The Enslaved Families of Fontainebleau
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Department of Culture, Recreation and Tourism
Representative Jerome Zeringue Representative Gary Carter Chairman Vice Chairman Fiscal Year 21-22 HB1 Budget Review Department of Culture, Recreation and Tourism House Committee on Appropriations House Fiscal Division April 9, 2021 Budget Analyst: David Lehman (225) 342-9101 Topic Page FY22 Budget Recommendation 3 Department Organization 4 Department Overview 5 Historical Trends 11 FY20 Unspent Authority 12 FY21 Current Expenditure Trend 14 Sources of Funding 15 Funding Changes 16 FY22 Expenditure Changes 18 Other Charges 21 Discretionary Expenses 23 Personnel Information 24 Topical Information 25 Department Contacts 37 Department of Culture, Recreation and Tourism House Fiscal Division Page 2 Total Budget = $92,983,423 Means of Finance Agency Breakdown State General Fund $33,037,143 Budget Positions Interagency Transfers $6,669,968 Secretary $7,125,493 47 Fees & Self-generated $29,772,800 State Library $7,835,013 48 Statutory Dedications $14,483,171 State Museum $7,515,841 68 Federal $9,020,341 State Parks $35,775,522 296 Total $92,983,423 Cultural Development $8,083,579 32 Tourism $26,647,975 73 Total $92,983,423 564 Cultural Library Develop. 8% 9% Parks Tourism Museum Sec. 38% 29% 8% 8% Source: Office of Planning and Budget – Budget Supporting Documents Department of Culture, Recreation and Tourism House Fiscal Division Page 3 Culture, Recreation and Tourism Office of the Cultural State Library State Museum State Parks Tourism Secretary Development Library Parks and Cultural Administration Museum Administration Services Recreation Development Management and Finance Arts Marketing Seafood Promotion and Marketing Board Administration Welcome Centers Department of Culture, Recreation and Tourism House Fiscal Division Page 4 Office of the Secretary • Administrative Ensures efficient, accountable and entrepreneurial operation of all agencies within the department. -
Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater Rafika Zahrouni Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 3-11-2014 Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater Rafika Zahrouni Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Zahrouni, Rafika, "Tunisian Theater at the Turn of the Century: "Hammering the Same Nail" in Jalila Baccar and Fadhel Jaïbi's Theater" (2014). All Theses and Dissertations (ETDs). 1274. https://openscholarship.wustl.edu/etd/1274 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in Comparative Literature Dissertation Examination Committee: Nancy Berg, Chair Robert Hegel Robert Henke Pascal Ifri Lynne Tatlock Tunisian Theater at the Turn of the Century: “Hammering the Same Nail” in Jalila Baccar and Fadhel Jaïbi’s Theater by Rafika Zahrouni A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2014 St. Louis, Missouri Copyright by Rafika Zahrouni © 2014 Table of Contents Acknowledgments ………………………………………………………………….……….. iii Introduction: From Edison Theater in St. Louis to the New Theater of Tunis ….................... 1 Chapter 1: Background of Tunisian Theater History ……………………………….…......... 17 Chapter 2: The Development of the New Theater ………………………………………….. 58 Chapter 3: From Silence to Madness, from Madness to Speech: The Psychiatric Institution as Metaphor …………………………………………………………………………………. -
New Marigny” GMAC Cingular Wireless Verizon Wireless Sprint/Sprint PCS Tion of I-10 Over a Main 1831 Pontchartrain Railroad (A.K.A
Annual Neighborhood Events • August: Night Out Against Crime LIVING WITH HISTORY • October: Preservation Resource Center’s IN NEW ORLEANS’ NEIGHBORHOODS Rebuilding Together program Neighborhood Organizations eeww • Crescent City Peace Alliance NN • Faubourg Franklin Foundation rriiggnnyy • Faubourg St. Roch Improvement Association MMaa onvenient to both New Orleans’ Central 1798 Pierre Philippe de Marigny acquires Business District and the Vieux Carré, historic New Dubreuil Plantation Circle Food Store 1800 Marquis Antoine Xavier Bernard 1522 St. Bernard Avenue Marigny, also called Faubourg St. Roch, has all the Philippe de Marigny de Mandeville A TRADITION IN NEW ORLEANS makings of a desirable inherits from Pierre Philippe de Marigny We are still here and still serving the community. C downtown neighbor- 1803 Louisiana Purchase Saving You Money on Groceries 1806 Nicholas de Finiels develops street Services, Bill Payments hood. Industrialization plan for Marigny; engineer Barthelemy BellSouth • Entergy • Sewer & Water Board and flight to the suburbs Lafon contracts to lay out the street grid We Accept Payment For: hit this area hard, how- 1810 Marigny extends original subdivision, American Express E Mobil (formerly Voicestream) MCI/MCI Worldcom Wireless Ford Motor Credit asking Lafon to plot area now known Chevron Toyota Financial Services Shell Gas Card Macy’s ever, and the construc- Discover Card AT & T Target Visa Card Sam’s Club as “New Marigny” GMAC Cingular Wireless Verizon Wireless Sprint/Sprint PCS tion of I-10 over a main 1831 Pontchartrain Railroad (a.k.a. “Smoky Mervyn’s Dish Network Capital One Credit Card Texaco Sears JC Penney Dillard’s Wal-Mart thoroughfare in the Mary”), 2nd oldest railroad in U.S., opens on Elysian Fields 1960s sent many resi- 1832 World’s largest cotton press opens on dents and businesses present Press Street packing. -
How Mixed-Race Americans Navigated the Racial Codes of Antebellum America
James Madison University JMU Scholarly Commons Masters Theses, 2020-current The Graduate School 5-7-2020 Under cover of lightness: How mixed-race Americans navigated the racial codes of Antebellum America Alexander Brooks Follow this and additional works at: https://commons.lib.jmu.edu/masters202029 Part of the United States History Commons Recommended Citation Brooks, Alexander, "Under cover of lightness: How mixed-race Americans navigated the racial codes of Antebellum America" (2020). Masters Theses, 2020-current. 48. https://commons.lib.jmu.edu/masters202029/48 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses, 2020-current by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Under Cover of Lightness: How Mixed-Race Americans Navigated the Racial Codes of Antebellum America Alex Brooks A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of History May 2020 FACULTY COMMITTEE: Committee Chair: Rebecca Brannon Committee Members/ Readers: Gabrielle Lanier David Owusu-Ansah Table of Contents 1. Introduction 2. Miscegenation 3. North 4. Upper South 5. Lower South 6. 1850s Turbulence 7. Liberia 8. Conclusion ii Abstract This thesis investigates the way people of mixed “racial” ancestry—known as mulattoes in the 18th and 19th centuries—navigated life in deeply racially divided society. Even understanding “mulatto strategies” is difficult because it is to study a group shrouded in historical ambiguity by choice. -
Press Street: a Concept for Preserving, Reintroducing and Fostering Local History Brian J
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 Press Street: a concept for preserving, reintroducing and fostering local history Brian J. McBride Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Landscape Architecture Commons Recommended Citation McBride, Brian J., "Press Street: a concept for preserving, reintroducing and fostering local history" (2005). LSU Master's Theses. 2952. https://digitalcommons.lsu.edu/gradschool_theses/2952 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PRESS STREET: A CONCEPT FOR PRESERVING, REINTRODUCING, AND FOSTERING LOCAL HISTORY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agriculture and Mechanical College in partial fulfillment of the requirements for the degree of Master of Landscape Architecture in The School of Landscape Architecture by Brian J. McBride B.S., Louisiana State University, 1994 May 2005 ACKNOWLEDGMENTS The author would like to recognize a number of people for providing assistance, insight and encouragement during the research and writing of this thesis. Special thanks to the faculty and staff of the School of Landscape Architecture, especially to Max Conrad, Van Cox and Kevin Risk. To all without whom I could not have completed this process, especially my parents for their persistence; and my wife, for her continued love and support. -
Genealogical Notes
GENEALOGICAL NOTES: CONTAINING THE PEDIGREE OF THE THOMAS FAMILY, OF MARYLAND, AND OF THE FOLLOWING CONNECTED FAMILIES : SNOWDEN-BUCKLEY-LAWRENCE-CHEW- ELLICOTT HOPKINS-JOHNSON-RUTHERFURD- . FAIRFAX-SCHIEFFELIN- TYSON AND OTHERS. ILLUSTRATED BY VIEWS AND COATS OF ARMS. BY LAWRENCE BucKLEY T ROMAS. BALTIMORE: LAWRENCE B. THOMAS. 1877. CHARLES HARVEY & CO. Fl:-.E BOOK A'.'iD JOB PRI:-:TFRS. BAL TI MORE, ~tD. C.\REW C.\STLE. PREF~;\CE. This book is mainly compiled from four distinct sources of information, and is complete or the reverse, in accordance with them. These sources are the printed publications of the Record Commission of Great Britain, containing Calendars of State papers, and in some instances, full reprints of the same; the papers at. the Office for the Registry of Wills in Annapolis, Md.; the Manuscript Records of the Society of Friends in Maryland; and Family Bibles. I have also, in a few cases, been aided by the personal knowledge of living members of some of the fami_lies noticed. Where so many are concerned, it may seem invidious to select any for acknowledgment; but I must be permitted to express my feelings of especial gratitude to Mrs. Edward Snowden, of Baltimore; Mrs. Edward P. Thomas and Dr. Francis Thomas, of Montgomery Countv, Md. ; Mr. Richard L. Schieffelin, of New York; Mr. Samuel Chew, of Germantown; Mr. William G. Thomas, of Perth Amboy, N. J., and to the memory of his father, the late Philip E. Thomas, of Baltimore, whose family tree first suggested my present · book. In the course of my labors it has been necessary for me to visit members of the different families with whom I had no previous acquaintance; but, in every instance, I have been received in the most cordial manner, and every facility afforded me for making the desired researches. -
Houmas House Plantation and Gardens Beneath 200-Year-Old Live Oaks Dripping with Spanish Moss
LOUISIANA OFFICE OF TOURISM: CONTACT INFORMATION MEDIA Jay Tusa Research & Communications Director [email protected] 225.342.8142 TRAVEL TRADE Domestic Misty Shaw, APR, CDME Programs & Services Director [email protected] 225.219.9858 International Mike Prejean International Manager [email protected] 225.342.4354 STATEWIDE PROGRAM A NEW VACATION DESTINATION IS BREWING IN LOUISIANA. Beer lovers, rejoice! The fall of 2013 marked the launch of Louisiana’s Brewery Trail, a seven-stop exploration of the craft breweries that call Louisiana home. These breweries feature beers created with Louisiana’s food culture in mind—after all, what better to drink with a local dish than a local beer? The elder statesman of Louisiana’s craft breweries is Abita Brewing Company, which opened in 1986 in Abita Springs and is now the 14th-largest craft brewer in the nation. Rounding out the trail are Bayou Teche Brewing in Arnaudville, Chafunkta Brewing Company in Mandeville, Covington Brewhouse in Covington, NOLA Brewing Company in New Orleans, Parish Brewing Company in Broussard and Tin Roof Brewing Company in Baton Rouge. Each brewery on the trail allows guests to visit and sample its roster of beers, including pale ales, pilsners, strawberry beers and coffee porters. More breweries will be added soon. Check the site frequently for new experiences. Feeling thirsty? Get all the information you’ll need to set SHREVEPORT out on the Brewery Trail at www.LouisianaBrewTrail.com. HAMMOND BATON ROUGE COVINGTON ARNAUDVILLE MANDEVILLE BROUSSARD NEW ORLEANS STATEWIDE PROGRAM LOUISIANA’S AUDUBON GOLF TRAIL: 12 COURSES. 216 HOLES. 365 DAYS A YEAR. -
The Music of Louisiana: Cajuns, Creoles and Zydeco
The Music of Louisiana: Cajuns, Creoles and Zydeco Carole Poindexter-Sylvers INTRODUCTION The music and cuisine of southern Louisiana experienced a renaissance during the 1980s. Zydeco musicians and recording artists made appearances on morning talk shows, Cajun and Creole restaurants began to spring up across the nation, and celebrity chefs such Paul Prudhomme served as a catalyst for the surge in interest. What was once unknown by the majority of Americans and marginalized within the non-French speaking community in Louisiana had now become a national trend. The Acadians, originally from Acadia, Nova Scotia, were expelled from Canada and gradually became known as Cajuns. These Acadians or Cajuns proudly began teaching the lingua franca in their francophone communities as Cajun French, published children‘s books in Cajun French and school curricula in Cajun French. Courses were offered at local universities in Cajun studies and Cajun professors published scholarly works about Cajuns. Essentially, the once marginalized peasants had become legitimized. Cajuns as a people, as a culture, and as a discipline were deemed worthy of academic study stimulating even more interest. The Creoles of color (referring to light-skinned, French-speaking Negroid people born in Louisiana or the French West Indies), on the other hand, were not acknowledged to the same degree as the Cajuns for their autonomy. It would probably be safe to assume that many people outside of the state of Louisiana do not know that there is a difference between Cajuns and Creoles – that they are a homogeneous ethnic or cultural group. Creoles of color and Louisiana Afro-Francophones have been lumped together with African American culture and folkways or southern folk culture. -
Resituating Transatlantic Opera: the Case of the Théâtre D'orléans, New
Resituating Transatlantic Opera: The Case of the Théâtre d’Orléans, New Orleans, 1819–1859 Charlotte Alice Bentley Emmanuel College October 2017 This dissertation is submitted for the degree of Doctor of Philosophy ABSTRACT This thesis examines the production and reception of French opera in New Orleans in the first half of the nineteenth century, through a focus on the city’s principal French-language theatre from 1819 to 1859, the Théâtre d’Orléans. Building on the small body of existing scholarship concerning the theatre’s history and repertoire, here I draw upon a greatly expanded range of sources—including court cases, sheet music, and novels—in order to understand more about the ways in which operatic culture shaped and was shaped by city life in this period. New Orleans’s operatic life relied on transatlantic networks of people and materials in order to thrive, and this thesis explores the city’s place within growing global operatic systems in the nineteenth century. The five chapters each reflect on different aspects of operatic translocation and its significance for New Orleans. The first two argue for the centrality of human agency to the development of transatlantic networks of production and performance by examining the management of the theatre and the international movement of singers in turn. Chapter 3 investigates the impact of French grand opéra on New Orleans, arguing that the genre provided a focus for the negotiation of local, national, and international identities among opposing critical (and linguistic) factions within the city, while also providing an impetus for the development of a material culture of opera. -
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Mardi Gras Gangnam Style There’s a galloping dance (and accompanying song) that has been sweeping the nation. “Gangnam Style” by South Korean recording artist PSY became the first online video to receive a billion Internet hits on December 21, 2012. Released the previous July, the music video shows PSY performing an outrageously funny horse-riding dance while wearing several “classy” suits and black sunglasses. During his efforts to create such a comical dance, PSY tried out various “cheesy” animal-oriented dance moves (even pandas and kangaroos) before settling on a galloping horse, which involves simulating the riding of a horse, with hands atop an imaginary pommel, imitating holding the reins and twirling a lasso while alternately working the legs into a shuffling side gallop. Seoul’s “Gangnam District” is a hip and trendy area to live. PSY has said that the mindset of his dance is “Dress classy and dance cheesy”. The song pokes fun at those who try to be “classy”, but aren’t really. After “The Twist”, Chubby Checker brought the world “The Pony” with his 1961 Number One hit “Pony Time”. But “Gangnam Style” and “Pony Time” were not the first time dancers galloped joyfully. It happened in Paris and New Orleans in the 1830s and 1840s. Further information on this popular New Orleans form of Mardi Gras horseplay shall be forthcoming. The celebration of Mardi Gras (Fat Tuesday) arrived in Louisiana with two Canadian brothers, Pierre Le Moyne, Sieur d’Iberville and Jean- Baptiste Le Moyne, Sieur de Bienville. -
Louisiana State Parks Fontainbleau
Louisiana State Parks Fontainbleau Prepared for: Louisiana Department of Culture, Recreation and Tourism The Louisiana Research Team Fontainbleau ECONOMIC ANALYSIS FOUNTAINBLEAU STATE PARK (2004-05) Number of overnight visitors 106,788 Number of day use visitors 106,171 Number of employees - regular 9 Number of employees - peak 20 ECONOMIC IMPACT OF FOUNTAINBLEAU STATE PARK Park visit related spending by out of state visitors in Louisiana businesses $2,055,679 Spending by out of state visitors in park $179,114 Total primary spending by out of state visitors in LA $2,234,793 Secondary economic impact of out of state visitor spending $2,346,533 Total Economic Impact $4,581,326 Earnings for local workers generated by out of state visitors $1,483,903 Jobs generated by out of state visitors 71 LOUISIANA RESIDENT SPENDING Park visit related spending by Louisiana residents in Louisiana businesses $2,003,119 Spending by Louisiana residents in state park $274,340 Total Spending by Louisiana Residents $ 2,277,459 RETURN ON INVESTMENT Direct spending by park visitors (A) $4,512,252 Direct operating expenses (B) $1,140,992 Return on Operating Expenses (A/B) $3.95 1 Fontainbleau The following tables show the overall results of the survey of visitors who stayed overnight at Fontainebleau State Park. Are you a Louisiana resident? Table 1 Response Percentage Yes 60.5% No 39.5% Total 100.0% Was this your first visit to this park? Table 2 Response Percentage Yes 31.0% No 69.0% Total 100.0% 2 Fontainbleau How many nights did you and your party spend at this Louisiana state park? Table 3 Response Percentage 0 nights 1.8% 1-3 nights 71.9% 4-9 nights 21.9% 10+ nights 4.5% Total 100.0% What did you like best about this state park? Table 4 Response Percentage Clean/Good Facilities 16.5% Relaxing Atmosphere 23.9% Nature/Outdoor environment 40.4% Accessibility 13.8% Other 5.5% Total 100.0% 3 Fontainbleau What did you like least about this state park? Table 5 Response Percentage Nothing to dislike 37.3% Mosquitoes, flies, ants, bees etc. -
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions by Ned Hémard
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard The Creole Virtues … and Vices Much has been brought up, grown up or arisen in New Orleans, the metropolis known as the Crescent City. The word crescent itself is derived from the Latin crescere, a form of the verb meaning “to grow, to become visible, to spring from, to come forth, to increase, to thrive or to augment.” This came to apply to the “increasing” form of the waxing moon (luna crescens). In English, the word is now commonly used to refer to either the moon’s waxing, or waning, shape. From there, it was only a matter of time before it would be used to describe other things with that shape, such as croissants or bends in the river, as in the case of New Orleans. But the crescent symbol was in use long before that, appearing on Akkadian seals as early as 2300 BC. That’s Akkadian, not Acadian, chèr. A crescent sail on the Mississippi, March 30, 1861, Harper’s Weekly: “one can perceive the peculiar conformation from which New Orleans derives its popular appellation of ‘The Crescent City.’” The word Créole has “brought up” quite a bit of controversy in its “upbringing”. Confusion continues to exist as to its meaning with regard to race or European heritage. The French word créole, from the Spanish criollo, meaning a person native to a locality, comes from the Portuguese crioulo, the diminutive of cria, a person raised in the house, especially a servant, from criar, to bring up, ultimately from the Latin verb creare, meaning to create or beget.