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RAPE MYTHS in the LOCAL and NATIONAL NEWSPAPER COVERAGE of the BROCK TURNER CASE by Juana Campos a Thesis Submitted to the Depar
Running head: RAPE MYTHS IN THE NEWSPAPER COVERAGE OF THE BROCK TURNER CASE RAPE MYTHS IN THE LOCAL AND NATIONAL NEWSPAPER COVERAGE OF THE BROCK TURNER CASE by Juana Campos A thesis submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Sociology Chair of Committee: Samantha S. Kwan, Ph.D. Committee Member: Amanda Baumle, Ph.D. Committee Member: Jennifer Arney, Ph.D. University of Houston December 2020 RAPE MYTHS IN THE NEWSPAPER COVERAGE OF THE BROCK TURNER CASE Copyright 2020, Juana Campos ii RAPE MYTHS IN THE NEWSPAPER COVERAGE OF THE BROCK TURNER CASE ACKNOWLEDGMENTS First, I would like to thank my committee chair, Dr. Samantha Kwan not only for her expertise and feedback but also for her understanding, empathy, and support during rough times. Without her guidance, I don’t think I could have pushed through to finish these last steps in my thesis. Additionally, I would like to thank Dr. Amanda Baumle and Dr. Jennifer Arney for their time, patience, and feedback. For funding, I would like to thank the Department of Women and Gender Studies for awarding me the Blanche Epsy Chenoweth Graduate Fellowship. I would also like to the Department of Sociology for awarding me their Department Research Grant. Their funding made it possible for me to fund my education and the additional coder. Last but certainly not least, I am thankful for the generous support from my friends and family. Thank you for lending me your wifi and your support. iii RAPE MYTHS IN THE NEWSPAPER COVERAGE OF THE BROCK TURNER CASE ABSTRACT Rape myths are false claims that pardon perpetrators, blame victims, and justify sexual assault. -
John Zurier in Berkeley,” San Francisco Chronicle, October 21 Baker, Kenneth
GALLERY PETER BLUM JOHN ZURIER PETER BLUM GALLERY JOHN ZURIER Born 1956 in Santa Monica, CA Lives and works in Berkeley, CA and Reykjavik, Iceland EDUCATION 1974 – 1984 University of California at Berkeley BA 1979 in Landscape Architecture; MFA 1984 in Painting SELECTED SOLO EXHIBITIONS 2019 North from Here, Peter Blum Gallery, New York, NY Places and Things, Galerie Nordenhake, Stockholm, Sweden 2018 Etchings and Monotypes, Borch Gallery, Berlin, Germany A Mind of Winter, Galerie Nordenhake, Berlin, Germany Sometimes (Over me the mountain), BERG Contemporary, Reykjavík, Iceland 2017 Stars Without Distance, Peter Blum Gallery, New York, NY At the very end of the blue sky, The Club, Tokyo, Japan John Zurier, Galleri Opdahl, Stavanger, Norway Dust and Troubled Air, Anglim Gilbert Gallery, San Francisco, CA 2016 The Last Summer Light, Office Baroque, Brussels, Belgium John Zurier: Summer Book, Niels Borch Jensen, Berlin, Germany John Zurier and Friends, Crown Point Press, San Francisco, CA Recent Watercolors, Lawrence Markey, San Antonio, Texas East, Galerie Nordenhake, Berlin, Germany 2015 John Zurier: Watercolors, Galleri Gangur (The Corridor), Reykjavik, Iceland Between North and Night, Galerie Nordenhake, Stockholm, Sweden West of the Future, Peter Blum Gallery, New York, NY 2014 John Zurier: Matrix 255, Berkeley Art Museum, Berkeley, CA Recent Paintings, Lawrence Markey, San Antonio, TX 2013 Knowledge is a blue naiveté, Galerie Nordenhake, Berlin, Germany A spring a thousand years ago, Peter Blum Gallery, New York, NY John Zurier: Watercolors, -
Knowing Her Name: the Framing of Sexual Assault Victims and Assailants in News Media
Knowing Her Name: The Framing of Sexual Assault Victims and Assailants in News Media Headlines A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Communication, College of Arts and Sciences by Tessa Webb B.A. University of Cincinnati, December 2017 Advisor: Nancy Jennings, PhD. Committee: Omotayo Banjo, PhD. and Ronald Jackson, III, PhD. Abstract: By examining how attribution of responsibility is constructed by public opinion, this research determines the discrepancy in the presence of the victim and their sexual assailant in news media headlines. This research is based in the theoretical framework of framing, which will be used to evaluate how electronic news media sources portray these stories and the ways in which they possibly alter truth through agenda setting and priming. Rape myths grow within our society through repetition, so the theoretical basis of the cumulative and cognitive-transactional model of media effects will be utilized in order to focus on the consonance and repetition of themes and messages that occur across media content. A content analysis will examine the ways in which electronic news media headlines are more likely to utilize language of support and use more description for the sexual assailant, as opposed to their victim. Content analyzed will include electronic news media headlines related to the Stanford sexual assault trial. ii iii Acknowledgments: I would first like to acknowledge the support of my advisor, Dr. Nancy Jennings. Your patience and support are the reason why I survived such a harsh topic of research. -
Charles Arnoldi
CHARLES ARNOLDI CONTENTS Biography 2 One Artist Exhibitions 2 Selected Group Exhibitions 4 Awards 11 Public Collections 11 Books & Exhibition Catalogues 12 Selected Bibliography 14 2525 Michigan Ave. B4, Santa Monica, CA 90404 | t. 310.828.8488 | f. 310.828.1075 | www.rosamundfelsen.com | [email protected] 1 BIOGRAPHY 1946 Born, Dayton, Ohio 1968 Attended Chouinard Art Institute, Los Angeles Lives in Malibu, CA ONE ARTIST EXHIBITIONS 1971 Riko Mizuno Gallery, Los Angeles. 1972 Texas Gallery, Houston. 1974 Nicholas Wilder Gallery, Los Angeles. 1975 Nicholas Wilder Gallery, Los Angeles. 1976 Seattle Art Museum, Seattle, WA. 1977 Nicholas Wilder Gallery, Los Angeles. Texas Gallery, Houston. 1978 Nicholas Wilder Gallery, Los Angeles. Robert Elkon Gallery, New York. 1979 Texas Gallery, Houston. Nicholas Wilder Gallery, Los Angeles. Dobrick Gallery, Chicago. Robert Elkon Gallery, New York. 1980 James Corcoran Gallery, Los Angeles. 1981 Hansen Fuller Goldeen Gallery, San Francisco. Texas Gallery, Houston. James Corcoran Gallery, Los Angeles. 1982 James Corcoran Gallery, Los Angeles. 1983 Texas Gallery, Houston. James Corcoran Gallery, Los Angeles. 1984 “Charles Arnoldi: Unique Prints,” Los Angeles County Museum of Art, Los Angeles (catalogue). James Corcoran Gallery, Los Angeles. 1985 Fuller Goldeen Gallery, San Francisco. Thomas Babeor Gallery, La Jolla, CA. Charles Cowles Gallery, New York. James Corcoran Gallery, Los Angeles. 1986 New City Editions, Venice, CA. Charles Cowles Gallery, New York. Pamela Auchincloss Gallery, Santa Barbara, CA. Janie Beggs Gallery, Aspen, CO. “Arnoldi: Recent Paintings,” Univ. of Missouri-Kansas City Gallery of Art, Kansas City, MO (catalogue). 1986 “Arnoldi, A Survey: 1971-1986,” Arts Club of Chicago, Chicago. 1987 Fuller Goldeen Gallery, San Francisco. -
Sean Scully, 1945 —
Sean Scully, 1945 — Sean Scully (b. 1945, Dublin, Ireland) is an American-Irish artist who is internationally recognised for his distinctive abstract compositions that interrogate the properties of light, colour and form. Scully studied painting at Croydon College of Art, London and Newcastle University, UK, where he began to work in abstraction. During a trip to Morocco in 1969, Scully was strongly influenced by the local textiles and rich colours of the region, which he translated into the broad horizontal stripes and deep earth tones that characterise his mature style. Scully’s travels throughout Morocco and Mexico would also prompt his decision to move from Minimalism to a more emotional and humanistic form of abstraction. Following fellowships in 1972 and 1975 at Harvard University, Scully’s paintings became increasingly monumental and sculptural, consisting of interconnected three-dimensional panels that anticipated his later sculpture practice. In 1984 he began to develop the Wall of Light series, replacing the precise stripes of his early paintings with solid blocks of colour, built with increasingly loose and feathered brushstrokes into vertical and horizontal ‘bricks’ that suggest a wall of stone. Subtle differences in colour in the paintings indicate the location in which they were created, the changing seasons and the artist’s own emotions. This series formed the subject of a major touring exhibition at The Metropolitan Museum of Art, New York in 2007. In 1984 Scully achieved international breakthrough through his inclusion in the major group exhibition An International Survey of Recent Painting and Sculpture at the Museum of Modern Art, New York. -
1 Born 1956 Santa Fe, New Mexico Education 1978 Harvard University
Born 1956 Santa Fe, New Mexico Education 1978 Harvard University, Cambridge, Massachusetts. Bachelor of Arts Solo Exhibitions 2016 Black on Bone, Sophia Contemporary Gallery, London, England Constructions/Construcoes Mercedes Viegas Arte Contemporanea, Brazil Concealed to Revealed, Octavia Art Gallery, New Orleans, LI 2015 Mercedes Viegas Arte Contemporanea, Rio de Janeiro, Brazil 2014 John Berggruen Gallery, San Francisco, CA Galleri Weinberger, Copenhagen, Denmark 2013 Quintenz Gallery & David Floria, Aspen, CO 2012 James Kelly Contemporary, Santa Fe, NM 2010 Spazio Bianco - Relais San Maurizio/ AR Contemporary Art, Italy 2009 John Berggruen Gallery, San Francisco, CA 2008 Leslie Feely Fine Art, New York, NY Robert Kelly /Mel Kendrick, David Floria Gallery, Aspen, CO 2007 Linda Durham Contemporary Art, Galisteo, NM Tres Americas, Galeria Emma Molina, Monterrey, Mexico David Floria Gallery, Aspen, CO 2006 Bentley Gallery, Scottsdale, AZ Barbara Davis Gallery, Houston, TX 2005 AR Contemporary Art, Milan, Italy Bentley Gallery, Scottsdale, AZ Doug Udell Gallery, Edmonton, Alberta 2004 Linda Durham Contemporary Art, Santa Fe, NM John Berggruen Gallery, San Francisco, CA Anne Reed Gallery, Ketchum, ID 2003 Linda Durham Contemporary Art, New York, NY Scott White Contemporary Art, La Jolla, CA 2002 John Berggruen Gallery, San Francisco, CA Anne Reed Gallery, Ketchum, ID- Bentley Gallery, Scottsdale, AZ Doug Udell Gallery, Vancouver, BC, Canada 2001 Linda Durham Contemporary Art, Galisteo, NM 2000 John Berggruen Gallery, San Francisco, CA Bentley -
Sean Scully What
W H A T ’ S U P | H O N G K O N G SEAN SCULLY SEAN SCULLY BIOGRAPHY Born 1945 Dublin 1962–1965 The Central School of Art, London 1965–1968 Croydon College of Art, London 1968–1972 Bachelor of Arts, Newcastle University, England Lives and works in New York and Munich SOLO EXHIBITIONS 2020 Sean Scully, Philadelphia Museum of Art, Philadelphia, Pennsylvania (forthcoming) 2019 Sean Scully: Eleuthera, The Albertina Museum, Vienna, Austria (6/7– 9/8/2018) Sea Star: Sean Scully, National Gallery of Art, London (4/15–8/11/2019) 2018 THE LAND / THE LINE, Kerlin Gallery, Dublin, Ireland (10/5–11/17/2018) Uninsideout, Blain|Southern, London (10/3–11/17/2018) Sean Scully, curated by Mattijs Visser, Tehran Museum of Contemporary Art, Tehran, Iran (October 2018) Sean Scully: Inside Outside, Longside Gallery and Open Air, Yorkshire Sculpture Park, Wakefield, United Kingdom (9/29/2018–1/6/2019) Sean Scully: Landline, Hirshhorn Museum & Sculpture Garden, Washington, D.C. (9/13/2018–2/3/2019); traveling to The Wadsworth Atheneum, Hartford, Connecticut (2/23–5/19/2019) Sean Scully. Selected Prints – Etchings and Lithographs, Galerie Boisseré, Cologne, Germany (9/7–10/27/2018) Beyond Borders, Villa Empain, Foundation Boghossian, Brussels, Belgium (9/6/2018–2/24/2019) Sean Scully: Human Heart Spirit, Forte Belvedere, Florence, Italy; Museo Novecento, Milan, Italy; Museo Uffizi, Florence, Italy (June 2018) Sean Scully: Landlines and Other Recent Works, De Pont Museum, Tilburg, Netherlands (4/21–8/26/2018) Sean Scully, Kewenig Galerie, Berlin Sean Scully: Standing -
Sean Scully Selected Solo Exhibitions
Sean Scully Lives and works in New York and Germany 1968-72 Newcastle University, Newcastle, UK 1965-68 Croydon College of Art, London, UK 1962-65 Central School of Art, London, UK 1945 Born in Dublin, Ireland Selected Solo Exhibitions 2021 'Sean Scully: Passenger – A Retrospective,' Benaki Museum, Athens, Greece (Forthcoming) 'From the Real: Liliane Tomasko & Sean Scully,' Newlands House Gallery, Petworth, West Sussex, UK (Forthcoming) 'Sean Scully,' Lisson Gallery, East Hampton, New York, USA 'Sean Scully,' Sammlung Alison und Peter W. Klein, Eberdingen-Nussdorf, Germany 'Sean Scully: The Shape of Ideas,' Museum of Art Fort Worth Museum, Fort Worth, Dallas, TX, USA 'Sean Scully,' Pilane Sculpture Park, Klövedal, Sweden ‘Sean Scully: The 12,' Sean Scully Chelsea Studio, New York, NY USA ‘Sean Scully: Dark Windows,’ Lisson Gallery, New York, NY, USA 'Sean Scully: Entre Ciel et Terre (Between Heaven and Earth),' Galerie Thaddeus Ropac – Paris Marais, Paris, France 'Sean Scully: Eleuthera,' Royal Hibernian Academy, Gallagher Gallery, Dublin, Ireland 2020 ‘Sean Scully: Passenger – A Retrospective,’ Museum of Fine Arts- Hungarian National Gallery, Budapest, Hungary. ‘Sean Scully: Mirror Red,’ Lisson Gallery, East Hampton, New York, NY, USA ‘Sean Scully – Insideoutside,’ Skulpturenpark Waldfrieden, Wuppertal, Germany ‘Opulent Ascension,’ LWL-Museum for Art and Culture, Münster, Germany ‘Aeternum,’ Forum Paracelsus, St. Moritz, Switzerland ‘Sean Scully. Early Prints,’ Galerie Klüser, Münich, Germany 2019 ‘Sean Scully: Eleuthera’, Centro de -
Rona Pondick 1952 Born in Brooklyn, New York
Rona Pondick 1952 Born in Brooklyn, New York EDUCATION 1977 M.F.A., Yale University School of Art 1974 B.A., Queens College PUBLIC COLLECTIONS Albright-Knox Art Gallery, Buffalo Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Bates Museum of Art, Lewiston, Maine Boston Museum of Fine Arts, Boston Brooklyn Museum of Art, Brooklyn Carnegie Museum of Art, Pittsburgh Centre Pompidou, Paris Cleveland Museum of Art, Cleveland DeCordova Sculpture Park + Museum, Lincoln, Massachusetts Denver Art Museum, Denver Fogg Art Museum, Harvard University, Cambridge Fondation pour l’art contemporain Claudine et Jean-Marc Salomon, Annecy, France High Museum of Art, Atlanta Houghton Library, Harvard University, Cambridge The Israel Museum, Jerusalem Los Angeles County Museum of Art, Los Angeles The Metropolitan Museum of Art, New York The Morgan Library & Museum, New York Museum of Contemporary Art, Los Angeles Nasher Sculpture Center, Dallas 2 National Gallery of Art, Washington, D.C. The Nelson-Atkins Museum of Art, Kansas City, Missouri New Orleans Museum of Art, Sculpture Garden, New Orleans New York Public Library, New York Norton Family Foundation, Santa Monica Philadelphia Museum of Art, Philadelphia Portland Museum of Art, Portland, Maine The Progressive Collection, Cleveland Rooseum, Malmö, Sweden The Rose Art Museum, Brandeis University, Waltham, Massachusetts San Francisco Museum of Modern Art, San Francisco Savannah College of Art & Design, Savannah, Georgia Simmons College, Boston Sinai Temple, Los Angeles Toledo Museum of Art, Toledo -
Red Grooms Artist CV
Marlborough RED GROOMS 1937— Born in Nashville, Tennessee. The artist lives and works in New York, New York. Education 1957— Hans Hoffman School of Fine Arts, Provincetown, Massachusetts 1956— George Peabody College for Teachers, Nashville, Tennessee The New School, New York, New York 1955— School of the Art Institute of Chicago, Chicago, Illinois Solo Exhibitions 2021— Red Grooms, Marlborough Gallery, New York, New York 2020— Ruckus Rodeo, The Modern Art Museum of Fort Worth, Fort Worth, Texas 2018— Handiwork, 1955 – 2018, Marlborough Contemporary, New York, New York Red Grooms: A Retrospective, Tennessee State Museum, Nashville, Tennessee 2017— New York On My Mind, Marlborough Gallery, New York, New York 2016— Lincoln on the Hudson by Red Grooms, Hudson River Museum, Yonkers, New York Red Grooms: Traveling Correspondent, Memphis Brooks Museum of Art, Memphis, Tennessee 2015— Red Grooms: The Blue & The Gray, Tennessee State Museum, Nashville, Tennessee; traveled to Hudson River Museum, Yonkers, New York 2014— Red Grooms: Torn from the Pages II, Marlborough Gallery, New York, New York Red Grooms: Beware a Wolf in the Alley, Marlborough Broome Street, New York, New York Marlborough 2013— Red Grooms’ New York City, Children’s Museum of Manhattan, New York, New York Red Grooms: What’s the Ruckus, Brattleboro Museum & Art Center, Brattleboro, Vermont Red Grooms: Larger Than Life, Yale University Art Gallery, New Haven, Connecticut 2012— Torn from the Pages, Marlborough Gallery, New York, New York 2011— Red Grooms, New York: 1976-2011, Marlborough -
Courses of Instruction
Phillips Exeter Academy seeks students who combine intellectual curiosity, academic ability and tenacity. Throughout the Academy’s 239 years we have placed emphasis on uniting goodness and knowledge, and that remains true today. Because learning at Exeter arises largely from each individual’s engagement with others, the richness of education here requires diversity in all its dimensions. Students and teachers value — and grow from — the differences they bring to the community they share. This celebration of diversity is found in the many courses we offer, and it is reflected in the desire that students be given room to explore their unique interests and realize their potential. In addition to a broad selection of classes in cornerstone subject areas, the Academy offers unique choices such as Social Innovation, Humans and the Environment and 3-D Design. Please read through the following pages, contemplate new directions and seek fresh challenges. Enjoy the process of selection and the adventure in your learning. 2020-21 COURSES OF INSTRUCTION TABLE OF CONTENTS ACADEMIC INSTRUCTION 1 SPECIAL ON-CAMPUS OFFERINGS 74 CHOICE FORMAT DESIGNING YOUR COURSE OF STUDY 1 FIELD COURSES GENERAL GUIDELINES SENIOR PROJECTS GUIDELINES BY CLASS SPECIAL OFF-CAMPUS OFFERINGS 75 DIPLOMA REQUIREMENTS 2 THE MOUNTAIN SCHOOL, FOR FOUR-YEAR STUDENTS VERSHIRE, VERMONT FOR THREE-YEAR STUDENTS SCHOOL YEAR ABROAD FOR TWO-YEAR STUDENTS FALL TERM IN STRATFORD, ENGLAND FOR ONE-YEAR STUDENTS FALL TERM IN GRENOBLE, FRANCE FALL TERM IN TOKYO, JAPAN MEETING DIPLOMA REQUIREMENTS -
SEAN SCULLY Die Galerie Boisserée Ist Mitglied Im
SEAN SCULLY Die Galerie Boisserée ist Mitglied im: Kunsthändlerverband Deutschland (KD) e.V. Bundesverband Deutscher Galerien und Kunsthändler (BVDG) e.V. SEAN SCULLY The International Fine Print Dealers Association (IFPDA) ISBN 978-3-938907-53-5 "There is a lot of experimentation in working on prints. It is a bit like alchemy, it is quite medieval in that sense. You are dealing with acid, water, resin, heat and you cannot control it exactly and the amount of concentration required to make a spitbite is quite exhausting in a way." Sean Scully 1 "I never allowed my edition sizes to get very very big. I want them to distribute widely but I don’t want them to loose their connection with the fact that they are art, not posters. They are not just graphic things, they are art works and I generally think of 40 as being quite a big edition for me." Sean Scully 2 Katalogumschlag: Aquatintaausschnitt von "Cut Ground Red", Farbaquatintaradierung 2011, 77,5 x 101 cm, Pr. 50 x 75,5 cm SEAN SCULLY (geb. 1945 Dublin) Ausgewählte Graphik – Radierungen und Lithographien GALERIE BOISSERÉE J. & W. BOISSERÉE GMBH GESCHÄFTSFÜHRER JOHANNES SCHILLING UND MAG.RER.SOC.OEC. THOMAS WEBER DRUSUSGASSE 7-11 D - 50667 KÖLN TEL. +49 - (0)2 21 - 2 57 85 19 FAX +49 - (0)2 21 - 2 57 85 50 [email protected] www.boisseree.com Sean Scully im Atelier, Mooseurach 2017 © Liliane Tomasko "There is an angel on your shoulder - that’s it how to make art." "I manage to get as much out of a very limited number of moves as possible.