well as an analysis of medieval fortifications and siege warfare. Warfare and Society in the Barbarian West uses historical and archaeological evidence in a rigorous and sophisticated fashion. It stresses regional variations but also places Anglo-Saxon England in the mainstream of the military developments in this era. Guy Halsall is lecturer in medieval history at the University of York. He has published widely on the social history and archaeology of Merovingian Gaul and on violence in early medieval society, including Settlement and Social Organisation. The Merovingian Region of Metz (Cambridge, 1995). WARFARE AND HISTORY General Editor, Jeremy Black Professor of History, University of Exeter AIR POWER IN THE AGE OF TOTAL WAR John Buckley THE ARMIES OF THE CALIPHS: MILITARY AND SOCIETY IN THE EARLY ISLAMIC STATE Hugh Kennedy THE BALKAN WARS, 1912–1913: PRELUDE TO THE FIRST WORLD WAR Richard C. -
The Seven Forms of Lightsaber Combat Hyper-Reality and the Invention of the Martial Arts Benjamin N
CONTRIBUTOR Benjamin N. Judkins is co-editor of the journal Martial Arts Studies. With Jon Nielson he is co-author of The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts (SUNY, 2015). He is also author of the long-running martial arts studies blog, Kung Fu Tea: Martial Arts History, Wing Chun and Chinese Martial Studies (www.chinesemartialstudies.com). THE SEVEN FORMS OF LIGHTSABER COMBAT HYPER-REALITY AND THE INVENTION OF THE MARTIAL ARTS BENJAMIN N. JUDKINS DOI ABSTRACT 10.18573/j.2016.10067 Martial arts studies has entered a period of rapid conceptual development. Yet relatively few works have attempted to define the ‘martial arts’, our signature concept. This article evaluates a number of approaches to the problem by asking whether ‘lightsaber combat’ is a martial art. Inspired by a successful film KEYWORDs franchise, these increasingly popular practices combine elements of historical swordsmanship, modern combat sports, stage Star Wars, Lightsaber, Jedi, Hyper-Real choreography and a fictional worldview to ‘recreate’ the fighting Martial Arts, Invented Tradition, Definition methods of Jedi and Sith warriors. The rise of such hyper- of ‘Martial Arts’, Hyper-reality, Umberto real fighting systems may force us to reconsider a number of Eco, Sixt Wetzler. questions. What is the link between ‘authentic’ martial arts and history? Can an activity be a martial art even if its students and CITATION teachers do not claim it as such? Is our current body of theory capable of exploring the rise of hyper-real practices? Most Judkins, Benjamin N. importantly, what sort of theoretical work do we expect from 2016. -
The Terminology of Armor in Old French
1 A 1 e n-MlS|^^^PP?; The Terminology Of Amor In Old French. THE TERMINOLOGY OF ARMOR IN OLD FRENCH BY OTHO WILLIAM ALLEN A. B. University of Illinois, 1915 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ROMANCE LANGUAGES IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1916 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL CO oo ]J1^J % I 9 I ^ I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY WtMc^j I^M^. „ ENTITLED ^h... *If?&3!£^^^ ^1 ^^Sh^o-^/ o>h, "^Y^t^C^/ BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. hu^Ur /] CUjfo In Charge of Thesis 1 Head of Department Recommendation concurred in :* Committee on Final Examination* Required for doctor's degree but not for master's. .343139 LHUC CONTENTS Bibliography i Introduction 1 Glossary 8 Corrigenda — 79 Digitized by the Internet Archive in 2014 http://archive.org/details/terminologyofarmOOalle i BIBLIOGRAPHY I. Descriptive Works on Armor: Boeheim, Wendelin. Handbuch der Waffenkunde. Leipzig, 1890, Quicherat, J, Histoire du costume en France, Paris, 1875* Schultz, Alwin. Das hofische Leben zur Zeit der Minnesinger. Two volumes. Leipzig, 1889. Demmin, August. Die Kriegswaffen in ihren geschicht lichen Ent wicklungen von den altesten Zeiten bis auf die Gegenwart. Vierte Auflage. Leipzig, 1893. Ffoulkes, Charles. Armour and Weapons. Oxford, 1909. Gautier, Leon. La Chevalerie. Viollet-le-Duc • Dictionnaire raisonne' du mobilier frangais. Six volumes. Paris, 1874. Volumes V and VI. Ashdown, Charles Henry. Arms and Armour. New York. Ffoulkes, Charles. The Armourer and his Craft. -
Low-Tech Armortm
LOADOUTS:TM LOW-TECH ARMORTM Written by DAN HOWARD Edited by JASON “PK” LEVINE Illustrated by DAVID DAY, DAN HOWARD, and SHANE L. JOHNSON GURPS System Design ❚ STEVE JACKSON e23 Manager ❚ STEVEN MARSH GURPS Line Editor ❚ SEAN PUNCH Marketing Director ❚ LEONARD BALSERA Managing Editor ❚ PHILIP REED Director of Sales ❚ ROSS JEPSON Assistant GURPS Line Editor ❚ JASON “PK” LEVINE Prepress Checker ❚ NIKKI VRTIS Production Artist & Indexer ❚ NIKOLA VRTIS Page Design ❚ PHIL REED and JUSTIN DE WITT Art Direction ❚ MONICA STEPHENS GURPS FAQ Maintainer ❚ VICKY “MOLOKH” KOLENKO Lead Playtester: Douglas H. Cole Playtesters: Roger Burton West, Nathan Joy, Rob Kamm, Stephen Money, David Nichols, and Antoni Ten Monrós GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. Pyramid, Loadouts, Low-Tech Armor, e23, and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Loadouts: Low-Tech Armor is copyright © 2013, 2017 by Steve Jackson Games Incorporated. Some art © 2013 JupiterImages Corporation. All rights reserved. The scanning, uploading, and distribution of this material via the Internet or via any other means without the permission of the publisher is illegal, and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage the electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. STEVE JACKSON GAMES Stock #37-1581 Version 1.0.1 – June 2017 ® CONTENTS INTRODUCTION . 3 Padded Jacks . 41 Recommended Books . 3 How a Man Shall Be Armed . 42 Additional Rules . -
Armour Manual Mark II Ze
Basic Armouring—A Practical Introduction to Armour Making, Second Edition By Paul Blackwell Publishing History March 1986: First Edition March 2002: Second Edition Copyright © 2002 Paul Blackwell. This document may be copied and printed for personal use. It may not be distributed for profit in whole or part, or modified in any way. Electronic copies may be made for personal use. Electronic copies may not be published. The right of Paul Blackwell to be identified as the Author and Illustrator of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. The latest electronic version of this book may be obtained from: http://www.brighthelm.org/ Ye Small Print—Cautionary Note and Disclaimer Combat re-enactment in any form carries an element of risk (hey they used to do this for real!) Even making armour can be hazardous, if you drop a hammer on your foot, cut yourself on a sharp piece of metal or do something even more disastrous! It must be pointed out, therefore, that if you partake in silly hobbies such as these you do so at your own risk! The advice and information in this booklet is given in good faith (most having been tried out by the author) however as I have no control over what you do, or how you do it, I can accept no liability for injury suffered by yourself or others while making or using armour. Ye Nice Note Having said all that I’ll just add that I’ve been playing for ages and am still in one piece and having fun. -
Tournament Gallery - Word Search
HERALDRY Heraldry involves using patterns pictures and colours to represent a knight. Below is an example. Q: Why do you think heraldry was important to a knight? TOURNAMENT Design and GALLERY sketch your own coat of arms KEY STAGE 3 Self-Guided Visit Student Activity Handbook w w w w w w . r r o o Name: y y a a l l a a r r School: m m o o u u r r i i Class: e e s s . o o r r g g Date: © Royal Armouries The Tournament Gallery can be found on Floors 2 and 3 of the Museum. TUDOR TOURNAMENT ARMOUR DECORATION Q: In the Tudor period the tournament was highly popular. Name and describe Find the section in the gallery that describes different ways to the different games associated with the tournament? decorate armour. Q: Name the methods used to decorate these armours A B C D E Q: Why do you think knights and nobles decorated their armour? Q: Find a piece of decorated armour in the gallery sketch it in the box below and describe why you chose it. Armours were made to protect a knight in battle or in the tournament. Q: What are the main differences between armour made to wear in battle and tournament armour? 1 © Royal Armouries © Royal Armouries 2 FIELD OF CLOTH OF GOLD KING HENRY VIII Find the painting depicting the Field of Cloth of Gold tournament. Henry VIII had some of the most impressive armours of his time. To the right of the painting of the Field of Cloth of Gold is a case displaying an armour made for Henry VIII; it was considered to be one of Q: In which year did the Field of Cloth of Gold tournament take place? the greatest armours ever made, why do you think this was? Q: On the other side of the painting is an usual armour. -
1001 Years of Missing Martial Arts
1001 Years of Missing Martial Arts IMPORTANT NOTICE: Author: Master Mohammed Khamouch Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: April 2007 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 683 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2007 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
Silambam Fencing”
Tamil Nadu Physical Education and Sports University Chennai – 600 006. Name of the Course : Diploma in “SILAMBAM FENCING” Educational Qualification : 12th Standard Stream : Distance Education Duration : Six Months Tamil Nadu Physical Education and Sports University Chennai – 600 006. Diploma in “SILAMBAM FENCING” DISTANCE EDUCATION SYLLABUS Paper Code Name of the Subject Total DCISF101 Fundamentals and Methods of Silambam 100 Fencing Practices DCISF102 Anatomy and Physiology 100 DCISF103 Practical I - on Silambam Fencing 100 DCYP104 Practical II – on Silambam Fencing 100 TOTAL 400 Tamil Nadu Physical Education and Sports University Chennai – 600 006. Diploma in “SILAMBAM FENCING” DISTANCE EDUCATION SYLLABUS Paper Name of the Paper Internal External Total No. Marks I. Fundamentals and Methods of 25 75 100 Silambam Fencing II. Anatomy and Physiology 25 75 100 Practical I. Practical – I 25 75 100 II. Practical – II 25 75 100 TOTAL 100 300 400 PAPER I : Fundamentals and Methods of Silambam Fencing Practices Unit I Definition : Silambam – Etymology – Silambam Fencing – Martial Art – Duel – Combat – Need – Scope – Philosophy – Silambalogy Unit II Misconception – Conversion of Silambam Fencing as a Combative Martial Sport since 1940 AD – “Quarter Staff” of England Akin to Silambam Fencing – Benefits of Silambam Fencing. Unit III Aims and Objectives as per the charter of the International Silambam Fencing Association founded on the 14th December 1975 – Benefits:- As 22 Doctors in Physical Education in India and USA. Unit IV Origin and Development -
Misunderstood Mr. Burr: His Duel with Hamilton Clarence J
Notre Dame Law Review Volume 2 | Issue 2 Article 2 12-1-1926 Misunderstood Mr. Burr: His Duel with Hamilton Clarence J. Ruddy Follow this and additional works at: http://scholarship.law.nd.edu/ndlr Part of the Law Commons Recommended Citation Clarence J. Ruddy, Misunderstood Mr. Burr: His Duel with Hamilton, 2 Notre Dame L. Rev. 50 (1926). Available at: http://scholarship.law.nd.edu/ndlr/vol2/iss2/2 This Article is brought to you for free and open access by NDLScholarship. It has been accepted for inclusion in Notre Dame Law Review by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. CURIOSITIES OF THE LAW THE MISUNDERSTOOD MR. BURR: HIS DUEL WITH HAMILTON Fifty years ago anyone attempting to defend Aaron Burr of criminality in his duel with Alexander Hamilton would have aroused immediate and vicious antagonism. It was a settled convicton of all men that Burr was a dastardly murderer, and that his part in the lamentable affair with Hamilton was one of the most atrocious crimes ever committed in this country. People profoundly believed that Burr was thoroughly bad-as Benedict Arnold was bad-and anyone who tried to change that belief was himself either an igno- ramus or a perjurer of truth. Few, of course, gave reasons why Burr was wrong and Hamilton right, but reasons were not necessary. The truth was so evident that it needed no philosophic demonstra- tion. Of late, however, people seem less disposed to condemn a man to eternal ignominy upon the doubtful evidence of legend, and pre- fer to study for themselves the reliable documents of our early na- tional life, so that they may decide with a greater probability of being correct, whether Burr really was so base as he has been de- picted. -
The Duels at Silver Creek
THE DUELS AT SILVER CREEK The piercing crack of gun shots rang out through the trees. Two men facing each other at 50 paces dropped smoking pistols to their sides, as the other actors in the weird scene rushed forward to see if either man was wounded. The year was 1809 . the place, the Indiana shore of the Ohio River where two of the most prominent Kentuckians of the day, Humphrey Marshall and Henry Clay, were settling their differences in a duel at Silver Creek. When Humphrey Marshall called Henry Clay a liar on the floor of the Kentucky House of Representatives on January 4, 1809, Clay had, in the custom of the times, only one recourse to vindicate his honor. That very night Clay sent to Marshall a challenge to meet him in a duel. The challenge was promptly accepted and all Kentucky waited breathlessly for the outcome. Clay, later to be ranked among the most famous of American politicians and statesmen, was in 1809 already well known in Kentucky. His opponent, Humphrey Marshall, was then even better known in the Bluegrass State. A first cousin of John Marshall, famed chief justice of the U.S. Supreme Court, Humphrey Marshall had served in the U.S. Senate and was probably the outstanding member of the Federalist Party in Kentucky. Clay was a follower of Thomas Jefferson and a political opponent of the Federalists. Ironically, the duel between Clay and Marshall was the culmination of a train of events set in motion by the actions of Aaron Burr, then in disgrace in the Eastern states after he had fatally wounded Alexander Hamilton in the most famous duel in American history. -
The Virtual Armory
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@WPI Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects July 2013 The irV tual Armory Jeffrey M. Bardon Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Bardon, J. M. (2013). The Virtual Armory. Retrieved from https://digitalcommons.wpi.edu/iqp-all/2532 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. 48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ Jeffrey Bardon June 25th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project developed a QR system to provide an interactive experience at the Higgins Armory Museum. I developed a web page that gives interesting facts on a medieval European helmet. When scanned, a QR Code next to the helmet brings up a mobile- friendly web page with information on the object, randomly selected from a pool of information, and an HTML-based game involving matching Greek, -
Duel of Theobald Versus Seitz – Germany, 1370
Duel of Theobald versus Seitz – Germany, 1370 translation & commentary by Jeffrey Hull This particular account of judicial duel (kampf) from Germany of 1370 is found in Volume II Chapter 14 of the fechtbuch (fight-book) De Arte Athletica (aka Liber Artis Athleticae – Cod.icon. 393 – circa 1542) by that citizen of Augsburg and fencer called Paulus Hector Mair. Although his Latin recounting is nearly two centuries after the event, it does read with authority, as Mair was the practically peerless fencing historian of 16th Century Germany (1). A similar account is found in Augsburger Chronik (circa 1457) by Sigismund Meisterlin (2). Mair’s account is highly interesting, not just for its description of martial techniques, but also for its description of legal proceeding and dueling-day ritual. And indeed, all that Mair describes here is readily corroborated by, or does not conflict with, other fight-books. It is one of many accounts from late 14th Century, during the time when the eventual grandmaster of Kunst des Fechtens, Johann Liechtenauer, must have been ascending as a young knight and martial artist. My translation is based upon Josef Würdinger’s summarising German translation of Mair’s original Latin recounting, but with comparison to Mair’s original made to corroborate and clarify certain points. Würdinger’s translation was reprinted recently (2006) by Hans Edelmaier (see Bibliography). Lastly – I have made occasional interpolations and several textual notes, as such seemed needed to make these events more comprehensible to the modern reader. ~ ***** In the course of one of the feuds which Duke Stephan had to endure and counter by arrests in Swabia (3) during the years 1369 and 1370, this did happen: A Swabian noble, Theobald Giß von Gißenberg, accused his peer, Seitz von Altheim, of robbery (4) in presence of the Duke.