Duel Personality
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The Seven Forms of Lightsaber Combat Hyper-Reality and the Invention of the Martial Arts Benjamin N
CONTRIBUTOR Benjamin N. Judkins is co-editor of the journal Martial Arts Studies. With Jon Nielson he is co-author of The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts (SUNY, 2015). He is also author of the long-running martial arts studies blog, Kung Fu Tea: Martial Arts History, Wing Chun and Chinese Martial Studies (www.chinesemartialstudies.com). THE SEVEN FORMS OF LIGHTSABER COMBAT HYPER-REALITY AND THE INVENTION OF THE MARTIAL ARTS BENJAMIN N. JUDKINS DOI ABSTRACT 10.18573/j.2016.10067 Martial arts studies has entered a period of rapid conceptual development. Yet relatively few works have attempted to define the ‘martial arts’, our signature concept. This article evaluates a number of approaches to the problem by asking whether ‘lightsaber combat’ is a martial art. Inspired by a successful film KEYWORDs franchise, these increasingly popular practices combine elements of historical swordsmanship, modern combat sports, stage Star Wars, Lightsaber, Jedi, Hyper-Real choreography and a fictional worldview to ‘recreate’ the fighting Martial Arts, Invented Tradition, Definition methods of Jedi and Sith warriors. The rise of such hyper- of ‘Martial Arts’, Hyper-reality, Umberto real fighting systems may force us to reconsider a number of Eco, Sixt Wetzler. questions. What is the link between ‘authentic’ martial arts and history? Can an activity be a martial art even if its students and CITATION teachers do not claim it as such? Is our current body of theory capable of exploring the rise of hyper-real practices? Most Judkins, Benjamin N. importantly, what sort of theoretical work do we expect from 2016. -
1001 Years of Missing Martial Arts
1001 Years of Missing Martial Arts IMPORTANT NOTICE: Author: Master Mohammed Khamouch Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: April 2007 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 683 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2007 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
New Marigny” GMAC Cingular Wireless Verizon Wireless Sprint/Sprint PCS Tion of I-10 Over a Main 1831 Pontchartrain Railroad (A.K.A
Annual Neighborhood Events • August: Night Out Against Crime LIVING WITH HISTORY • October: Preservation Resource Center’s IN NEW ORLEANS’ NEIGHBORHOODS Rebuilding Together program Neighborhood Organizations eeww • Crescent City Peace Alliance NN • Faubourg Franklin Foundation rriiggnnyy • Faubourg St. Roch Improvement Association MMaa onvenient to both New Orleans’ Central 1798 Pierre Philippe de Marigny acquires Business District and the Vieux Carré, historic New Dubreuil Plantation Circle Food Store 1800 Marquis Antoine Xavier Bernard 1522 St. Bernard Avenue Marigny, also called Faubourg St. Roch, has all the Philippe de Marigny de Mandeville A TRADITION IN NEW ORLEANS makings of a desirable inherits from Pierre Philippe de Marigny We are still here and still serving the community. C downtown neighbor- 1803 Louisiana Purchase Saving You Money on Groceries 1806 Nicholas de Finiels develops street Services, Bill Payments hood. Industrialization plan for Marigny; engineer Barthelemy BellSouth • Entergy • Sewer & Water Board and flight to the suburbs Lafon contracts to lay out the street grid We Accept Payment For: hit this area hard, how- 1810 Marigny extends original subdivision, American Express E Mobil (formerly Voicestream) MCI/MCI Worldcom Wireless Ford Motor Credit asking Lafon to plot area now known Chevron Toyota Financial Services Shell Gas Card Macy’s ever, and the construc- Discover Card AT & T Target Visa Card Sam’s Club as “New Marigny” GMAC Cingular Wireless Verizon Wireless Sprint/Sprint PCS tion of I-10 over a main 1831 Pontchartrain Railroad (a.k.a. “Smoky Mervyn’s Dish Network Capital One Credit Card Texaco Sears JC Penney Dillard’s Wal-Mart thoroughfare in the Mary”), 2nd oldest railroad in U.S., opens on Elysian Fields 1960s sent many resi- 1832 World’s largest cotton press opens on dents and businesses present Press Street packing. -
Silambam Fencing”
Tamil Nadu Physical Education and Sports University Chennai – 600 006. Name of the Course : Diploma in “SILAMBAM FENCING” Educational Qualification : 12th Standard Stream : Distance Education Duration : Six Months Tamil Nadu Physical Education and Sports University Chennai – 600 006. Diploma in “SILAMBAM FENCING” DISTANCE EDUCATION SYLLABUS Paper Code Name of the Subject Total DCISF101 Fundamentals and Methods of Silambam 100 Fencing Practices DCISF102 Anatomy and Physiology 100 DCISF103 Practical I - on Silambam Fencing 100 DCYP104 Practical II – on Silambam Fencing 100 TOTAL 400 Tamil Nadu Physical Education and Sports University Chennai – 600 006. Diploma in “SILAMBAM FENCING” DISTANCE EDUCATION SYLLABUS Paper Name of the Paper Internal External Total No. Marks I. Fundamentals and Methods of 25 75 100 Silambam Fencing II. Anatomy and Physiology 25 75 100 Practical I. Practical – I 25 75 100 II. Practical – II 25 75 100 TOTAL 100 300 400 PAPER I : Fundamentals and Methods of Silambam Fencing Practices Unit I Definition : Silambam – Etymology – Silambam Fencing – Martial Art – Duel – Combat – Need – Scope – Philosophy – Silambalogy Unit II Misconception – Conversion of Silambam Fencing as a Combative Martial Sport since 1940 AD – “Quarter Staff” of England Akin to Silambam Fencing – Benefits of Silambam Fencing. Unit III Aims and Objectives as per the charter of the International Silambam Fencing Association founded on the 14th December 1975 – Benefits:- As 22 Doctors in Physical Education in India and USA. Unit IV Origin and Development -
Misunderstood Mr. Burr: His Duel with Hamilton Clarence J
Notre Dame Law Review Volume 2 | Issue 2 Article 2 12-1-1926 Misunderstood Mr. Burr: His Duel with Hamilton Clarence J. Ruddy Follow this and additional works at: http://scholarship.law.nd.edu/ndlr Part of the Law Commons Recommended Citation Clarence J. Ruddy, Misunderstood Mr. Burr: His Duel with Hamilton, 2 Notre Dame L. Rev. 50 (1926). Available at: http://scholarship.law.nd.edu/ndlr/vol2/iss2/2 This Article is brought to you for free and open access by NDLScholarship. It has been accepted for inclusion in Notre Dame Law Review by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. CURIOSITIES OF THE LAW THE MISUNDERSTOOD MR. BURR: HIS DUEL WITH HAMILTON Fifty years ago anyone attempting to defend Aaron Burr of criminality in his duel with Alexander Hamilton would have aroused immediate and vicious antagonism. It was a settled convicton of all men that Burr was a dastardly murderer, and that his part in the lamentable affair with Hamilton was one of the most atrocious crimes ever committed in this country. People profoundly believed that Burr was thoroughly bad-as Benedict Arnold was bad-and anyone who tried to change that belief was himself either an igno- ramus or a perjurer of truth. Few, of course, gave reasons why Burr was wrong and Hamilton right, but reasons were not necessary. The truth was so evident that it needed no philosophic demonstra- tion. Of late, however, people seem less disposed to condemn a man to eternal ignominy upon the doubtful evidence of legend, and pre- fer to study for themselves the reliable documents of our early na- tional life, so that they may decide with a greater probability of being correct, whether Burr really was so base as he has been de- picted. -
Press Street: a Concept for Preserving, Reintroducing and Fostering Local History Brian J
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 Press Street: a concept for preserving, reintroducing and fostering local history Brian J. McBride Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Landscape Architecture Commons Recommended Citation McBride, Brian J., "Press Street: a concept for preserving, reintroducing and fostering local history" (2005). LSU Master's Theses. 2952. https://digitalcommons.lsu.edu/gradschool_theses/2952 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PRESS STREET: A CONCEPT FOR PRESERVING, REINTRODUCING, AND FOSTERING LOCAL HISTORY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agriculture and Mechanical College in partial fulfillment of the requirements for the degree of Master of Landscape Architecture in The School of Landscape Architecture by Brian J. McBride B.S., Louisiana State University, 1994 May 2005 ACKNOWLEDGMENTS The author would like to recognize a number of people for providing assistance, insight and encouragement during the research and writing of this thesis. Special thanks to the faculty and staff of the School of Landscape Architecture, especially to Max Conrad, Van Cox and Kevin Risk. To all without whom I could not have completed this process, especially my parents for their persistence; and my wife, for her continued love and support. -
The Duels at Silver Creek
THE DUELS AT SILVER CREEK The piercing crack of gun shots rang out through the trees. Two men facing each other at 50 paces dropped smoking pistols to their sides, as the other actors in the weird scene rushed forward to see if either man was wounded. The year was 1809 . the place, the Indiana shore of the Ohio River where two of the most prominent Kentuckians of the day, Humphrey Marshall and Henry Clay, were settling their differences in a duel at Silver Creek. When Humphrey Marshall called Henry Clay a liar on the floor of the Kentucky House of Representatives on January 4, 1809, Clay had, in the custom of the times, only one recourse to vindicate his honor. That very night Clay sent to Marshall a challenge to meet him in a duel. The challenge was promptly accepted and all Kentucky waited breathlessly for the outcome. Clay, later to be ranked among the most famous of American politicians and statesmen, was in 1809 already well known in Kentucky. His opponent, Humphrey Marshall, was then even better known in the Bluegrass State. A first cousin of John Marshall, famed chief justice of the U.S. Supreme Court, Humphrey Marshall had served in the U.S. Senate and was probably the outstanding member of the Federalist Party in Kentucky. Clay was a follower of Thomas Jefferson and a political opponent of the Federalists. Ironically, the duel between Clay and Marshall was the culmination of a train of events set in motion by the actions of Aaron Burr, then in disgrace in the Eastern states after he had fatally wounded Alexander Hamilton in the most famous duel in American history. -
The Enslaved Families of Fontainebleau
THE ENSLAVED FAMILIES OF FONTAINEBLEAU A Summary for the 2019 Dedication of the Historic Marker FEBRUARY 19, 2019 RESEARCH BY JACKSON CANTRELL, IMAGES COLLATED BY LEANNE CANTRELL P a g e | 1 Introduction Before we can discuss the lives of the enslaved families who once resided at Fontainebleau, it is helpful to know how and why the plantation was created in the first place. For residents of the city of Mandeville, Louisiana, stories about the town’s founding father, Bernard de Marigny de Mandeville are widely known. When he and his siblings inherited their father’s vast estate (some historians claim his holdings may have been worth $7 million or around $200 million in today’s value) he was just shy of 16 years old. Bernard had seen a life of indulgence and privilege like few other teenagers ever had. His mentors did their best to educate him and help him mature before he arrived at the legal age of maturity. As a 21-year-old in 1806 New Orleans, he began subdividing the family’s plantation there into residential lots that would become the suburb known as the Fauberg Marigny. Two decades later, Bernard had by then helped facilitate the winning of The War of 1812 and served as President of the Louisiana State Senate. He began looking toward the north shore of Lake Pontchartrain as an area where he might purchase and again subdivide land. His goal was to create a resort town near pine forests, the lakefront, and fresh-water bayous. While laying out the plans for his little city, he created street names to honor various statesmen and war heroes. -
Genealogical Notes
GENEALOGICAL NOTES: CONTAINING THE PEDIGREE OF THE THOMAS FAMILY, OF MARYLAND, AND OF THE FOLLOWING CONNECTED FAMILIES : SNOWDEN-BUCKLEY-LAWRENCE-CHEW- ELLICOTT HOPKINS-JOHNSON-RUTHERFURD- . FAIRFAX-SCHIEFFELIN- TYSON AND OTHERS. ILLUSTRATED BY VIEWS AND COATS OF ARMS. BY LAWRENCE BucKLEY T ROMAS. BALTIMORE: LAWRENCE B. THOMAS. 1877. CHARLES HARVEY & CO. Fl:-.E BOOK A'.'iD JOB PRI:-:TFRS. BAL TI MORE, ~tD. C.\REW C.\STLE. PREF~;\CE. This book is mainly compiled from four distinct sources of information, and is complete or the reverse, in accordance with them. These sources are the printed publications of the Record Commission of Great Britain, containing Calendars of State papers, and in some instances, full reprints of the same; the papers at. the Office for the Registry of Wills in Annapolis, Md.; the Manuscript Records of the Society of Friends in Maryland; and Family Bibles. I have also, in a few cases, been aided by the personal knowledge of living members of some of the fami_lies noticed. Where so many are concerned, it may seem invidious to select any for acknowledgment; but I must be permitted to express my feelings of especial gratitude to Mrs. Edward Snowden, of Baltimore; Mrs. Edward P. Thomas and Dr. Francis Thomas, of Montgomery Countv, Md. ; Mr. Richard L. Schieffelin, of New York; Mr. Samuel Chew, of Germantown; Mr. William G. Thomas, of Perth Amboy, N. J., and to the memory of his father, the late Philip E. Thomas, of Baltimore, whose family tree first suggested my present · book. In the course of my labors it has been necessary for me to visit members of the different families with whom I had no previous acquaintance; but, in every instance, I have been received in the most cordial manner, and every facility afforded me for making the desired researches. -
Duel of Theobald Versus Seitz – Germany, 1370
Duel of Theobald versus Seitz – Germany, 1370 translation & commentary by Jeffrey Hull This particular account of judicial duel (kampf) from Germany of 1370 is found in Volume II Chapter 14 of the fechtbuch (fight-book) De Arte Athletica (aka Liber Artis Athleticae – Cod.icon. 393 – circa 1542) by that citizen of Augsburg and fencer called Paulus Hector Mair. Although his Latin recounting is nearly two centuries after the event, it does read with authority, as Mair was the practically peerless fencing historian of 16th Century Germany (1). A similar account is found in Augsburger Chronik (circa 1457) by Sigismund Meisterlin (2). Mair’s account is highly interesting, not just for its description of martial techniques, but also for its description of legal proceeding and dueling-day ritual. And indeed, all that Mair describes here is readily corroborated by, or does not conflict with, other fight-books. It is one of many accounts from late 14th Century, during the time when the eventual grandmaster of Kunst des Fechtens, Johann Liechtenauer, must have been ascending as a young knight and martial artist. My translation is based upon Josef Würdinger’s summarising German translation of Mair’s original Latin recounting, but with comparison to Mair’s original made to corroborate and clarify certain points. Würdinger’s translation was reprinted recently (2006) by Hans Edelmaier (see Bibliography). Lastly – I have made occasional interpolations and several textual notes, as such seemed needed to make these events more comprehensible to the modern reader. ~ ***** In the course of one of the feuds which Duke Stephan had to endure and counter by arrests in Swabia (3) during the years 1369 and 1370, this did happen: A Swabian noble, Theobald Giß von Gißenberg, accused his peer, Seitz von Altheim, of robbery (4) in presence of the Duke. -
Resituating Transatlantic Opera: the Case of the Théâtre D'orléans, New
Resituating Transatlantic Opera: The Case of the Théâtre d’Orléans, New Orleans, 1819–1859 Charlotte Alice Bentley Emmanuel College October 2017 This dissertation is submitted for the degree of Doctor of Philosophy ABSTRACT This thesis examines the production and reception of French opera in New Orleans in the first half of the nineteenth century, through a focus on the city’s principal French-language theatre from 1819 to 1859, the Théâtre d’Orléans. Building on the small body of existing scholarship concerning the theatre’s history and repertoire, here I draw upon a greatly expanded range of sources—including court cases, sheet music, and novels—in order to understand more about the ways in which operatic culture shaped and was shaped by city life in this period. New Orleans’s operatic life relied on transatlantic networks of people and materials in order to thrive, and this thesis explores the city’s place within growing global operatic systems in the nineteenth century. The five chapters each reflect on different aspects of operatic translocation and its significance for New Orleans. The first two argue for the centrality of human agency to the development of transatlantic networks of production and performance by examining the management of the theatre and the international movement of singers in turn. Chapter 3 investigates the impact of French grand opéra on New Orleans, arguing that the genre provided a focus for the negotiation of local, national, and international identities among opposing critical (and linguistic) factions within the city, while also providing an impetus for the development of a material culture of opera. -
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Mardi Gras Gangnam Style There’s a galloping dance (and accompanying song) that has been sweeping the nation. “Gangnam Style” by South Korean recording artist PSY became the first online video to receive a billion Internet hits on December 21, 2012. Released the previous July, the music video shows PSY performing an outrageously funny horse-riding dance while wearing several “classy” suits and black sunglasses. During his efforts to create such a comical dance, PSY tried out various “cheesy” animal-oriented dance moves (even pandas and kangaroos) before settling on a galloping horse, which involves simulating the riding of a horse, with hands atop an imaginary pommel, imitating holding the reins and twirling a lasso while alternately working the legs into a shuffling side gallop. Seoul’s “Gangnam District” is a hip and trendy area to live. PSY has said that the mindset of his dance is “Dress classy and dance cheesy”. The song pokes fun at those who try to be “classy”, but aren’t really. After “The Twist”, Chubby Checker brought the world “The Pony” with his 1961 Number One hit “Pony Time”. But “Gangnam Style” and “Pony Time” were not the first time dancers galloped joyfully. It happened in Paris and New Orleans in the 1830s and 1840s. Further information on this popular New Orleans form of Mardi Gras horseplay shall be forthcoming. The celebration of Mardi Gras (Fat Tuesday) arrived in Louisiana with two Canadian brothers, Pierre Le Moyne, Sieur d’Iberville and Jean- Baptiste Le Moyne, Sieur de Bienville.