The BG News February 28, 1980
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Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] The Kinks At The BBC (Box – lim. Import) VÖ: 14. August 2012 CD1 10. I'm A Lover, Not A Fighter - Saturday Club - Piccadilly Studios, 1964 1. Interview: Meet The Kinks ' Saturday Club 11. Interview: Ray Talks About The USA ' -The Playhouse Theatre, 1964 Saturday Club - Piccadilly Studios, 1964 2. Cadillac ' Saturday Club - The Playhouse 12. I've Got That Feeling ' Saturday Club - Theatre, 1964 Piccadilly Studios, 1964 3. Interview: Ray Talks About 'You Really Got 13. All Day And All Of The Night ' Saturday Club Me' ' Saturday Club The Playhouse Theatre, - Piccadilly Studios, 1964 1964 14. You Shouldn't Be Sad ' Saturday Club - 4. You Really Got Me ' Saturday Club - The Maida Vale Studios, 1965 Playhouse Theatre, September 1964 15. Interview: Ray Talks About Records ' 5. Little Queenie ' Saturday Club - The Saturday Club - Maida Vale Studios, 1965 Playhouse Theatre, 1964 16. Tired Of Waiting For You - Saturday Club - 6. I'm A Lover Not A Fighter ' Top Gear - The Maida Vale Studios, 1965 Playhouse Theatre, 1964 17. Everybody's Gonna Be Happy ' Saturday 7. Interview: The Shaggy Set ' Top Gear - The Club -Maida Vale Studios, 1965 Playhouse Theatre, 1964 18. This Strange Effect ' 'You Really Got.' - 8. You Really Got Me ' Top Gear - The Aeolian Hall, 1965 Playhouse Theatre, October 1964 19. Interview: Ray Talks About "See My Friends" 9. All Day And All Of The Night ' Top Gear - The ' 'You Really Got.' Aeolian Hall, 1965 Playhouse Theatre, 1964 20. See My Friends ' 'You Really Got.' Aeolian Hall, 1965 1969 21. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
How Burnt Are You? Too Many Exams, Too Many Classes,Too M Any, Too M Uch, Too Late Ell, It’S That Time of the Year Again
University of Bridgeport VoL 2, No. 14 December 16, 1982 25 C e n ts How Burnt Are You? Too many exams, too many classes,too m any, too m uch, too late ell, it’s that time of the year again. SCORING KEY 11. feel bored? No, I’m not just ta lk in g about Christ O ften -2 12. “need a drink” at the end of the day? W m as! I ’m ta lk in g about finals! It’s ac Sometimes-1 13. feel as though what you do makes no tually here, the end of the 1982 fall semes N ever-0 difference? ter, and you are probably really burnt out 14. get more satisfaction from work than either from studying or a little too much par D o Y o u : from personal life? tying. But whatever the situation may be, 1. feel tired most of the time? 15. feel stale and uncreative in your work? the results are still the same. 2. smoke more? 16. give up on reading the professional W ell, at the Scribe we decided to give you 3. over or under-eat? literature? another test. Don’t worry, you won’t have to 4. suffer from frequent colds? 17. need more sleep than usual? pull any all-nighters to do this one. This test 5. “have to have’’ 3 or more cups of coffee to 18. have trouble sleeping? is called the Burn-out checklist. It was given get moving in the morning? 19. have difficulty concentrating when at an RA inservice meeting. -
OMNI Magazine, Captured on Film by Photographer PO
THE STAR ENGINE: UPHILL SKIING: THE LYING IN WAIT ALL-NEW SPORT FOR HALLEY'S COMET OF GRAVITY EVASION SPACEWALKING HOW OBSOLETE IS AT17000 MPH MODERN MEDICINE? THE VISIONARY WORLD GAMES TO PLAY OF THEODORE STURGEON ON YOUR CALCULATOR alb Dnnrui'FEBRUARY 1980 EDITOR & DESIGN DIRECTOR: BOB GUCCIONE EXECUTIVE EDITOR' BEN BOVA ART DIRECTOR: FRANK DEVINO MANAGING EDITOR. J. ANDERSON DORMAN FICTION EDITOR: ROBERT SHECKLEY EUROPEAN EDITOR. DR. BERNARD DIXON DIRECTOR OF ADVERTISING: BEVERLEY WARDALE EXECUTIVE VICE-PRESIDENT: IRWIN E BILLMAN ASSOCIATE PUBLISHER: KATHY KEETON ASSOCIATE PUBLISHER (INT'L): FRANCO ROSSELLIN CONTENTS PAGE FIRST WORD Opinion Ben Bova 6 OMNIBUS Contributors 8 COMMUNICATIONS Correspondence 10 FORUM Dialogue 14 EARTH Environment Kenneth Brower 17 SPACE Astronomy MarkR. Chartrand II 20 LIFE Biomedicine Bernard Dixon 22 FILM The Arts James Delson 24 MUSIC The Arts Sam Bruskin 26 UFO UPDATE Report James Oberg 32 CONTINUUM Data Bank 35 ORTHOHEALING Article Belinda Dumont 44 MESSAGE FROM EARTH Fiction an Stewart 50 COMET CATCHER Article Robert L. Forward 54 WHY DOLPHINS DONT BITE Fiction Theodore Sturgeon 62 INFINITE VOYAGER Pictorial ' F C. Durant III 68 ARNO PENZIAS Interview Monte Davis 78 UPHILL SKIING Pictorial Matthias Wendt 82 THE PRESIDENT'S IMAGE Fiction Stephen Robinett 88 FUTURE CURVES Article Bernard Dixon and John Gribbin 92 PEOPLE Names and Faces Dick Teresi 119 EXPLORATIONS Travel K. C. Cole 123 COMPUTER GRAPHICS Phenomena 126 GAMES Diversions Scot Morns 128 LAST WORD Opinion Daniel S. Greenberg 130 PHOTO CREDITS 124 :;>- P..c ln.emator.3l L;;:l Ah ngnts reserved Cover art for this month's Omni OMNI, 1980 (ISSN 0149-8711). -
Men's Basketball Decade Info 1910 Marshall Series Began 1912-13
Men’s Basketball Decade Info 1910 Marshall series began 1912-13 Beckleheimer NOTE Beckleheimer was a three sport letterwinner at Morris Harvey College. Possibly the first in school history. 1913-14 5-3 Wesley Alderman ROSTER C. Fulton, Taylor, B. Fulton, Jack Latterner, Beckelheimer, Bolden, Coon HIGHLIGHTED OPPONENT Played Marshall, (19-42). NOTE According to the 1914 Yearbook: “Latterner best basketball man in the state” PHOTO Team photo: 1914 Yearbook, pg. 107 flickr.com UC sports archives 1917-18 8-2 Herman Beckleheimer ROSTER Golden Land, Walter Walker HIGHLIGHTED OPPONENT Swept Marshall 1918-19 ROSTER Watson Haws, Rollin Withrow, Golden Land, Walter Walker 1919-20 11-10 W.W. Lovell ROSTER Watson Haws 188 points Golden Land Hollis Westfall Harvey Fife Rollin Withrow Jones, Cano, Hansford, Lambert, Lantz, Thompson, Bivins NOTE Played first full college schedule. (Previous to this season, opponents were a mix from colleges, high schools and independent teams.) 1920-21 8-4 E.M. “Brownie” Fulton ROSTER Land, Watson Haws, Lantz, Arthur Rezzonico, Hollis Westfall, Coon HIGHLIGHTED OPPONENT Won two out of three vs. Marshall, (25-21, 33-16, 21-29) 1921-22 5-9 Beckleheimer ROSTER Watson Haws, Lantz, Coon, Fife, Plymale, Hollis Westfall, Shannon, Sayre, Delaney HIGHLIGHTED OPPONENT Played Virginia Tech, (22-34) PHOTO Team photo: The Lamp, May 1972, pg. 7 Watson Haws: The Lamp, May 1972, front cover 1922-23 4-11 Beckleheimer ROSTER H.C. Lantz, Westfall, Rezzonico, Leman, Hager, Delaney, Chard, Jones, Green. PHOTO Team photo: 1923 Yearbook, pg. 107 Individual photos: 1923 Yearbook, pg. 109 1923-24 ROSTER Lantz, Rezzonico, Hager, King, Chard, Chapman NOTE West Virginia Conference first year, Morris Harvey College one of three charter members. -
Public Taste: a Comparison of Movie Popularity and Critical Opinion
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1982 Public taste: A comparison of movie popularity and critical opinion R. Claiborne Riley College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Film and Media Studies Commons Recommended Citation Riley, R. Claiborne, "Public taste: A comparison of movie popularity and critical opinion" (1982). Dissertations, Theses, and Masters Projects. Paper 1539625207. https://dx.doi.org/doi:10.21220/s2-hqz7-rj05 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. PUBLIC TASTE: A COMPARISON OF MOVIE u POPULARITY AND CRITICAL OPINION A Thesis Presented to The Faculty of the Department of Sociology The College of William, and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by R. Claiborne Riley 1982 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts R. Claiborne Riley Approved, September 1982 r**1. r i m f Satoshi Ito JL R. Wayne Kernodle Marion G. Vanfossen TABLE OF CONTENTS Page ACKNOWLEDGMENTS .......... iv LIST OF TABLES . ..... .... ..................... v ABSTRACT .......... '......... vi INTRODUCTION .......... ...... 2 Chapter I. THE MOVIES: AN HISTORICAL PERSPECTIVE .............. 6 Chapter II. THE AUDIENCE ........................................ 51 Chapter III. THE C R I T I C ............ 61 Chapter IV. THE WANDERER STUDY AND DUMAZEDIER ON MOVIES AND LEISURE ....... -
October 9, 2012 (XXV:6) David Miller, LONELY ARE the BRAVE (1962, 107 Min)
October 9, 2012 (XXV:6) David Miller, LONELY ARE THE BRAVE (1962, 107 min) Directed by David Miller Screenplay by Dalton Trumbo Based on the novel, The Brave Cowboy, by Edward Abbey Produced by Edward Lewis Original Music by Jerry Goldsmith Cinematography by Philip H. Lathrop Film Editing by Leon Barsha Art Direction by Alexander Golitzen and Robert Emmet Smith Set Decoration by George Milo Makeup by Larry Germain, Dave Grayson, and Bud Westmore Kirk Douglas…John W. "Jack" Burns Gena Rowlands…Jerry Bondi Walter Matthau…Sheriff Morey Johnson Michael Kane…Paul Bondi Carroll O'Connor…Hinton William Schallert…Harry George Kennedy…Deputy Sheriff Gutierrez Karl Swenson…Rev. Hoskins William Mims…First Deputy Arraigning Burns Martin Garralaga…Old Man Lalo Rios…Prisoner Bill Bixby…Airman in Helicopter Bill Raisch…One Arm Table Tennis, 1936 Let's Dance, 1935 A Sports Parade Subject: Crew DAVID MILLER (November 28, 1909, Paterson, New Jersey – April Racing, and 1935 Trained Hoofs. 14, 1992, Los Angeles, California) has 52 directing credits, among them 1981 “Goldie and the Boxer Go to Hollywood”, 1979 “Goldie DALTON TRUMBO (James Dalton Trumbo, December 9, 1905, and the Boxer”, 1979 “Love for Rent”, 1979 “The Best Place to Be”, Montrose, Colorado – September 10, 1976, Los Angeles, California) 1976 Bittersweet Love, 1973 Executive Action, 1969 Hail, Hero!, won best writing Oscars for The Brave One (1956) and Roman 1968 Hammerhead, 1963 Captain Newman, M.D., 1962 Lonely Are Holiday (1953). He was blacklisted for many years and, until Kirk the Brave, 1961 Back Street, 1960 Midnight Lace, 1959 Happy Douglas insisted he be given screen credit for Spartacus was often to Anniversary, 1957 The Story of Esther Costello, 1956 Diane, 1951 write under a pseudonym. -
Conference Program July 26-29, 2021 | Pacific Daylight Time 2021 Asee Virtual Conference President’S Welcome
CONFERENCE PROGRAM JULY 26-29, 2021 | PACIFIC DAYLIGHT TIME 2021 ASEE VIRTUAL CONFERENCE PRESIDENT’S WELCOME SMALL SCREEN, SAME BOLD IDEAS It is my honor, as ASEE President, to welcome you to the 128th ASEE Annual Conference. This will be our second and, almost certainly, final virtual conference. While we know there are limits to a virtual platform, by now we’ve learned to navigate online events to make the most of our experience. Last year’s ASEE Annual Conference was a success by almost any measure, and all of us—ASEE staff, leaders, volunteers, and you, our attendees—contributed to a great meeting. We are confident that this year’s event will be even better. Whether attending in person or on a computer, one thing remains the same, and that’s the tremendous amount of great content that ASEE’s Annual Conference unfailingly delivers. From our fantastic plenary speakers, paper presentations, and technical sessions to our inspiring lineup of Distinguished Lectures and panel discussions, you will have many learning opportunities and take-aways. I hope you enjoy this week’s events and please feel free to “find” me and reach out with any questions or comments! Sincerely, SHERYL SORBY ASEE President 2020-2021 2 Schedule subject to change. Please go to https://2021asee.pathable.co/ for up-to-date information. 2021 ASEE VIRTUAL CONFERENCE TABLE OF CONTENTS 2021 ASEE VIRTUAL CONFERENCE AND EXPOSITION PROGRAM ASEE BOARD OF DIRECTORS ................................................................................4 CONFERENCE-AT-A-GLANCE ................................................................................6 -
Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract. -
Year-End Edition 2006 Mediabase Overall Label Share 2006
MEDIABASE YEAR-END EDITION 2006 MEDIABASE OVERALL LABEL SHARE 2006 ISLAND DEF JAM TOP LABEL IN 2006 Atlantic, Interscope, Zomba, and RCA Round Out The Top Five Island Def Jam Music Group is this year’s #1 label, according to Mediabase’s annual year-end airplay recap. Led by such acts as Nickelback, Ludacris, Ne-Yo, and Rihanna, IDJMG topped all labels with a 14.1% share of the total airplay pie. Island Def Jam is the #1 label at Top 40 and Hot AC, coming in second at Rhythmic, Urban, Urban AC, Mainstream Rock, and Active Rock, and ranking at #3 at Alternative. Atlantic was second with a 12.0% share. Atlantic had huge hits from the likes of James Blunt, Sean Paul, Yung Joc, Cassie, and Rob Thomas -- who all scored huge airplay at multiple formats. Atlantic ranks #1 at Rhythmic and Urban, second at Top 40 and AC, and third at Hot AC and Mainstream Rock. Atlantic did all of this separately from sister label Lava, who actually broke the top 15 labels thanks to Gnarls Barkley and Buckcherry. Always powerful Interscope was third with 8.4%. Interscope was #1 at Alternative, second at Top 40 and Triple A, and fifth at Rhythmic. Interscope was led byAll-American Rejects, Black Eyed Peas, Fergie, and Nine Inch Nails. Zomba posted a very strong fourth place showing. The label group garnered an 8.0% market share, with massive hits from Justin Timberlake, Three Days Grace, Tool and Chris Brown, along with the year’s #1 Urban AC hit from Anthony Hamilton. -
STANLEY DONEN Chantons Sous La Pluie
STANLEY DONEN Chantons sous la pluie DOSSIER 150 COLLÈGE AU CINÉMA SYNOPSIS En 1927, l’acteur de cinéma Don Lockwood et sa partenaire Lina Lamont assistent à la première de leur nouveau film à Hollywood. Malgré ce qu’il raconte alors au public sur sa carrière et son sens de la dignité, Don a fait beaucoup de compromissions avant de devenir une star. Avec son ami Cosmo Brown, il a tenté de s’imposer au music-hall, puis a débuté obscu- rément au cinéma comme cascadeur jusqu’à ce que le producteur Simpson des studios Monumental Pictures le remarque et fasse de lui le partenaire de la blonde Lina Lamont, aussi belle qu’idiote. Le service de presse du studio les a fiancés pour des raisons publicitaires. L’écervelée Lina croit que leur amour est réel, alors que Don la déteste et ne joue le jeu du couple que pour la galerie et les magazines. Jusqu’au jour où il est séduit par une jeune danseuse inconnue : Kathy Selden. Les dossiers ainsi que des rubriques audiovisuelles Suite au succès du premier film parlant, Don et Lina tournent une production sont disponibles sur le site internet : selon ce procédé, mais l’actrice se révèle incapable de se plier à cette nou- www.transmettrelecinema.com Base de données et lieu interactif, ce site, conçu velle technique. La projection publique est un désastre à cause de la voix de avec le soutien du CNC, est un outil au service crécelle de Lina et des déficiences techniques sur le plan sonore. C’est alors des actions pédagogiques, et de la diffusion d’une culture cinématographique destinée à un que Kathy, Don et Cosmo ont l’idée de transformer ce film de cape et d’épée large public. -
Satisfaction Rolling Stones 1965 3 American Pie Don Mclean 1972 4
AS VOTED AT OLDIESBOARD.COM 10/30/17 THROUGH 12/4/17 CONGRATULATIONS TO “HEY JUDE”, THE #1 SELECTION FOR THE 19 TH TIME IN 20 YEARS! Ti tle Artist Year 1 Hey Jude Beatles 1968 2 (I Can’t Get No) Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 Light My Fire Doors 1967 5 In The Still Of The Nite Five Satins 1956 6 I Want To Hold Your Hand Beatles 1964 7 MacArthur Park Richard Harris 1968 8 Rag Doll Four Seasons 1964 9 God Only Knows Beach Boys 1966 10 Ain't No Mount ain High Enough Diana Ross 1970 11 Bridge Over Troubled Water Simon and Garfunkel 1970 12 Because Dave Clark Five 1964 13 Good Vibrations Beach Boys 1966 14 Cherish Association 1966 15 She Loves You Beatles 1964 16 Hotel California Eagles 1977 17 St airway To Heaven Led Zeppelin 1971 18 Born To Run Bruce Springsteen 1975 19 My Girl Temptations 1965 20 Let It Be Beatles 1970 21 Be My Baby Ronettes 1963 22 Downtown Petula Clark 1965 23 Since I Don't Have You Skyliners 1959 24 To Sir With Love Lul u 1967 25 Brandy (You're A Fine Girl) Looking Glass 1972 26 Suspicious Minds Elvis Presley 1969 27 You've Lost That Lovin' Feelin' Righteous Brothers 1965 28 You Really Got Me Kinks 19 64 29 Wichita Lineman Glen Campbell 1968 30 The Rain The Park & Ot her Things Cowsills 1967 31 A Hard Day's Night Beatles 1964 32 A Day In The Life Beatles 1967 33 Rock Around The Clock Bill Haley & His Comets 1955 34 Imagine John Lennon 1971 35 I Only Have Eyes For You Flamingos 1959 36 Waterloo Sunset Kinks 1967 37 Bohemian Rhapsody Queen 76 -92 38 Sugar Sugar Archies 1969 39 What's