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Fabienne Verdier Rhythms and Reflections
FABIENNE VERDIER RHYTHMS AND REFLECTIONS A COMET Do all roads that lead to truth lie underground? Do all depths lie in darkness? dostoevsky And is the word Truth anything else but snow? One day, as I went round a gallery, luminous like an artist’s studio where work is left exposed to its own light, I happened on a painting by Fabienne Verdier. To me, her painted line seemed like the branch of a tree, broad as an artery, a tunnel in a badger’s sett, a cocoon in air, and at the same time like none of those things, but a thing of mystery whose exacting gaze takes your breath away! A reptile whose hiss lingers around the walls. Then it disappears, it loses itself elsewhere, leaving you with the feeling nonetheless that you were there the very moment its untamed presence so unexpectedly appeared. Of course, such an event never occurs twice. It was the painting that arrested the flight of this fugitive presence for an instant, like water holding on to air, yet expressing an instant of perception and the path taken to grasp it. As if, in fact, all the patience of the world had transformed into a lightning flash – the watchfulness of a lighthouse-keeper who knows to be neither fully awake nor asleep. Whenever solitude is put to the creative test, it becomes the key to a world. How to describe the solitude that is a crowd, unable to bloom into thousands of individuals. How to describe the crowd that blooms into a single world. -
(Exhibition Catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin
SOL LEWITT SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2018 American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated. Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated. Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated. LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico BooksꞏPrestel, 2018: 84–87, illustrated. Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated. Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018 Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018. 2017 Sol LeWitt: Selected Bibliography—Books 2 The Art Museum. London: Phaidon, 2017: 387, illustrated. Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated. Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated. Gross, Béatrice. -
Bollettino Periodici
SEGRETARIATO GENERALE DELLA PRESIDENZA DELLA REPUBBLICA BIBLIOTECA BOLLETTINO PERIODICI 2008 _________ A cura di Carla Capobianchi Con la collaborazione di Nicoletta Grella INDICE ___________________________________________________ Premessa Acta apostolicae sedis pag. 1 Administrative science quarterly pag. 16 Annali di storia moderna e contemporanea pag. 21 Archivi pag. 24 Archivio storico italiano pag. 27 Argomenti umani pag. 34 Aspenia pag. 49 Belfagor pag. 63 Bollettino d’arte pag. 72 Charta minuta pag. 75 (La) Civilta’ cattolica pag. 98 Clio pag. 125 Connaissance des arts pag. 129 (Il) Corriere giuridico pag. 142 Democrazia e diritto pag. 167 Diritto amministrativo pag. 168 Diritto dell’Unione Europea pag. 172 Diritto e societa’ pag. 177 Diritto pubblico pag. 180 Diritto pubblico comparato ed europeo pag. 183 Federalismo fiscale pag. 208 (Il) Filangieri pag. 211 (Il) Foro amministrativo – C.d.S. pag. 213 (Il) Foro amministrativo – T.A.R. pag. 223 (Il) Foro italiano pag. 234 Funzione pubblica pag, 255 Giornale di storia costituzionale pag. 258 Giurisdizione amministrativa pag. 262 Giurisprudenza costituzionale pag. 268 Giurisprudenza italiana pag. 279 Guida al diritto pag. 307 (L’) Industria pag. 318 Italianieuropei pag. 323 Iustitia pag. 338 (Il) Lavoro nelle pubbliche amministrazioni pag. 346 Lex pag. 355 Limes pag. 355 Micromega pag. 377 (Il) Mulino pag. 393 Nuova antologia pag. 408 Nuova rassegna di legislazione, dottrina e giurisprudenza pag. 424 (Le) Nuove leggi civili commentate pag. 467 (Il) Nuovo diritto pag. 480 Passato e presente pag. 487 Percorsi costituzionali pag. 491 Politica del diritto pag. 495 (Il) Ponte pag. 499 Quaderni costituzionali pag. 522 Quaderni di scienza politica pag. 534 Quaderni di storia pag. -
Agnes Martin Selected Bibliography Books
AGNES MARTIN SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2019 Hannelore B. and Rudolph R. Schulhof Collection (exhibition catalogue). Text by Gražina Subelytė. Venice, Italy: Peggy Guggenheim Collection, 2019. 2018 Agnes Martin / Navajo Blankets (exhibition catalogue). Interview with Ann Lane Hedlund and Nancy Princenthal. New York: Pace Gallery, 2018. American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 162–163, illustrated. An Eccentric View (exhibition catalogue). New York: Mignoni Gallery, 2018: illustrated. “Agnes Martin: Aus ihren Aufzeichnungen über Kunst.” In Küstlerinnen schreiben: Ausgewählte Beiträge zur Kunsttheorie aus drei Jahrhunderten. Edited by Renate Kroll and Susanne Gramatzki. Berlin: Dietrich Reimer Verlag GmbH, 2018: 183–187, illustrated. Ashton, Dore. “Dore Ashton on Agnes Martin.” In Fifty Years of Great Art Writing. London: Hayward Gallery Publishing, 2018: 53–61, illustrated. Agnes Martin: Selected Bibliography-Books and Exhibition Catalogs 2 Fritsch, Lena. “’Wenn ich an Kunst denke, denke ich an Schönheit’ – Agnes Martins Schriften.” In Küstlerinnen schreiben: Ausgewählte Beiträge zur Kunsttheorie aus drei Jahrhunderten. Edited by Renate Kroll and Susanne Gramatzki. Berlin: Dietrich Reimer Verlag GmbH, 2018: 188–197. Guerin, Frances. The Truth is Always Grey: A History of Modernist Painting. Minneapolis and London: University of Minnesota Press, 2018: plate 8, 9, illustrated. Intimate Infinite: Imagine a Journey (exhibition catalogue). New York: Lévy Gorvy, 2018: 100–101, illustrated. Martin, Henry. Agnes Martin: Pioneer, Painter, Icon. Tucson, Arizona: Schaffner Press, 2018. Martin, Agnes. “Agnes Martin: Old School.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico Books·Prestel, 2018: 44–45, illustrated. -
Fabienne Verdier
FABIENNE VERDIER Biography 1919196219 626262 Born in Paris 1983 Graduates from Ecole des Beaux-arts de Toulouse 1984 Awarded a post-graduate scholarship at the Sichuan Fine Arts Institute, China 19841984----93939393 Studied painting, aesthetics and philosophy at the Sichuan Fine Arts Institute, China, with some of the last great traditional masters 1989 Graduates from Sichuan Fine Arts Institute, Excellence Prize Elected to Calligraphers Association Sichuan 19891989----91919191 Cultural attaché at the French Embassy, Beijing 2003 Publication of Passagère du silence, dix ans d’initiation en Chine (Passenger of Silence: Ten Years of Initiation in China), Albin Michel, Paris — a memoir of her years of apprenticeship with Master Huang Yuan Entered permanent collection of Musée Cernuschi, Paris 2005 Solo exhibition at Galerie Alice Pauli, Lausanne, Switzerland 2007 Publication of monograph Between Heaven and Earth and Entretien avec Charles Juliet (Albin Michel, Paris) Four large works commissioned by Hubert Looser Foundation in dialogue with selected American abstract and minimalist artists from the collection (John Chamberlain, Donald Judd, Willem de Kooning, Ellsworth Kelly and Cy Twombly) Entered permanent collection of Musée National d’Art Moderne, Centre Georges- Pompidou, Paris 2008 Group exhibition, Expansion Résonance , Galerie Jaeger Bucher, Paris 2009 Group exhibition, Elles@Centre Pompidou , Musée National d’Art Moderne Centre Pompidou, Paris Solo exhibition, Peinture , Galerie Jaeger Bucher, Paris 2010 Commission of two monumental -
Sean Scully, 1945 —
Sean Scully, 1945 — Sean Scully (b. 1945, Dublin, Ireland) is an American-Irish artist who is internationally recognised for his distinctive abstract compositions that interrogate the properties of light, colour and form. Scully studied painting at Croydon College of Art, London and Newcastle University, UK, where he began to work in abstraction. During a trip to Morocco in 1969, Scully was strongly influenced by the local textiles and rich colours of the region, which he translated into the broad horizontal stripes and deep earth tones that characterise his mature style. Scully’s travels throughout Morocco and Mexico would also prompt his decision to move from Minimalism to a more emotional and humanistic form of abstraction. Following fellowships in 1972 and 1975 at Harvard University, Scully’s paintings became increasingly monumental and sculptural, consisting of interconnected three-dimensional panels that anticipated his later sculpture practice. In 1984 he began to develop the Wall of Light series, replacing the precise stripes of his early paintings with solid blocks of colour, built with increasingly loose and feathered brushstrokes into vertical and horizontal ‘bricks’ that suggest a wall of stone. Subtle differences in colour in the paintings indicate the location in which they were created, the changing seasons and the artist’s own emotions. This series formed the subject of a major touring exhibition at The Metropolitan Museum of Art, New York in 2007. In 1984 Scully achieved international breakthrough through his inclusion in the major group exhibition An International Survey of Recent Painting and Sculpture at the Museum of Modern Art, New York. -
Anthony Caro Education Solo Exhibitions
ANTHONY CARO Born in 1924 in New Malden, London, UK Died in 2013, London, UK EDUCATION 1944 M.A. Engineering, Christ’s College, Cambridge, UK 1952 Conservative training at Royal Academy Schools, London, UK 1951–53 Assistant to Henry Moore SOLO EXHIBITIONS (SELECTION) 2019 Anthony Caro at Cliveden , Cliveden House, Taplow, Maidenhead, UK Anthony Caro: Iron in the Soul at Norwich University of the Arts, Norwich, UK Ausgang offen: Neues aus der Sammlung, Kunsthalle Weishaupt, Ulm, Germany Negativer Raum, ZKM | Zentrum für Kunst und Medientechnolo, Karlsruhe, Germany Anthony Caro - Seven Decades, Annely Juda Fine Art, London, UK 2017 Caro at Van Buuren Museum, Van Buuren, Brussels, Belgium Table Pieces and Last Sculptures at Galerie Templon, Brussels, Belgium Anthony Caro: Paper Like Steel at New Art Centre, Roche Court, UK Anthony Caro, Galerie Hans Mayer, Düsseldorf, Germany and Skulpturenhalle: Thomas Schütte Foundation, Germany 2016 New Music in New Casks, CVNE, Haro, Spain Arena Pieces at Galeria Alvaro Alcazar, Madrid, Spain Bronze and Book Sculptures at Annely Juda Fine art, London, UK CARO at CVNE vineyard, Haro, La Rioja, Spain 2015 Caro in Yorkshire, Yorkshire Sculpture Park Center, Yorkshire, UK Early works, Gagosian Gallery, Los Angeles, USA 2014 Anthony Caro : Masterpieces from the Würth Collection, Musée Würth, Erstein, France Last Works, Galerie Daniel Templon, Paris, France 2013 Anthony Caro, Galerie Daniel Templon, Brussels, Belgium G ALERIE 30 RUE BEAUBOURG 75003 PARIS | +33 (0)1 42 72 14 10TEMPLON 28 RUE DU GRENIER SAINT-LAZARE -
Rapport D'activités
MSF Suisse/Centre opérationnel de Genève RAPPORT D’ACTIVITÉS 2019 Médecins Sans Frontières (MSF) est une organisation médicale humanitaire internationale indépendante qui apporte une aide d’urgence aux populations sans accès à des soins de santé, touchées par des conflits armés, des épidémies ou des catastrophes naturelles. Indépendante et autonome, MSF accomplit ses missions dans le respect de l’éthique médicale et selon les principes de neutralité et d’impartialité. Elle apporte son aide aux populations en danger, sans aucune discrimination ethnique, religieuse, sexuelle ou politique. Pour mener à bien son action, MSF doit pouvoir évaluer librement les besoins médicaux, accéder sans restriction aux populations concernées et contrôler directement les secours qu’elle apporte aux personnes les plus en danger. Refusant de prendre parti pour l’un ou l’autre des belligérants, l’organisation demande un accès sans entrave aux patients ainsi qu’un espace de travail suffisant pour pouvoir mener des interventions médicales d’urgence. MSF dépend de dons privés et n’accepte aucun financement de la part d’acteurs directement impliqués dans un conflit ou dans une urgence médicale où elle intervient. Association à but non lucratif fondée en 1971 par des médecins et des journalistes à Paris, en France, MSF est aujourd’hui un mouvement international composé de 25 associations dans le monde et d’un bureau international de coordination basé à Genève, en Suisse. Ce dernier assure un soutien en termes de coordination et d’information et met en œuvre des initiatives et projets internationaux selon les besoins. Toutes les associations sont des entités légales indépendantes, enregistrées en conformité avec les lois du pays dans lequel elles sont établies. -
18 Works from the Bachman Collection (1606) Lot 4
18 Works from the Bachman Collection (1606) June 4, 2018 EDT Lot 4 Estimate: $250000 - $400000 (plus Buyer's Premium) Willem de Kooning (American/Dutch, 1904-1997) Head #3 1973, signed on the reverse and numbered 8/12 (there were also 3 artist's proofs), and with the Modern Art Foundry, New York stamp at edge of base. Bronze with black patina. height (with base): 19 in. (48.3cm)width (with base): 11 11/16 in. (29.7cm)depth (with base): 11 3/8 in. (28.9cm) Provenance: The Artist. Xavier Fourcade, Inc., New York, New York. The Estate of Lee & Gilbert Bachman, Atlanta, Georgia & Boca Raton, Florida (acquired directly from the above in 1986). EXHIBITED: "De Kooning: Major Paintings and Sculpture," Pollock Gallery, Toronto, October - November, 1974 (another cast exhibited). Marion Koogler McNay Art Institute, Collector-Gallery VIII, San Antonio, Texas, November - December 1974 (another cast exhibited). "De Kooning: Drawings/Sculptures," a traveling exhibition: Walker Art Center, Minneapolis, Minnesota; National Gallery of Canada, Ottawa; Phillips Collection, Washington, D.C.; Albright-Knox Art Gallery, Buffalo, New York; The Museum of Fine Arts, Houston; Washington University Gallery of Art, St. Louis, Missouri, March, 1974 - June, 1975, no. 148 (another cast exhibited). "Thirty-Fourth Exhibition of the Society for Contemporary Art," Art Institute of Chicago, Chicago, Illinois, May - June, 1975 (illustrated in the exhibition catalogue n.p.). "Willem de Kooning," a traveling exhibition: Fuji Television Gallery, Tokyo, Japan; Galerie des Arts, Paris, France, September - November 1975, no. 43 (another cast exhibited and illustrated in the exhibition catalogue). "De Kooning: New Works - Paintings and Sculptures," Fourcade, Droll, Inc., New York, October - December, 1975 (another cast exhibited and illustrated in the exhibition catalogue n.p.). -
Sean Scully Selected Solo Exhibitions
Sean Scully Lives and works in New York and Germany 1968-72 Newcastle University, Newcastle, UK 1965-68 Croydon College of Art, London, UK 1962-65 Central School of Art, London, UK 1945 Born in Dublin, Ireland Selected Solo Exhibitions 2021 'Sean Scully: Passenger – A Retrospective,' Benaki Museum, Athens, Greece (Forthcoming) 'From the Real: Liliane Tomasko & Sean Scully,' Newlands House Gallery, Petworth, West Sussex, UK (Forthcoming) 'Sean Scully,' Lisson Gallery, East Hampton, New York, USA 'Sean Scully,' Sammlung Alison und Peter W. Klein, Eberdingen-Nussdorf, Germany 'Sean Scully: The Shape of Ideas,' Museum of Art Fort Worth Museum, Fort Worth, Dallas, TX, USA 'Sean Scully,' Pilane Sculpture Park, Klövedal, Sweden ‘Sean Scully: The 12,' Sean Scully Chelsea Studio, New York, NY USA ‘Sean Scully: Dark Windows,’ Lisson Gallery, New York, NY, USA 'Sean Scully: Entre Ciel et Terre (Between Heaven and Earth),' Galerie Thaddeus Ropac – Paris Marais, Paris, France 'Sean Scully: Eleuthera,' Royal Hibernian Academy, Gallagher Gallery, Dublin, Ireland 2020 ‘Sean Scully: Passenger – A Retrospective,’ Museum of Fine Arts- Hungarian National Gallery, Budapest, Hungary. ‘Sean Scully: Mirror Red,’ Lisson Gallery, East Hampton, New York, NY, USA ‘Sean Scully – Insideoutside,’ Skulpturenpark Waldfrieden, Wuppertal, Germany ‘Opulent Ascension,’ LWL-Museum for Art and Culture, Münster, Germany ‘Aeternum,’ Forum Paracelsus, St. Moritz, Switzerland ‘Sean Scully. Early Prints,’ Galerie Klüser, Münich, Germany 2019 ‘Sean Scully: Eleuthera’, Centro de -
Gazette Drouot INTERNATIONAL
Gazette Drouot INTERNATIONAL NUMBER 21 UPDATE CLICK HERE TO FIND THE LATEST NEWS W Gaspar van Wittel, Veduta di Roma (detail), gouache on vellum, 1683. Estimate $30,000 to $50,000. Old Master Drawings JANUARY 29 Specialist: Todd Weyman • [email protected] Visit our website for catalogues, previews and auction times 104 East 25th St, New York, NY 10010 • tel 212 254 4710 SWANNGALLERIES.COM BID AT WWW.DROUOTLIVE.COM FREE SERVICE AND WITHOUT EXTRA FEES BID AT DROUOT ANYWHERE ! JUDICIAL AUCTIONEERS MONDAY 28TH - TUESDAY 29TH - WEDNESDAY 30TH JANUARY 2013 DROUOT - ROOMS 5 & 6 - 1.30 P.M. PUBLIC AUCTION OF AROUND 1000 WORKS BY ORDER OF THE PARIS COURT OF COMMERCE JUDICIAL LIQUIDATION OF MARBLE ART INVEST ARTISTS : ACROYHEEZ • AGRINIER • AGU • AMBERT • AMM • WATLING • ANGHELESCU • AVIAS • BAHANAG • BALDOCCHI • BARTOLOMEO • BISSINGER • BOLDY • BOSCARDIN • BURHAN • BURLACU • CANDON • CANTO • CEZ • ART • CHEVREAU • CIOBANU • CLANETTI • SANTAROSSA • CLERC • CLOUIN • COEUR • CORNEE • COSTA • COUGNY • CRISTINA • CROQ • DE • GROOF • DORSELAER • DUFOUR • DULHAN • DUVAL • FASO • FEUGEAS • FLAMME • FLORIN • FREDERICK • GAGNE • GAISS • GAZIO • GOR • HEAVEZ • IKI • JACQUEMIN • KLOSKA • LE • FOU • LEJEUNE • LEMOINE • LENARD • LEPAGE • LESAGES • LEYSIN • LOUIS • LUDOVIC • BYL • LUPSE • LUPU • MARAXIA • MERGOT • MESSOUBEUR • MISS • MIRZA • MONTIER • NECTARIA • NUPERT • PAGES • PANS • PATRONI • PERRON • PERROTTE • PISSACO • POPA • CORNELIA • VASILICA • PRIELS • RADU • RALEANU • RIVIERE • ROS • SAIDI • SAINT • MARC • SENECAL • SERVANTIE • SIMON • SISSE • DE • VAUBLANC • SOLALELA • SORANA • TARUS • SOXNA • STAN • STEPHANE • STEPK • STEVENS • STF • TANNET • TARKOWSKA • TESSIER • TUFIS • UNBUREANU • VAN • MULLEN • VERNER • WOZNIAK • ZERBIB • ZOITA Fees: 14.352 % - For all information: + 33 (0)1 48 24 43 43 Bid live with DrouotLive PUBLIC EXHIBITIONS CATALOGUE ONLINE Saturday 26th January 2013 www.cpjudiciaire.com from 11 a.m. -
Richard Tuttle
RICHARD TUTTLE born 1941, Rahway, New Jersey lives and works in New York, NY and Abiquiú, NM EDUCATION 1963 Trinity College, Hartford, Connecticut, BA SELECTED SOLO / TWO PERSON EXHIBITIONS (* Indicates a publication) 2022 *What is the Object?, Bard Graduate Center, New York, NY 2021 Nine Stepping Stones, David Kordansky Gallery, Los Angeles, CA 2020 Stories, I-XX, Galerie Greta Meert, Brussels, Belgium TheStars, Modern Art, London, England 2019 Days, Muses and Stars, Pace Gallery, New York, NY *Basis, 70s Drawings, Pace Gallery, New York, NY Introduction to Practice, M Woods Museum, Beijing, China Double Corners and Colored Wood¸ Pace Gallery, Beijing, China 2018 For Ourselves As Well As For Others, Pace Gallery, Geneva, Switzerland 8 of Hachi, Tomio Koyama Gallery, Tokyo, Japan Intersections: Richard Tuttle. It Seems Like It’s Going To Be, The Phillips Collection, Washington, D.C. Thoughts of Trees, Pace Gallery, Seoul, South Korea 2017 100 Epigrams, Pace Prints, New York, NY Light and Color, Kunstmuseum aan Zee, Oostend, Belgium Books, Multiples, Prints, Writings and New Projects, Galerie Christian Lethert, Cologne, Germany The Critical Edge, Pace London, England My Birthday Puzzle, Modern Art, London, England De Hallen Haarlem, Haarlem, Netherlands [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 2016 *Both/And Richard Tuttle Print and Cloth, Oklahoma State University Museum of Art, Stillwater, OK *Al Cielo de Noche de Lima / To the Night Sky of Lima, Proyecto AMIL and Museo de Arte de