Sean Scully, 1945 —
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Fabienne Verdier Rhythms and Reflections
FABIENNE VERDIER RHYTHMS AND REFLECTIONS A COMET Do all roads that lead to truth lie underground? Do all depths lie in darkness? dostoevsky And is the word Truth anything else but snow? One day, as I went round a gallery, luminous like an artist’s studio where work is left exposed to its own light, I happened on a painting by Fabienne Verdier. To me, her painted line seemed like the branch of a tree, broad as an artery, a tunnel in a badger’s sett, a cocoon in air, and at the same time like none of those things, but a thing of mystery whose exacting gaze takes your breath away! A reptile whose hiss lingers around the walls. Then it disappears, it loses itself elsewhere, leaving you with the feeling nonetheless that you were there the very moment its untamed presence so unexpectedly appeared. Of course, such an event never occurs twice. It was the painting that arrested the flight of this fugitive presence for an instant, like water holding on to air, yet expressing an instant of perception and the path taken to grasp it. As if, in fact, all the patience of the world had transformed into a lightning flash – the watchfulness of a lighthouse-keeper who knows to be neither fully awake nor asleep. Whenever solitude is put to the creative test, it becomes the key to a world. How to describe the solitude that is a crowd, unable to bloom into thousands of individuals. How to describe the crowd that blooms into a single world. -
Martin Walch Dorfstrasse 131 FL - 9498 PLANKEN
Martin Walch Dorfstrasse 131 FL - 9498 PLANKEN www.artnet.li /martin walch 1960 born in Vaduz, Liechtenstein 1988-92 Academy of Applied Arts in Vienna /A ; MA-Diploma in visual communication (painting and printmaking) 1993 1 month residency in Jordan (invitation of H.M.King Hussein of Jordan) 2 months residency in Jekaterinburg /Russia (Gallery Ester) 1997 1 year work grant from the Principality of Liechtenstein; residence in New York City /USA 6 months work grant and studio in New York City from the Austrian Ministry of Education and Arts 2000 6 months work grant and studio in Fujino and Tokyo /Japan from the Austrian Chancellery for Art Silvrett’Atelier 2000 symposium; Silvretta, Bielerhöhe /Vlbg. A 2001 ART DIALOGUE; 1 month symposium in Kyrgyzstan of artists from Europe and Central Asia (Kyrgyz National Museum of Fine Art) 2002 prizewinner of the 2. Artforum MONTAFON 1. prize at the competition for the internat. Year of the Mountains: HOEHENRAUSCH UND FERNSICHT /Tangente, Liechtenstein prizewinner / SUSSMANN-foundation, Vienna /A Founder member of BIWAK-group: international art-laboratory /members from Liechtenstein, Switzerland, Austria, Japan, USA 2003 teaching at the University of Liechtenstein, Vaduz /FL and at the Berufsmittelschule Vaduz /Liechtenstein since 2003 teaching at the LG-Vaduz (highschool) /FL since 2005 founder member of VORKURS ZÜRCHER OBERLAND at the Kunstschule Wetzikon /ZH; teaching at VZO 2006 founder member of ALPA / assoziation of professional artists liechtenstein, president MEDIA: installation, photography, video, graphics, sculpture Exhibitions (selection): 2009 FAMILY AFFAIRS, Kunstverein Mistelbach, Niederösterreich /A (groupshow) THROUGH THE LOOKING-GLASS, Kunstraum Engländerbau, Vaduz /FL (groupshow) PICCOLO STATO at NEON CAMPOBASE, Bologna (I) via Zanardi 2/5 (groupshow) KONKRET POETISCH - Martin Walch / Hanna Roeckle / Roberto Altmann at Berlin TREPTOW-KÖPENICK, Kulturzentrum Adlershof A.S. -
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OFFICIAL I i ·······~•• ~i I ·.·el~~(ijit~··· :. .·. .· ·..· .......... .. -.- . - _· ·-•.. ~ '" . : .-: .A. '§~> ..... _.· ·:_ ·.,. 1.;.•.... ·.•.. ·· ..····• ·.·.···········:·;········· . ' :~ • .. • •• < ••• ' • • • .-··-_. •• • • ; •• - • '. • • • • ' ,li:J':. 7 @ .,.... .·· Jl{OJ=l!©Y •••••••••••••••••••••••••I Events of the Weekend Events of the Weekend 4:20p.m. ACADEMIC PROCESSION begins 5 p.m. BACCALAUREATE MASS Friday, Saturday and Sunday, May 16, 17 and 18, 1986. to Athletic and Convocation Center Except when noted below all ceremonies and activities are open 6:30p.m. South Dome. to the public and tickets are not required. 7 p.m. COMMENCEMENT to DINNER-(Tickets are required for FRIDAY, MAY 16 9 p.m. each and must be purchased in 6:30 p.m. LAWN CONCERT-University advance. Reserved table assignments Concert Band-Administration are indicated on the tickets.) Athletic Building Mall. and Convocation Center-North (If weather is inclement, the concert Dome-See page 14 of this booklet for will be cancelled.) specific instructions. 8 p.m. WEST SIDE S1VRY-NDISMC 9 p.m. CONCERT-University of Notre Theatre-O'Laughlin Auditorium. Dame Glee Club-Stepan Center. 8 p.m. GRADUATE SCHOOL SUNDAY, MAY 18 to RECEPTION- 10 p.m. by the Vice President for Advanced 9 a.m. BRUNCH-North and South Dining Studies for degree recipients in the to Halls. (Tickets may be purchased in Graduate School and their families. 1 p.m. advance or at the door; graduates with Center for Continuing Education. meal-validated identification cards need not purchase a ticket.) Dining 9 p.m. to SENIOR CLASS COCKTAIL hall designation indicated on ticket. 1 a.m. DANCE/BUFFET SUPPER Athletic and Convocation Center 11:15 a.m. -
The Stuttgart Region – Where Growth Meets Innovation Design: Atelier Brückner/Ph Oto: M
The Stuttgart Region – Where Growth Meets Innovation oto: M. Jungblut Design: Atelier Brückner/Ph CERN, Universe of Particles/ Mercedes-Benz B-Class F-Cell, Daimler AG Mercedes-Benz The Stuttgart Region at a Glance Situated in the federal state of Baden- The Stuttgart Region is the birthplace and Württemberg in the southwest of Germa- home of Gottlieb Daimler and Robert ny, the Stuttgart Region comprises the Bosch, two important figures in the history City of Stuttgart (the state capital) and its of the motor car. Even today, vehicle five surrounding counties. With a popula- design and production as well as engineer- tion of 2.7 million, the area boasts a highly ing in general are a vital part of the region’s advanced industrial infrastructure and economy. Besides its traditional strengths, enjoys a well-earned reputation for its eco- the Stuttgart Region is also well known nomic strength, cutting-edge technology for its strong creative industries and its and exceptionally high quality of life. The enthusiasm for research and development. region has its own parliamentary assembly, ensuring fast and effective decision-mak- All these factors make the Stuttgart ing on regional issues such as local public Region one of the most dynamic and effi- transport, regional planning and business cient regions in the world – innovative in development. approach, international in outlook. Stuttgart Region Key Economic Data Population: 2.7 million from 170 countries Area: 3,654 km2 Population density: 724 per km2 People in employment: 1.5 million Stuttgart Region GDP: 109.8 billion e Corporate R&D expenditure as % of GDP: 7.5 Export rate of manufacturing industry: 63.4 % Productivity: 72,991 e/employee Per capita income: 37,936 e Data based on reports by Wirtschaftsförderung Region Stuttgart GmbH, Verband Region Stuttgart, IHK Region Stuttgart and Statistisches Landesamt Baden-Württemberg, 2014 Stuttgart-Marketing GmbH Oliver Schuster A Great Place to Live and Work Top Quality of Life Germany‘s Culture Capitals 1. -
(Exhibition Catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin
SOL LEWITT SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2018 American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated. Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated. Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated. LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico BooksꞏPrestel, 2018: 84–87, illustrated. Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated. Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018 Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018. 2017 Sol LeWitt: Selected Bibliography—Books 2 The Art Museum. London: Phaidon, 2017: 387, illustrated. Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated. Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated. Gross, Béatrice. -
Artists Books: a Critical Survey of the Literature
700.92 Ar7 1998 artists looks A CRITICAL SURVEY OF THE LITERATURE STEFAN XL I M A ARTISTS BOOKS: A CRITICAL SURVEY OF THE LITERATURE < h'ti<st(S critical survey °f the literature Stefan ^(lima Granary books 1998 New york city Artists Books: A Critical Survey of the Literature by Stefan W. Klima ©1998 Granary Books, Inc. and Stefan W. Klima Printed and bound in The United States of America Paperback original ISBN 1-887123-18-0 Book design by Stefan Klima with additional typographic work by Philip Gallo The text typeface is Adobe and Monotype Perpetua with itc Isadora Regular and Bold for display Cover device (apple/lemon/pear): based on an illustration by Clive Phillpot Published by Steven Clay Granary Books, Inc. 368 Broadway, Suite 403 New York, NY 10012 USA Tel.: (212) 226-3462 Fax: (212) 226-6143 e-mail: [email protected] Web site: www.granarybooks.com Distributed to the trade by D.A.R / Distributed Art Publishers 133 6th Avenue, 2nd Floor New York, NY 10013-1307 Orders: (800) 338-BOOK Tel.: (212) 627—1999 Fax: (212) 627-9484 IP 06 -ta- Adrian & Linda David & Emily & Ray (Contents INTRODUCTION 7 A BEGINNING 12 DEFINITION 21 ART AS A BOOK 41 READING THE BOOK 6l SUCCESSES AND/OR FAILURES 72 BIBLIOGRAPHIC SOURCES 83 LIST OF SOURCES 86 INTRODUCTION Charles Alexander, having served as director of Minnesota Center for Book Arts for twenty months, asked the simple question: “What are the book arts?”1 He could not find a satisfactory answer, though he tried. Somewhere, in a remote corner of the book arts, lay artists books. -
John Zurier in Berkeley,” San Francisco Chronicle, October 21 Baker, Kenneth
GALLERY PETER BLUM JOHN ZURIER PETER BLUM GALLERY JOHN ZURIER Born 1956 in Santa Monica, CA Lives and works in Berkeley, CA and Reykjavik, Iceland EDUCATION 1974 – 1984 University of California at Berkeley BA 1979 in Landscape Architecture; MFA 1984 in Painting SELECTED SOLO EXHIBITIONS 2019 North from Here, Peter Blum Gallery, New York, NY Places and Things, Galerie Nordenhake, Stockholm, Sweden 2018 Etchings and Monotypes, Borch Gallery, Berlin, Germany A Mind of Winter, Galerie Nordenhake, Berlin, Germany Sometimes (Over me the mountain), BERG Contemporary, Reykjavík, Iceland 2017 Stars Without Distance, Peter Blum Gallery, New York, NY At the very end of the blue sky, The Club, Tokyo, Japan John Zurier, Galleri Opdahl, Stavanger, Norway Dust and Troubled Air, Anglim Gilbert Gallery, San Francisco, CA 2016 The Last Summer Light, Office Baroque, Brussels, Belgium John Zurier: Summer Book, Niels Borch Jensen, Berlin, Germany John Zurier and Friends, Crown Point Press, San Francisco, CA Recent Watercolors, Lawrence Markey, San Antonio, Texas East, Galerie Nordenhake, Berlin, Germany 2015 John Zurier: Watercolors, Galleri Gangur (The Corridor), Reykjavik, Iceland Between North and Night, Galerie Nordenhake, Stockholm, Sweden West of the Future, Peter Blum Gallery, New York, NY 2014 John Zurier: Matrix 255, Berkeley Art Museum, Berkeley, CA Recent Paintings, Lawrence Markey, San Antonio, TX 2013 Knowledge is a blue naiveté, Galerie Nordenhake, Berlin, Germany A spring a thousand years ago, Peter Blum Gallery, New York, NY John Zurier: Watercolors, -
William Little Lee and Catherine Lee, Letters from Hawai'i 1848—1855
BARBARA E. DUNN William Little Lee and Catherine Lee, Letters from Hawai'i 1848—1855 "HONOLULU, HAWAIIAN ISLANDS, October 1st, 1848. My dear 'Kitty Scott.' Not long since my clerk brought me a newspaper, which upon opening I found to bear the inscription, 'with the respects of Miss Caroline Scott.' Dropping my head in an inquiring mood, I whispered to myself 'Caroline Scott? who is Caroline Scott?' When of a sudden up sprung from the floor beneath me, the dear little witch of my boyhood 'Kitty Scott,' and seating herself on my table sat smil- ing upon me in all the sweetness of her early youth." Thus begins a seven-year correspondence between William Little Lee in Honolulu and his boyhood friend, Caroline "Kitty" Scott of Buffalo, New York. After Lee's marriage to Catherine Newton in 1849, she also wrote to Kitty. There are 11 letters in this collection. William wrote five of the letters and Catherine wrote six. The Lees covered such topics as the California Gold Rush, the French Admiral de Tromelin threatening the Hawaiian government and ransacking Honolulu, the smallpox epidemic of 1853, Llhu'e Sugar Plantation on Kaua'i, Lee's work on the Land Commission, and descriptions of Washington Place where the Lees boarded. One letter contains Wil- liam Lee's account of the harrowing voyage on the Henry from Bos- ton to Hawai'i in 1846 with Charles Reed Bishop, [fig. 1] Barbara E. Dunn is the administrative director and librarian for the Hawaiian Historical Society. The Hawaiian Journal of History, vol. 38 (2004) 59 60 THE HAWAIIAN JOURNAL OF HISTORY William Little Lee did not plan to go to Hawai'i, let alone spend his life there. -
Sean Scully: Inside Outside Media Release
Sean Scully: Inside Outside Media Release Longside Gallery and Open Air 29 September 2018–6 January 2019 “I have spent my life making the melancholic into something irresistible. Because the world has changed around me and become more regretful, my paintings have become more true.” Sean Scully Yorkshire Sculpture Park (YSP) presents Sean Scully: Inside Outside, the largest-ever presentation of sculptures and first exhibition of sculpture and painting in the UK by the Irish-born artist. Exploring concepts of landscape and abstraction with human experience, the exhibition unites sculpture with important recent paintings on aluminium, together with works on paper. Drawing out ideas pertinent to the singularity of YSP and its landscape, this is a poetic, robust experience that embraces the Park’s topography and Scully’s exceptional vigour, as well as his belief that in life and art there is perpetual discovery. The exhibition presents an artist at the height of his powers. Aged 72, it is evident that there is no curtailment of Scully’s energy, drive and vision. Keenly aware of the labour that dominated the lives of his mining family, Scully’s practice is one of great rigour and toil, his output prodigious. For YSP he has made new paintings and sculpture – resolutely contemporary works that integrate an inclination towards geometry with the romantic sincerity of landscape painting in the historical tradition. Born in Dublin in 1945, raised in London, and now resident in New York, London and Germany, Scully is considered to be one of the most important abstract painters working today. Drawing on European traditions but with the distinct character and scale prevalent Shadow Stack, 2018 and Landline Inwards, 2015 in the USA, Scully is credited with reinvigorating abstract painting. -
Path to Equilibrium Foozhan Kashkooli Winthrop University
Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2015 Path to Equilibrium Foozhan Kashkooli Winthrop University Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Art and Design Commons, and the Fine Arts Commons Recommended Citation Kashkooli, Foozhan, "Path to Equilibrium" (2015). Graduate Theses. 3. https://digitalcommons.winthrop.edu/graduatetheses/3 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. PATH TO EQUILIBRIUM A Thesis Statement Presented to the Faculty of the College of Visual and Performing Arts In Partial Fulfillment Of the Requirements for Degree Of Master of Fine Arts In the Department of Fine Arts Winthrop University May 2015 By Foozhan Kashkooli Abstract This statement outlines the theoretical, historical, and conceptual influences that shape my Master of Fine Arts thesis at Winthrop University. It further describes and analyzes the series of paintings that compose my thesis Equilibrium, each one a reflection of my aesthetic experience as I evolved as an artist. As I will illustrate, the aesthetic experiences reflected in my work are intertwined with the artist or movement that inspired me at the time. The series consists of seven large-scale, abstract paintings, where I explore balancing form, shape, and color. In this thesis statement, I am asserting my progression as an evolving artist and elucidating my investigation of painting as a unique medium with its own complexity of composition and arrangements of shape, form, and color. -
Isa Genzken Born 1948 in Bad Oldesloe, Germany
This document was updated April 15, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Isa Genzken Born 1948 in Bad Oldesloe, Germany. Lives and works in Berlin. EDUCATION 1973-1977 Kunstakademie Düsseldorf 1973-1975 Art History and Philosophy Studies, Universität Köln, Cologne 1971-1973 Hochschule der Künste, Berlin 1969-1971 Hochschule für Bildende Künste, Hamburg SOLO EXHIBITIONS 2021 Isa Genzken: Here and Now, Kunstsammlung Nordrhein-Westfalen, Düsseldorf 2020 Isa Genzken: Nüsschen, Galerie Buchholz, New York Isa Genzken and Wolfgang Tillmans, KAT_A, Bad Honnef-Rhöndorf, Germany [two-person exhibition] Isa Genzken, David Zwirner, Paris Isa Genzken: Window, Hauser & Wirth, London Isa Genzken: Works 1973 – 1983, Kunstmuseum Basel | Gegenwart, Basel [itinerary: K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Düsseldorf] [catalogue] 2019 Isa Genzken, Charles Asprey, London Isa Genzken, Kunsthalle Bern, Switzerland Isa Genzken. Collagen, Galerie Jahn und Jahn, Munich 2018 Isa Genzken: Außenprojekte, Galerie Buchholz, Berlin Isa Genzken: Sky Energy, David Zwirner, New York 2017 Isa Genzken: Issie Energie, König Galerie, Berlin [organized in collabortion with Galerie Buchholz, Berlin] Isa Genzken: Kaiserringträgerin der Stadt Goslar 2017, Mönchehaus Museum Goslar, Germany 2016 Isa Genzken: I Love Michael Asher, Hauser Wirth & Schimmel, Los Angeles Isa Genzken: Portraits, Galerie Buchholz, New York Isa Genzken: Two Orchids, Doris C. Freedman Plaza, Central Park, New York [organized -
At Toledo Is Finally Ended End of Congress Until Next Week
AvnuoMB!|!n!^^ for the Mairth af Slay. 1IM4 ^ Eva; . ^-nK..WBATnB' ^ 'weeaat af o, a, Weelhse Bm«hn. Bartfaffi A t 5 , 4 7 5 xT ■ Mr aflha A a«t Ohmfiy. Mft qM«a aa cool taaIgM. I a f .CbmnaftMMk '■aadagr nur aafi warmer. ^ Gobs Find Their **Land Lejrs^ On Fifth Avenue AT TOLEDO WEALTHY BOY ^ ■/ KILLS MO ^ IS FINALLY ENDED END OF CONGRESS pre ANDBRO R Easier Conditioiis m Other LONDON c elebrated • UNTIL NEXT WEEK Breaks Under Strain of All Phrts of Nition Where BIBTHDAY OF KING Night GriUing Uses a Labor troobles Fhred— MVISKIRDEIIED Chief Execothre W vim pro- Parley on Textile Strike. Hatchet -in Ihe Double Colorfnl CeremoDj As ^ His Tariff^ Silver, H o i^ g M nrder.' ^ DumniTAnave Majesty Rides m Parade By Aaaodated Praaa and Labor B3Is Passed NaUon’a Capital-Labor treu- Lot Angeles, Jupe 4,—(AP)— Wara fawar today. from His Palace. Believed That He Discovered Before Adjonnunent — The Blactric-Auto-Llte atrika at Loiils Rude Payne,^3i. cracked under Toledo, O, which brought death to the strain of^an all-night grlll’ng London, June 4.—(API—Leaden by police confessed early todav, a StiU— Had Been Slain Byms Says Senate Holds two peraona in note, ended and the last Nations^ Guai^ troopa with skies, a biting east wind and more officers said, to too details of too drew. h a t c ^ slaying of his mother and With Rocks. than a suspicion of sadly-needed other In their Westwood mansi'-n Keys to Early Ailjoiim* The set^m ent came when the raia, made on Incongruoua accom- Auto-Lit^ Company ratified an 'panlmeht today to the stately pag ’’I klUed them last Tuesday ment.