DOCSLIB.ORG

Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report July 1, 2007–June 30, 2008 AnnuAl RepoRt 1 Contents 3 Board of Trustees 4 Trustee Committees 7 Message from the Director 12 Message from the Co-Chairmen 14 Message from the President 16 Renovation and Expansion 24 Collections 55 Exhibitions 60 Performing Arts, Music, and Film 65 Community Support 116 Education and Public Programs Cover: Banners get right to the point. After more than 131 Staff List three years, visitors can 137 Financial Report once again enjoy part of the permanent collection. 138 Treasurer Right: Tibetan Man’s Robe, Chuba; 17th century; China, Qing dynasty; satin weave T with supplementary weft Prober patterning; silk, gilt-metal . J en thread, and peacock- V E feathered thread; 184 x : ST O T 129 cm; Norman O. Stone O PH and Ella A. Stone Memorial er V O Fund 2007.216. C 2 Board of Trustees Officers Standing Trustees Stephen E. Myers Trustees Emeriti Honorary Trustees Alfred M. Rankin Jr. Virginia N. Barbato Frederick R. Nance Peter B. Lewis Joyce G. Ames President James T. Bartlett Anne Hollis Perkins William R. Robertson Mrs. Noah L. Butkin+ James T. Bartlett James S. Berkman Alfred M. Rankin Jr. Elliott L. Schlang Mrs. Ellen Wade Chinn+ Chair Charles P. Bolton James A. Ratner Michael Sherwin Helen Collis Michael J. Horvitz Chair Sarah S. Cutler Donna S. Reid Eugene Stevens Mrs. John Flower Richard Fearon Dr. Eugene T. W. Sanders Mrs. Robert I. Gale Jr. Sarah S. Cutler Life Trustees Vice President Helen Forbes-Fields David M. Schneider Robert D. Gries Elisabeth H. Alexander Ellen Stirn Mavec Robert W. Gillespie Mark Schwartz Agnes Gund Quentin Alexander Vice President George Gund III Jerry Sue Thornton Mrs. John Hildt Leigh Carter James A. Ratner Michael J. Horvitz Richard T. Watson Ward Kelley Vice President James H. Dempsey Jr. Charles S. Hyle Sherman E. Lee+ Janet G. Ashe Ex Officio Mrs. Edward A. Kilroy Jr. Adrienne Lash Jones Eleanor Bonnie McCoy Treasurer Timothy Rub, Jon A. Lindseth Susan Kaesgen John C. Morley Edward Bauer Director Morton L. Mandel Assistant Treasurer Robert M. Kaye Mary Schiller Myers+ Kate Stenson, Mrs. Alfred M. Rankin Stephen J. Knerly Jr. Nancy F. Keithley Womens Council Lucia Nash Edwin M. Roth Secretary R. Steven Kestner Jane Nord Frances P. Taft Roberto A. Prcela Alex Machaskee Leon M. Plevin+ Assistant Secretary Paul J. Vignos, M.D. William P. Madar James S. Reid of the Board Alton W. Whitehouse Milton Maltz Barbara S. Robinson Dr. Norman Zaworski Ellen Stirn Mavec Laura Siegal S. Sterling McMillan III Cara Smith Stirn Rev. Dr. Otis Moss Jr. Evan Hopkins Turner Iris Wolstein A suite of five monumental canvases by Charles Meynier +deceased since June impresses visitors in the new 30, 2008 Cutler Gallery. ford H ric 3 A. B id V A D tRustee Committees Standing Committees Collections Committee on Trustees Investment Nancy F. Keithley Sarah S. Cutler Michael J. Horvitz Audit Chair Co-Chair Chair David M. Schneider Charles P. Bolton Charles P. Bolton James T. Bartlett Chair Vice Chair Co-Chair Vice Chair Alfred M. Rankin Jr. Virginia N. Barbato Helen Forbes-Fields Robert W. Gillespie Richard T. Watson James T. Bartlett Robert W. Gillespie S. Sterling McMillan III Executive Helen Forbes-Fields Charles S. Hyle Anne Hollis Perkins Alfred M. Rankin Jr. George Gund III R. Steven Kestner James A. Ratner Chair Robert M. Kaye Ellen Stirn Mavec David M. Schneider James T. Bartlett Ellen Stirn Mavec James T. Bartlett Elliott L. Schlang, Vice Chair Stephen E. Myers ex officio adviser Michael J. Horvitz Donna S. Reid Michael J. Horvitz Alfred M. Rankin Jr., Vice Chair ex officio ex officio Mark Schwartz Virginia N. Barbato Alfred M. Rankin Jr. Alfred M. Rankin Jr. Compensation Sarah S. Cutler ex officio ex officio Alfred M. Rankin Jr. Helen Forbes-Fields Finance Chair Nancy F. Keithley Charles S. Hyle James T. Bartlett R. Steven Kestner Vice Chair Michael J. Horvitz Ellen Stirn Mavec Virginia N. Barbato James A. Ratner James T. Bartlett Robert M. Kaye Nancy F. Keithley William P. Madar Alfred M. Rankin Jr. ex officio Final touches of caulk and paint complete the Y transformation of the former onle garden court into the Reid Gallery, featuring Baroque Y M. D 4 art. regor G Advisory Committees Jon A. Lindseth African American Accessions Tamar Maltz Community Task Force Nancy F. Keithley Ellen Stirn Mavec June Antoine Chair Stephen E. Myers Dr. Emma Bowman Benning Charles P. Bolton Henry Ott-Hansen Vice Chair Caprice Bragg Mrs. Alfred M. Rankin Elisabeth H. Alexander Alfred L. Bright Donna S. Reid Quentin Alexander Margo James Copeland Charles B. Rosenblatt Virginia N. Barbato Jennifer Coleman Edwin M. Roth James T. Bartlett Fluker Elliott L. Schlang Mrs. Noah L. Butkin Helen Forbes-Fields Mark Schwartz Helen Forbes-Fields Dr. Giesele Greene Eugene Stevens George Gund III Bert Laurelle Holt Frances P. Taft Mrs. John Hildt Bracy Lewis Paul J. Vignos, M.D. Marguerite B. Franklin Martin Humphrey John Williams Lolita McDavid, M.D. Robert H. Jackson Iris Wolstein Rev. Marvin McMickle Susan Kaesgen Martha Young Stanley Miller Robert M. Kaye Dr. Norman Zaworski A. Grace Lee Mims Mrs. Edward A. Kilroy Jr. Alfred M. Rankin Jr. Steven A. Minter ex officio Dr. Robert Kiwi Rev. Dr. Otis Moss Jr. Karen L. Krause Gregory Reese Rev. Paul Sadler Kimberly St. Johns Stevenson Andrew Venable Jr. Alfred M. Rankin Jr. A visiting family enjoys a ex officio members preview of the reopened 1916 building. ller 5 T A. MU ober R Cleveland Museum of Education Legislative Affairs Marketing Art Building Oversight Virginia N. Barbato Robert W. Gillespie Mark Schwartz Michael J. Horvitz Chair Chair Chair Chair Susan Kaesgen Alex Machaskee Dennis Barrie James A. Ratner Vice Chair Vice Chair Frederick E. Bidwell Vice Chair Hedy Adler James T. Bartlett Lauren Rich Fine James T. Bartlett Jeanette Grasselli Michael J. Horvitz Elizabeth T. Fowler Donna S. Reid Brown Rev. Dr. Otis Moss Jr. David Geyer Alfred M. Rankin Jr. James S. Berkman David M. Schneider W. Allen Shapard ex officio Leigh Carter Alfred M. Rankin Jr. Alfred M. Rankin Jr. Campaign Cabinet Sr. Maureen Doyle ex officio ex officio Adrienne Lash Jones, Ellen Stirn Mavec Library Chair Ph.D. Karen Clark Keyes Stephen E. Myers R. Steven Kestner Chair Vice Chair Susan W. MacDonald Leigh Carter James T. Bartlett Nancy-Clay Marsteller, Joanne D. Eustis, Ph.D. Sarah S. Cutler Ph.D. Malcolm E. Kenney Robert W. Gillespie S. Sterling McMillan III Mary Ann Liljedahl Michael J. Horvitz Rev. Dr. Otis Moss Jr. Jon A. Lindseth Charles S. Hyle Frances P. Taft Dr. Mark Tebeau Nancy-Clay Marsteller, Alex Machaskee Ph.D. Susan H. Turben William P. Madar Richard E. Rubin, Ph.D. Paul J. Vignos, M.D. Leon M. Plevin+ Paul J. Vignos, M.D. Donna S. Reid Sally Wertheim Alfred M. Rankin Jr. CMA textile conservator Alfred M. Rankin Jr. David M. Schneider ex officio Robin Hanson and contract ex officio Alfred M. Rankin Jr. textile conservator ex officio Kathleen MacKay work on a large carpet. ford H ric A. B 6 id V A D From the diReCtoR Fiscal year 2007–8 ended just one day after the During the grand newly reinstalled galleries on the main floor of reopening weekend in June, visitors enjoyed the museum’s venerable 1916 building opened on the Art Cart, a hands- Sunday, June 29, 2008. Thus, viewing the entire on experience in the 12 months through the lens of that celebratory Armor Court. weekend is appropriate. Indeed, at times all the varied activities during the period covered by this report seemed focused on helping us get to and then across this important threshold. In retrospect, such concentration was to be expected, given all that had gone into the preparations for this event, which was arguably one of the most important in Y the history of this institution. onle Y M. D Major exhibitions set the stage for what was to come in the museum’s renovation and expansion regor G project. Arms and Armor from Imperial Austria Timothy Rub presents brought highlights of one of the world’s great his report to the armor collections to Cleveland, presaging the community at the first Members Annual return of our own beloved Armor Court just a Meeting in October few months later. Earlier in the year, in the middle 2007. of an extended tour that delighted visitors (more than one million in all in cities as varied as Beijing and Seoul, Vancouver and Salt Lake City), works Y from our superb holdings of Impressionist art onle came home for the Cleveland venue of the show Y M. D Impressionist and Modern Masters from the Cleveland regor G Museum of Art. 7 Sherman E. Lee The museum welcomed many visitors 1918–2008 throughout the year to a broad range of educational offerings, from docent-led tours and studio art classes to the Chalk Festival and Parade the Circle, which once again enjoyed sunny skies and drew a crowd of more than 60,000. Further, we made many new friends in the community with award- winning distance learning programs, which bring the collection into classrooms throughout the region and beyond, and through the VIVA! and Gala Around Town series, which continued to attract a large and enthusiastic following. The film program covered everything from special previews of forthcoming feature films to One of the legendary museum directors masterworks from the earliest days of cinema. In in American history, Sherman E. Lee died many ways, this was a period during which, after more than three years of intensive renovation on July 9, 2008, at the age of 90.
Load more

Recommended publications
  • Moraimde315 Center Street (Rt
    y A 24—MANCHESTER HERALD. Friday, April 13, 1990 LEGAL NOTICE DON’T KNOW Where to Is advertising expensive? TOWN OF BOLTON look next for a lob? How I cod CLEANING MISCELLANEOUS ■07 |j MISCELLANEOUS You'll be surprised now I CARS ZONING BOARD OF APPEALS about placing a “Situa­ 1SERVICES FOR SALE FOR SALE economical It Is to adver­ FOR SALE Notice is here by given that there will be a public hearing of the tion Wanted" ad In tise In Classified. 643-2711. classified? Zoning Board of >^peals, on Thursday, April 26, 1990 at 7 NO TIM E TO CLEAN. SAFES-New and used. DODGE - 1986. ’150’, 318 p.m. at the Bolton Town Hall, 222 Bolton Center Road, Bolton, Don't really like to END RO LLS Trade up or down. CIO, automatic, bed CT. A clean but hate to come f o o l ROOMMATES 27V4" width — 504 Liberal allowance for WANTED TO liner, tool box, 50K, 1. To hear appeal of Gary Jodoin, 23 Brian Drive for a rear home to a dirty house. I $5500. 742-8669. [ ^ W A N T E D 13" width — 2 for 504 clean safes In good Ibuy/ trade set-back variance for a porch. Coll us 1 We’re reaso­ condition. American 2. To hear appeal of MIton Hathaway, 40 Quarry Road for a nable and we do a good Newsprint and rolls can bs Graduating? House and picked up at the Manchester Security Corp. Of CT, WANTED: Antiques and special permit to excavate sand & gravel at 40 Quarry Road.
    [Show full text]
  • THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
    ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art.
    [Show full text]
  • The Frick Collection Staff As of June 30, 2008
    The Frick Collection annual report july 2007–june 2008 The Frick Collection annual report july 2007–june 2008 leadership 2 Board of Trustees, Council of The Frick Collection, and Young Fellows Steering Committee reports 3 Margot Bogert, Chairman 5 Anne L. Poulet, Director 8 Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator 11 Patricia Barnett, Andrew W. Mellon Chief Librarian financial statements 13 Statement of Financial Position 14 Statement of Activities public programming 15 Exhibitions and Lectures 16 Symposia, Publications, and Concerts notable library acquisitions 17 Gifts and Exchanges 18 Purchases donor support and membership 19 Gifts and Grants 23 Fellows and Friends 30 Corporate Members and Sponsors staff 31 The Frick Collection 34 Frick Art Reference Library on our cover: Maiolica dish with The Judgment of Paris after Raphael, Fontana workshop, tin-glazed earthenware, c. 1565, The Frick Collection, gift of Dianne Dwyer Modestini in memory of Mario Modestini; photograph by Michael Bodycomb The Frick Collection Council of Young Fellows Board of Trustees The Frick Collection Steering Committee As of June 30, 2008 As of June 30, 2008 As of June 30, 2008 Margot Bogert, Chairman George C. Wachter, Chairman Lydia Fenet, Chairman Howard Phipps Jr., Vice Chairman Jonathan Brown, Vice Chairman Elisabeth Saint-Amand, Secretary L. F. Boker Doyle, Treasurer Caitlin Davis, Coordinator John P. Birkelund, Secretary Julian Agnew Irene Roosevelt Aitken Fiona Benenson Peter P. Blanchard III W. Mark Brady Genevieve Wheeler Brown I. Townsend Burden III Vivien R. Clark Kipton Cronkite Walter A. Eberstadt Anne Goldrach Paul Cruickshank Emily T. Frick Nicholas H.
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • College of Arts and Sciences
    College of Arts and Sciences ANNUAL REPORT 2004·05 awards won · books published · research findings announced programs implemented · research · teaching · learning new collaborations · development of promising initiatives preparation · dedication · vision ultimate success 1 Message from the Dean . 3 Arts and Sciences By the Numbers . 6 Highlights Education . 8 Research . 12 Public Events . 15 Faculty Achievements . 17 Grants . 20 Financial Resources . 22 Appendices . 23 Editor: Catherine Varga Printing: Lake Erie Graphics 2 MESSAGE FROM THE DEAN I have two stories to tell. The first story is a record of tangible accomplishments: awards won, books published, research findings announced, programs implemented. I trust that you will be as impressed as I am by the array of excellence—on the part of both students and faculty—on display in these pages. The second story is about achievements in the making. I mean by this the ongoing activity of research, teaching, and learning; the forging of new collaborations; and the development of promising initiatives. This is a story of preparation, dedication, and vision, all of which are essential to bringing about our ultimate success. 3 As I look back on 2004-05, several examples of achievement and visionary planning emerge with particular clarity: Faculty and Student Recruitment. The College undertook a record number of faculty searches in 2004-05. By tapping the superb networking capabili- ties developed under the leadership of chief informa- SAGES. Under the College’s leadership, SAGES com- tion officer Thomas Knab, our departments were pleted its third year as a pilot program and prepared able to extend these searches throughout the world, for full implementation in fall 2005.
    [Show full text]
  • Year in Review 2014–2015 About Bard Graduate Center
    Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years.
    [Show full text]
  • Census 2010 PL94-171 Redistricting Data for Cleveland's Statistical Planning Areas (Yr 2000 Boundaries)
    CLEVELAND CITY PLANNING COMMISSION Census 2010 PL94-171 Redistricting Data for Cleveland's Statistical Planning Areas (Yr 2000 boundaries) POPULATION HOUSING UNITS VACANT UNITS SPA Name POP2010 POP2000 DIFF PCT DIFF HU2010 HU2000 DIFF PCT DIFF VCT2010 VCT2000 DIFF PCT DIFF 2010 VCT - % of TOT HU Brooklyn Centre 8,214 9,180 -966 -10.5% 3,733 3,839 -106 -2.8% 677 399 278 69.7% 18.1% Buckeye-Shaker 12,470 16,063 -3,593 -22.4% 7,947 8,488 -541 -6.4% 1,540 899 641 71.3% 19.4% Central 12,738 12,107 631 5.2% 5,306 5,441 -135 -2.5% 680 1,001 -321 -32.1% 12.8% Clark-Fulton 11,126 13,363 -2,237 -16.7% 4,890 5,066 -176 -3.5% 1,007 543 464 85.5% 20.6% Corlett 11,581 15,384 -3,803 -24.7% 5,844 6,002 -158 -2.6% 1,197 418 779 186.4% 20.5% Cudell 9,612 10,761 -1,149 -10.7% 4,401 4,393 8 0.2% 795 470 325 69.1% 18.1% Detroit-Shoreway 14,325 17,382 -3,057 -17.6% 7,447 7,772 -325 -4.2% 1,530 1,057 473 44.7% 20.5% Downtown 9,098 5,960 3,138 52.7% 5,386 3,813 1,573 41.3% 1,325 1,255 70 5.6% 24.6% Edgewater 7,633 8,571 -938 -10.9% 4,910 5,102 -192 -3.8% 745 464 281 60.6% 15.2% Euclid-Green 5,533 6,413 -880 -13.7% 3,136 2,963 173 5.8% 665 433 232 53.6% 21.2% Fairfax 5,167 7,352 -2,185 -29.7% 2,987 3,674 -687 -18.7% 865 864 1 0.1% 29.0% Forest Hills 10,612 15,723 -5,111 -32.5% 6,306 6,875 -569 -8.3% 1,869 963 906 94.1% 29.6% Glenville 15,940 23,559 -7,619 -32.3% 9,112 9,792 -680 -6.9% 2,861 1,405 1,456 103.6% 31.4% Goodrich-Kirtland Park 4,103 4,295 -192 -4.5% 2,327 2,194 133 6.1% 441 326 115 35.3% 19.0% Hough 12,805 16,359 -3,554 -21.7% 7,382 8,408 -1,026 -12.2% 1,700 1,764 -64 -3.6% 23.0% Industrial Valley 894 1,116 -222 -19.9% 177 210 -33 -15.7% 55 26 29 111.5% 31.1% Jefferson 18,172 19,949 -1,777 -8.9% 8,629 8,760 -131 -1.5% 976 486 490 100.8% 11.3% Kamms Corners 18,241 19,545 -1,304 -6.7% 8,971 9,106 -135 -1.5% 653 290 363 125.2% 7.3% Kinsman 4,021 5,842 -1,821 -31.2% 2,154 2,737 -583 -21.3% 519 631 -112 -17.7% 24.1% Lee-Miles 13,820 15,866 -2,046 -12.9% 6,511 6,628 -117 -1.8% 613 300 313 104.3% 9.4% Mt.
    [Show full text]
  • Cleveland CAVALIERS Team Owners: Dan Gilbert, Usher, Gordon Gund Team Website
    LEASE SUMMARY TEAM: Cleveland CAVALIERS Team Owners: Dan Gilbert, Usher, Gordon Gund Team Website FACILITY: Quicken Loans Arena Facility Website Year Built: 1994 TITLE OF AGREEMENT: Lease and Management Agreement Lessor: Gateway Economic Development Corporation of Greater Cleveland Lessee: Cavaliers Division of Nationwide Advertising Service, INC. TERM OF AGREEMENT: “The ‘Initial Term’ of this Lease shall commence on the later of (i) the Completion Date, or (ii) the August 1 following the Completion Date in the event that the Completion Date shall occur after October 1 of any year and the Lessee shall elect to defer commencement of its occupancy until the following August 1, and shall end on the one hundred twentieth (120th) day after the last day of the Season either in the year in which the thirtieth (30th) full Season following the first day of the Initial Term is concluded.” Section 5.1, page 50. RENT: “In consideration for the lease of the Arena to the Lessee, the Lessee, on and subject to all of the terms, conditions, and provisions of this Lease, shall pay to Gateway for each Lease Year rent (‘Rent’) at the times and in amounts equal to the following: (a) Within forty-five (45) days after the end of each Reporting Period during the Term, the Lessee shall pay the sum of (i) twenty-seven and one-half percent (27.5%) of the Executive Suite Revenue for such Reporting Period, and (ii) forty-eight percent (48%) of the Club Seat Revenue for such Reporting Period. (b) Within thirty (30) days after the first Reporting Period following each Lease Year, the Lessee shall pay an amount equal to (i) seventy-five cents ($.75) for each Paid Attendance Ticket sold during such Lease Year in excess of one million eight hundred fifty thousand (1,850,000) Paid Attendance Tickets, up to two million five hundred thousand (2,500,000) Paid Attendance Tickets, plus (ii) one dollar ($1.00) for each Paid Attendance Ticket sold during such Lease Year in excess of two million five hundred thousand (2,500,000) Paid Attendance Tickets.
    [Show full text]
  • The Union and Journal
    m I BE TRUE, AND FAITHFUL, AND VALIANT FOR THE PUBLIC LIBERTIES IETOR. * VOLUME XXL BIDDEFORD, ME.. FRIDAY MORNING, AUGUST 25, 18B5. NUMBER 35. wm ■a- •' nnd inarnlml fur XOJI SWIPKRT TAXIS. He rerv felt with Mr Fessen- so and he Petroleum V. on the Political (Jo home, my friend, Spare L4nes. BERWICK ACADEMY, justly thai, transparent unassuming. Naiby Sarah heirs 173 SO den's und known at the Hit friend told ^ie that he was a Situation. the conflict. Tell jour ecntrai committia to SOTTU ■KR'WICK, MAINE. Cleave*, ot experience ability gacious. The eoldierecml! lira biacnit the "rook 0 F & 115 00 aruej Emery Co., head of the Finance Committee, his man of Ilia neighbor, to collect axpeneo tnunnj, and ! and Genral A Folaom, 376 00 accept- profound policy. The Cincinnati Commercial contain! the of agee." waa a Ferria and and FOUNDED 1791. Hobsoo, 1014 88 ance would go far towards re-establishing a whom I have referred, said he gnat Kernal Muebj Chap Fergu« Joseph ft keen document: ere wiee who make no useless crosses R Jo. 191 19 think Mowing •on nnd Bo and that Tlifj dan, jr., of Ho Mid to hira very thinker—that ho wu accustomed to Dick Turner and regard, Tfc» FALL TERM of thfa «UI eon. J King, heira of, 100 <13 feeling security. S/ixt's Rest, (which ia in the Suto ) for themselves to beer. " old off bat Dm Inrtrac. 143 75 the Lord has not de much on the affairs o( the nation. Soma* uv Noo noble hero (takn jour while I ■kik» on WEDNESDAY, Aug.
    [Show full text]
  • Shaker Artists Warm up the Winter with Hot New Work Plus How to Choose a Day Camp
    shaker artists warm up the winter with hot new work plus How to Choose a Day Camp january | february 2006 www.shakeronline.com J`Yc]jÛ?]a_`lkÛ:alqÛJ[`ggdkÛYj]Ûo]dd¤cfgofÛ^gjÛl`]ajÛ]p[]dd]f[]ÛK`]Û[geemfalq¿kÛj]hmlYlagfÛ^gjÛ hjgna\af_Ûl`]Ûxf]klÛafÛY[Y\]ea[Ûja_gjÛlgÛklm\]flkÛafÛl`]Ûk[`ggdÛkqkl]eÛakÛgf]Ûg^Ûl`]ÛeYfqÛj]YkgfkÛ J`Yc]jÛakÛj][g_far]\Ûl`jgm_`gmlÛl`]ÛfYlagfÛYkÛYfÛgmlklYf\af_ÛhdY[]ÛlgÛdan] K`]Û^Y[lkÛkh]YcÛngdme]kÛYZgmlÛl`]ÛimYdalqÛg^Û]\m[YlagfÛklm\]flkÛ[YfÛj][]an]ÛafÛl`]ÛJ`Yc]jÛ:alqÛ J[`ggdk Û ÝÛ ÉÛg^ÛgmjÛl]Y[`]jkÛ`Yn]Ûhgkl¤_jY\mYl]Û\]_j]]k Û ÝÛÉÛg^ÛgmjÛ_jY\mYlaf_Û[dYkkÛ_g]kÛ\aj][ldqÛlgÛ[gdd]_]ÛgjÛmfan]jkalq Û ÝÛK`]ÛYn]jY_]ÛJ`Yc]jÛklm\]flÛk[gj]kÛ~ÛhgaflkÛYZgn]ÛfYlagfYdÛYn]jY_]ÛgfÛl`]ÛJ8KÛ Û ÛÛÛÛ]pYe Û ÝÛ~~ÉÛg^ÛgmjÛ_jY\mYlaf_Û[dYkkÛakÛEYlagfYdÛD]jalÛgjÛEYlagfYdÛ8[`a]n]e]flÛJ[`gdYj Û ÝÛÉÛg^ÛJ`Yc]jÛklm\]flkÛYj]Ûafngdn]\ÛafÛYlÛd]YklÛgf]Û]pljY[mjja[mdYjÛY[lanalq If you are looking for real estate service that is both conscientious and creative, the search ends here — at the Howard Hanna Smythe Cramer office in the heart of Shaker Heights. I]YdÛ<klYl]ÛJYd]kÛ8fÛ<p[alaf_Û:Yj]]jÛFhlagf Considering a full-time career? Do you think like an entrepreneur? Please contact Myra White, VP and Branch Manager, at 216.751.8550 or [email protected] ?goYj\Û?YffYÛJeql`]Û:jYe]jÛÛÝÛÛÛ~Û:`Y_jafÛ9dn\ÛÝÛÛÛÛJ`Yc]jÛ?]a_`lkÛF?Û~ÛÛÛÝÛÛÛ~~ NOVINDD !- VOLUME 24 NUMBER 1 JANUARY | FEBRUARY 2006 38 44 30 DEPARTMENTS FEATURES 3 City News 30 Creativity Rules The 2006 Martin Luther King, Jr., A record-breaking 600 students are enrolled in visual arts classes at Award for Human Relations.
    [Show full text]
  • Proud Archivists
    FEATURES FASHION Proud Archivists The fascination with fashion’s past has never been greater. Ben Olsen investigates the brand goliaths plundering their archives – and how the process impacts the industry a touching tribute at Versace’s AW18 show, or Karl Lagerfeld describing his first couture collection for Chanel as “like doing a revival of an old play”, basing the present on the past is proving a popular approach. “Brands need ‘house codes’ in order to establish a strong point of view,” says Lauren Sherman, chief correspondent for the Business of Fashion in New York, on the importance of an archive. “Refer- encing and reinterpreting iconic pieces from past collections helps a designer to write a brand book In a fast-paced fashion industry that celebrates rather than a series of disjointed chapters.” Sher- newness, inspiration is everything. To keep this man points to Christian Dior as a key example. three-trillion-dollar global business firing, de- “The house of Dior was founded in 1946 and Chris- signers must dig deep to produce the hundreds tian Dior passed away in 1957. Those 10 short years of looks shown across up to four seasons each of fashion continue to ultimately define the brand. year. Yet for all the focus on the current, one What would Dior do without its archive?” key form of inspiration lies in the past. That is, in the fiercely guarded archives of fashion’s Christian Dior will be the main focus of a major ex- major players, which preserve past glories and hibition at the V&A at the start of next year, draw- play an increasingly important role in today’s ing from an extensive archive to showcase more contemporary collections.
    [Show full text]
  • Grounds for Sculpture Organizes Major Retrospective of Bruce Beasley Featuring Iconic Works That Span the Groundbreaking Artist’S 60-Year Career
    Grounds For Sculpture Organizes Major Retrospective of Bruce Beasley Featuring iconic works that span the groundbreaking artist’s 60-year career HAMILTON, NJ (April 22, 2021) – For six decades, sculptor Bruce Beasley has worked in a range of media to build complex, resonant arrangements from simple shapes that communicate the primacy of form and express the complexity of human emotion. This spring, Grounds For Sculpture (GFS) will present a major retrospective of the prolific pioneer, showcasing 62 of Beasley’s most important works, from his early iron assemblages featured in the influential exhibition, The Art of Assemblage (1961), at the Museum of Modern Art (MoMA) to his latest collages on canvas, a first for the sculptor. Bruce Beasley: Sixty Year Retrospective, 1960-2020 is the California-based artist’s first solo museum exhibition on the East Coast and will be on view in Grounds For Sculpture’s indoor galleries as well as in eight outdoor locations throughout the 42-acre landscaped park, from May 2, 2021 through January 9, 2022. “Bruce Beasley is a fearless experimenter and one of the foremost sculptors on the West Coast, who has made significant and lasting contributions to the field for over sixty years,” said Gary Garrido Schneider, Executive Director of Grounds For Sculpture. “Through our work to advance the field of sculpture at large, we build strong relationships with contemporary practitioners. Beasley is a notable example of an artist who we have been fortunate to call a friend for decades, beginning with an early loan of Dorion, now a part of the permanent collection and a regular feature on our grounds.
    [Show full text]