DOCSLIB.ORG

Sean Scully Selected Solo Exhibitions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sean Scully Selected Solo Exhibitions Sean Scully Lives and works in New York and Germany 1968-72 Newcastle University, Newcastle, UK 1965-68 Croydon College of Art, London, UK 1962-65 Central School of Art, London, UK 1945 Born in Dublin, Ireland Selected Solo Exhibitions 2021 'Sean Scully: Passenger – A Retrospective,' Benaki Museum, Athens, Greece (Forthcoming) 'From the Real: Liliane Tomasko & Sean Scully,' Newlands House Gallery, Petworth, West Sussex, UK (Forthcoming) 'Sean Scully,' Lisson Gallery, East Hampton, New York, USA 'Sean Scully,' Sammlung Alison und Peter W. Klein, Eberdingen-Nussdorf, Germany 'Sean Scully: The Shape of Ideas,' Museum of Art Fort Worth Museum, Fort Worth, Dallas, TX, USA 'Sean Scully,' Pilane Sculpture Park, Klövedal, Sweden ‘Sean Scully: The 12,' Sean Scully Chelsea Studio, New York, NY USA ‘Sean Scully: Dark Windows,’ Lisson Gallery, New York, NY, USA 'Sean Scully: Entre Ciel et Terre (Between Heaven and Earth),' Galerie Thaddeus Ropac – Paris Marais, Paris, France 'Sean Scully: Eleuthera,' Royal Hibernian Academy, Gallagher Gallery, Dublin, Ireland 2020 ‘Sean Scully: Passenger – A Retrospective,’ Museum of Fine Arts- Hungarian National Gallery, Budapest, Hungary. ‘Sean Scully: Mirror Red,’ Lisson Gallery, East Hampton, New York, NY, USA ‘Sean Scully – Insideoutside,’ Skulpturenpark Waldfrieden, Wuppertal, Germany ‘Opulent Ascension,’ LWL-Museum for Art and Culture, Münster, Germany ‘Aeternum,’ Forum Paracelsus, St. Moritz, Switzerland ‘Sean Scully. Early Prints,’ Galerie Klüser, Münich, Germany 2019 ‘Sean Scully: Eleuthera’, Centro de Arte Contemporáneo de Málaga, Málaga, Spain ‘Sean Scully: Celtique’, Château de Boisgeloup, Gisros, France ‘Sean Scully: Eleuthera’, Albertina, Vienna, Austria ‘Sean Scully: The Mexico Years / Los años en Mexico’, Instituto Cultural Cabañas, Guadalajara, Mexico ‘Sean Scully: Human’, San Giorgio Maggiore, Venice Biennale, Venice, Italy ‘Vita Duplex’, LWL-Museum for Art and Culture, Münster, Germany ‘Sean Scully: PAN’, Lisson Gallery, New York, NY, USA ‘Sean Scully: Long Light’, Villa Panza, Fondo Ambiente Italiano, Varese, Italy ‘Sea Star: Sean Scully’, National Gallery of Art, London, UK ‘Sean Scully: Landline’ Wadworth Atheneum Museum of Art, Hartford, CT, USA 2018 ‘THE LAND / THE LINE’, Kerlin Gallery, Dublin, Ireland ‘Uninsideout’, Blain|Southern, London, UK ‘Sean Scully: Landline’, Hirshhorn Museum & Sculpture Garden, Washington, D.C., USA ‘Sean Scully: Inside Outside’, Yorkshire Sculpture Park, Wakefield, UK ‘Matisse | Scully: Window’, Kewenig Galerie, Berlin, Germany ‘Sean Scully. Selected prints – etchings and lithographs’, Galerie Boisserée, Cologne, Germany ‘Landlines and other recent works’, De Pont Museum of Contemporary Art, Tilburg, Netherlands ‘Sean Scully: Standing on the Edge of the World’, Hong Kong Art Centre, Hong Kong ‘Vita Duplex’, Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany ‘Sean Scully: No Words’, Edward Hopper House, Nyack, NY, USA ‘Facing East’, The State Russian Museum – The Marble Palace, St. Petersburg, Russia ‘Sean Scully: Wall of Light’, Mnuchin Gallery, New York, NY, USA ‘Sean Scully: 1970’, Laing Art Gallery and Hatton Gallery, Newcastle, UK; Walker Art Gallery, Liverpool, UK 2017 ‘Facing East’, Multimedia Art Museum, Moscow, Russia ‘Before New York’, Sean Scully Studio, Berlin, Germany ‘Sean Scully’, Lempertz, Brussels, Belgium ‘Sean Scully: Wall of Light Cubed’, Cheim & Read, New York, NY, USA ‘Sean Scully: Coming and Going’, Sean Scully Studio, New York, NY, USA ‘Sean Scully: Resistance and Persistence. Paintings 1967–2015’, Hubei Museum of Art, Wuhan, China 2016 ‘Sean Scully: Horizon’, Timothy Taylor, London, UK ‘Sean Scully. Metal’, Galerie Lelong, Paris, France ‘Sean Scully: Book’, Garrison Art Center, Garrison, NY, USA ‘Sean Scully: The Eighties’, Mnuchin Gallery, New York, NY, USA ‘Sean Scully: The Body and the Frame’, Dům Umění České Budějovice, House of Art, Budweis, Czech Republic ‘Sean Scully: Circa 70’, Cheim & Read, New York, NY, USA ‘Sean Scully: Resistance and Persistence’, Museum of the Nanjing University of the Arts, Nanjing, China’ Guangdong Museum of Art, Guangdong, China 2015 ‘Sean Scully: Etchings for Federico Garcia Lorca’, Cincinnati Art Museum, Cincinnati, OH, USA ‘Sean Scully: Four Days’, Kewenig Galerie, Berlin, Germany ‘Sean Scully: Different Places’, Château La Coste, Le Puy-Sainte-Réparad, France ‘Sean Scully’, Santa Cecilia de Montserrat, Montserrat, Spain ‘Sean Scully. Figure/Abstract’, Crawford Art Gallery, Cork, Ireland ‘Sean Scully: Home’, Kerlin Gallery, Dublin, Ireland ‘Sean Scully’, National Gallery of Ireland, Dublin, Ireland ‘Sean Scully. Land Sea’, Palazzo Falier, La Biennale di Venezia, Venice, Italy ‘Sean Scully. Painting as an imaginative world appropriation’, Museum Liaunig, Neuhaus, Austria ‘Sean Scully: Estampe’, Galerie Simon Blais, Montreal, Canada ‘Sean Scully. Moving or Profound or Necessary or Beautiful, 1974–2015’, Pinacoteca do Estado, São Paulo, Brazil ‘Sean Scully: Follow the Heart’, CAFA (Central Academy of Fine Art), Beijing, China ‘Sean Scully. Figure/Abstract’, Kunsthalle Rostock, Germany ‘Sean Scully. Landline’, Cheim & Read, New York, NY, USA 2014 ‘Sean Scully: Follow the Heart’, Shanghai Himalayas Museum, Shanghai, China ‘Sean Scully’, Galerie Klüser & Galerie Klüser 2, Munich, Germany ‘Sean Scully. Figure/Abstract’, Ludwig Museum, Koblenz, Germany ‘Sean Scully. Kind of Red’, Timothy Taylor Gallery, London, UK ‘Sean Scully. A New Master Among Old Masters’, Christ Church Gallery, Oxford, UK ‘Sean Scully: Doric’, Galerie Lelong, Paris, France 2013 ‘Sean Scully. Triptychs’, Pallant House Gallery, Chichester, West Sussex, UK ‘Sean Scully. Night and Day’, Cheim & Read, New York, NY, USA ‘Sean Scully: Doric’, The Hugh Lane, Dublin, Ireland; MACM – Mougins Museum of Classical Art, Mougins, France ‘Sean Scully: Die Radierungen / The Etchings’, Galarie Boisserée, Cologne, France ‘Sean Scully: Passages/Impressions/Surfaces’, Henry Art Gallery, University of Washington, Seattle, W ‘Sean Scully: Change and Horizontals’, Walter Storms Galerie, Munich, Germany; Galleria nazionale d’arte moderna, Rome, Italy; The Drawing Center, New York, NY, USA 2012 ‘Sean Scully, The Evocative Capacity of Painting’, Wooson Gallery, Daegu, South Korea ‘Sean Scully’, The Verey Gallery, Eton College, Windsor, UK ‘Notations: Sean Scully’, Alter Gallery, Philadelphia Museum of Art, Philadelphia, PA ‘Sean Scully: Doric’, Benaki Museum of Art, Athens, Greece; Institut Valencià d’Art Modern (IVAM), Valencia, Spain ‘Sean Scully: Luz del Sur’, Alhambra – Palacio Carlos V, Granada, Spain. ‘Sean Scully. Grey Wolf – A Retrospective’, Kunstmuseum Bern, Bern, Switzerland; Lentos Kunstmuseum, Linz, Austria ‘Sean Scully: Change and Horizontals’, Timothy Taylor Gallery, London, UK; MIMA-Middlesbrough Institute of Modern Art, Middlesbrough, UK ‘Sean Scully: Works on Paper / Wall of Light Red Shade’, Smith Gallery, Davidson College, Davidson, NC, USA 2011 ‘Sean Scully. Paintings and Watercolors’, Chazen Museum of Art, University of Wisconsin-Madison, Madison, WI, USA ‘Sean Scully. Cut Ground’, Kerlin Gallery, Dublin, Ireland ‘Sean Scully: Etchings & Works on Paper’, Rabley Contemporary Drawing Centre, Wiltshite, UK ‘Sean Scully. Works on Paper’, Luther W. Brady Art Gallery, George Washington University, Washington, D.C., USA ‘Sean Scully: Works from the 1980s’, Wilhelm-Hack Museum, Ludwigshafen, Germany 2010 ‘Sean Scully: Liliane’, Alexander and Bonin, New York, NY, USA ‘Die Bilderwelt von Sean Scully’, Kunstsammlungen Chemnitz, Chemnitz, Germany ‘Sean Scully: New York’, Timothy Taylor Gallery, London, UK ‘Sean Scully: Iona’, Ingleby Gallery, Edinburgh, UK ‘Sean Scully: Works from the Modern Art Museum of Fort Worth’, The Old Jail Art Center, Albany, TX, USA ‘Sean Scully. Works from the 1980s’, VISUAL – Centre for Contemporary Art, Carlow, Ireland; Leeds Art Gallery, Leeds, UK 2009 ‘Sean Scully. Recent Paintings’, Galerie Lelong, New York, NY, USA ‘Sean Scully. Emotion and Structure’, House of Fine Arts / Modern Gallery - László Vass Collection, Veszprém, Hungary ‘Sean Scully. Recent Works’, Walter Storms Galerie, Munich, Germany Konstantinopel oder die versteckte Sinnlichkeit. Die Bilderwelt von Sean ‘Scully (Constantinople or the Sensual Concealed. The imagery of Sean Scully)’, MKM Museum Küppersmühle für Moderne Kunst, Duisburg, Germany; Ulster Museum, Belfast, UK ‘Sean Scully. Paintings from the 80s’, Timothy Taylor Gallery, London, UK 2008 ‘Sean Scully’, Galeria Carles Taché, Barcelona, Spain ‘Sean Scully. La surface peinte’, Galerie Lelong, Paris, France ‘Sean Scully. A Retrospective’, Musee d’art Moderne, St. Etienne, France; MACRO al Mattatoio, Rome Italy ‘Sean Scully: The Art of the Stripe’, Hood Museum of Art, Dartmouth College, Hanover, NH, USA ‘The Prints of Sean Scully’, Naples Museum of Art, Naples, FL, USA; Minneapolis Institute of Arts, Minneapolis, MN, USA; Hyde Collection, Glens Falls, NY, USA 2007 ‘Sean Scully: Photographien Und Graphik’, Galerie Klüser, Munich, Germany ‘The Prints of Sean Scully’, The Baker Museum, Naples Museum of Art, Naples, FL, USA ‘Sean Scully. New Painting’, Galerie Jamileh Weber, Zürich, Switzerland ‘The Prints of Sean Scully’, SAAM Smithsonian American Art Museum, Washington D.C., USA ‘Sean Scully. Walls of Aran’, Ingleby Gallery, Edinburgh, UK ‘Sean Scully. Aran Islands. A Portfolio of Photographs’, Galerie Lelong, New York, NY, USA ‘Sean Scully. Walls of Aran’, Kerlin Gallery, Dublin, Ireland ‘Sean Scully. A Retrospective’, MIRO Foundation, Barcelona, Spain ‘Sean Scully: Dedicado a Federico
Load more

Recommended publications
  • Fabienne Verdier Rhythms and Reflections
    FABIENNE VERDIER RHYTHMS AND REFLECTIONS A COMET Do all roads that lead to truth lie underground? Do all depths lie in darkness? dostoevsky And is the word Truth anything else but snow? One day, as I went round a gallery, luminous like an artist’s studio where work is left exposed to its own light, I happened on a painting by Fabienne Verdier. To me, her painted line seemed like the branch of a tree, broad as an artery, a tunnel in a badger’s sett, a cocoon in air, and at the same time like none of those things, but a thing of mystery whose exacting gaze takes your breath away! A reptile whose hiss lingers around the walls. Then it disappears, it loses itself elsewhere, leaving you with the feeling nonetheless that you were there the very moment its untamed presence so unexpectedly appeared. Of course, such an event never occurs twice. It was the painting that arrested the flight of this fugitive presence for an instant, like water holding on to air, yet expressing an instant of perception and the path taken to grasp it. As if, in fact, all the patience of the world had transformed into a lightning flash – the watchfulness of a lighthouse-keeper who knows to be neither fully awake nor asleep. Whenever solitude is put to the creative test, it becomes the key to a world. How to describe the solitude that is a crowd, unable to bloom into thousands of individuals. How to describe the crowd that blooms into a single world.
    [Show full text]
  • Mungretgate Brochure Web.Pdf
    Get the most out of family life at Mungret Gate, a new development of beautiful spacious homes nestled between Raheen and Dooradoyle, 5km from Limerick City Centre. Set in a well-established and well-serviced area, the homes at Mungret Gate benefit from countryside surroundings with plenty of activites nearby including a playground, stunning scenery and 2km of walk and cycle paths. Ideal for families of all ages, Mungret Gate is surrounded by an abundance of established and highly regarded local amenities. Several schools are in the immediate area, including Mungret Community College, Limerick City East Educate Together, and St Nessans National School, along with a crèche and Montessori school. Leisure time will be well spent at one of the many sports clubs in the area. Mungret has its own football and GAA clubs, offering fun for all the family, while the famous Garryowen rugby club is just down the road. Mungret Gate itself offers walking and cycling in its surrounding parkland, along with a playground that includes a sensory area and facilities for all ages. 1.Education limerick city& Schools east educate together 2. tiny friends creche and monterssori 3. st. nessan’s n.s. 4. st gabriels school 5. limerick education centre 6. crescent college comprehensive 15 12 7. catherine mcauley school What’s Nearby 8. st. paul’s n.s. r iver 9. laurel hill sh n18 10. griffith college an n Shannon irport 11. limerick college of further education o 7 n Galway 11 12. mungret community college 13 13. gaelscoil an raithin 16 14. mary immaculate college 10 15.
    [Show full text]
  • OFFICIAL I I ·······~•• ~I I ·.·El~~(Ijit~···
    OFFICIAL I i ·······~•• ~i I ·.·el~~(ijit~··· :. .·. .· ·..· .......... .. -.- . - _· ·-•.. ~ '" . : .-: .A. '§~> ..... _.· ·:_ ·.,. 1.;.•.... ·.•.. ·· ..····• ·.·.···········:·;········· . ' :~ • .. • •• < ••• ' • • • .-··-_. •• • • ; •• - • '. • • • • ' ,li:J':. 7 @ .,.... .·· Jl{OJ=l!©Y •••••••••••••••••••••••••I Events of the Weekend Events of the Weekend 4:20p.m. ACADEMIC PROCESSION begins 5 p.m. BACCALAUREATE MASS­ Friday, Saturday and Sunday, May 16, 17 and 18, 1986. to Athletic and Convocation Center­ Except when noted below all ceremonies and activities are open 6:30p.m. South Dome. to the public and tickets are not required. 7 p.m. COMMENCEMENT to DINNER-(Tickets are required for FRIDAY, MAY 16 9 p.m. each and must be purchased in 6:30 p.m. LAWN CONCERT-University advance. Reserved table assignments Concert Band-Administration are indicated on the tickets.) Athletic Building Mall. and Convocation Center-North (If weather is inclement, the concert Dome-See page 14 of this booklet for will be cancelled.) specific instructions. 8 p.m. WEST SIDE S1VRY-NDISMC 9 p.m. CONCERT-University of Notre Theatre-O'Laughlin Auditorium. Dame Glee Club-Stepan Center. 8 p.m. GRADUATE SCHOOL SUNDAY, MAY 18 to RECEPTION- 10 p.m. by the Vice President for Advanced 9 a.m. BRUNCH-North and South Dining Studies for degree recipients in the to Halls. (Tickets may be purchased in Graduate School and their families. 1 p.m. advance or at the door; graduates with Center for Continuing Education. meal-validated identification cards need not purchase a ticket.) Dining 9 p.m. to SENIOR CLASS COCKTAIL hall designation indicated on ticket. 1 a.m. DANCE/BUFFET SUPPER­ Athletic and Convocation Center­ 11:15 a.m.
    [Show full text]
  • (Exhibition Catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin
    SOL LEWITT SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2018 American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated. Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated. Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated. LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico BooksꞏPrestel, 2018: 84–87, illustrated. Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated. Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018 Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018. 2017 Sol LeWitt: Selected Bibliography—Books 2 The Art Museum. London: Phaidon, 2017: 387, illustrated. Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated. Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated. Gross, Béatrice.
    [Show full text]
  • John Zurier in Berkeley,” San Francisco Chronicle, October 21 Baker, Kenneth
    GALLERY PETER BLUM JOHN ZURIER PETER BLUM GALLERY JOHN ZURIER Born 1956 in Santa Monica, CA Lives and works in Berkeley, CA and Reykjavik, Iceland EDUCATION 1974 – 1984 University of California at Berkeley BA 1979 in Landscape Architecture; MFA 1984 in Painting SELECTED SOLO EXHIBITIONS 2019 North from Here, Peter Blum Gallery, New York, NY Places and Things, Galerie Nordenhake, Stockholm, Sweden 2018 Etchings and Monotypes, Borch Gallery, Berlin, Germany A Mind of Winter, Galerie Nordenhake, Berlin, Germany Sometimes (Over me the mountain), BERG Contemporary, Reykjavík, Iceland 2017 Stars Without Distance, Peter Blum Gallery, New York, NY At the very end of the blue sky, The Club, Tokyo, Japan John Zurier, Galleri Opdahl, Stavanger, Norway Dust and Troubled Air, Anglim Gilbert Gallery, San Francisco, CA 2016 The Last Summer Light, Office Baroque, Brussels, Belgium John Zurier: Summer Book, Niels Borch Jensen, Berlin, Germany John Zurier and Friends, Crown Point Press, San Francisco, CA Recent Watercolors, Lawrence Markey, San Antonio, Texas East, Galerie Nordenhake, Berlin, Germany 2015 John Zurier: Watercolors, Galleri Gangur (The Corridor), Reykjavik, Iceland Between North and Night, Galerie Nordenhake, Stockholm, Sweden West of the Future, Peter Blum Gallery, New York, NY 2014 John Zurier: Matrix 255, Berkeley Art Museum, Berkeley, CA Recent Paintings, Lawrence Markey, San Antonio, TX 2013 Knowledge is a blue naiveté, Galerie Nordenhake, Berlin, Germany A spring a thousand years ago, Peter Blum Gallery, New York, NY John Zurier: Watercolors,
    [Show full text]
  • William Little Lee and Catherine Lee, Letters from Hawai'i 1848—1855
    BARBARA E. DUNN William Little Lee and Catherine Lee, Letters from Hawai'i 1848—1855 "HONOLULU, HAWAIIAN ISLANDS, October 1st, 1848. My dear 'Kitty Scott.' Not long since my clerk brought me a newspaper, which upon opening I found to bear the inscription, 'with the respects of Miss Caroline Scott.' Dropping my head in an inquiring mood, I whispered to myself 'Caroline Scott? who is Caroline Scott?' When of a sudden up sprung from the floor beneath me, the dear little witch of my boyhood 'Kitty Scott,' and seating herself on my table sat smil- ing upon me in all the sweetness of her early youth." Thus begins a seven-year correspondence between William Little Lee in Honolulu and his boyhood friend, Caroline "Kitty" Scott of Buffalo, New York. After Lee's marriage to Catherine Newton in 1849, she also wrote to Kitty. There are 11 letters in this collection. William wrote five of the letters and Catherine wrote six. The Lees covered such topics as the California Gold Rush, the French Admiral de Tromelin threatening the Hawaiian government and ransacking Honolulu, the smallpox epidemic of 1853, Llhu'e Sugar Plantation on Kaua'i, Lee's work on the Land Commission, and descriptions of Washington Place where the Lees boarded. One letter contains Wil- liam Lee's account of the harrowing voyage on the Henry from Bos- ton to Hawai'i in 1846 with Charles Reed Bishop, [fig. 1] Barbara E. Dunn is the administrative director and librarian for the Hawaiian Historical Society. The Hawaiian Journal of History, vol. 38 (2004) 59 60 THE HAWAIIAN JOURNAL OF HISTORY William Little Lee did not plan to go to Hawai'i, let alone spend his life there.
    [Show full text]
  • Sean Scully: Inside Outside Media Release
    Sean Scully: Inside Outside Media Release Longside Gallery and Open Air 29 September 2018–6 January 2019 “I have spent my life making the melancholic into something irresistible. Because the world has changed around me and become more regretful, my paintings have become more true.” Sean Scully Yorkshire Sculpture Park (YSP) presents Sean Scully: Inside Outside, the largest-ever presentation of sculptures and first exhibition of sculpture and painting in the UK by the Irish-born artist. Exploring concepts of landscape and abstraction with human experience, the exhibition unites sculpture with important recent paintings on aluminium, together with works on paper. Drawing out ideas pertinent to the singularity of YSP and its landscape, this is a poetic, robust experience that embraces the Park’s topography and Scully’s exceptional vigour, as well as his belief that in life and art there is perpetual discovery. The exhibition presents an artist at the height of his powers. Aged 72, it is evident that there is no curtailment of Scully’s energy, drive and vision. Keenly aware of the labour that dominated the lives of his mining family, Scully’s practice is one of great rigour and toil, his output prodigious. For YSP he has made new paintings and sculpture – resolutely contemporary works that integrate an inclination towards geometry with the romantic sincerity of landscape painting in the historical tradition. Born in Dublin in 1945, raised in London, and now resident in New York, London and Germany, Scully is considered to be one of the most important abstract painters working today. Drawing on European traditions but with the distinct character and scale prevalent Shadow Stack, 2018 and Landline Inwards, 2015 in the USA, Scully is credited with reinvigorating abstract painting.
    [Show full text]
  • Path to Equilibrium Foozhan Kashkooli Winthrop University
    Winthrop University Digital Commons @ Winthrop University Graduate Theses The Graduate School 5-2015 Path to Equilibrium Foozhan Kashkooli Winthrop University Follow this and additional works at: https://digitalcommons.winthrop.edu/graduatetheses Part of the Art and Design Commons, and the Fine Arts Commons Recommended Citation Kashkooli, Foozhan, "Path to Equilibrium" (2015). Graduate Theses. 3. https://digitalcommons.winthrop.edu/graduatetheses/3 This Thesis is brought to you for free and open access by the The Graduate School at Digital Commons @ Winthrop University. It has been accepted for inclusion in Graduate Theses by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact [email protected]. PATH TO EQUILIBRIUM A Thesis Statement Presented to the Faculty of the College of Visual and Performing Arts In Partial Fulfillment Of the Requirements for Degree Of Master of Fine Arts In the Department of Fine Arts Winthrop University May 2015 By Foozhan Kashkooli Abstract This statement outlines the theoretical, historical, and conceptual influences that shape my Master of Fine Arts thesis at Winthrop University. It further describes and analyzes the series of paintings that compose my thesis Equilibrium, each one a reflection of my aesthetic experience as I evolved as an artist. As I will illustrate, the aesthetic experiences reflected in my work are intertwined with the artist or movement that inspired me at the time. The series consists of seven large-scale, abstract paintings, where I explore balancing form, shape, and color. In this thesis statement, I am asserting my progression as an evolving artist and elucidating my investigation of painting as a unique medium with its own complexity of composition and arrangements of shape, form, and color.
    [Show full text]
  • Attendee Roster
    2014 ANNUAL CONFERENCE :: CHARLESTON, SOUTH CAROLINA attendee roster Note: We will distribute an electronic roster of attendees with full contact information after the conference. Unaffiliated Attendees (by name) 701 Center for Contemporary Art | Columbia, SC Sheldon Paschal, Executive Director luciana achugar, Choreographer | Brooklyn, NY Alliance of Artists Communities | Columbus, OH Chambers Austelle | Danville, VA Wayne Lawson, Chair Deborah Bouchette | Hillsboro, OR Alliance of Artists Communities | Providence, RI Deb Dormody, Director of Operations + Programs Emily Browne | Seattle, WA Flannery Patton, Director of Member Services + Communications Liam Curley | Oakland, CA Alix Refshauge, Research + Special Projects Associate Stephanie Storch, Office + Business Manager Beth Gill, Artist + Choreographer | New York, NY Caitlin Strokosch, Executive Director Indira Johnson, Artist | Chicago, IL Alternate ROOTS | Charleston, SC Omari Fox, Executive Committee Member Nunally Kersh | Charleston, SC La’Sheia Oubre’, Educator and Community Specialist Bianca Klein-Breteler | Danville, VA American Dance Institute | Rockville, MD Ellen Chenoweth, Program Development Randall Koch, Artist | Neskowin, OR Dan Hurlin, Director of Artistic Initiatives Adrienne Willis, Executive Director Jennifer Krasinski | Brooklyn, NY Anchorage Museum | Anchorage, AK Laura Krugh, Artist/Art Programmer | Cincinnati, OH Julie Decker, Director + CEO Christina Pereyma, Artist | Troy, OH Anderson Center for Interdisciplinary Studies | Red Wing, MN Jackie Anderson, Residency
    [Show full text]
  • Bollettino Periodici
    SEGRETARIATO GENERALE DELLA PRESIDENZA DELLA REPUBBLICA BIBLIOTECA BOLLETTINO PERIODICI 2008 _________ A cura di Carla Capobianchi Con la collaborazione di Nicoletta Grella INDICE ___________________________________________________ Premessa Acta apostolicae sedis pag. 1 Administrative science quarterly pag. 16 Annali di storia moderna e contemporanea pag. 21 Archivi pag. 24 Archivio storico italiano pag. 27 Argomenti umani pag. 34 Aspenia pag. 49 Belfagor pag. 63 Bollettino d’arte pag. 72 Charta minuta pag. 75 (La) Civilta’ cattolica pag. 98 Clio pag. 125 Connaissance des arts pag. 129 (Il) Corriere giuridico pag. 142 Democrazia e diritto pag. 167 Diritto amministrativo pag. 168 Diritto dell’Unione Europea pag. 172 Diritto e societa’ pag. 177 Diritto pubblico pag. 180 Diritto pubblico comparato ed europeo pag. 183 Federalismo fiscale pag. 208 (Il) Filangieri pag. 211 (Il) Foro amministrativo – C.d.S. pag. 213 (Il) Foro amministrativo – T.A.R. pag. 223 (Il) Foro italiano pag. 234 Funzione pubblica pag, 255 Giornale di storia costituzionale pag. 258 Giurisdizione amministrativa pag. 262 Giurisprudenza costituzionale pag. 268 Giurisprudenza italiana pag. 279 Guida al diritto pag. 307 (L’) Industria pag. 318 Italianieuropei pag. 323 Iustitia pag. 338 (Il) Lavoro nelle pubbliche amministrazioni pag. 346 Lex pag. 355 Limes pag. 355 Micromega pag. 377 (Il) Mulino pag. 393 Nuova antologia pag. 408 Nuova rassegna di legislazione, dottrina e giurisprudenza pag. 424 (Le) Nuove leggi civili commentate pag. 467 (Il) Nuovo diritto pag. 480 Passato e presente pag. 487 Percorsi costituzionali pag. 491 Politica del diritto pag. 495 (Il) Ponte pag. 499 Quaderni costituzionali pag. 522 Quaderni di scienza politica pag. 534 Quaderni di storia pag.
    [Show full text]
  • The Hunt Museum Name Has Become by 2025 the Hunt Museum Will Have Changed to Cater to Both Online and Offline Visitors
    Hunt Museum STRATEGY 2025 Changing Lives with Culture, Creativity and Learning Apollo Genius of the Arts | German | 17th Century AD | Public Domain Foreword Introduction Impact With the growing ambition of our home city To realise our strategy we will fully integrate and region, we too must set our sights higher. the virtual and physical worlds of the museum The Hunt Museum name has become By 2025 the Hunt Museum will have changed to cater to both online and offline visitors. Our synonymous with Limerick culture, from a regional, somewhat eclectic, hidden collections range from antiquities to fine art, underpinning the importance of heritage to our treasure, to a place of international standing to fashion and ceramics. We want to open up city. We want a lasting impact for the coming with creative, educational, research, social these collections to new audiences and for decades, building on the many achievements and economic benefits. We will have created new uses in schools, universities, creativity of the last 21 years of the Hunt Museum. We national and international connections building and tourism, by making available in the public expect to make a difference to society’s needs, upon the huge legacy of the Hunt family and on domain almost everything we hold. We will near and wide, with programmes that link the our previous 21 years in one of the most iconic make cultural heritage a keystone in Digital museum collections and activities to improving of Limerick’s Georgian buildings, the Custom Strategy regionally and nationally, jump started people’s lives. We will also contribute to the House.
    [Show full text]
  • Charles Arnoldi
    CHARLES ARNOLDI CONTENTS Biography 2 One Artist Exhibitions 2 Selected Group Exhibitions 4 Awards 11 Public Collections 11 Books & Exhibition Catalogues 12 Selected Bibliography 14 2525 Michigan Ave. B4, Santa Monica, CA 90404 | t. 310.828.8488 | f. 310.828.1075 | www.rosamundfelsen.com | [email protected] 1 BIOGRAPHY 1946 Born, Dayton, Ohio 1968 Attended Chouinard Art Institute, Los Angeles Lives in Malibu, CA ONE ARTIST EXHIBITIONS 1971 Riko Mizuno Gallery, Los Angeles. 1972 Texas Gallery, Houston. 1974 Nicholas Wilder Gallery, Los Angeles. 1975 Nicholas Wilder Gallery, Los Angeles. 1976 Seattle Art Museum, Seattle, WA. 1977 Nicholas Wilder Gallery, Los Angeles. Texas Gallery, Houston. 1978 Nicholas Wilder Gallery, Los Angeles. Robert Elkon Gallery, New York. 1979 Texas Gallery, Houston. Nicholas Wilder Gallery, Los Angeles. Dobrick Gallery, Chicago. Robert Elkon Gallery, New York. 1980 James Corcoran Gallery, Los Angeles. 1981 Hansen Fuller Goldeen Gallery, San Francisco. Texas Gallery, Houston. James Corcoran Gallery, Los Angeles. 1982 James Corcoran Gallery, Los Angeles. 1983 Texas Gallery, Houston. James Corcoran Gallery, Los Angeles. 1984 “Charles Arnoldi: Unique Prints,” Los Angeles County Museum of Art, Los Angeles (catalogue). James Corcoran Gallery, Los Angeles. 1985 Fuller Goldeen Gallery, San Francisco. Thomas Babeor Gallery, La Jolla, CA. Charles Cowles Gallery, New York. James Corcoran Gallery, Los Angeles. 1986 New City Editions, Venice, CA. Charles Cowles Gallery, New York. Pamela Auchincloss Gallery, Santa Barbara, CA. Janie Beggs Gallery, Aspen, CO. “Arnoldi: Recent Paintings,” Univ. of Missouri-Kansas City Gallery of Art, Kansas City, MO (catalogue). 1986 “Arnoldi, A Survey: 1971-1986,” Arts Club of Chicago, Chicago. 1987 Fuller Goldeen Gallery, San Francisco.
    [Show full text]