July 1, 2007–June 30, 2008 Annual Report

1 COntents

3 Board of Trustees 4 Trustee Committees 7 Message from the Director 12 Message from the Co-Chairmen 14 Message from the President 16 Renovation and Expansion 24 Collections 55 Exhibitions 60 Performing Arts, Music, and Film 65 Community Support

116 Education and Public Programs Cover: Banners get right to 131 Staff List the point. After more than three years, visitors can 137 Financial Report once again enjoy part of the permanent collection. 138 Treasurer Right: Tibetan Man’s Robe, Chuba; 17th century; China, Qing dynasty; satin weave t with supplementary weft patterning; silk, gilt-metal . Prober

j en thread, and peacock- v e feathered thread; 184 x : St o t 129 cm; Norman O. Stone o and Ella A. Stone Memorial pher v o Fund 2007.216.

C 2 Board of Trustees

Officers Standing Trustees Stephen E. Myers Trustees Emeriti Honorary Trustees Alfred M. Rankin Jr. Virginia N. Barbato Frederick R. Nance Peter B. Lewis Joyce G. Ames President James T. Bartlett Anne Hollis Perkins William R. Robertson Mrs. Noah L. Butkin+ James T. Bartlett James S. Berkman Alfred M. Rankin Jr. Elliott L. Schlang Mrs. Ellen Wade Chinn+ Chair Charles P. Bolton James A. Ratner Michael Sherwin Helen Collis Michael J. Horvitz Chair Sarah S. Cutler Donna S. Reid Eugene Stevens Mrs. John Flower Richard Fearon Dr. Eugene T. W. Sanders Mrs. Robert I. Gale Jr. Sarah S. Cutler Life Trustees Vice President Helen Forbes-Fields David M. Schneider Robert D. Gries Elisabeth H. Alexander Ellen Stirn Mavec Robert W. Gillespie Mark Schwartz Agnes Gund Quentin Alexander Vice President George Gund III Jerry Sue Thornton Mrs. John Hildt Leigh Carter James A. Ratner Michael J. Horvitz Richard T. Watson Ward Kelley Vice President James H. Dempsey Jr. Charles S. Hyle Sherman E. Lee+ Janet G. Ashe Ex Officio Mrs. Edward A. Kilroy Jr. Adrienne Lash Jones Eleanor Bonnie McCoy Treasurer Timothy Rub, Jon A. Lindseth Susan Kaesgen John C. Morley Edward Bauer Director Morton L. Mandel Assistant Treasurer Robert M. Kaye Mary Schiller Myers+ Kate Stenson, Mrs. Alfred M. Rankin Stephen J. Knerly Jr. Nancy F. Keithley Womens Council Lucia Nash Edwin M. Roth Secretary R. Steven Kestner Jane Nord Frances P. Taft Roberto A. Prcela Alex Machaskee Leon M. Plevin+ Assistant Secretary Paul J. Vignos, M.D. William P. Madar James S. Reid of the Board Alton W. Whitehouse Milton Maltz Barbara S. Robinson Dr. Norman Zaworski Ellen Stirn Mavec Laura Siegal S. Sterling McMillan III Cara Smith Stirn Rev. Dr. Otis Moss Jr. Evan Hopkins Turner Iris Wolstein A suite of five monumental canvases by Charles Meynier +deceased since June impresses visitors in the new 30, 2008 Cutler Gallery. ford h ric

3 id A. B v a D Trustee Committees

Standing Committees Collections Committee on Trustees Investment Nancy F. Keithley Sarah S. Cutler Michael J. Horvitz Audit Chair Co-Chair Chair David M. Schneider Charles P. Bolton Charles P. Bolton James T. Bartlett Chair Vice Chair Co-Chair Vice Chair Alfred M. Rankin Jr. Virginia N. Barbato Helen Forbes-Fields Robert W. Gillespie Richard T. Watson James T. Bartlett Robert W. Gillespie S. Sterling McMillan III

Executive Helen Forbes-Fields Charles S. Hyle Anne Hollis Perkins Alfred M. Rankin Jr. George Gund III R. Steven Kestner James A. Ratner Chair Robert M. Kaye Ellen Stirn Mavec David M. Schneider James T. Bartlett Ellen Stirn Mavec James T. Bartlett Elliott L. Schlang, Vice Chair Stephen E. Myers ex officio adviser Michael J. Horvitz Donna S. Reid Michael J. Horvitz Alfred M. Rankin Jr., Vice Chair ex officio ex officio Mark Schwartz Virginia N. Barbato Alfred M. Rankin Jr. Alfred M. Rankin Jr. Compensation Sarah S. Cutler ex officio ex officio Alfred M. Rankin Jr. Helen Forbes-Fields Finance Chair Nancy F. Keithley Charles S. Hyle James T. Bartlett R. Steven Kestner Vice Chair Michael J. Horvitz Ellen Stirn Mavec Virginia N. Barbato James A. Ratner James T. Bartlett Robert M. Kaye Nancy F. Keithley William P. Madar Alfred M. Rankin Jr. ex officio Final touches of caulk and paint complete the

y transformation of the former

onle garden court into the Reid Gallery, featuring Baroque y M. D 4 art. regor G Advisory Committees Jon A. Lindseth African American Accessions Tamar Maltz Community Task Force Nancy F. Keithley Ellen Stirn Mavec June Antoine Chair Stephen E. Myers Dr. Emma Bowman Benning Charles P. Bolton Henry Ott-Hansen Vice Chair Caprice Bragg Mrs. Alfred M. Rankin Elisabeth H. Alexander Alfred L. Bright Donna S. Reid Quentin Alexander Margo James Copeland Charles B. Rosenblatt Virginia N. Barbato Jennifer Coleman Edwin M. Roth James T. Bartlett Fluker Elliott L. Schlang Mrs. Noah L. Butkin Helen Forbes-Fields Mark Schwartz Helen Forbes-Fields Dr. Giesele Greene Eugene Stevens George Gund III Bert Laurelle Holt Frances P. Taft Mrs. John Hildt Bracy Lewis Paul J. Vignos, M.D. Marguerite B. Franklin Martin Humphrey John Williams Lolita McDavid, M.D. Robert H. Jackson Iris Wolstein Rev. Marvin McMickle Susan Kaesgen Martha Young Stanley Miller Robert M. Kaye Dr. Norman Zaworski A. Grace Lee Mims Mrs. Edward A. Kilroy Jr. Alfred M. Rankin Jr. Steven A. Minter ex officio Dr. Robert Kiwi Rev. Dr. Otis Moss Jr. Karen L. Krause Gregory Reese Rev. Paul Sadler Kimberly St. Johns Stevenson Andrew Venable Jr.

Alfred M. Rankin Jr. A visiting family enjoys a ex officio members preview of the reopened 1916 building. ller

5 t A. Mu ober R Cleveland Museum of Education Legislative Affairs Marketing Art Building Oversight Virginia N. Barbato Robert W. Gillespie Mark Schwartz Michael J. Horvitz Chair Chair Chair Chair Susan Kaesgen Alex Machaskee Dennis Barrie James A. Ratner Vice Chair Vice Chair Frederick E. Bidwell Vice Chair Hedy Adler James T. Bartlett Lauren Rich Fine James T. Bartlett Jeanette Grasselli Michael J. Horvitz Elizabeth T. Fowler Donna S. Reid Brown Rev. Dr. Otis Moss Jr. David Geyer Alfred M. Rankin Jr. James S. Berkman David M. Schneider W. Allen Shapard ex officio Leigh Carter Alfred M. Rankin Jr. Alfred M. Rankin Jr. Campaign Cabinet Sr. Maureen Doyle ex officio ex officio Adrienne Lash Jones, Ellen Stirn Mavec Library Chair Ph.D. Karen Clark Keyes Stephen E. Myers R. Steven Kestner Chair Vice Chair Susan W. MacDonald Leigh Carter James T. Bartlett Nancy-Clay Marsteller, Joanne D. Eustis, Ph.D. Sarah S. Cutler Ph.D. Malcolm E. Kenney Robert W. Gillespie S. Sterling McMillan III Mary Ann Liljedahl Michael J. Horvitz Rev. Dr. Otis Moss Jr. Jon A. Lindseth Charles S. Hyle Frances P. Taft Dr. Mark Tebeau Nancy-Clay Marsteller, Alex Machaskee Ph.D. Susan H. Turben William P. Madar Richard E. Rubin, Ph.D. Paul J. Vignos, M.D. Leon M. Plevin+ Paul J. Vignos, M.D. Donna S. Reid Sally Wertheim Alfred M. Rankin Jr. CMA textile conservator Alfred M. Rankin Jr. David M. Schneider ex officio Robin Hanson and contract ex officio Alfred M. Rankin Jr. textile conservator ex officio Kathleen MacKay work on a large carpet. ford h ric

6 id A. B v a D From the Director

Fiscal year 2007–8 ended just one day after the During the grand newly reinstalled galleries on the main floor of reopening weekend in June, visitors enjoyed the museum’s venerable 1916 building opened on the Art Cart, a hands- Sunday, June 29, 2008. Thus, viewing the entire on experience in the 12 months through the lens of that celebratory Armor Court. weekend is appropriate. Indeed, at times all the varied activities during the period covered by this report seemed focused on helping us get to and then across this important threshold. In retrospect, such concentration was to be expected, given all that had gone into the preparations for this event, which was arguably one of the most important in y

the history of this institution. onle

Major exhibitions set the stage for what was to y M. D

come in the museum’s renovation and expansion regor G project. Arms and Armor from Imperial Austria

Timothy Rub presents brought highlights of one of the world’s great his report to the armor collections to Cleveland, presaging the community at the first Members Annual return of our own beloved Armor Court just a Meeting in October few months later. Earlier in the year, in the middle 2007. of an extended tour that delighted visitors (more than one million in all in cities as varied as Beijing and Seoul, Vancouver and Salt Lake City), works

y from our superb holdings of Impressionist art

onle came home for the Cleveland venue of the show

y M. D Impressionist and Modern Masters from the Cleveland regor

G Museum of Art.

7 Sherman E. Lee The museum welcomed many visitors 1918–2008 throughout the year to a broad range of educational offerings, from docent-led tours and studio art classes to the Chalk Festival and Parade the Circle, which once again enjoyed sunny skies and drew a crowd of more than 60,000. Further, we made many new friends in the community with award- winning distance learning programs, which bring the collection into classrooms throughout the region and beyond, and through the VIVA! and Gala Around Town series, which continued to attract a large and enthusiastic following. The film program covered everything from special previews of forthcoming feature films to

One of the legendary museum directors masterworks from the earliest days of cinema. In in American history, Sherman E. Lee died many ways, this was a period during which, after more than three years of intensive renovation on July 9, 2008, at the age of 90. Fortu- and construction work and displaced activity, the nately for Cleveland, Lee made his mark museum began to turn back into what we all think right here, during a remarkable tenure as of as a museum—and triumphantly so. director of the Cleveland Museum of Art While exhibitions and programs captured the from 1958 to 1983. In the summer of 2009, attention of the public, the slow and painstaking the museum will pay tribute to Sherman but richly rewarding task of developing the Lee’s distinguished contributions both to collection continued behind the scenes. Because this institution and to the international the works of art accessioned by the museum art world with an exhibition featuring the during the past year are described in detail in masterworks of Asian art he brought into the “Collections” section of this report, I will the Cleveland collection. mention only a few of the nearly 400 works that h were acquired by gift or purchase. Among the f kars

s u most significant are two paintings that greatly u o e of y t a 8 t © es strengthened our holdings of early modern art: Aleksandra Exter’s Landscape with Houses and Trees (1914–15) and Emil Nolde’s Goldsmiths (1919). Notable as well are a large, handsomely illuminated Gothic bible, probably made in the last quarter of the 12th century in a scriptorium in Toulouse in southwestern France, and a superb presentation drawing by the British artist John Flaxman, one of the leading exponents of the neoclassical taste at the end of the 18th century. Other acquisitions also deserve mention, but there is simply not enough space to do so. Suffice it to say that CMA curators continue to do an excellent job finding works that strengthen and expand the scope of our world- renowned collection. We have also been blessed with the recent ad- ller dition of a number of talented individuals to our t A. Mu staff. During the past year we appointed a new ober R chief curator, Griffith Mann; promoted our own Director of Education longtime paintings conservator Marcia Steele to and Public Programs chief conservator; welcomed Cindy Fink as direc- Marjorie Williams (left) stops to admire tor of Marketing and Communications; and filled an impressive suit two very important curatorial positions: Jon Seydl in Arms and Armor now oversees European painting and sculpture, and from Imperial Austria. Paola Morsiani is in charge of contemporary art. The reopening of the 1916 building, which signaled the completion of the first phase of the capital project, was a stirring event and greeted with great excitement. More than 3,000 people came to the CMA that first day. By the end of

9 the summer, we had welcomed more than 60,000 visitors—many of whom were seeing the museum for the first time. From the many delighted responses we received, it is clear that viewing the renovated and newly reinstalled galleries was a deeply moving experience. Looking ahead, we are evaluating the col­ lections database and will soon replace it with a new system that will provide greater ease of use and access to this important resource for everyone, from curatorial staff to casual web site visitor. Further, a long-term redesign of the web site is under way, and a new version should be up and running sometime next year. Our long-range plan, begun this past June, should be completed around this time next year, enabling us to move forward with a shared vision both of the future and of how the museum can better serve the needs of the community. ford The reinstallation timeline calls for the new h ric east wing (modern and contemporary art) to open id A. B v a

in June 2009 and a portion of the ground floor of D the 1916 building (ancient through early medieval art) the following summer. With the 1958 and 1983 buildings now undergoing demolition, we

will soon begin pouring the foundations for the Families streamed new atrium and north and west wings. Construc- through the galleries tion on these additions should begin late next year all summer once the 1916 building was open. and be completed in late 2011, followed by the reinstallation of the rest of the collection and the

10 outfitting of a number of new public spaces, including the atrium and café and restaurant. On the financial side, the operating budget for the past fiscal year was smaller than that of the previous year—$30.7 million vs. $32.7 million— and the value of our combined endowments and trusts also declined as the stock markets took some losses: $737 million as of June 30, 2008 vs. $821 million on June 30, 2007. The Annual Fund, however, brought in a remarkable $6.3 million, compared with $5.8 million the previous year, an increase of 8.2%. The recent turmoil in the world’s financial markets will affect institutions everywhere in ways that are hard to predict, but fortunately the Cleveland Museum of Art budgets and spends conservatively according to a five-year spending rule, which makes available a set percentage of the average value of the endowments and trusts over the previous five years. This approach has the effect ford h

ric of substantially smoothing out peaks and valleys

id A. B of market fluctuation and allows the museum v a D to sustain its operations and programs even in turbulent times. I thank those who have supported the museum in the past and will continue to do so in the future, and I look forward to the day a few years from now when we will be able to look at our completed new museum and marvel at the remarkable sustained accomplishment it represents.

Timothy Rub

11 From the Co-chairmEn

Great things take time to develop and mature. So has it been with the museum’s renovation and expansion project, which began with the develop- ment of a facilities master plan in the late 1990s. Over time, and with discerning and crucial input from many of you, a plan for the Cleveland Mu- seum of Art was developed that set our long-term strategic direction to fulfill the museum’s mis- sion and to address urgent needs. From practical concerns such as updating the utility plant and providing modern facilities for the storage and treatment of art to reimagining the aesthetic ex- Left to right: Rafael perience of our physical spaces, the strategy was to Viñoly, project prepare the museum for a bright future in a com- architect; Alfred M. Rankin Jr., President, prehensive way. Above all, it represented the mu- Board of Trustees; seum’s strong and abiding commitment to forging Michael J. Horvitz, a stronger relationship with and providing greater Chair, Board of Trustees; Ellen Stirn access to the community it was founded to serve. Mavec, Vice President, What we have achieved thus far—and anyone Board of Trustees, visiting the museum can readily see that progress and Co-Chair, The Campaign for the has been significant—confirms the wisdom of Cleveland Museum the decision to launch this bold project. In addi- of Art; Robert W. tion to the exciting physical changes, undertaking Gillespie, Trustee; and Timothy Rub, Director, this project has also ignited sustained input from at the ribbon-cutting the community this institution serves, enriching ceremony on June 29. all of us and bringing new insights from many perspectives. And with the opening of the first ller t A. Mu 12 ober R Rafael Viñoly spends set of newly reinstalled galleries this past summer, a few minutes in we have begun to see once again what a superb the galleries before the ribbon-cutting resource we have in the CMA’s world-renowned ceremony. collection. The community—and most especially the many generous donors to this project—has stepped up to help in a way that few thought possible at the outset. Indeed, our annual capital campaign crossed an important threshold in June, with more than $200 million raised. For without your unflag- ging support the progress we have made to date would not have been possible. When historians look back on this time they should marvel at the determination and focus of those who, in the face of a host of challenges, made sure that the CMA would be a steady beacon leading northeast Ohio into this new century.

y As the project takes shape and opens phase

onle by phase, the community is rediscovering the

y M. D Cleveland Museum of Art and affirming the value regor

G of the renovation and expansion project not just for the museum and the collections it holds, but for everyone who lives here and takes advantage of this remarkable treasure.

Michael J. Horvitz James T. Bartlett

13 From the president

The Cleveland Museum of Art’s ideals are driven by a compelling shared vision whose realization is made possible by both an eye to the long view and attention to operational detail. Fiscal year 2007–8 was operationally strong despite a weakening econ- omy. That we continue to see such solid support from the community is an inspiring affirmation of the long-term commitment of our supporters. The capital project passed the halfway point, with the construction of the east wing nearly fin- ished, the renovation of the Breuer and historic 1916 buildings completed, the new central utility plant coming online, and the garage expanded and open: altogether a remarkable record of achieve- ment in little more than three years. The grand opening of the main floor of the By fall 2007, the Despite volatile news from the stock markets

new east wing had ford

1916 building on June 29, followed by a very busy h and persistent challenges in rebuilding this region’s summer—with many old friends and first-time largely taken shape, ric and visitors enjoyed economy, the museum and its peer institutions in id A. B v

visitors coming to see a suite of newly reinstalled a

the hometown University Circle have remained committed and D galleries—was a testament to the strong and en- Cleveland stop on made steady progress toward making this already during bond between the museum and the com- the worldwide tour of Modern Masters. extraordinary place a true engine of revitalization munity it serves. This response augurs well for the for all northeast Ohio. The treasures within the future of both the museum and the Greater museum’s walls provide this value, as well as the Cleveland area—and indeed, this is a primary mo- intellectual power and cultural insight embodied tivation of the project. After all, we had a great in our staff and supporters. museum before the expansion began, but we all On behalf of the museum, I offer my deep and feel called to do more. sincere thanks to a strong and supportive board of

14 trustees—and I firmly believe this board is one of the best in this community—as well as to all those who continue to give generously to sustain the work of this great institution. We look forward to the coming years, not only to the completion of the current renovation and expansion in 2012, but also to the celebration of the museum’s 100th an- niversary in 2016 and, I am confident, an exciting new era for University Circle and Cleveland.

Alfred M. Rankin Jr. ford h ric id A. B v a D

Isamu Noguchi’s Rock Carvings: Passage of the Seasons is reinstalled north of the Breuer building.

15 The Interpretation Committee deliberates over the reinstallation of the American collections. Left to right: Amy Sparks, Jinai Amos, Mark Cole, renovation and Expansion and Constantine Petridis. y onle y M. D 16 regor G On June 29—one day before the end of the 2007–8 fiscal year—more than three years of renovation work came to fruition with the public reopening of the upper level of the museum’s original 1916 building, featuring masterworks of later Western art. The upper-floor galleries of the south building contain the heart of the museum’s collection of Western European art as well as the formative stages in the development of American art. The spine around which the perimeter galleries are arranged is a suite of three large spaces: the Armor Court, the central rotunda, and the former interior garden court, now transformed into a new gallery of painting and sculpture of the 17th and 18th centuries (with even the former organ loft overlooking that room having found a new life as an intimate space for the display of small-scale European sculpture). Cleared of display cases, the rotunda is now simply the central orientation spot from which to explore the south building. The Armor Court, meanwhile, is virtually unchanged: still magnificent. Visitors entering the building through the south entrance look straight ahead into the rotunda, with Jacques-Louis David’s Cupid and cases displaying the art of Fabergé on the left side of Psyche returned to the entrance and American decorative art, including public view in a new the work of Louis Comfort Tiffany, on the right. A setting. turn to the left leads into the Reinberger Gallery and an

17 y Ry ar M With restored skylights, the entry foyer and rotunda have become a bright and elegant setting at the heart of the historic south building. y onle y M. D regor G

18 starts the visit with masterworks including Nicolas past five decades this room was a transitional space Poussin’s Holy Family on the Steps, El Greco’s Christ to the 1958 addition; today its original skylighting on the Cross, Diego de Velázquez’s Jester Calabazas, and vaulted ceiling provide a suitably grand new Francisco de Zurbarán’s Christ and the Virgin in the home for Jacques-Louis David’s great painting House at Nazareth, Peter Paul Rubens’s Diana and Cupid and Psyche and Antonio Canova’s marble Her Nymphs Departing for the Hunt, and Anthony van sculpture Terpsichore, behind which hangs a suite of Dyck’s Portrait of a Woman and Child. Next comes five monumental paintings by Charles Meynier— 17th-century Dutch art, including landscapes, genre paintings so large that, until this renovation, they paintings, still lifes, and portraits. The following had never been displayed together since their three rooms feature European sculpture, decorative acquisition in 2003. Adjacent is a gallery of French art, and painting from the 17th and 18th centuries. Neoclassical decorative art. French and German art from the 18th century British painting, sculpture, and decorative art of and Rococo decorative art and furniture grace the the 18th and 19th centuries continue the clockwise next room, which opens into the new gallery of tour in a room featuring J. M. W. Turner’s Burning Neoclassical painting and sculpture. For most of the of the Houses of Lords and Commons and works by

Appreciative crowds Thomas Lawrence, Thomas Gainsborough, John welcomed the return Constable, and Joshua Reynolds. The jump to the of the iconic knight New World begins with a small space devoted to on horseback in the Armor Court. silver and ceramics from London and Colonial America as well as porcelain and pottery from England’s greatest manufactories. Displays of Colonial American portraiture and decorative art in the next room include canvases by John Singleton Copley, Gilbert Stuart, and Benjamin West, as well as fine examples of furniture, and silver by Nathaniel Hurd and others. American art from the Federal period is next, followed by a spectacular room of mid 19th- century landscape paintings, with masterpieces

ford by Thomas Cole and Albert Bierstadt as well h ric id A. B v

19 a D as Frederic Church’s astounding Twilight in the Wilderness. The following gallery celebrates more icons of American art by such artists as Winslow Homer, Thomas Eakins, and William Sidney Mount. Concluding the circuit is a large gallery featuring elegant paintings by John Singer Sargent and William Merritt Chase, exemplars of America’s Gilded Age, juxtaposed with the work of Ashcan School painters such as George Bellows, whose Stag at Sharkey’s explores a less glamorous side of American life. Back at the entrance, a right turn leads to the rotunda, where the Armor Court lies to the right

Transferring works Above, left to right: of art from storage Arthur Beukemann spaces to public and Mike Marks; display requires top, left to right: thoughtful, careful Joe Blaser, John effort—something Beukemann, Barry second nature to Austin, and Todd

CMA art handlers. Hoak; bottom: Barry ford h

Austin and Gary ric Feterle. id A. B v 20 a : D all Few visitors and the barrel-vaulted gallery of Italian Baroque would suspect the painting and sculpture to the left and down a short contentious debate surrounding the flight of stairs. In the lower-level lobby at the base colors for gallery of the stairs from the rotunda is a small exhibition walls. about the 1916 building. Some 3,000 visitors strolled through the galleries opening day, and more than 60,000 visited during July and August. Many commented on the increased impression of natural light in the galleries. Hubbell & Benes, the architects of the museum’s 1916 building, brought a sophisticated understanding of how to make the most of daylight in a large public space, and the gracious atmosphere of the building embodies that expertise. During the renovation, the museum sought to reconcile the historic architecture with modern standards of light control. Most dramatically, skylights over the central rotunda and two adjacent galleries, long ago blocked by office construction, were reopened, but in all the galleries the impression of natural light is stronger because of a new skylight and laylight system covering the entire building. Architect Rafael Viñoly, in Cleveland for the reopening, summed up his feelings in a brief speech on the south steps before the ribbon was cut. “I feel enormous pride in what you, the citizens, have demonstrated in having gone as far as you have already, because this affirms a commitment to Cleveland and to the future you will all have here.

y This is an extraordinary museum, and Cleveland onle y M. D 21 regor G is an extraordinary place with many extraordinary Comprehensive, Here, Lori Karpinecz carefully place people. All of us are now in the story of bringing state-of-the-art of the Collections ceramics on new collection storage Management shelving units. Cleveland back as a world-class city.” He looked facilities are an department (on over his shoulder at the gleaming white façade important feature of ladder) and summer and then gestured out over the Fine Arts Garden. the new construction. intern Claire Tramba “We have to remember that the foundation of the design is the treasures you had before any of us got here: this incredible landscape and this jewel of a collection.” While the public spaces were met with appreciation and awe, some new behind-the-scenes facilities have met with similar approval from the staff. A new suite of conservation laboratories consolidates in the east wing functions that had previously been located in disparate areas of the museum. Rafael Viñoly’s design puts these rooms at the northeast corner of the new building, where ample but diffused natural light from banks of windows and overhead skylights provides the ideal conditions for the care and treatment of works of art. The new prints and drawings offices and a print study room are located adjacent to the conservation labs.

An enormous and largely unseen effort was ford h

undertaken by the Collections Management ric id A. B

office, which managed simultaneously to track v a all the works of art on loan to other institutions, D oversee the installation and de-installation of four exhibitions on-site, prepare for the reopening of the 1916 building galleries, and move all the

22 other works of art temporarily stored in the 1958 and 1983 buildings into locations in parts of the museum complex not slated to be demolished. As the construction continues, former pathways through the 1958 and 1983 additions will become impassable, requiring visitors and staff to follow an alternate route from the north entrance through the new east wing in order to get into the restored galleries of the historic 1916 building. This path, dubbed the “Art Detour,” is labeled with colorful and entertaining informational and directional graphics that lead visitors through behind-the- scenes spaces and point out key points of the project along the way.

Going up: The museum’s first escalators take To avoid construction visitors from one areas, a graphic level to another. program dubbed the “Art Detour” guides visitors through behind-the-scenes spaces en route to the open galleries.

23 Antonio Canova’s marble sculpture Terpsichore is only one of the muses in the Cutler Gallery. collections i t gries

24 Howard A The principal curatorial focus this past year Within minutes of his arrival as curator was the reinstallation and reinterpretation of parts of European painting of the permanent collection. The project required and sculpture, Jon Seydl was in collaboration among many departments—most the art storage area examining notably, Conservation, Curatorial, Design, and the collection he Education. On June 29, 2008, those efforts were now oversees in preparation for the rewarded as the museum opened 19 galleries 1916 reinstallation. holding about 900 works of art in a suite of refurbished galleries on the top level of the museum’s renovated south building. Curators actively involved in the process were Mark Cole, Stephen N. Fliegel, Stephen Harrison, Louise W. Mackie, and Jon L. Seydl. The task was especially daunting for Seydl, y

who moved from the J. Paul Getty Museum in onle

Los Angeles in July 2007 to become the museum’s y M. D Paul J. and Edith Ingalls Vignos Jr. Curator of regor G

The room most European Painting and Sculpture 1500–1800. Not altered by the only did Seydl have to acquaint himself with an renovation is the Reid Gallery of Italian expansive collection of paintings and sculptures Baroque art, formerly the interior garden from roughly 1600 to 1870 in less than a year, court. none of those works was readily accessible. In addition to his involvement in the reinstallation of the ever-popular Armor Court, Stephen N. Fliegel published a revised and updated

y edition of his collection catalogue Arms and Armor onle and served as host curator of Arms and Armor from y M. D Imperial Austria, an exhibition showcasing the regor G holdings of the Landeszeughaus in Graz, Austria.

25 In January 2008 the museum welcomed A number of key abriel American paintings

-Gh Italian-born Paola Morsiani to its curatorial received brand-new rke

u frames in period o ranks. Morsiani had most recently been at the R style or antique

oebe Contemporary Arts Museum Houston. Her frames the curator h P found to match the appointment as curator of contemporary art era of the works they entailed a redefinition of the chronological reach were to hold. of the CMA’s contemporary collection in that works made before 1960, which had traditionally y

been catalogued as “contemporary,” were onle Paola Morsiani joined the staff as curator reallocated to the collections of modern European y M. D of contemporary art art and American painting and sculpture. She has regor and immediately G began planning been kept busy with public presentations ever since the installation of her arrival in Cleveland, and her main task will be collection and, through careful research, securing the contemporary galleries, scheduled to the reinstallation and interpretation of selections top-quality and appropriate antique or replica reopen in June 2009. of the contemporary collection in the museum’s frames for paintings whose original adornments newly built east wing, scheduled to open next year. no longer exist. Working with Eli Wilner & Co., The reinstallation of the museum’s holdings of New York, the museum restored or replaced 19th-century American painting provided an ideal frames for 13 paintings, including important opportunity to launch a framing initiative, with works by Albert Bierstadt, William Merritt Chase, the dual goal of restoring antique frames still in the Frederic Edwin Church, Thomas Cole, Thomas Eakins, and George Inness. Associate Curator of The John and Helen Collis Lecture, organized American Painting and Sculpture Mark by the department of Ancient Art and a highlight Cole shares a laugh of the curatorial division’s recurrent scholarly with, from left, Kathy and Dennis Barrie programs, took place on Sunday, September 30, and Nancy and Joe Keithley at the Circle 2007. The invited speaker, Robert S. Nelson, Members party for Robert Lehman Professor of the History of Art the 1916 building at Yale University, presented a lecture titled “The

reopening. ller Light of Icons at St. Catherine’s Monastery at t A. Mu Mt. Sinai, Egypt.” ober R

26 As every year, major works of art were added to the collection during 2007–8. This year’s Amerindian acquisitions focused on the ancient Andes. Aside from a handsome vessel in the shape of a deer made by a Moche artist, the museum acquired an impressive tapestry tunic once worn by an elite member of the Wari Empire. The inhabitants of the region prized fine cloth above Tapestry Tunic; ad 600–1000; Central most other artistic media and regarded it as a Andes, Wari people; single interlock form of wealth and prestige. The imagery of tapestry; camelid this tunic reveals that its owner justified his (or fiber (probably alpaca) weft and cotton warp; her) claim to power by association with cosmic 202.6 x 112 cm; John L. forces, in this case a supernatural creature known Severance Fund 2007.179. as the Sacrificer. Another valuable addition to

27 Container in the Form the collection is a magnificent Wari container in of a Sacrificer; ad 600– 1000; Central Andes, the form of a feline-headed Sacrificer. Made of a Wari people; wood and dense, hard wood and small in size, the object’s pigment (cinnabar); 10.8 x 7 x 7.5 cm; John concept, carving, realism, and composition L. Severance Fund 2007.193.a–b. command awe—a fitting response to the solemn sacrificial rite with which the Sacrificer was associated. This wooden container and the tapestry tunic mentioned earlier will feature prominently in the future exhibition Realm of the Condor: The Art of Wari, a Pre-Inka Empire, which is being organized by curator Susan E. Bergh.

28 The Asian collection added 13 significant modern Chinese paintings. Three Perils Mountain by Zhang Daqian, one of the most versatile and prolific artists in 20th-century China, captures the rugged terrain of the Buddhist site of Dunhuang; dry brushwork and pale color washes transmit its “spirit resonance.” Exemplifying the artist’s passion for nature, the work synthesizes Zhang’s understanding of Chinese painting traditions and Zhang Daqian (Chinese, 1899–1983); interest in the past into an individualistic new Three Perils Mountain; 1941; hanging scroll; creation. The Set of Twelve Fan Paintings mounted as ink and light color on album leaves attests to Fu Baoshi’s brilliance in his paper; 96.5 x 33 cm; Purchase from the J. H. late career. Despite their small size, these paintings Wade Fund 2007.197. have an extraordinary depth and breadth of vision and a monumentality of scale. Inscriptions indicate the some of the paintings were dedicated to the artist’s wife and eldest daughter.

29 Clockwise from Shade of Pines; 1962; 21 top right. Fu Baoshi x 55.5 cm; 2008.13.1. Leaf (Chinese, 1904–1965); 12 3: Clear Brook from the fan paintings mounted Mountains; 1962; 19 x as album leaves; ink 52.5 cm; 2008.13.3. Leaf and color on paper and 5: Boating in a Spring silk; Leonard C. Hanna River; 1963; 13.5 x 42.5 Jr. Fund. Leaf 1: Gazing cm; 2008.13.5. Detail of at the Waterfall in the Leaf 4: Listening to the Waterfall; 1962; 20 x 54 cm; 2008.13.4.

30 In the field of Contemporary Art, Stay— blending emotional intensity and material presence—is one of the best in Sean Scully’s series of monochromatic black paintings created between 1978 and 1980. An interlocking rhythm and pattern created by a shift in texture and tone of alternating horizontal stripes characterize this early minimalist work by Scully. The contemporary collection was also enriched through the gift of Scott C. Mueller and Margaret Fulton Mueller of Anne Frank by Keith Mayerson, a reflection on the relevance of painting as an artistic language and on the recurrence of historical references in contemporary art.

Sean Scully (American, Keith Mayerson b. Ireland, 1945); (American, b. 1966); Stay; 1979; acrylic on Anne Frank; 2007; oil canvas; 213.4 x 213.4 on linen; 101.6 x 96.6 x cm; John L. Severance 3.8 cm; Gift of Scott C. Fund 2007.196. Mueller and Margaret Fulton Mueller 2008.14.

31 Among the works acquired by Decorative Art and Design, two stand out. René Lalique, the master of 20th-century French glass production, had combined carved glass with gold, gems, and other materials in his jewelry since 1900. Once he recognized the potential of glass as a medium, he purchased a glass manufactory and began trying different techniques of molding glass that could achieve his style of naturalistic motif combined with dynamic forms. A unique experiment from this period, the Frogs and Lily Pads Vase is one of his most important and strikingly beautiful works. The carved gilt wood Console Table is attributed to the Société pour les Bâtiments du Roi, the architects and specialized tradesmen of Louis XIV’s great building campaign. After Louis died, members of this group took private commissions from wealthy Parisians, providing not only architectural work but also furniture. The table and its marble top are exactly the sort of work the Société supplied: large-scale, architectural, and heavily carved to fit within the decorative scheme of an opulent interior.

René Lalique (French, 1860–1945); detail of Frogs and Lily Pads Vase (Grenouilles et Nénuphars); 1909–12; glass; 21 x 29.8 cm; John L. Severance Fund 2007.180.

32 Attributed to the Société pour les Bâtiments du Roi (French); Console Table; about 1725; carved gilt wood and marble (Griotte de Campan); 92 x 202 x 69.5 cm; Purchase from the J. H. Wade Fund 2008.6.

33 Paul Klee (German, b. Switzerland, 1879–1940); Ghost Rider Late in the Evening (Reiterspuk Abends Spät); 1929; watercolor and gouache; 46.5 x 31 cm; Gift in loving memory of Martha Higgins Laundon (Mrs. Arthur S.) by her children Lloyd Laundon Taplin, Ann Laundon Kendall, Arthur Higgins Laundon, and Gail Laundon Hussey, and Purchase from the J. H. Wade Fund 2007.195.

Ghost Rider Late in the Evening, a large gouache and tempera, is Paul Klee’s personal response to World War II. A marvelous example of the artist’s late style, the drawing came to the collection as a combined gift from the children of Martha Higgins Laundon, and a museum purchase.

34 John Flaxman (British, 1755–1826); The Judgment of Paris or Paris and Oenone; 1791; gray ink wash with pale black-gray ink line, graphite, and brown ink; 30 x 48.8 cm; Purchase from the J. H. Wade Fund 2008.35.

John Flaxman’s The Judgment of Paris, also identifiable as Paris and Oenone, is without doubt the most finished drawing by the artist to come on the market in decades. Exemplifying Flaxman’s highly individual Neoclassical aesthetic, this extraordinary creation is characterized by singular purity, elegance of line, delicacy of washes, and high degree of detail.

35 Emil Nolde The modern European art collection added (German, 1876– 1956); Goldsmiths two masterworks. Emil Nolde’s Goldsmiths— (Goldschmeide); 1919; provoking intense, visceral emotion through a oil on plywood; 69 x 51 cm; Leonard C. Hanna stunningly simple yet powerful composition—is Jr. Fund 2008.36. a major example of German Expressionism. The painting’s subject may have been inspired by the biblical story of the goldsmiths Bezalel and Oholiab, although it may also reflect Nolde’s admiration for the simple virtues of traditional

36 Aleksandra Exter (Russian, 1882–1949); Landscape with Houses and Trees; about 1914–15; oil on canvas; 79.7 x 59.5 cm; John L. Severance Fund 2008.37.

craft labor. Aleksandra Exter, one of the most important artists of the Russian avant-garde and one of the leading women artists of the early 20th century, created Landscape with Houses and Trees in a style that art historians have labeled Cubo- Futurism. The dynamic and colorful composition features a complex interweaving of fragmented planes that move, collide, and intersect in a collapsed space.

37 James Pradier (Swiss, 1790–1852); Portrait of Jean-Pierre-Joseph Darcet; 1834; bronze; 37.5 x 16.2 x 13 cm; Bequest of Jacques de Caso in memory of Alice Cagliostro and Domenick Cagliostro 2008.70.

Pompeo Batoni European Painting and Sculpture received a (Italian, 1708–1787); Study for Antiochus bequest from Jacques de Caso in memory of Alice and Stratonice; about Cagliostro and Domenick Cagliostro: a painting 1746; oil on canvas; 24.2 x 30.5 cm; by Pompeo Battoni, Study for Antiochus and Bequest of Jacques de Caso in memory of Stratonice; a painting attributed to Pierre Guérin, Alice Cagliostro and The Death of Sophonisba; and a bronze sculpture by Domenick Cagliostro 2008.69. James Pradier portraying the French chemist Jean- Pierre-Joseph Darcet.

38 Gothic Vulgate Bible; about 1275–1300; Southern France, Toulouse(?); bound illuminated manuscript; brown morocco binding; ink, tempera, gold on vellum; 533 leaves; 35.6 x 24.2 cm (closed); John L. Severance Fund 2008.2.

An exceptional Gothic vulgate bible in quarto format was added to the medieval collection. Despite formal affinities with the small single- volume octavo bibles produced in Paris from the 1220s onward, this bible’s very large size sets it apart entirely. Extensively decorated with more than 150 initials and elaborate full-page initials at the beginning of the Old and New Testaments, the work’s format and palette suggest Toulouse, a prominent center of theology at this time, as its likely place of origin.

39 Below: Danny Lyon Brassaï (French, 1899– (American, b. 1942); 1984); Folies Bergères; Navajo Boy, Gallup, 1932; gelatin silver New Mexico; 1971; print, ferrotyped; 22.3 gelatin silver print; x 15 cm; Gift of David 23.4 x 33.8 cm; Mr. Raymond 2007.281. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund 2008.40.

The photography collection significantly strengthened its holdings of works from the 1960s and 1970s with multiple iconic vintage prints by Danny Lyon, Tony Ray-Jones, and William Larson. Generous gifts of four outstanding portfolios of images by Larry Fink, Frank Gohlke, Jennie Jones, and John Sobczak were most welcome additions to the impressive collection of subjects specific to Cleveland.

40 Of the numerous prints acquired for the collection, at least three merit special mention. The Clothes Are Italian is considered the most important of the merely 14 etchings executed Jean Antoine Watteau by Jean Antoine Watteau. This scene of five (French, 1684–1721); The Clothes Are Italian (Les theatrical figures reveals a painter’s instinctive Habits sont Italiens); 1715–16; etching; 27.5 awareness that alternately broken or flickering x 20 cm; Dacier and lines can effectively evoke form and light. Edgar Vuaflart 130, state I/VI; Severance and Greta Degas’s fascination with the Parisian café-concert, Millikin Purchase Fund an outdoor form of entertainment held on the 2008.3.

41 Edgar Degas (French, 1834–1917); Mlle Bécat at the Café des Ambassadeurs; 1877– 78; lithograph; 20.8 x 19.5 cm; Reed and Shapiro 31; Purchase from the J. H. Wade Fund 2007.194. Max Beckmann (German, 1884–1950); Self-Portrait in Bowler Hat (Selbstbildnis mit steifem Hut); 1921; drypoint; 31.6 x 24.6 cm; Hoffmaier 180, trial proof state III A/IV B; Severance and Greta Millikin Purchase Fund 2008.4.

Champs-Elysées, is illustrated in Mlle Bécat at the pessimistic view of Germany after World War I. Café des Ambassadeurs. Thanks to his mastery of the A welcome gift of Nancy and Joseph P. Keithley technique of lithography, Degas was able to render also joined the print collection: Pierre Bonnard’s the dramatic effects of different forms of natural Nursemaids’ Promenade (Frieze of Carriages), an and artificial light. Self-Portrait in a Bowler Hat by exquisite example of the artist’s favorite subject of Max Beckmann, one of more than 80 self-portraits children and adults in parks and gardens. Japanese by the artist in different mediums, confronts woodcuts first arrived in Paris in about 1860, and the viewer with an intensely piercing gaze and Bonnard’s set of four color lithographs was meant melancholy expression, reflecting the artist’s to be displayed as a screen.

42 Loincloth with There were two particularly noteworthy perhaps in imitation of valuable examples of Feather(?) Motifs (detail of front panel); acquisitions to the textiles collection. The first is feathered cloth. ad 1000 to 1470; from the late 17th-century Kangxi period of the With the help of consultant Madelyn Shaw, Central Andes, Chimú people; cotton and Qing dynasty: a Tibetan man’s robe made with the collection of 20th-century textiles was greatly camelid fiber; 207 x 96 cm, without opulent brocaded Chinese silk for an aristocrat expanded by the transfer from the Education Art ties; Charlotte Ekker or high-ranking monk. Typically, skilled tailors Collection of no fewer than 111 printed textiles and Charlotte Van der Veer Memorial Fund pieced such robes together from treasured fabrics. from all over the world. In addition to numerous 2008.58. The second is a virtually complete loincloth American examples, this collection contains superb from the Chimú Empire (ad 1000–1470) in the pieces from a variety of European countries, Central Andes region of contemporary Peru. The including Germany, France, and England. decorative motif is usually interpreted as a feather,

43 Acquisitions African Art Seated Figurine Wearing a Bracelet; Portrait of Hafiz Abd al-Rahim Khan; Diviner’s Staff; early to mid 1900s; 300 bc–ad 300; West Mexico, about 1815–20; India, Company School, Nigeria, Ekiti region, Yoruba people; Michoacán or Guanajuato state, Delhi; opaque watercolor and gold iron; 117 x 14 x 10 cm; Gift of Arthur Chupícuaro culture; ceramic and on paper; 27 x 19.1 cm (image); Gift of Olson 2007.186. pigment; 7.2 x 4.4 cm; Gift of Clara Robert and Amy Poster in honor of Taplin Rankin 2008.19. Stan Czuma 2007.220. Headdress; 1900s; Cameroon, possibly Bandjoun Kingdom, Bamileke people; Standing Figurine; 300 bc–ad 300; Fu Baoshi (Chinese, 1904–1965); 12 feathers, vine, cotton, cloth, and West Mexico, Michoacán state; fan paintings mounted as album string; w. 90 cm; Sundry Purchase ceramic; 11 x 6.7 cm; Gift of Clara leaves; ink and color on paper and Fund 2007.181. Taplin Rankin 2008.20. silk; Leonard C. Hanna Jr. Fund. Leaf 1: Gazing at the Waterfall in the Shade Male Figure; 1800s; Republic of the Standing Figurine Holding an Animal (Dog?); 300 bc–ad 300; West Mexico, of Pines; 1962; 21 x 55.5 cm; 2008.13.1. Congo, Teke people; wood; 44 x 7 x 7 Leaf 2: Listening to the Waterfall; 1962; cm; The Nina M. Traub Trust 2008.59. Colima or Jalisco state, possibly Tuxcacueso-Ortices municipality; 20 x 54.5 cm; 2008.13.2. Leaf 3: Clear Brook from the Mountains; 1962; 19 American Art ceramic and pigment; 16 x 8 cm; Gift of Clara Taplin Rankin 2008.21. x 52.5 cm; 2008.13.3. Leaf 4: Listening Walter A. Sinz (American, 1881–1966); to the Waterfall; 1962; 20 x 54 cm; Jacob Wrestling with the Angel; 1943; Tapestry Tunic; ad 600–1000; Central 2008.13.4. Leaf 5: Boating in a Spring ceramic; 32.2 x 37.8 x 14.4 cm; Gift of Andes, Wari people; single interlock River; 1963; 13.5 x 42.5 cm; 2008.13.5. Hilda Kisella 2007.187. tapestry; camelid fiber (probably Leaf 6: Ramblers by the Waterfall; alpaca) weft and cotton warp; 202.6 1963; 19 x 51 cm; 2008.13.6. Leaf 7: The Art of the Ancient Americas x 112 cm; John L. Severance Fund Poet Du Fu in a Pine Grove; 1964; 21 x 2007.179. Container in the Form of a Sacrificer; 55 cm; 2008.13.7. Leaf 8: Travelers in ad 600–1000; Central Andes, Wari Vessel with Peccary; 500–200 bc; Green Mountains; 1965; 18 x 52.5 cm; people; wood and pigment (cinnabar); Central Andes, North Coast, 2008.13.8. Leaf 9: Two Elders Ascending 10.8 x 7 x 7.5 cm; John L. Severance Cupisnique people; ceramic; 17.8 x 12.7 the Mountain; 1960s; 20.5 x 54.5 Fund 2007.193.a–b. x 11.4 cm; The Jane B. Tripp Charitable cm; 2008.13.9. Leaf 10: Gazing at the Lead Annuity Trust 2008.33. Waterfall in Solitude; 1960s; 20.7 x Deer-headed Figure Vessel; ad 50–650; 54.8 cm; 2008.13.10. Leaf 11: Two Elders Central Andes, Moche people; Asian Art Gazing at the Waterfall; 1960s; 20.3 x ceramic and slip; 25.4 x 15.2 x 26 cm; 55.4 cm; 2008.13.11. Leaf 12: Mist and Jo Hershey Selden Fund 2008.1. Bird-shaped Urn; middle of 3rd millennium bc; China, Neolithic Clouds at Mount Taihua; 1960s; 18.5 x Headdress; 1900s; Cameroon, Recliner-shaped Vessel (Reclinatorio); 51.4 cm; 2008.13.12. possibly Bandjoun Kingdom, period, Majiayao culture, Banshan Bamileke people; feathers, 200 bc–ad 300; West Mexico, Colima type; earthenware and painted Yu Peng (Chinese, b. 1955); Boating vine, cotton, cloth, and state, Comala style; ceramic and slip; decoration; 26.7 x 31.1 x 27.9 cm; Gift of Before the Rain; 1990; handscroll; string; w. 90 cm; Sundry 22 x 20 x 22 cm; Gift of Clara Taplin Dr. Norman Zaworski in honor of Dr. ink on paper; 179 x 31.5 cm; Gift of Su Purchase Fund 2007.181. Rankin 2008.60. Ju-hsi Chou 2007.276. Mei Ho and John D. Daughenbaugh 2008.61.

44 Zhang Daqian (Chinese, 1899–1983); René Lalique (French, 1860–1945); Drawings Mabel A. Hewit (American, 1903– Three Perils Mountain; 1941; hanging Frogs and Lily Pads Vase (Grenouilles et Marcel Breuer (American, b. Hungary, 1987); 2 drawings; graphite; 28 x 21.5 scroll; ink and light color on paper; Nénuphars); 1909–12; glass; 21 x 29.8 1902–1981); Façade of the 1970 cm each; Gift of Mr. and Mrs. William 96.5 x 33 cm; Purchase from the J. H. cm; John L. Severance Fund 2007.180. Addition of the Cleveland Museum Jurey in memory of Mabel A. Hewit. Wade Fund 2007.197. Pallme-König & Habel (Bohemian, of Art; 1967; watercolor; 44.9 x 101.6 Landscape with Buildings; 2007.279. established 1889); Inkwell; about cm; Purchase from the Building and Tree with Table and Benches; 2007.278. Contemporary Art 1899; glass and bronze; 6 x 9.9 cm; In Development Fund 2008.32. Joy Jacobs (American, 1932–2004); Varujan Boghosian (American, b. loving memory of Donald M. Robiner Stacey Davidson (American, b. 1961); Golden Shadows; about 1987; mixed 1926); Pipe Dreams; 1983; mixed 2008.67. Goatlegs; 2007; gouache; 22.6 x 17.3 media; 93.5 x 94 cm; Gift of Dr. and media; 21.6 x 31.8 x 8.9 cm; Gift of the Sèvres Factory (French, established cm; Andrew R. and Martha Holden Mrs. Norman L. Roulet 2008.23. Artist 2008.62. 1756); modeled by Jules-Constant Jennings Fund 2007.199. Paul Klee (German, b. Switzerland, Keith Mayerson (American, b. 1966); Peyre (French, b. after 1811); decorated Rackstraw Downes (American, b. 1879–1940); Ghost Rider Late in the Anne Frank; 2007; oil on linen; 101.6 x by Léopold Jules Gély; Vase Bertin; England, 1939); 5 graphite drawings; Evening (Reiterspuk Abends Spät); 1929; 96.6 x 3.8 cm; Gift of Scott C. Mueller about 1855; porcelain with pâte-sur- Gift of the Artist. A Page of maps watercolor and gouache; 46.5 x 31 and Margaret Fulton Mueller 2008.14. pâte decoration; h. 99 cm; Gift of showing where the artist stood while cm; Gift in loving memory of Martha Jedd Novatt (American, b. 1958); Darrell, Steven, Brian, and Neil Young working on the four parts of “Under Higgins Laundon (Mrs. Arthur S.) by Untitled; 2000; welded steel and in memory of their parents, Mardelle the Gowanus on Hamilton Avenue”; her children Lloyd Laundon Taplin, bronze; 60.9 x 35.5 x 45.7 cm; Gift of J. and Howard S. Young 2007.277. 1999; 12.4 x 78.4 cm; 2008.7. Under the Ann Laundon Kendall, Arthur Higgins Lauren and Steven Spilman 2008.63. George W. Shiebler (American, Gowanus, Sketch for Part 1 (2 pieces); Laundon, and Gail Laundon Hussey, 1846–1920); Inkwell; about 1900; 1999; 38.2 x 79.2 cm; 2008.8. Under and Purchase from the J. H. Wade Sean Scully (American, b. Ireland, Fund 2007.195. 1945); Stay; 1979; acrylic on canvas; swirl glass and silver; 11.5 x 14.6 cm; In the Gowanus, First Sketch for Part 2 (2 213.4 x 213.4 cm; John L. Severance loving memory of Donald M. Robiner pieces); 1999; 13.5 x 40.9 cm; 2008.9. Thomas R. Roese (American, b. 1948); Fund 2007.196. 2008.65. Under the Gowanus, Sketch for Part 3 2007; 2 drawings; Gift of Sandra Attributed to the Société pour les (2 pieces); 1998; 24 x 50.2 cm; 2008.10. and Gary Kaufman in honor of the Decorative Art and Design Bâtiments du Roi (French); Console Under the Gowanus, Sketch for Part 4 Fine Print Fair. Cleveland Urban (8 pieces); 1999; 31.9 x 69.1 cm; 2008.11. Series: Through; graphite with white Firescreen; about 1870–80; French; gilt Table; about 1725; carved gilt wood and marble (griotte de campan); 92 x Rackstraw Downes; Under the heightening; 30.5 x 23 cm; 2007.218. wood and silk; 135.9 x 86.4 x 40.6 cm; Cleveland Urban Series: West Bank; Dudley P. Allen Fund 2007.182. 202 x 69.5 cm; Purchase from the J. H. Gowanus, Sketch for Part 3; 1999; Wade Fund 2008.6. graphite; 38.1 x 79 cm; Purchase from graphite; 30.5 x 22.8 cm; 2007.217. House of Fabergé (Russian, St. the Karl B. GoldfieldT rust 2008.12. Charles Sallée Jr. (American, 1911– Petersburg); Inkwell; about 1899; glass Attributed to Wilhelm Kralik Sohn (Bohemian, established 1881); Inkwell; John Flaxman (British, 1755–1826); The 2006); Cheryl; 1952; brown chalk; 45.9 and silver; 13 x 9 cm; In loving memory x 30.4 cm; Gift of June Sallee Antoine of Donald M. Robiner 2008.64. about 1900; glass and bronze; 7 x 12.4 Judgment of Paris or Paris and Oenone; cm; In loving memory of Donald M. 1791; gray ink wash with pale black- in honor of her brother, Charles Louis KPM (Kongigliche Porzellan- Robiner 2008.66. gray ink line, graphite, and brown ink; Sallée Jr. 2008.22. Manufaktur, German); Plate; 1901; 30 x 48.8 cm; Purchase from the J. H. porcelain; diam. 25 cm; Gift of Martin Wade Fund 2008.35. K. Webb and Charles L. Venable 2007.188.

45 George Sand (French, 1804–1876); Emil Nolde (German, 1876–1956); Eagle Fibula; 6th century; Frankish; Howard Bond (American, b. 1931); 2 Self-Portrait with Portrait of Delacroix; Goldsmiths (Goldschmeide); 1919; oil silver and garnets; 2.2 x 2.8 x 0.8 cm; gelatin silver prints; Gift of the Artist. about 1845; pen and ink; 16.5 x 11.2 on plywood; 69 x 51 cm; Leonard C. Gift of Joe Hatzenbuehler 2007.225. Procession; 1967, printed about 1988; cm; Gift of the Painting and Drawing Hanna Jr. Fund 2008.36. Eagle Fibula; 6th century; Alemannic; 35.1 x 58.3 cm; 2008.73. The Tetons and Society of the Cleveland Museum of James Pradier (Swiss, 1790–1852); silver gilt, garnets, and niello; 2.2 x 1.6 the Snake River; 1980, printed about Art 2007.219. Portrait of Jean-Pierre-Joseph x 0.8 cm; Gift of Joe Hatzenbuehler 1999; 46 x 59.4 cm; 2008.72. Mark Sheinkman (American, b. 1963); Darcet; 1834; bronze; 37.5 x 16.2 x 2007.226. Brassaï (French, 1899–1984); 2 gelatin 12.22.2006; 2006; graphite and eraser; 13 cm; Bequest of Jacques de Caso Gothic Vulgate Bible; about 1275–1300; silver prints, ferrotyped; Gift of David 52.9 x 73.4 cm; Andrew R. and Martha in memory of Alice Cagliostro and Southern France, Toulouse(?); bound Raymond. Folies Bergères; 1932; 22.3 x Holden Jennings Fund 2007.198. Domenick Cagliostro 2008.70. illuminated manuscript; brown 15 cm; 2007.281. Novice Prostitute; 1931, Phyllis Sloane (American, b. 1921); morocco binding; ink, tempera, and printed 1950s; 23.5 x 17.5 cm; 2007.282. Collection Reflection; 1997; watercolor; Medieval Art gold on vellum; 533 leaves; 35.6 x 24.2 Debbie Fleming Caffery (American, b. 97.5 x 119.9 cm; Gift of Phyllis Sloane Belt Buckle; about 525–60; Iberian cm (closed); John L. Severance Fund 1948); 2005, printed 2007; 2 gelatin 2008.68. Peninsula, Visigothic, level II; bronze 2008.2. silver prints; Gift of Paul and Kelly and glass; 14.1 x 8 x 1.4 cm; Gift of Joe Fleming in honor of the Artist. 9th European Painting and Sculpture Hatzenbuehler 2007.227. Photography Street Ward Devastation, New Orleans, Pompeo Batoni (Italian, 1708–1787); Belt Buckle; about 525–60; Iberian Mario Algaze (Cuban, b. 1947); Daniel Louisiana; 55.7 x 45.3 cm; 2008.44. We Study for Antiochus and Stratonice; Peninsula, Visigothic, level II; bronze Montenegro, Trinidad 1990–2000; R Alive, Chalmette, Louisiana; 44 x 56.9 about 1746; oil on canvas, 24.2 x and glass; 12.8 x 6.7 x 2.4 cm; Gift of 1990–2000; gelatin silver print; 25.1 cm; 2008.45. 30.5 cm; Bequest of Jacques de Caso Joe Hatzenbuehler 2007.228. x 25.1 cm; Gift of Javier Silva Meinel Gregory Conniff (American, b. 1944); in memory of Alice Cagliostro and Bow Fibula; first half 6th century; 2007.233. E. 61st, between Quincy and Central; Domenick Cagliostro 2008.69. Alemannic; silver gilt and niello; 7.7 x Tom Baril (American, b. 1952); 1996; gelatin silver print; 24.6 x 24.7 Alexandre Cabanel (French, 1823– 4.9 x 2 cm; Gift of Joe Hatzenbuehler Bethlehem Steel #2; 2003, printed cm; The George Gund Foundation 1889); Algae; about 1857; oil on canvas; 2007.221. about 2005; gelatin silver print from Collection in honor of David Bergholz, 62.2 x 68 cm; Bequest of Elizabeth wet collodion negative, selenium- The Cleveland Museum of Art Bow Fibula; first half 6th century; 2007.236. Ludwig Fennell 2007.275. Alemannic; silver gilt and niello; 7.7 x toned; 73.3 x 55.8 cm; Gift of Friends of Aleksandra Exter (Russian, 1882–1949); 4.9 x 1.3 cm; Gift of Joe Hatzenbuehler Photography 2008.76. Jen Davis (American, b. 1978); Untitled Landscape with Houses and Trees; 2007.223. Julie Blackmon (American, b. 1966); 17; 2005; chromogenic process color about 1914–15; oil on canvas; 79.7 x Dinner Party; 2005, printed 2007; print; 45.4 x 55.6 cm; Gift of Friends of Bow Fibula; first half 6th century; Photography 2008.87. 59.5 cm; John L. Severance Fund Frankish; silver gilt and niello; 7.7 x 4.5 inkjet print, Epson 9880 ProStylus 2008.37. x 1.1 cm; Gift of Joe Hatzenbuehler printer; 80.6 x 80.8 cm; Gift of Friends Robert Doisneau (French, 1912–1994); Attributed to Pierre Guérin (French, 2007.222. of Photography 2008.75. Man under the Gazomêtre (L’Homme sur la Gazomêtre); 1949; gelatin silver 1774–1833); The Death of Sophonisba; Bow Fibula; 6th century; Frankish; Julie Blackmon; Before the Storm; about 1810; oil on canvas; 40 x 60 2007; inkjet print, Epson 9880 print; 24 x 8.3 cm; The Severance and silver gilt and garnets; 9.1 x 5.7 x Greta Millikin Purchase Fund 2008.53. cm; Bequest of Jacques de Caso 2.7 cm; Gift of Joe Hatzenbuehler ProStylus printer; 80.7 x 80.5 cm; in memory of Alice Cagliostro and 2007.224. Judith K. and S. Sterling McMillan III Domenick Cagliostro 2008.71. Photography Purchase Fund 2008.46.

46 Marcel Duchamp (French, 1887– 2007.190.29. Edwardian Ball, Frick George Plimpton, Jared Paul Stern, Gold Label, Paris, France; 1998; 27.3 x 1968) and George Hugnet (French, Museum, New York City; 2000; 35 x and Cameron Richardson, Fashion 27.4 cm; 2007.190.3. Thierry Mugler 1906–1974); The Seventh Side of the 24.3 cm; 2007.190.33. Edwardian Ball, Shoot, Elaine’s, New York; 1999; 27.5 Haute Couture, Paris, France; 1998; Die, Deluxe Edition (La Septième Face Frick Museum, New York City; 2000; x 27.5 cm; 2007.190.1. Getting Ready 27.3 x 27.5 cm; 2007.190.20. Thierry du Dé, Deluxe Edition); 1936; artist’s 27.5 x 27.4 cm; 2007.190.38. Edwardian for MTV Awards, New York City; 1999; Mugler, Paris, France; 1998; 27.5 x book; original gelatin silver print on Ball, Frick Museum, New York City; 27.5 x 27.5 cm; 2007.190.31. Gianni 27.5 cm; 2007.190.35. Thierry Mugler back and front covers by Duchamp, 2000; 27.4 x 33.9 cm; 2007.190.47. Versace, Fashion Week, New York Ready to Wear, Paris, France; 1998; original collage by Hugnet; 27.9 x 21.5 Edwardian Ball, Frick Museum, New City; 1996; 27.3 x 27.5 cm; 2007.190.13. 27.4 x 27.4 cm; 2007.190.18. Torrente cm (overall); Gift of David Raymond York City; 2000; 27.4 x 33.9 cm; Gucci, Fashion Week, Milan, Italy; House, Paris, France, 1998; 27.6 x 2007.280. 2007.190.48. Esther DeJong, Julia 1999; 27.5 x 27.7 cm; 2007.190.22. Hair 27.7 cm; 2007.190.8. Torrente House, Frederick Fiebig (German, 19th Schonberg, Christian La Croix (Haute Wars, Detroit, Michigan; 1997; 27.7 Paris, France; 1998; 27.5 x 27.7 cm; century); Mosque, Madras; 1851–52; Couture Summer), Paris; 1998; 27.2 x x 27.4 cm; 2007.190.28. Hair Wars, 2007.190.44. Vogue Fashion Awards, salted paper print from wet collodion 27.4 cm; 2007.190.2. Fall Collections, Detroit, Michigan; 1997; 27.5 x 27.6 New York City; 1999; 27.4 x 27.6 cm; negative; 19.1 x 23.2 cm; Norman O. Paris, France; 1998; 27.4 x 27.5 cm; cm; 2007.190.30. James Woods, Alexis 2007.190.45. Stone and Ella A. Stone Memorial 2007.190.42. Fashion Shoot, CBGB, Thorpe, Deborah Reed, Ving Rhames, Abe Frajndlich (American, b. 1946); Fund 2007.200. New York City; 1997; 26.9 x 27.5 cm; Oscar Party, Hollywood; 2000; 27.5 x Portrait of Ralph Gibson; 1996; gelatin 2007.190.40. Fashion Shoot, Elaine’s, 34 cm; 2007.190.9. Junko Ouchi, silver print; 111.6 x 89.2 cm; Gift of Larry Fink (American, b. 1941); 50 New York City; 1999; 27.6 x 34 cm; Blumarine, Fashion Week, Milan, Italy; gelatin silver prints; Gift of Mark Abe Frajndlich in honor of Simona 2007.190.12. Fashion Shoot, Elaine’s, 1999; 27.5 x 27.6 cm; 2007.190.21. Kelly Frajndlich 2007.189. Schwartz and Bettina Katz in honor New York City; 1999; 27.5 x 27.5 cm; Lynch, Graydon Carter, Fran Lebowitz, of Tom Hinson. Adrianna, Torrente 2007.190.25. Fashion Shoot, Elaine’s, David Geffen, Cynthia Carter, Oscar Louis-Antoine Froissart (French, 1815– House, Paris, France; 1998; 27.3 x 27.5 New York City; 1999; 27.3 x 33.7 cm; Party, Hollywood; 2000; 27.5 x 33.7 1860); Untitled (Place des Cordeliers); cm; 2007.190.5. Aga, Thierry Mugler 2007.190.27. Fashion Shoot, Elaine’s, cm; 2007.190.10. Nadja Auermann about 1852–53; salted paper print Haute Couture, Paris, France; 1998; 27.5 New York City; 1999; 27.3 x 34.2 cm; and Alexandre de Paris, Thierry Mugler from waxed paper negative; 34.7 x x 27.6 cm; 2007.190.7. Benefit Party, 2007.190.32. Fashion Shoot, Larry Fink’s Haute Couture, Paris, France; 1998; 26.3 cm; Norman O. Stone and Ella A. New York City; 1993; 27.3 x 27.4 cm; Farm, Martin’s Creek, Pennsylvania, 27.6 x 27.6 cm; 2007.190.6. Nick Hilton Stone Memorial Fund 2008.39. 2007.190.39. Cameron Richardson June 1999; 1999; 27.5 x 27.5 cm; Suits, New York; 1995; 27 x 27.2 cm; Frank Gohlke (American, b. 1942); and Jared Paul Stern, Fashion Shoot, 2007.190.50. Fashion Shoot, Moomba 2007.190.15. Oscar Party, Hollywood, 1997; 10 gelatin silver prints; The New York City; 1999; 27.7 x 27.6 cm; Club, New York City; 1999; 27.6 x California, March 2000; 2000; 27.4 George Gund Foundation Collection 2007.190.17. Devon Aoki, Thierry 27.6 cm; 2007.190.26. Fashion Shoot, x 34.1 cm; 2007.190.14. Outside the in honor of David Bergholz, The Mugler Haute Couture, Paris, France; New York City; 1999; 27.2 x 27.5 cm; Chanel House, Paris, France; 1998; 27.2 Cleveland Museum of Art. Bratenahl 1998; 27.6 x 27.6 cm; 2007.190.24. 2007.190.23. Fashion Shoot, New York x 27.6 cm; 2007.190.41. Paris, France; Place, Bratenahl; View Northwest; 24.3 Dolce and Gabbana Party, Fashion City; 1998; 30.4 x 27.6 cm; 2007.190.43. 1998; 27.3 x 27.6 cm; 2007.190.11. x 34.4; 2008.82. Cahoon Creek Boating Week, Milan, Italy; 1999; 27.6 x 27.5 Fashion Shoot, Sardi’s, New York City; Paris, France; 1998; 27.5 x 27.6 cm; Club, Bay Village; View Northwest; 24.3 cm; 2007.190.46. Donatella Versace, 1998; 27.5 x 27.5 cm; 2007.190.19. 2007.190.34. Radana, Thierry Mugler x 34.4 cm; 2008.78. Edgewater Park, Vogue Fashion Awards, New York Fashion Week, Milan, Italy; 1999; Haute Couture, Paris, France; 1998; 27.6 Cleveland; View Southeast; 24.2 x 34.4 City; 1999; 27.5 x 27.7 cm; 2007.190.36. 27.4 x 27.6 cm; 2007.190.49. Filipa Da x 27.6 cm; 2007.190.4. Rebecca Moses, cm; 2008.86. Gordon Park, Cleveland; Eartha Kitt, Ally Sheedy, Fashion Shoot, Cunha Reis, Gretha Cavazzoni, Daria Fall Collections, Fashion Week, Milan, View Northwest; 24.3 x 34.4 cm; Sonnenberg Mansion, Gramercy Richter, Marilyn Gauthier Dinner, Paris; Italy; 1999; 27.4 x 27.4 cm; 2007.190.37. 2008.77. Gwinn Estate, Bratenahl; View Park, New York; 2000; 27.6 x 27.6 cm; 1998; 27.5 x 27.6 cm; 2007.190.16. Tatiana Sorokko, Vivienne Westwood Northwest; 24.3 x 34.4 cm; 2008.79.

47 Imperial House, Lakewood; View East; The Jazz Bowl; gelatin silver print; Dining Room; 1968, printed 1970; cm; 2007.230. Oriental Thoughts; 1986; 24.4 x 34.2 cm; 2008.85. Lakeshore 24.2 x 19 cm; 2007.229.12. The Lion; 23.5 x 34.9 cm; 2008.43. Mary, Los 49 x 39.8 cm; 2007.232. X-11; 1987; 50.3 Boulevard, Euclid; View North; 24.3 gelatin silver print; 19 x 24.1 cm; Arbolitos, Colombia; 1972; 20.2 x 33.3 x 39.5 cm; 2007.231. x 34.5 cm; 2008.84. Parkside Drive, 2007.229.3. The Mantle Detail; gelatin cm; 2008.41. Navajo Boy, Gallup, New Sean Scully (American, b. Ireland, Rocky River; View North; 24.3 x 34.4 silver print; 24.2 x 19 cm; 2007.229.14. Mexico; 1971; 23.4 x 33.8 cm; 2008.40. 1945); 2005; 24 gelatin silver prints; cm; 2008.83. Sims Park, Euclid; View The Meeting Room; gelatin silver Ray K. Metzker (American, b. 1931); 2 Gift of an Anonymous Donor. Aran 1; Northwest; 24.3 x 34.4 cm; 2008.81. print; 19 x 24.2 cm; 2007.229.9. Stair gelatin silver prints; Dudley P. Allen 32.2 x 48.3 cm; 2007.234.1. Aran 2; 32.6 Superior Viaduct, Cleveland; View Detail; gelatin silver print; 24.1 x 19 Fund. Atlantic City (66-Ha-2), from x 48.3 cm; 2007.234.2. Aran 3; 32.2 x North; 24.2 x 34.4 cm; 2008.80. cm; 2007.229.5. Still Life with Skulls the “Under the Boardwalk” series; 48.3 cm; 2007.234.3. Aran 4; 32.2 x 48.3 Arthur Smith Gray (American, and Candles; gelatin silver print; 1966; 15.2 x 15 cm; 2007.206. Untitled cm; 2007.234.4. Aran 5; 32.2 x 48.3 cm; 1884–1976); late 1920s–early 1940s; 19 x 24.1 cm; 2007.229.8. Vestibule; (Photogram #52); 2007; 40.2 x 49.7 2007.234.5. Aran 6; 32.2 x 48.3 cm; 5 gelatin silver prints; Gift of Teresa gelatin silver print; 24.1 x 19 cm; cm; 2007.207. 2007.234.6. Aran 7; 32.2 x 48.3 cm; 2007.229.4. The West Reading Room; M. DeChant. Untitled (Boat on Dock); Paul Nash (British, 1889–1946); 2 2007.234.7. Aran 8; 32.2 x 48.3 cm; 25.6 x 33 cm; 2008.25. Untitled (Car in chromogenic process color print; 19.5 2007.234.8. Aran 9; 32.2 x 48.3 cm; x 24.1 cm; 2007.229.13. The Window; gelatin silver prints; L. E. Holden Fund. Landscape); 27.3 x 34.8 cm; 2008.27. The Bull Ring, Ronda, Spain; 1934; 2007.234.9. Aran 10; 32.2 x 48.3 cm; Untitled (Detail of Landscape); 33.4 x chromogenic process color print; 19 x 2007.234.10. Aran 11; 32.2 x 48.3 cm; 24.1 cm; 2007.229.2. 14.6 x 20.5 cm; 2008.48. Totems, Old 25.9 cm; 2008.26. Untitled (Detail of Shipyard, Rye; 1935, printed 1945–46; 2007.234.11. Aran 12; 32.6 x 48.3 cm; Waterfalls); 33.4 x 25.9 cm; 2008.24. William Larson (American, b. 1945); 20.5 x 13.6 cm; 2008.49. 2007.234.12. Aran 13; 32.6 x 48.3 cm; Untitled (Woman Looking at Tree); 34.5 Andrew R. and Martha Holden 2007.234.13. Aran 14; 32.6 x 48.3 cm; x 23.5 cm; 2008.28. Jennings Fund. Figure in Motion; Suzanne Opton (American, b. 1950); 2007.234.14. Aran 15; 32.6 x 48.3 cm; 1966–70; gelatin silver print; 6 x 23 Soldier Bruno: 355 Days in Iraq; 2006, 2007.234.15. Aran 16; 32.6 x 48.3 cm; Pieter Hugo (South African, b. 1976); printed 2007; inkjet print; 36.8 x 46 Wonderful Nokukhanya, Pietermaritz­ cm; 2007.202. Untitled, from the 2007.234.16. Aran 17; 32.6 x 48.3 cm; “Fireflies” series; 1969–75; electro­ cm; Gift of Friends of Photography 2007.234.17. Aran 18; 32.6 x 48.3 cm; burg; 2005, printed 2008; inkjet print, 2008.88. Epson Ultrachrome; 46.8 x 37.5 cm; L. carbon transmission print; 28 x 21.6 2007.234.18. Aran 19; 32.6 x 48.3 cm; E. Holden Fund 2008.74. cm; 2007.201. Untitled, from the Tony Ray-Jones (British, 1941–1972); 3 2007.234.19. Aran 20; 32.6 x 48.3 cm; “Fireflies” series; 1972; electrocarbon gelatin silver prints; The Severance 2007.234.20. Aran 21; 32.6 x 48.3 cm; Jennie Jones (American, b. 1931); The transmission print; 28 x 21.4 cm; and Greta Millikin Purchase 2007.234.21. Aran 22; 32.6 x 48.3 cm; Rowfant Club Portfolio; 2000; Gift 2007.203. Fund. Regents Park; 1969, printed 2007.234.22. Aran 23; 32.6 x 48.3 cm; of Dr. Osman and Betty Mawardi. 1972–about 1982; 20.5 x 31.2 cm; 2007.234.23. Aran 24; 32.6 x 48.3 cm; Book and Candle; gelatin silver John Dillwyn Llewelyn (British, 1810– 1882); The Country Bridge (Staplylton 2008.51. Salvation Army Band, 2007.234.24. print; 19 x 24.2 cm; 2007.229.15. Brighton Beach; 1968, printed Dining Room; gelatin silver print; Bridge, Bristol); about 1854–57; John Sobczak (American, b. 1960); albumen print; 15.4 x 20.2 cm; L. E. 1972–about 1982; 21.7 x 32.2 cm; The Cleveland Classics Portfolio; 2003, 19 x 24.1 cm; 2007.229.6. The East 2008.50. Windsor Horse Show; 1968, Sitting Room; gelatin silver print; 19 Holden Fund 2008.54. printed 2007; 10 inkjet prints; printed 1972–about 1980; 21.5 x 32.1 Andrew R. and Martha Holden x 24.1 cm; 2007.229.10. The Exterior; Danny Lyon (American, b. 1942); 4 cm; 2008.52. chromogenic process color print; 19.5 gelatin silver prints; Mr. and Mrs. Jennings Fund. Arsenio Hall; 20.2 x x 24.1 cm; 2007.229.1. The Grandfather Richard W. Whitehill Art Purchase William Richards (American, 1917– 13.6 cm; 2007.204.8. Bob Feller; 20.4 x Clock; gelatin silver print; 24.2 x 19 cm; Endowment Fund. Clarksdale, 2004); 3 chromogenic process color 13.5 cm; 2007.204.2. Harrison Dillard; 2007.229.11. The Inglenook; gelatin Mississippi; 1963, printed about prints; Gift of Gail, Nancy, and Steven 20.4 x 15.1 cm; 2007.204.1. Harvey silver print; 24.2 x 19 cm; 2007.229.7. 1972; 16.8 x 25.2 cm; 2008.42. Ellis Richards. Desert Colors; 1986; 61 x 76.3 Pekar; 20.4 x 14.6 cm; 2007.204.6.

48 Helga Sandburg; 20.3 x 13.5 cm; Cynthia Back (American, b. 1956); Louise Bourgeois (American, b. France, cm; Lieure 493; 2008.34.14. The Beggar 2007.204.4. Jim Brown; 16.6 x 19.1 cm; 2002; 2 prints; color open bite, sugar 1911); Triptych for the Red Room; without Hat or Shoes (Le Mendiant à 2007.204.3. Louis Stokes; 20.3 x 14.6 lift, and aquatint; 19.9 x 61.2 cm; Gift 1994; color aquatint, drypoint, and la tête découverte et aux pieds nus); cm; 2007.204.5. Richard Gildenmeister; of the University Print Club. Subalance engraving; Mr. and Mrs. Richard W. 13.8 x 8.8 cm; Lieure 490; 2008.34.12. 20.2 x 13.7 cm; 2007.204.9. Sam #1; 2007.312. Subalance #2; 2007.313. Whitehill Art Purchase Endowment The Beggar Woman Coming to Receive Miller; 16.4 x 17.8 cm; 2007.204.10. Christiane Baumgartner (German, b. Fund. 48.1 x 60.5 cm; 2007.209.a. 48 x Alms (La Mendiante venant de recevoir Viktor Schreckengost; 20.2 x 14.2 cm; 1967); Amsterdam; 2005; woodcut; 90.6 cm; 2007.209.b. 48.1 x 60.5 cm; la charité); 13.7 x 8.8 cm; Lieure 501; 2007.204.7. 119.9 x 159.8 cm; Gift of Friends of the 2007.209.c. 2008.34.23. The Beggar Woman on Alec Soth (American, b. 1969); Misty; Department of Prints and Drawings Jacques Callot (French, 1592–1635); Crutches (La Mendiante aux béquilles); 2005, printed 2007; chromogenic 2008.17. The Beggars (Les Gueux); about 1623; 13.8 x 8.8 cm; Lieure 494; 2008.34.16. process color print; 91.4 x 76.2 cm; The Jane B. Tripp Charitable Lead The Beggar Woman with Her Alms Ramón Bayeu y Subias (Spanish, Bowl (La Mendiante à la sébille); 13.8 Gift of the Contemporary Art Society 1746–1793); Madonna and Child (after Annuity Trust. Frontispiece, Captain 2007.235. of the Barons (Frontispice, Capitono x 8.8 cm; Lieure 498; 2008.34.20. Francisco Bayeu y Subias); etching; The Blind Man and His Companion Michael Wolf (American, b. 1954); 20.9 x 16.5 cm; Morales y Marin 92; de baroni); etching; 14.8 x 9.5 cm; Lieure 479, state I/I; 2008.34.1. 24 (L’Aveugle et son compagnon); 13.8 Architecture of Density #45; 2005, Bequest of Lillian M. Kern by exchange x 9.2 cm; Lieure 487; 2008.34.9 The printed 2008; chromogenic process 2008.16. etchings; state I/II. The Beggar at Her Rosary (La Mendiante au rosaire); 13.7 Blind Man with His Dog (L’Aveugle et color print; 63.5 x 95.6 cm; Gift of Amy Max Beckmann (German, 1884– son chien); 13.8 x 8.8 cm; Lieure 500; and Neil Viny 2008.47. x 8.8 cm; Lieure 485; 2008.34.7. The 1950); Self-Portrait in Bowler Hat Beggar Leaning on a Stick (Le Gueux 2008.34.22. The Hurdy-Gurdy Player Francesca Woodman (American, (Selbstbildnis mit steifem Hut); 1921; appuyé sur un baton); 13.7 x 8.7 cm; (Le Joueur de vielle); 13.9 x 8.8 cm; 1958–1981); From Space 2, Providence, drypoint; 31.6 x 24.6 cm; Hoffmaier Lieure 497; 2008.34.19. The Beggar on Lieure 480; 2008.34.2. The Malingerer Rhode Island; 1975–78; gelatin silver 180, trial proof state III A/IV B; Crutches, Wearing a Cap (Le Mendiant (Le Malingreux); 13.8 x 8.8 cm; Lieure print; 13.9 x 13.9 cm; Dudley P. Allen Severance and Greta Millikin Purchase aux béquilles, coiffé d’un bonnet); 13.8 491; 2008.34.13. The Mother and Her Fund 2008.38. Fund 2008.4. x 8.7 cm; Lieure 482; 2008.34.4. The Three Children (La Mère et ses trois Unidentified photographer (American, Karen Beckwith (American, b. 1964); Beggar on Crutches, Wearing a Hat enfants); 13.7 x 8.7 cm; Lieure 496; 19th century); Untitled (Pennsylvania Storm; 1995; color lithograph; 36.1 x (Le Mendiant aux béquilles, coiffé d’un 2008.34.18. The Obese Beggar with Railroad Engine); about 1868; albumen 43.2 cm; Gift of the University Print chapeau); 13.8 x 8.8 cm; Lieure 483; Lowered Eyes (Le Mendiant obèse aux print from wet collodion negative; Club 2007.301. 2008.34.5. The Beggar on Crutches yeux baissés); 13.8 x 8.8 cm; Lieure 499; 2008.34.21. The Old Beggar on One 27.3 x 43.3 cm; Andrew R. and Martha Pierre Bonnard (French, 1867–1947); with a Bag (Le Mendiant aux béquilles Holden Jennings Fund 2007.205. et à la besace); 13.8 x 8.8 cm; Lieure Single Crutch (Le Vieux mendiant à une Nursemaids’ Promenade, Frieze of seule béquille); 13.8 x 8.8 cm; Lieure Carriages (Promenade des nourrices, 488; 2008.34.10. The Beggar Sitting Prints Down and Eating (Le Gueux assis et 495; 2008.34.17. The Old Woman and frise des fiacres); 1895; 4 color Cats (La Vielle aux chats); 13.9 x 8.8 cm; Norman Ackroyd (British, b. 1938); lithographs; Roger-Marx 47; Gift mangeant); 13.8 x 8.8 cm; Lieure 502; 2008.34.24. The Beggar with Pot (Le Lieure 503; 2008.34.25. The One-Eyed Landscape with a Gray Sky; 1975; of Nancy and Joseph P. Keithley by Woman (La Borgnesse); 13.8 x 8.8 cm; color aquatint; 49.6 x 46 cm; Gift of exchange. 137.4 x 47.3 cm; 2008.31.a. Mendiant au couvot); 13.8 x 8.7 cm; Lieure 484; 2008.34.6. The Beggar Lieure 492; 2008.34.15. The Two Beggar Elizabeth Carroll Shearer in memory 136.9 x 47.7 cm; 2008.31.b. 136.7 x 46.3 Women (Les Deux Mendiantes); 13.8 of Robert Lundie Shearer 2007.296. cm; 2008.31.c. 137 x 48.4 cm; 2008.31.d. with Rosary (Le Mendiant au rosaire); 13.7 x 8.8 cm; Lieure 489; 2008.34.11. x 8.8; Lieure 486; 2008.34.8. The Two The Beggar with Wooden Leg (Le Pilgrims (Les Deux Pèlerins); 14.4 x 8.9 Mendiant à la jambe de bois); 13.7 x 8.8 cm; Lieure 481; 2008.34.3.

49 Mary Cassatt (American, 1844–1926); Siemen Dijkstra (Dutch, b. 1968); Nancy Friedemann (Colombian, b. Sidney Hurwitz (American, b. 1932); Lydia and Her Mother at Tea; about Above the Uithuizer Wetland (Over Het 1962); Fagua at Night; 2006; 2 panels; Duisburg-Thyssen III; 2002; aquatint 1880; softground etching and Uithuizer Wad); 2007; color woodcut; color lithograph on 4 sheets of paper; hand-colored with watercolor; 40.3 aquatint printed in brown; 17.9 x 27.9 38 x 102.3 cm; Gift of Elizabeth Carroll Gift of 28 members of The Print Club x 50.6 cm; Gift of Thomas R. Roese cm; Breeskin 69, state I/V; Severance Shearer in honor of Adrian L. Scott of Cleveland’s 2007 Williamstown 2007.274. and Greta Millikin Purchase Fund 2007.272. Trip. 152.5 x 56 cm; 2007.285.a. 152.7 x Eugène Isabey (French, 1803–1886); 2008.5. Pamela Dodds (American, b. Canada, 56 cm; 2007.285.b. 10 prints; lithograph on chine collé; Jean Kubota Cassill (American, b. 1956); Ebb; 2006; 6 linocuts; Sundry Honoré Guilbeau (American, 1907– Gift of John Bonebrake. Picturesque 1926); Trees and Quiet Stream; 1998; Purchase Fund. Depths; 60 x 39.7 2006); 7 prints; Gift of Dr. Jeremy and Romantic Journeys in Old France: etching; 15 x 25.2 cm; Gift of the cm; 2007.185.3. Drift; 60.1 x 39.9 Cooke. Ahuehuete (The Old One); Auvergne (vol. II): Gorge of Royat, University Print Club 2007.305. cm; 2007.185.4. Ebb; 59.9 x 39.8 woodcut; 57 x 45.3 cm; 2008.102. Plate 79 (Voyages Pittoresques et Ada Gilmore Chaffee (American, 1883– cm; 2007.185.6. Flow; 59.8 x 39.4 Artist’s Life; lithograph; 29.2 x 25.6 cm; Romantiques dans l’ancienne France: 1955); Cagnes; 1921; 2 prints; Carole W. cm; 2007.185.1. Rip; 59.5 x 39.6 cm; 2008.106. Brief Encounter; lithograph; Auvergne, Gorge de Royat); 1830; 21 and Charles B. Rosenblatt Endowment 2007.185.5. Undertow; 59.9 x 39.7 cm; 28.4 x 22.3 cm; 2008.103. Janitizio; x 31 cm; 2007.239. Picturesque and Fund. Color woodcut; 29.5 x 41.2 cm; 2007.185.2. lithograph; 22.7 x 28.1 cm; 2008.104. Romantic Journeys in Old France: 2007.183. Color woodcut hand-colored Bonnie Dolin (American, b. 1938); [Palm Trees]; color woodcut; 61.3 x 43 Auvergne (vol. II): Pesteil Chateau with watercolor; 29.8 x 41.3 cm; Urban Landscape #1; 2001; color cm; 2008.101. Water Boys; lithograph; at Polminhac, Plate 202 (Voyages 2007.184. electrostatic copier and heat transfer; 25.8 x 21.8 cm; 2008.107. [Woman Pittoresques et Romantiques dans Sitting under Tree]; lithograph; 27.6 x l’ancienne France: Auvergne, Château John Robert Cozens (British 1752–1797); 41.3 x 25.7 cm; Gift of the University Print Club 2007.311. 20.2 cm; 2008.105. de Pesteil à Polminhac); 1832; 23.2 Delineations of the General Character x 31 cm; 2007.240. Picturesque and Ramifications and Foliage of Forest Cindi Ettinger (American, b. 1956); Laurent Guyot (French, 1756–after 1806); Bacchanal, The Game of Romantic Journeys in Old France: Trees: Cedar; 1789; softground etching 3 color aquatints; 2004; Gift of the Auvergne (vol. II): St. John Church, and aquatint; 24.3 x 31.7 cm; The A. W. University Print Club. Grass; 10 x Leap Frog (Bacchanal, Les Jeux de Coupe-Tête) (after wax relief by Thiers, Plate 129 (Voyages Pittoresques Ellenberger Sr. Memorial Endowment 9.6 cm; 2007.322. Rose; 10 x 9.5 cm; et Romantiques dans l’ancienne Fund 2008.56. 2007.323. Sun; 10 x 9.5 cm; 2007.321. Antoine-François Gérard, designed by Jean-Guillaume Moitte); about 1785; France: Auvergne Église St. Jean, Edgar Degas (French, 1834–1917); Mlle Louise Fishman (American, b. 1939); etching and aquatint on silk; 17 x 39.4 Thiers); 1831; 38.4 x 31.1 cm; 2007.242. Bécat at the Café des Ambassadeurs; Black and White Suite; 2005; 5 prints; cm; Gift of Friends of the Department Six Seascapes: Environs of Dieppe (Six 1877–78; lithograph; 20.8 x 19.3 cm; Anne Elizabeth Wilson Memorial of Prints and Drawings 2008.18. Marines: Environs de Dieppe); 1833; 21.4 Reed and Shapiro 31; Purchase from Fund. Black and White #1; spitbite x 28.8 cm; 2007.238.1. Six Seascapes: the J. H. Wade Fund 2007.194. aquatint; 22.7 x 25.1 cm; 2007.208.1. Yuji Hiratsuka (Japanese, b. 1954); Interior of a Port (Six Marines: Intérieur 2005; 9 prints; color etching, aquatint, Eugène Delacroix (French, 1798–1863); Black and White #2; white ground d’un Port); 1833; 31.3 x 23.6 cm; aquatint; 22.6 x 25 cm; 2007.208.2. and roulette; Gift of the Getscher- 2007.238.5. Six Seascapes: Low Tide (Six A Lord in the Time of Francis I (Un Wilkinson Collection in honor of Jane er Black and White #3; drypoint; 20 x Marines: Marée basse); 1833; 31 x 24.6 seigneur du Temps du François 1 ); Glaubinger. Levitation; 40.4 x 30.1 cm; 1833; etching and drypoint; 18 x 13.3 40.2 cm; 2007.208.3. Black and White cm; 2007.238.6. Six Seascapes: Refitting #4; white ground aquatint; 27.1 x 36.6 2007.283. Mystic Spell; 40.3 x 30.1 cm; of a Boat at Low Tide (Six Marines: cm; Delteil 16, state II/V; Andrew R. 2007.284. and Martha Holden Jennings Fund cm; 2007.208.4. Black and White #5; Radoub d’une Barque à Marée basse); 2007.214. spitbite and white ground aquatint; 1833; 31.5 x 24.8 cm; 2007.238.4. Six 27.2 x 36.7 cm; 2007.208.5. Seascapes: Return to Port (Six Marines: Retour au Port); 1833; 21.4 x 28.5 cm;

50 2007.238.2. Six Seascapes: Souvenir Auguste Louis Lepère (French, 1849– Evening (Le Blvd. Monmatre, Le Soir); state III/III; 2007.264. Italy. The Festival Saint Valéry-sur-Somme; 1833; 30.3 1918); 7 prints; Gift of Carole W. and 1890; wood engraving; 19 x 12.2 cm; of Pompeii, the Circus of Gladiators x 24.3 cm; 2007.238.3. Souvenirs: Charles B. Rosenblatt. Bread Sellers Lotz-Brissonneau 209; 2007.253. The (Italie. Les fêtes de Pompéi, le cirque des Souvenir of Brittany, Plate 5 (Souvenirs: (Marchandes au panier); 1889; color Centaur (Le Centaure); 1896; woodcut; gladiateurs); 1884; wood engraving; Souvenir de Bretagne); 1832; 26.2 x 28.6 woodcut; 12.1 x 15 cm; Lotz- 20.8 x 14.2 cm; Lotz-Brissonneau 21 x 31.5 cm; Lotz-Brissonneau p. cm; 2007.241. Brissonneau 187; 2007.288. Fishermen’s 252, state III/III; 2007.263. [City Fire, 281; 2007.258. Landscapes and Street William Martin Jean (American, Quarters (Saint-Jean-de-Monts) possibly Hongrie. Les Troubles de Corners: Moving (Paysages et Coins b. 1936); 3 prints; 2002; Gift of the (Quartiers de pêcheurs [Saint-Jean- Szent-Miholy or La Catastrophe de la de Rues: Déménagement); 1900; University Print Club. Four Square I; de-Monts]); 1915; etching; 19.2 x 20.1 Rue des Prêcheurs]; 1884; 22.1 x 15.6 color woodcut; 6.6 x 8.5 cm; Lotz- color woodcut with silver leaf; 41 x cm; 2007.289. Fontainebleau Forest: cm; Lotz-Brissonneau pp. 282–83; Brissonneau, pp. 253–54; 2007.269. 41.2 cm; 2007.314. Four Square II; color The Cirque of Long-Rocher (Forêt de 2007.266. [Festival]; wood engraving; [Large Steamer Ship at Dock, Paris]; woodcut with silver leaf; 41 x 41.1 cm; Fontainebleau: Le cirque du Long- 22 x 10.5 cm; 2007.270. Festival at the wood engraving; 22.6 x 32.2 cm; 2007.315. Kimono; color woodcut; 52.3 Rocher); 1888; wood engraving; 8.1 x 16 Tuileries (Fête donnée aux Tuileries); 2007.267. [Peasants by a Dock, Paris]; x 38 cm; 2007.316. cm; Lotz-Brissonneau p. 267; 2007.291. 1887; wood engraving; 35.9 x 56.7 cm; color lithograph; 23.4 x 16.3 cm; Liberty Enlightening the World, Offered Lotz-Brissonneau 162; 2007.260. The 2007.249. The Lock of the St. Martin Carol Jessen (American, b. 1951); Ecce to the City of Paris by the Americans Festival for the Victims of Duty (La fête Canal (L’Écluse du Canal Saint-Martin); Panis; 1995; color woodcut; 30.9 x 23.5 (La Liberté éclairant le Monde, offerte de la presse pour les victimes du devoir); 1890; wood engraving; 8.8 x 10.3 cm; cm; Gift of the University Print Club à la Ville de Paris par les Américains); 1884; wood engraving; 21.2 x 14.6 cm; Lotz-Brissonneau 223; 2007.268. The 2007.300. 1885; wood engraving; 26.2 x 20.2 cm; Lotz-Brissonneau p. 281; 2007.259. The Stevedore, Monday (Le Débaudeur, Alex Katz (American, b. 1927); Ten Lotz-Brissonneau p. 285; 2007.293. Old Festival of 14 July, Illumination of the le Lundi); 1897; color lithograph; 23.4 Lithographs by Ten Artists: Late July I; Houses at Amiens (Vieilles Maisons à Place of the Republic (after H. Scott) x 16.3 cm; Lotz-Brissonneau 303; 1971; color lithograph; 57.7 x 73.7 cm; Amiens); 1907; etching; 12.5 x 20 cm; (La Fête du 14 Juillet, Illumination de la 2007.249. Summer Evening (Soir d’Été); Maravell 38; Gift of Teresa M. Lotz-Brissonneau Supplement (Texier- Place de la République [after H. Scott]); 1910; woodcut in black and brown; DeChant 2007.191. Bernier) 341; 2007.290. Sentimental 1880; wood engraving; 31.4 x 45.3 15.2 x 12 cm; Saunier 518, state IV/IV; Maxime Lalanne (French, 1827–1886); Colloquy of Paul Verlaine (Colloque cm; 2007.250. [Fishermen on a Pier, 2007.256. The Two Hunchbacks (Les 1866; book with 4 etchings; Gift of sentimental de Paul Verlaine); 1897; Paris, possibly La Passerelle du Pont deux Bossus); 1893; etching; 17.6 x 26.3 John Bonebrake. Traité de la Gravure a etching and aquatint; 29.9 x 21.7 cm; de l’Alma, Vue du Pont]; 1889; wood cm; Lotz-Brissonneau 84; 2007.261. l’eau forte (book); 2007.237. Traité de la Lotz-Brissonneau 107, state I–II/II; engraving; 20.1 x 11.9 cm; 2007.265. Unloaders of Plaster (Canal St. Martin) Gravure a l’eau forte: Plate 1, Woman 2007.287. The Woodcutter’s House Fishing for Pignons, Saint-Jean-de- (Les Déschargeurs de Plâtre [Canal Seated at a Bridge in Ruins; 18.2 x 11.5 (Vendée) (La maison du bûcheron Mont (Les Pêcheuses de Pignons, Saint- St. Martin]); 1890; wood engraving; cm; Villet 26, state AI/AII; 2007.237.a. [Vendée]); 1915; etching; 21 x 30.1 cm; Jean-de-Mont); 1903, printed 1904; 7.8 x 11.2 cm; 2007.252. The War of Traité de la Gravure a l’eau forte: Plate Lotz-Brissonneau Supplement (Texier- color woodcut; 22.1 x 15.1 cm; Lotz- 1914. First Series. Emperor William in 2, Woman Seated at a Bridge in Ruins; Bernier) 434, state III/III; 2007.292. Brissonneau 294, state II/II; 2007.257. Anger (La Guerre de 1914. Première 18.2 x 11.7 cm; Villet 26, state AI/AII; Auguste Louis Lepère; 22 prints; Gift The Gobelins District (Le Quartier de série. L’Empereur Guillaume en colère); 2007.237.b. Traité de la Gravure a l’eau of John Bonebrake. Amiens Cathedral, Gobelins); 1893, printed 1896; etching; 1915; woodcut; 20.3 x 15.9 cm; Saunier forte: Plate 5, Two Scenes (one with Inventory Day (Cathédrale d’Amiens, 23.1 x 15 cm; Lotz-Brissonneau 96, state 529; 2007.262. The Watering Place lightning); 18.1 x 11.6 cm; Villet 30, state Jour d’inventaire); 1887; etching; 37.7 IV/IV; 2007.254. In the Flooded Marsh. at Marie Bridge (L’Abreuvoir au Pont- I/V; 2007.237.c. Traité de la Gravure a x 26 cm; Saunier 344, state III or IV/ The Shepherd (Vendée) (Au Marais Marie); 1902; etching; 20.1 x 27 cm; l’eau forte: Plate 4; 1866; 18.2 x 11.7 cm; IV; 2007.251. Boulevard Montmartre, Inondé. Le Berger [Vendée]); 1911; wood Lotz-Brissonneau 129, state II or III/III; Villet 29; 2007.237.d. engraving; 32 x 24.5 cm; Saunier 394, 2007.255.

51 Auguste Louis Lepère and Henri Pierre Paris (Le Ministère de la Marine); 1865; Jeanne S. Regan (American, b. 1952); 2008.98. Collection Reflection; 1997; Paillard (French, 1844–1912); The Potato etching; 16.8 x 14.7 cm; Schneiderman Blue Willow; 1998; color lithograph etching, aquatint, and drypoint; 19.8 x Market, Seen from the Louis-Philippe 94, state VII/VII; 2007.245. Casimir and screenprint; 31.9 x 31.2 cm; Gift of 25.1 cm; 2008.97. The Daydream; 1977; Bridge (Le Marché aux Pommes, Vu le Conte, after Gustave Rodolple the University Print Club 2007.306. screenprint; 60.7 x 45.9 cm; 2008.100. du Pont Louis-Philippe); 1883; wood Boulanger (Casimir le Conte, after Paula Rego (British, b. Portugal, 1935); Homage to Demuth and Sukenobu; engraving; 32 x 21.3 cm; Gift of John Boulanger); 1856; etching in brown After Hogarth: After Hogarth II; 2000; 1983; screenprint; 60.2 x 80.4 cm; Bonebrake 2007.271. ink on chine collé; 34.2 x 26.4 cm; etching and aquatint; 30.5 x 35.7 cm; 2008.95. Morning Glories; 2006; color Sol LeWitt (American, 1928–2007); Schneiderman 63, state II/II; 2007.248. Rosenthal 171; Dr. Gerard and Phyllis etching and aquatint; 26.3 x 30 cm; Six Geometric Figures; 1977; 6 House with a Turret, No. 22, rue de Seltzer Fund 2007.211. 2008.93. Night in the City; 2004; color L’École de Médecine, Paris (called the etching; 30.1 x 26.5 cm; 2008.89. PS 5 prints; etching and aquatint; Tate J. Noel Reifel (American, b. 1948); Still E23; Bequest of Lillian M. Kern by Turret of Marat) (Tourelle, Rue de lb.; 2002; color etching and aquatint; l’École de Médecine, 22); 1861; etching Life with Coffee Filter; 1997; 2 prints; 26.2 x 30 cm; 2008.94. Repose; 1977; exchange. Circle; 29.1 x 29.2 cm; Gift of the University Print Club. Color 2008.15.1. Parallelogram; 29.2 x 29.2 and drypoint on chine collé; 21.4 x screenprint; 60.9 x 45.5 cm; 2008.99. 13.2 cm; Schneiderman 72, state XIII/ etching and aquatint printed from 2 Santa Fe Rooftops; 2002; etching and cm; 2008.15.6. Rectangle; 29.1 x 29.2 plates; 11.6 x 9.5 cm and 20.3 x 27.8 cm; cm; 2008.15.4. Square; 29.2 x 29.2 cm; XIV; 2007.246. House with a Turret, aquatint; 22.5 x 30.2 cm; 2008.92. Still rue de la Tixéranderie (Tourelle, Rue 2007.303. Etching and aquatint; 35.6 x Life with Elephant; 1999; etching and 2008.15.2. Trapezoid; 29.1 x 29.2 cm; 53.3 cm; 2007.304. 2008.15.5. Triangle; 29.1 x 29.2 cm; de la Tixéranderie); 1852, printed 1861; aquatint; 22.5 x 30 cm; 2008.91. 10 2008.15.3. etching; 25 x 13.3 cm; Schneiderman Thomas R. Roese (American, b. 1948); P.M.; 2002; etching and aquatint; 22.2 24, state IV/V; 2007.247. Notre Dame 2 color linocuts; 2003; Gift of the x 30.3 cm; 2008.90. Michael Loderstedt (American, b. Pumphouse, Paris (La Pompe Notre- University Print Club. Night; 8.6 x 61.4 Phyllis Sloane (American, b. 1921); 1958); Utopia Unrealized; 1994; color Dame); 1852; etching on chine collé; cm; 2007.318. Snow; 8.5 x 61.9 cm; lithograph and photolithograph; 51.4 1999; 2 prints; electrostatic copier and 17.2 x 25.2 cm; Schneiderman 26, state 2007.317. heat transfer; Gift of the University x 38.3 cm; Gift of the University Print VIII/X; 2007.243. Part of the City of Club 2007.299. Ron Rumford (American, b. 1962); Print Club. Dark Glasses; 23.5 x 42.1 cm; Paris at the End of the Seventeenth Luna Moth; 1996; carborundum with 2007.309. Off Hand; 26.2 x 42.1 cm; Kyra Markham (American, 1891–1967); Century (Partie de la Cité vers la fin chine collé; 16.9 x 51 cm; Gift of the 2007.308. Sleep; 1945; lithograph; 24 x 33.9 cm; du XVIIe Siècle); 1861; etching; 15 x 32.3 University Print Club 2007.302. The A. W. Ellenberger Sr. Memorial cm; Schneiderman 73, state XI/XI; Donald Sultan (American, b. 1951); Six Endowment Fund 2008.55. 2007.244. Lisa Schonberg (American, b. 1954); Blues, Dec 12, 2006; 2006; screenprint Tree Sounds; 2006; color monotype and collage; 56.4 x 76.3 cm; Gift of Cameron Martin (American, b. 1970); Alan (A. D.) Peters (American, b. 1946); and woodcut; 46.5 x 23.4 cm; Gift of Deborah and Kenneth Cohen in Conflation; 2006; color screenprint; 1990; 2 prints; Gift of the University the University Print Club 2007.325. memory of Mary B. Gorman 2007.273. 76.3 x 102 cm; Alma and Robert D. Print Club. Blue Shadowpath; Milne Fund 2007.210. lithograph printed in blue; 40.3 x Phyllis Seltzer (American, b. 1928); Stephen Talasnik (American, b. 1954); Stratum V; 1999; electrostatic copier 2002; 2 prints; etching and chine collé; John McLaughlin (American, 1898– 27.5 cm; 2007.298. Shadowpath; lithograph; 40.3 x 27.5 cm; 2007.297. and heat transfer; 67.6 x 52.4 cm; Gift The A. W. Ellenberger Sr. Memorial 1976); Untitled; 1963; color lithograph; of the University Print Club 2007.307. Endowment Fund. Ferris; 27.3 x 27.6 40.9 x 55.8 cm; Tamarind 792; The Gloria Plevin (American, b. 1934); Phyllis Sloane (American, b. 1921); 12 cm; 2007.212. Mercury; 28.6 x 27.1 cm; A. W. Ellenberger Sr. Memorial Mr. Fisher’s Little Corn Patch; 2000; 2007.213. Endowment Fund 2008.57. color etching and aquatint; 15.1 x 32.7 prints; Gift of Phyllis Sloane. Brambles; 2002; etching and open bite; 30.2 x Charles Meryon (French, 1821–1868); cm; Gift of the University Print Club 2007.310. 22.4 cm; 2008.96. By the Window; Gift of John Bonebrake. The Admiralty, 1977; screenprint; 50.9 x 40.7 cm;

52 Henry Ossawa Tanner (American, Textiles Figure; 1900s; Africa, Nigeria, Yoruba Cuyahoga River; 2008.1001.2. East 1859–1937); Christ Walking on the Loincloth with Feather(?) Motifs; people; wood; 32 x 9 x 18 cm; The 39th Street; 2008.1001.1. Euclid Avenue; Waters; about 1910 (published 1000–1470; Central Andes, Chimú Nina M. Traub Trust 2008.1010. 2008.1001.5. Euclid Beach; 2008.1001.7. posthumously); etching; 18.3 x 24.2 people; cotton and camelid fiber; 207 Figure; 1900s; Africa, Cameroon; High Level Bridge; 2008.1001.4. Shaker cm; Gift of Mr. and Mrs. Samuel L. x 96 cm, without ties; Charlotte Ekker wood, shells, and beads; 50 x 13 x 10 Square; 2008.1001.3. Public Square Rosenfeld, New York City 2007.286. and Charlotte Van der Veer Memorial cm; The Nina M. Traub Trust 2008.1012. (Vertical); 2008.1001.6. Wade Pond; 2008.1001.8. Shelly Thorstensen (American, b. Fund 2008.58. Folk Textile; late 1800s–early 1900s; 1953); Guys and Dolls; 2005; etching, Tibetan Man’s Robe, Chuba; 17th India, Bhakti movement; cotton, Mary Dice Pettit (American, b. 1920); lithograph, screenprint, and linocut century; China, Qing dynasty; satin undyed ground with embroidery, and 1963; 2 watercolors; 46 x 61 cm; Gift with chine collé; 17.6 x 25.5 cm; Gift of weave with supplementary weft blue/green binding; 158.8 x 152.5 cm; of Marilyn Fisher. Weeds Fantastique; the University Print Club 2007.324. patterning; silk, gilt-metal thread, and Gift of Anne E. Wardwell 2007.1015. 2008.1003. Winter Dream; 2008.1004. Gretchen O. Troibner (American, b. peacock-feathered thread; 184 x 129 Half-figure; early 1900; Africa, Unidentified artist(s); 1900s; Japan; 1953); 2003; 2 prints; color etching cm; Norman O. Stone and Ella A. Stone Democratic Republic of the Congo, 17 woodcuts; Bequest of Lillian M. and aquatint; Gift of the University Memorial Fund 2007.216. Luba people; wood; 27 x 8 x 10 cm; Kern. Beach at Night; 11.8 x 17.9 cm; Print Club. Pink Pitcher; 18.3 x 15.2 cm; Manufactured by H. R. Mallinson & The Nina M. Traub Trust 2008.1008. 2007.1016.9. Bird on a Branch; 24.8 x 2007.320. Sunflowers; 17.5 x 12.2 cm; 12.1 cm; 2007.1016.17. Bird with Pink Co. (American, New York); Covered Hauberk (Mail Shirt) Reproduction; 2007.319. Wagons Oregon Trail; 1929; light- Blossoms; 19.5 x 9.3 cm; 2007.1016.14. 2007; steel rings; 81.3 x 121.9 cm; Bluebird Diving; 12.8 x 12.1 cm; Cheryl Warrick (American, b. 1956); weight warp-faced plain weave, called Educational Purchase Fund 2008.1000. Peace Makes Plenty; 2006; 2 prints; Pussy Willow; printed silk; 99.1 x 198.1 2007.1016.8. Boats at Night; 24.8 x 11.2 color etching, softground, white cm; James Parmelee Fund 2007.215. Headdress; 1900s; Africa, Mali, cm; 2007.1016.3. Creature at Night; ground, drypoint, and chine collé; The Bamana people; wood; 79 x 6 x 28 cm; 19.2 x 9.1 cm; 2007.1016.12. Landscape Lenore Tawney (American, 1907– The Nina M. Traub Trust 2008.1011. with Three Bridges; 24.8 x 11.9 cm; Print Club of Cleveland Publication 2007); Mask; 1960s; warp-dominant No. 86, 2008; Gift of The Print Club Helmut Mask; early 1900; Africa, 2007.1016.4. Rooster, Hen, and Chick; plain weave, attachments; linen, 17.9 x 11.8 cm; 2007.1016.13. Seven Quail of Cleveland. 78.8 x 28.2 cm; 2008.29. beads (possibly pre-Columbian), and Mali, Marka people; wood; 10 x 13 cm; BAT; 78.9 x 28.3 cm; 2008.30. The Nina M. Traub Trust 2008.1005. at Night; 24.8 x 11.8 cm; 2007.1016.6. wood sticks; 24.2 x 16.5 cm overall; Three Coi Fish Swimming; 24.25 x 12.20 Jean Antoine Watteau (French, 1684– Gift of John Paul Miller 2007.192. Helmut Mask; early 1900; Africa, cm; 2007.1016.2. Two Birds on a Vine; 1721); The Clothes Are Italian (Les Habits Nigeria, Yoruba people; wood; 28 x 24.8 x 12.1 cm; 2007.1016.5. Two Birds sont Italiens); 1715–16; etching; 27.5 x Education Art Collection 20 x 34 cm; The Nina M. Traub Trust on a Vine; 24.8 x 12.1 cm; 2007.1016.15. 20 cm; Dacier and Vuaflart 130, state Door Lock; 1900s; Africa, Mali, Bamana 2008.1006. Two Boats with Blackbirds; 24.8 x 12.1 I/VI; Severance and Greta Millikin people; wood; 3 x 9 cm; The Nina M. Chang Tsung-li (Chinese, active late cm; 2007.1016.7. Two Cranes; 19.8 x Purchase Fund 2008.3. Traub Trust 2008.1013.a–b. 1800s); Fan Painting; pigment on 9.4 cm; 2007.1016.10. Two Geese; 19.4 Anders Zorn (Swedish, 1860–1920); Figure; possibly 1600s; Africa, Sierra paper; 34.9 x 59.7 cm; Bequest of x 9.4 cm; 2007.1016.11. Two Quail; 20.5 2 etchings; Gift of Carole W. and Leone or Guinea, Sapi people; Lillian M. Kern 2008.1002. x 9.7 cm; 2007.1016.16. Woman with a Charles B. Rosenblatt. The Bride’s Maid soapstone; 21 x 4 x 10 cm; The Nina M. Martin Linsey (American, b. 1915); Comb; 24.8 x 15.3 cm; 2007.1016.1. (Brudtärnan); 1905; 15 x 19.8 cm; Hjert Traub Trust 2008.1007. 1946; 8 lithographs with cover and Hjert 204; 2007.295. Djos Mats; Figure; 1900s; Africa, Republic of the sheet; 35.6 x 48.3 cm; Gift of the 1911; 17.8 x 12 cm; Hjert and Hjert 153, Cleveland Museum of Art Ingalls state III/III; 2007.294. Congo, Teke people; wood; 33 x 7 cm; The Nina M. Traub Trust 2008.1009. Library. Cover Sheet; 2008.1001.9.

53 Georgia O’Keeffe Museum of Art, Museum of Fine Arts, Boston; Nasher Reinberger Galleries, the Cleveland LOANS TO Santa Fe; Amon Carter Museum, Fort Museum of Art, Duke University, Institute of Art Worth Raleigh From Here to Infinity OTHER The Search for an American Modernism: El Greco to Velázquez: Art at the Court Marsden Hartley and New Mexico of Philip III Shelburne Museum, Vermont Mary Cassatt: Friends and Family INSTITUTIONS High Museum of Art, Atlanta The Museum of Modern Art, New Georgia O’Keeffe and the Women of York City Spencer Museum of Art, University of the Stieglitz Circle Georges Seurat: The Drawings Kansas, Lawrence; Frist Center for the Visual Arts, Nashville; Smithsonian J. Paul Getty Museum, Los Angeles The Museum of Modern Art; Modern American Art Museum, Washington, The Art Institute of Chicago Rousseau Landscape Comparative Loan Art Museum of Fort Worth; National D.C.; Schomburg Center for Research Watercolors by Winslow Homer: The Gallery of Art, Washington, D.C. in Black Culture, New York Public Color of Light J. Paul Getty Museum (organizer); Martin Puryear, 1993–95 Library, New York City Sterling and Francine Clark Art Aaron Douglas and the Harlem Asia Society Museum, New York City Institute, Williamstown, Mass. The National Gallery, London Renaissance Arts of Kashmir Consuming Passion: Fragonard’s Renaissance Siena: Art for a City Pictures of Love Solomon R. Guggenheim Museum, Canton Museum of Art, Ohio National Gallery of Art New York City Frank Case Revisited Kimbell Art Museum, Fort Worth From Corot to Monet: Painters Cai Guo-Qiang: I Want to Believe Picturing the Bible: The Earliest and Photographers in the Forest of Cooper-Hewitt, National Design Christian Art Fontainebleau Taft Museum of Art, Cincinnati Museum, Smithsonian Institution, Painting the Italian Landscape: Views New York City The Metropolitan Museum of Art, National Gallery of Art; Dallas from the Uffizi Rococo: The Continuing Curve 1720– New York City Museum of Art 2008 Art of the Royal Court: Treasures in J. M. W. Turner Tate Modern, London; Centre Pietre Dure from the Palaces of Europe National d’Art et de Culture Georges Davis Museum and Cultural Center, Nikkei Inc., Tokyo (organizer); Suntory Pompidou, Paris; Solomon R. Wellesley College, Mass.; Yale The Metropolitan Museum of Art; Museum of Art, Tokyo; Osaka Guggenheim Museum University Art Gallery, New Haven; Museo de Bellas Artes de Bilbao, Spain Municipal Museum of Art Louise Bourgeois Philadelphia Museum of Art Poussin and Nature Biombo: Japan’s Gift of Folding Screens Grand Scale: Oversize and Composite to the West Vancouver Art Gallery, British Prints from the Age of Titian and Dürer Michael C. Carlos Museum, Atlanta Columbia Long-term loan Oskar Reinhart Collection “Am Georgia O’Keeffe: Nature and Frick Art and Historical Center, Römerholz,” Winterthur, Switzerland Abstraction Pittsburgh Musée des Beaux-Arts, Rouen; Musée Venite, Adoremus: The Four Versions Steel: Pittsburgh Drawings by Craig des Beaux-Arts, Rennes of “The Adoration of the Magi” by Western Reserve Historical Society, McPherson The Mythology of the American West Geertgen tot Sint Jans Cleveland, Hanna House Long-term loan The Frick Collection, New York City Museum Boijmans Van Beuningen, Portland Art Museum, Oregon Gabriel de Saint-Aubin Rotterdam The Dancer: Degas, Forain, and The Beginnings of Dutch Painting: From Toulouse-Lautrec Geertgen tot Sint Jans to Lucas van Leyden

54 The final room of used as protection in Arms and Armor life-or-death conflicts, from Imperial Austria they are also beautiful exemplified the objects whose form exhibition’s two-fold and finish attain the appeal: while these level of art. exhibitions suits of armor were y onle y M. D

55 regor G The exhibition year was a continual feat of in- Modern Masters offered visitors the spired improvisation. Impressionist and Modern Masters chance to experience from the Cleveland Museum of Art, the traveling exhi- a favorite part of Cleveland’s collection bition of works from the Impressionist and modern through fresh eyes. collections whose organization was occasioned by the closing of the galleries for renovation, made a hometown stop in the fall, offering visitors simulta- i neously a chance to get reacquainted with favorite t

works as well as a sneak preview of the contents gries of the new east wing, set to open in June 2009. Howard A muller The museum’s In a remarkable testament to the quality of version of The Thinker the collection, the show had attracted more by Auguste Rodin (damaged in a 1970 than 700,000 visitors, as it traveled to Asia and bombing) spent a few Vancouver, BC, before arriving in Cleveland. After months in the warm exhibition before the venue here, the exhibition traveled on (under heading back outside for its reinstallation on slightly varying titles) to the Frist Center for the the south terrace. Visual Arts in Nashville, the Utah Museum of Fine Arts in Salt Lake City, and the Detroit Institute of Arts, where it will close on January 18, 2009, in time to come back home for installation in the new galleries. Also traveling the world was Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art, which visited the Bavarian National Museum in Munich and the J. Paul Getty ller Museum in Los Angeles. t A. Mu ober R

56 Following Modern Masters was the last show to be presented in the temporary exhibition space that had been created in what were permanent collection galleries in the 1958 addition: Arms and Armor from Imperial Austria. Running from February 24 to June 1, 2008, this exhibition of about 280 items presented outstanding examples of the armorer’s craft, including imperial suits of armor, from the important historic collection of the Landeszeughaus, one of the largest and best- preserved armories in existence. These spectacular examples of armor and weapons were displayed in the broader context of paintings—portraits, in particular—graphics, and decorative arts of the period. The exhibition offered a comprehensive overview of arms and armor produced in imperial Austria under the Habsburgs, the ruling family of the Holy Roman Empire and great patrons of Austrian armor. Created for real battles as well as sporting jousts and purely ceremonial display, suits of armor and arms were elaborately decorated with innovative, intricate designs that reflected the owner’s social status. These works of art, The early weeks of Arms and Armor from embellished with gilding, painting, heat coloration, Imperial Austria took place in the middle of etching, and inlay, display a wide variety of a major snowstorm. designs and motifs that add an important artistic An intrepid group of students from dimension. The objects in the final room of the Lomond Elementary exhibition were arranged to evoke a field battle, School in Shaker Heights made the trip with arrays of suits in different fighting postures nonetheless. lined up in formation. y onle y M. D 57 regor G The new Art Carts Helmets are not instantly became a required for museum popular Education visits, but these department initiative, kids found them an using the education appropriate accessory art collection to give (after making them in visitors the chance to a special workshop). touch and handle real works of art. i t gries Howard A Part way through the run of the exhibition, a mysterious “runaway knight” was seen in various places throughout the city. A brainchild of the museum’s Marketing and Communications office, the knight helped spark interest in the exhibition and was complemented by a series of humorous print advertisements. Together these efforts not only promoted the exhibition, but served to build anticipation in the community looking ahead to the June reopening of the museum’s own Armor Court. While the city mourned the passing of Viktor Schreckengost, the museum put on view the very popular Jazz Bowl, a masterpiece by this influential Cleveland artist. ller t A. Mu ober R

58 LOAN PERMANENT EXHIBITIONS COLLECTION i EXHIBITIONS t gries Howard A Arms and Armor from Imperial Focus Exhibitions Austria Jazz Bowl February 24–June 1, 2008 February 1–March 2, 2008 The approximately 280 objects in On the occasion of the passing of this exhibition included weapons Viktor Schreckengost, the museum and imperial suits of armor from the exhibited the very popular Jazz Bowl, important historic collection of the a masterpiece by this influential Landeszeughaus, one of the largest Cleveland artist. and best-preserved armories in exis- tence. Curated by Stephen N. Fliegel. CMA Traveling Exhibitions KeyBank was a supporting sponsor. Impressionist and Modern Masters Support for the educational pro- from the Cleveland Museum of Art grams was made possible in part by a grant from Giant Eagle. The Ohio October 21, 2007–January 13, 2008 Arts Council helped fund this exhibi- Impressionist and Modern Masters tion with state tax dollars to encour- from the Cleveland Museum of Art age economic growth, educational featured 142 works from the muse- excellence, and cultural enrichment um’s distinguished collection of 19th- Hahn Loeser + Parks LLP. Addi- Visitors enjoyed for all Ohioans. and 20th-century European art. tional support was provided by Key Impressionist and Modern Masters from Organized as a large touring exhibi- Bank. Underwriting for the world the Cleveland Museum tion, the presentation was expanded tour of Modern Masters was provided of Art during its here in Cleveland to include works in part by The Timken Company, a hometown stop. seen only at this venue: a selection CMA Global Partner. The Ohio Arts from the collection of pastels and Council helped fund this exhibition other works on paper. Curated by with state tax dollars to encourage William H. Robinson. economic growth, educational excel- The presenting sponsor was Hahn lence, and cultural enrichment for all Loeser + Parks LLP. Admission was Ohioans. free thanks to the generosity of

59 The Badakhshan performed a dance Ensemble of Tajikistan, characterized by one of three to take graceful movements Performing Arts, the stage during the of the arms and VIVA! & Gala Around hands that are Town program “The believed to symbolize Spiritual Sounds the flight of birds. Music, and Film of Central Asia,” y inle F lieJu 60 The third season of VIVA! & Gala Around Town featured 17 performances (10 sold out) from 16 countries. Four of the ten performing spaces were new for this season. Audience surveys conducted in 2006 and 2008 indicate that 90% of respondents find the series exhilarating and important. Massoud Saidpour, director of Performing Arts, Music, and Film, was interviewed by local and national media including Don Rosenberg of the Plain Dealer, Dee Perry of WCPN radio’s daily arts-oriented program Around Noon, and WCLV. Interviews with Thomas Welsh, who is associate director for music, appeared in the Plain Dealer, Free Times, and Scene. A central feature of VIVA! & Gala Around Town this year was the music of Central Asia and the Near East, a part of the world with musical and artistic riches almost entirely unknown in the West. Complementing this group of concerts were four talks on Islamic architecture showcasing aspects of traditional arts of the area and a year-

long film series “Silk Road Movies” focusing acoska on the region’s contemporary life and aesthetic t M ane J expression. Other highlights: Trio Mediæval, Soledad Barrio of the premier Scandinavian vocal trio, returned Noche Flamenca during a performance for another sold-out performance at Trinity at Playhouse Square’s Cathedral in a special joint program with male Ohio Theatre. vocal ensemble Cantus. Severance Hall was filled

61 Square. Massoud Saidpour directed “Masters of Russian Drama” with a four-week sold-out run of Nikolai Gogol’s The Gamblers in the intimate cabaret ambiance of Kennedy’s at Playhouse Square to enthusiastic reviews. Thomas Welsh hosted an informative and exciting evening with the renowned music critic of the New Yorker, and 2008 MacArthur Foundation “genius grant” winner Alex Ross, who surveyed the music of the 20th century in his “iPod Talk.” The museum collaborated with the American Music Center’s groundbreaking classical music webzine, NewMusicBox.org, and its companion, Counterstream Radio. Further, a new relation- ship was established with American Public Media’s “Performance Today,” broadcast on 245 public ra- acoska

t M dio stations across the country and heard by about ane J 1.1 million people each week. Programs of both Cantus performed with the music of Beethoven and Schumann organizations featured recordings of performances to a sold-out house at Trinity Cathedral, when celebrated Polish-Hungarian pianist Piotr from VIVA! & Gala Around Town. with light from the Anderszewski joined the Swedish Chamber The Panorama Film Series presented 98 feature setting sun shining through the stained- Orchestra under the baton of Thomas Dausgaard. films (or feature-length programs of short films) in glass windows. The Brentano String Quartet performed exquisite 128 separate screenings. Forty-one of the presenta- music by Mendelssohn, Brahms, and Gabriela tions were exclusive Cleveland-area first-run films. Lena Frank at the acoustically perfect Plymouth All programs were shown in the museum’s reno- Church of Shaker Heights, UCC. Famed violinist vated Lecture Hall. John Ewing, associate director, Hilary Hahn joined singer/songwriter Josh Ritter film, was a regular guest on WCPN’s Around Noon. for an evening of creative melding of classical and Special guests during the year included Bonnie new folk music. Thousands attended the tango Erickson, former design director for the Jim and flamenco performances held at Playhouse Henson Company and president of the Jim Henson

62 Violinist Hilary Legacy, who presented the first three programs Hahn and singer/ songwriter Josh —all to sold-out audiences—in the film series Ritter collaborated “Muppets, Music & Magic: Jim Henson’s Legacy.” in a special program melding classical and Cinematographer Stefan Czapsky spoke after a folk music. showing of Tim Burton’s Edward Scissorhands, one of the many Hollywood movies he has photo- graphed. Local writer Kristin Ohlson, co-author of the best-selling book Kabul Beauty School: An American Woman Goes Behind the Veil, answered questions after a screening of the new documentary The Beauty Academy of Kabul. Tennessee filmmaker Steven John Ross introduced and answered ques- tions after an advance screening of his new movie acoska

Winslow Homer: Society and Solitude. Sebastian Birch, t M ane an Ohio composer and Kent State music professor, J

Two members of So¯ provided live piano accompaniment for the silent Percussion displayed their percussive film The Last Command. CMA director Timothy prowess during the Rub introduced one of his all-time favorite films, group’s sold-out performance at the Children of Paradise. Once again the museum spon- Cleveland Museum of Natural History. sored a film at the Cleveland International Film Festival at Tower City Cinemas in downtown Cleveland: One Man in the Band, a new documen- tary about one-man (and one-woman) bands. Special advance screenings of four new com- mercial releases occurred during the year: Goya’s

y Ghosts, The Kite Runner, Sweeney Todd: The Demon inle F Barber of Fleet Street, and The Diving Bell and the lieJu Butterfly.

63 Performing Panorama Film Series Institute of Art Cinematheque). Modigliani; Muppet Fairytales; The Series of note: “Masters of Complete film listing: Abraham’s Muppet Movie; Muppet Musical American Cinematography,” nine Valley; Angel on the Right; Anger Me; Moments; Muppets History 101; The Arts, Music, films spotlighting the work of some The Art of Puppetry & Storytelling; Mystery of Picasso; Note by Note: The of America’s greatest DPs (directors Avenue Montaigne; Bab’Aziz: The Making of Steinway L1037; Notes on and Film of photography), presented as a Prince Who Contemplated His Soul; Marie Menken; The Organizer; Ossos complement to the Icons of American The Beauty Academy of Kabul; (Bones); The Other Side of the Mirror: Photography exhibition; “Pioneers Belle Toujours; Benilde or the Virgin Bob Dylan Live at the Newport Folk of the American Avant-Garde Mother; A Better World: Living in Festival, 1963–1965; The Past and Cinema,” five recent documentaries Harmony; The Blood; Brakhage; the Present; PlayTime; Primo Levi’s VIVA! & Gala Around Town exploring the lives and work of five Camille Claudel; Casa de Lava (Down Journey; The Purple Rose of Cairo; Berlin Philharmonic Wind Quintet; of the earliest and most influential to Earth); The Cats of Mirikitani; Queen Christina; The Rape of Europa; Brentano String Quartet with Todd underground filmmakers; “Still Children of Paradise; Chuck Close; Cléo The Rules of the Game; Sacco and Palmer, clarinet; Sara Daneshpour; Lives: The Films of Pedro Costa,” six from 5 to 7; Colonel Wolodyjowski; Vanzetti; Short Films by Apichatpong Hilary Hahn + Josh Ritter; Paul features and two shorts by a fast- The Color of Pomegranates; Colossal Weerasethakul (two different Jacobs; Natalie MacMaster; “Masters rising Portuguese auteur celebrated Youth; Cries and Whispers; Crossing programs); ShowBusiness: The Road of Russian Drama: The Gamblers”; for his poetic portraits of the the Line; The Dark Crystal; Death to Broadway; Silk; Sound of the Soul; Noche Flamenca; Qawaals of residents of a Lisbon shantytown; of a Cyclist; Defenders of Riga; Sweeney Todd: The Demon Barber of Pakistan: “Sufi Devotional Music”; “Silk Road Movies,” a year-long series The Diving Bell and the Butterfly; Fleet Street; Sweet Smell of Success; Alex Ross iPod Talk; Shoghaken of movies from Central Asia and the Dog City; Doomed Love; Double A Talking Picture; The Tiger and the Ensemble: “Music of Armenia”; S0¯ Near East, shown to complement Indemnity; Edward Scissorhands; Snow; Tokyo Story; Tony ‘n’ Tina’s Percussion; “The Spiritual Sounds of the VIVA! & Gala Around Town Eloquent Nude: The Love and Legacy Wedding; Vincent & Theo; Visions of Central Asia: Nomads, Mystics, and miniseries of concerts of music from of Edward Weston and Charis Wilson; Light: The Art of Cinematography; Troubadours”; Swedish Chamber that region; “50 Years of Janus Films,” Fanny and Alexander (original, Voyage to the Beginning of the Orchestra with Thomas Dausgaard, a dozen international film classics uncut version); Forever; Francisca; World; Walkabout; A Walk into the conductor, and Piotr Anderszewski, distributed by the venerable U.S. art- The Gates; Goya’s Ghosts; I’m Sea: Danny Williams and the Warhol piano; Tango Buenos Aires; Trio film distributor; “Modern Masters on Going Home; In Cold Blood; In the Factory; Where Lies Your Hidden Mediæval + Cantus; Zarbang: “The Film,” five feature films about some Mirror of Maya Deren; In Vanda’s Smile?; Who the #$&% Is Jackson Percussions of Iran and Afghanistan.” of the artists featured in the Modern Room; Iran: A Cinematographic Pollock?; Winslow Homer: Society Masters exhibition; “Muppets, Music Revolution; Half Moon; High and and Solitude; Wolf at the Door; The & Magic: Jim Henson’s Legacy,” a Low; Jack Smith and the Destruction Wonderful, Horrible Life of Leni nine-part celebration of the life of Atlantis; Jim Henson Commercials Riefenstahl; Wuthering Heights. and work of TV’s most famous & Experiments; Jules and Jim; The puppeteer; and “Manoel de Oliveira: Kite Runner; Lagerfeld Confidential; The First 100 Years,” a nine-film The Last Command; The Legend of centenary salute to a 99-year-old Suram Fortress; Looking for an Icon; master Portuguese filmmaker The Magic Gloves; The Makioka little known in America (shown Sisters; Man Follows Birds; Man in in conjunction with the Cleveland the Chair; McCabe and Mrs. Miller;

64 Community Support ller Jay and Chuck Ames where Timothy Rub led a t A. Mu (standing third and toast to honor all those ober R fourth from the right) who had made leadership are surrounded by their commitments to the children and grandchildren Campaign for the Cleveland on the south terrace, Museum of Art.

65 A remarkable year of fundraising came to Trustee Adrienne a close just as activities involving the reopening Jones and her husband, Morris, of the historic 1916 building took center stage. along with Collin Timothy Rub surprised campaign donors at an Knisely and his event on May 31 with his announcement that daughter Lauren, share conversation a fundraising milestone had been reached—the during the May 31 Campaign for the Cleveland Museum of Art had donor event. raised $204,591,647, surpassing the Phase I goal of $160 million and taking the campaign well into Phase II. He then raised his glass in a tribute

not only to the donors in the crowd, but to their ller

children, grandchildren, and even a few great- t A. Mu ober grandchildren who were present to celebrate the R

Courtyard windows generosity of their families. Several weeks later, bloom with spring trustees encouraged by the campaign’s success colors at the celebratory dinner for voted unanimously and enthusiastically to proceed campaign supporters with the next phase of the museum’s $350 million and their families. renovation and expansion. CMA standing trustees are among the project’s staunchest backers, with 100% having made commitments to the campaign. The campaign also enjoyed a wide range of support within the greater Cleveland community, with donations ranging from $25 to $25 million coming from 286 individuals, families, corporations, government entities, and foundations. Significant leadership commitments include those of Chuck

ller and Jay Ames, the Gund Foundation and Gund t A. Mu 66 ober R families, the families of Michael and Jane Horvitz Nearly 1,000 CMA and Milton and Tamar Maltz, the Kelvin and members—including Senator George Eleanor Smith Foundation, and the State of Ohio. Voinovich, here Activities associated with the campaign kicked talking with Timothy into high gear during the year and resulted in new Rub—attended the preview party for commitments totaling $27,802,529. Members of the reopening of the Campaign Cabinet gave tirelessly of their time the museum’s 1916 Timothy Rub leads to accompany many of the 126 hardhat tours con- building. trustees of the Kelvin and Eleanor Smith ducted by Timothy Rub and campaign staff. These Foundation on a behind-the-scenes looks at the progress of the 1916 hardhat tour through

gallery renovations and new east wing construc- ller the new exhibition tion offered those with an interest in preserving the hall named in the t A. Mu foundation’s honor. heritage of the CMA a special perspective on the ober R

transformation of a beloved civic asset. During the spring, some of the museum’s most generous bene- factors gathered with their families, friends, foun- dation trustees, and employees for private previews of the 1916 galleries named in their honor: Mary and Leigh Carter, Sally and Sandy Cutler, Walter and Jean Kalberer, Ellen and Bruce Mavec, Donna and James Reid, the Payne Fund, the Reinberger Foundation, the Harold C. Schott Foundation, and Baker & Hostetler LLP. Other galleries open- ing in June carry the names of John and Elizabeth i t Drinko, Howard F. Stirn, and the Cleveland Foun-

gries dation. And, one of the most anticipated social events of the year, “The Return to 1916: Picture Howard A Yourself Inside,” planned and organized by the

67 Benefit chair Joanne while the annual Founders Dinner featured guest Cowan and Womens speaker Alex Katz, internationally acclaimed art- Council chair Kate Stenson celebrate ist. Timothy Rub and curators Stephen Harrison, the success of “The William Robinson, and Jon Seydl accompanied Return to 1916.” 25 Circles members, who through the museum’s unique Donor Circles travel program had the op- portunity to explore cultural and historic venues in Italy and France. Museum membership peaked at an eight-year high of 25,000 member households during the spring. The CMA is extremely fortunate to benefit from such a strong membership base, especially in

ller light of closed galleries during renovation and con- struction. In appreciation of this loyalty, members t A. Mu

ober were invited to the museum’s first annual Report R

Womens Council, drew more than 900 guests for At the annual an evening that provided a first look at the newly corporate dinner, trustee Sue Kaesgen reinstalled galleries. With the spectacular success of and her husband, this June 21 benefit, the council was able to add an Dieter, discuss details additional $327,000 to their previous year’s cam- of the architectural model with architect paign gift. Robert Madison.

Beyond the capital campaign, donors at all levels gave generously, providing critical support for the museum’s annual operations. An increase of 96 new memberships in Donor Circles resulted in an all- time high of 520 members and $2,005,067 in rev- enue. Circles members enjoyed a variety of parties, including exhibition and 1916 gallery openings, ller

68 t A. Mu ober R to the Community on October 19. It was standing Deputy Director room only as Timothy Rub recapped the events Susan Stevens Jaros and City and financials of the previous fiscal year and pre- Councilwoman Sabra viewed the year to come. Guests were then treated Pierce Scott watch to a light supper and a first look at the exhibition the ribbon-cutting festivities on the Impressionist and Modern Masters from the Cleveland south terrace.

Museum of Art. And in January, the Akron Art Museum was the destination for two sold-out day y trips taking 80 members to view the American onle Chronicles: The Art of Norman Rockwell exhibition. y M. D The museum was founded through the gen- regor erosity of four men whose bequests established a G long-standing tradition of philanthropy. Over the tate planning; 15 new individuals were welcomed years, the number of benefactors has grown and, this year alone. Other giving benefiting the CMA’s today, 565 Legacy Society members have expressed endowment and permanent collection extended to their intent to provide for the museum in their es- the establishment of ten new charitable gift annui- ties and donations of works of art. After the ribbon- cutting ceremony, The museum is fortunate to have a commit- project architect ted group of corporate members. More than 100 Rafael Viñoly mingled companies from northeast Ohio donated a total of with guests A. Grace Lee Mims and Alfred $628,863 to corporate membership and exhibition Bright. and program sponsorships. Thanks to Hahn Lo- eser + Parks LLP’s sponsorship of Impressionist and Modern Masters from the Cleveland Museum of Art, the museum’s world-traveling masterpieces came home, albeit temporarily, for a three-month exhi- bition. Underwriting was received from KeyBank, ller sponsor of Arms and Armor from Imperial Austria, the

t A. Mu last traveling exhibition to be held at the museum ober R until the new special exhibition space opened in

69 the east wing in October 2008. In addition to their world were admitted into the museum’s intern- corporate memberships, the law firms Jones Day, ship program—including those enrolled in the Kohrman Jackson & Krantz, and Squire, Sanders & joint program in art history and museum studies at Dempsey LLP were among new commitments for Case Western Reserve University. Interns gained the capital campaign. invaluable hands-on experience while providing The museum further expanded its relationships assistance with research, collections management, with local and national foundations and govern- curatorial, and administrative projects. ment grant-making agencies. Total revenue from The office of Volunteer Initiatives found many these sources at $2,190,241 was well over the pre- ways for enthusiasts to help the museum with their vious year and funded a wide range of museum time and talent. More than 450 volunteers logged programs. In collaboration with the Walters Art 43,767 hours of time during the year. Calculated Museum, the CMA was awarded a grant from the at the national value for volunteer work, their National Endowment for the Humanities for the hours equaled $853,894—a significant extension development and planning of the 2010 exhibi- of the museum’s programs and resources. Nearly tion A Matter of Faith: Relics and Reliquaries in the half of these hours were contributed by 149 dedi- Middle Ages. New funding came from the residents cated Womens Council members, many of whom of Cuyahoga County through Cuyahoga Arts and planned the June benefit. Culture, which announced in November its ini-

tial distribution representing local government’s Kurt and Mary Beth first sustained backing for arts and culture. The Karakul and Duane $1,506,553 award was the CMA’s largest single Deskins pause in the galleries during source of unrestricted operating support, repre- the members senting 5% of the annual operating budget. In ad- preview party for dition, the Ellsworth Kelly Foundation, through the reopening of the museum’s 1916 a grant for the conservation of contemporary art, building. paid tribute to longtime museum donor and advo- cate Agnes Gund, “who continues to be one of the

greatest friends of art in the world.” ller Sixty-eight undergraduate and graduate stu- t A. Mu

dents from colleges and universities around the ober R

70 As part of the council’s ongoing speaker series, Ambassadors program. In a new initiative and col- CWRU art historian Dr. Ellen Landau presented laboration with the museum’s Education depart- her research into the artistic relationship between ment, the council sought and received funding photographer and graphic designer Herbert Matter to provide the museum’s award-winning distance and abstract painter Jackson Pollock on September learning programs to Cleveland’s Juvenile Deten- 23. Continuing efforts to engage younger, nontra- tion Center. ditional audiences included hosting events at the The Textile Art Alliance’s “Wearable Art Fash- museum for CWRU medical students, coordinat- ion Show & Boutique” raised more than $26,000 ing a cooperative program with the Fairhill Inter- for acquiring contemporary fiber art for the textile generational School, Ratner School, and Judson collection. Park, and guiding 64 students from ten Greater As the museum embarks on the next phase of Cleveland high schools involved with the Museum renovation and expansion, there is still much work to be done in achieving the campaign’s ambitious Guests at the Textile Art Alliance’s annual goals. But we are most grateful for those who invest meeting and luncheon so generously their time and money in the future of look over hundreds Cleveland and the Cleveland Museum of Art. of ethnic, antique, collectible, and exotic textiles, formerly in the museum’s Educa- tion Art Collection, that were offered in a silent auction to benefit the museum’s textile collection and Education depart- ment programs. lliance t A r ile A t Tex

71 DONORS Anonymous Mr. and Mrs. William Jurey in Carole W. and Charles B. Rosenblatt 28 members of The Print Club of memory of Mabel A. Hewit Mr. and Mrs. Samuel L. Rosenfeld, OF WORKS Cleveland’s 2007 Williamstown Trip Ingalls Library New York City June Sallee Antoine in honor of her Sandra and Gary Kaufman in honor Dr. and Mrs. Norman L. Roulet brother, Charles Louis Sallée Jr. of the Fine Print Fair Mark Schwartz and Bettina Katz in OF ART Varujan Boghosian Nancy and Joseph P. Keithley by honor of Tom Hinson Howard Bond exchange Elizabeth Carroll Shearer in honor of John Bonebrake Bequest of Lillian M. Kern Adrian L. Scott Jacques de Caso in memory of Alice Bequest of Lillian M. Kern by Elizabeth Carroll Shearer in memory Cagliostro and Domenick Cagliostro exchange of Robert Lundie Shearer Deborah and Kenneth Cohen in Hilda Kisella Phyllis Sloane memory of Mary B. Gorman In loving memory of Martha Higgins Lauren and Steven Spilman Contemporary Art Society Laundon (Mrs. Arthur S.) by her The Nina M. Traub Trust children Lloyd Laundon Taplin, Ann Dr. Jeremy Cooke Laundon Kendall, Arthur Higgins University Print Club Teresa M. DeChant Laundon, and Gail Laundon Hussey Amy and Neil Viny Rackstraw Downes Dr. Osman and Betty Mawardi Anne E. Wardwell Bequest of Elizabeth Ludwig Fennell Javier Silva Meinel Martin K. Webb and Charles L. Marilyn Fisher John Paul Miller Venable Paul and Kelly Fleming in honor of Scott C. Mueller and Margaret Fulton Darrell, Steven, Brian, and Neil Young Debbie Fleming Caffery Mueller in memory of their parents, Mardelle J. and Howard S. Young Abe Frajndlich in honor of Simona Arthur Olson Frajndlich Dr. Norman Zaworski in honor of Painting and Drawing Society of the Dr. Ju-hsi Chou Friends of Photography Cleveland Museum of Art Friends of the Department of Prints Robert and Amy Poster in honor of and Drawings Stan Czuma Getscher-Wilkinson Collection in The Print Club of Cleveland honor of Jane Glaubinger Clara Taplin Rankin George Gund Foundation Collection David Raymond in honor of David Bergholz, The Cleveland Museum of Art Gail, Nancy, and Steven Richards Joe Hatzenbuehler In loving memory of Donald M. Robiner Su Mei Ho and John D. Daughenbaugh Thomas R. Roese

72 CAPITAL Anonymous (10) Dr. Arthur Brown and Dr. Diana Barbara L. Cross The Abington Foundation Kunze Sarah S. and Alexander M. Cutler PROJECTS Emily A. Adams Jeanette G. and Glenn R. Brown Mr. and Mrs. David A. Daberko Dick and Joan Ainsworth Eva L. and Joseph M. Bruening Peter W. Danford and Susan G. Foundation Quentin and Elisabeth Alexander Danford SUPPORT Inez Budd Mr. and Mrs. B. Charles Ames Dr. and Mrs. Eric Davidson Dorothy D. Burnett Elizabeth L. Armington Dr. and Mrs. Richard C. Distad As of June 30, 2008, the following Mrs. Carl D. Burt individuals, corporations, and Baker & Hostetler Founders Trust Peter and Margaret Dobbins Linda R. Butler and Steven E. Nissen, foundations have provided generous Baker & Hostetler LLP Edward Donnelly and Mary Kay support of $500 or more to ongoing M.D. DeGrandis Randall J. and Virginia N. Barbato capital projects and/or the Viñoly Peter A. and Rita M. Carfagna Elizabeth G. and John D.+ Drinko building endowment. Mrs. Clinton E. Barry+ Harry and Marjorie M. Carlson Jeffrey R. Dross and Michele J. The museum makes every effort to Wilma S. Bartholomay Leigh and Mary Carter Ladouceur ensure that donor lists are complete Hanna H. and James T. Bartlett Charter One Foundation George+ and Becky Dunn and accurate. If you believe there Norma E. Battes may be an error or omission, please Katherine and Lee Chilcote Eaton Corporation notify us. Margret Beekel Foundation Dr. and Mrs. Lloyd H. Ellis Jr. Mr. and Mrs. Fred G. Behm Mrs. Ellen Wade Chinn +deceased (July 1, 2007–June 30, Edith Virginia Enkler+ James and McKey Berkman Gertrude K. and Homer D. W. 2008) Mrs. Morris Everett Sr. Chisholm Dr.+ and Mrs. Norman E. Berman Patricia J. Factor John Black Dr. Alfred J. Cianflocco and Mary Anne Garvey Frances Fangboner+ Peter Black Kathryn and Frederick Clarke Robert and Ellyn Feldman Richard J. Blum and Harriet L. Warm Cleveland Foundation Darrell A. Fields and Helen Forbes- Mrs. Lawrence Blumenthal Fields The George W. Codrington Alfred C. Body Trust Charitable Foundation Maxeen and John Flower Helen and Albert Borowitz The Helen C. Cole Charitable Trust Marcia and Frederick Floyd/The Lenox Foundation Jerome+ and Loretta Borstein The Collacott Foundation Allen H. Ford Mrs. Morris A. Bradley II Mr. and Mrs. Christopher M. Connor John H. Foster Marilyn and Paul Brentlinger/The Mr. and Mrs. Gerald A. Conway Brentlinger Foundation The Harry K. Fox and Emma R. Fox Mr. and Mrs. William E. Conway Robert R. and Mary Broadbent Charitable Foundation Dr. and Mrs. Delos Marshall Richard Lee Francis Robert Brooks Cosgrove III

73 Mr.+ and Mrs. Robert S. Friedman Dorothy Tremaine Hildt Trevor and Jennie Jones Bill and Joyce Litzler Fusco Sandstone Tom E. Hinson and Diana S. Tittle Dr. and Mrs. Donald W. Junglas Dr. Gisela Luther+ Barbara and Peter Galvin Edith F. Hirsch Susan M. Kaesgen Mr. and Mrs. Alex Machaskee The GAR Foundation Dr. Gerhard Hoffmann+ and Walter and Jean Kalberer Foundation William P. and Amanda C. Madar Garden Club of Cleveland Ms. Lee Hoffmann+ The Kangesser Foundation, Helen The Maltz Family Foundation Mr. and Mrs. Robert Gillespie Arthur+ and Arlene Holden Kangesser, and David and Hedy Adler Jack, Joseph, and Morton Mandel The Gogate Foundation Holden Parks Trust Mr. and Mrs. Sidmond J. Kaplan Nancy-Clay Marsteller, Ph.D. Gretchen H. Green Constance Holden-Somers Robert M. Kaye and Diane Upright Elizabeth Ring Mather & William Ann and Richard Gridley Mr. and Mrs. Michael J. Horvitz Joseph P. and Nancy F. Keithley Gwinn Mather Fund Gries Family Foundation The HRH Family Foundations Horace Kelley Art Foundation S. Livingston Mather Charitable Trust Sally and Bob Gries Rita Hubar J. R. and G. M. Kelly Ellen and Bruce Mavec Mary T. Gruber+ William L. and Jane Huffman Mr. and Mrs. Douglas A. Kern Kathryn Arns May+ Robert N. and Nicki Gudbranson Laura A. Hugus+ Steven and Denise Kestner Mary and William McClung John and Christiane Guinness Mr. and Mrs. George M. Humphrey II Key Foundation Eleanor Bonnie McCoy and Sevier Bonnie Jr.+ Agnes Gund and Daniel Shapiro Mr. and Mrs. G. Richard Hunter Jr. Ann and Jim Kiggen Fund of The Greater Cincinnati Foundation Sarah Holden McLaren Ann and Graham Gund John Huntington Art & Polytechnic Trust Thea Klestadt+ Suzanne McLaren Geoffrey Gund Charles and Charlene Hyle Mr. and Mrs. Stephen J. Knerly Jr. McMaster-Carr Supply Company George Gund III and Iara Lee Louise H. and David S. Ingalls Stewart and Donna Kohl Mr. and Mrs. S. Sterling McMillan III The George Gund Foundation Foundation Kohrman Jackson & Krantz Mellen Foundation Gordon and Llura Gund Foundation Edward F. and Mary F. Intihar Mrs. Arthur Kozlow+ Elizabeth Briggs Merry+ Elaine Grasselli Hadden Charitable Remainder Trust Charlotte R. Kramer Laura Messing Hahn Loeser + Parks LLP Anne Hollis Ireland The Kresge Foundation Carol and Dick Michel Mrs. Frank R. Hanrahan James D. Ireland III Gregory and Susan Kruszka Clare and Harold Sam Minoff Dr. and Mrs. Shattuck Hartwell Mr. and Mrs. Donald M. Jack Jr. The Kulas Foundation Dolly and Steven Minter Henry Hawley John C. Jackson+ Mr. and Mrs. Arthur J. Lafave Jr. The William A. and Margaret N. Ken and Betsy Hegyes David J. James Jr. Helen A.+ and Fredrick S. Lamb Mitchell Family Janice Hammond and Edward Susan and Stanley Jaros Fred A. Lennon Charitable Trust Helen M. Moise Hemmelgarn The Jochum-Moll Foundation Maxine Goodman Levin+ The John C. and Sally S. Morley Sally and Oliver Henkel Jones Day Family Foundation The G. R. Lincoln Family Foundation Ann S. Higgins Adrienne L. Jones, Ph.D., and Morris Donald W. Morrison Jones, M.D.

74 Joan R. Mortimer, Ph.D. The Plain Dealer The Harold C. Schott Foundation The Tecovas Foundation Peta and Rollie Moskowitz Leon and Gloria Plevin Mr.+ and Mrs. Viktor Schreckengost Susan and John Turben Foundation Reverend Dr. and Mrs. Otis Moss Jr. Frank H. and Nancy L. Porter Family The Sears-Swetland Family U.S. Department of Transportation Brian and Cynthia Murphy The Print Club of Cleveland Foundation Alice O. Vana+ John P. Murphy Foundation Stanley M. Proctor Second Foundation Estate of Nicholas J. Velloney Murlan and Margaret Murphy Sr. Mr. and Mrs. Thomas A. Quintrell Mr. and Mrs. David Selman Robert A. Vertocnik Paul J. and Frances Murphy Mrs. Alfred M. Rankin Mr. and Mrs. John L. Selman Mr.+ and Mrs. J. H. Wade III Ray and Katie Murphy Mr. and Mrs. Alfred M. Rankin Jr. Dr. Gerard and Phyllis Seltzer Courtney and David Watson The Musart Society Bruce T. Rankin Mrs. Harry Setnik Mr. and Mrs. Richard T. Watson David and Inez Myers Foundation The Ratner Family Shaker Lakes Garden Club Raymond John Wean Foundation Myers Industries, Inc. Andy Rayburn and Heather Guess Sherwick Fund Nola D. and Thora F. Weyrick Trust Mr. and Mrs. Stephen E. Myers Donna and James Reid Dennis Sherwin Mr. and Mrs. Alton W. Whitehouse NACCO Industries, Inc. Katharine Lee and Bryan S. Reid Mr. and Mrs. Michael Sherwin Louinia Mae Whittlesey Lucia S. Nash Reinberger Foundation The Sherwin-Williams Company Eileen and Jim Wilkoff National City Bank Sarah P. and William R. Robertson Laura and Alvin A. Siegal Womens Council of the Cleveland Mr. and Mrs. T. F. Neubecker Barbara S. Robinson Morris Siegel+ Museum of Art Hilda E. Nieman+ Paul Rolnick Naomi G. and Edwin Z. Singer Family Mr. and Mrs. Alfred C. Woodcock Fund Mr.+ and Mrs. Eric T. Nord Catherine Rose Paul D. Wurzburger Charitable The Kelvin and Eleanor Smith Remainder Trust Mrs. Elizabeth G. Norweb+ and Charles B. and Carole W. Rosenblatt Foundation Family Dr. Norman W. Zaworski The Leighton A. Rosenthal Family Ted and Sally Smith William J. and Katherine T. O’Neill Foundation Mr. and Mrs. William L. Ziegler Squire, Sanders & Dempsey LLP William M. Osborne Jr. and Amelia S. Edwin M. Roth Helen Zmek+ State of Ohio Osborne Mr. and Mrs. Robert C. Ruhl Brit and Kate Stenson Henry Ott-Hansen Sage Cleveland Foundation Paula and Eugene Stevens Jane and Jon Outcalt James and Judith Saks Howard F. Stirn The Payne Fund Timothy W. and Colleen Sauvain The Estate of Irving Sunshine James Edward Peck+ Mr. and Mrs. Raymond T. Sawyer Superior Electric Company MacGregor W. Peck Mrs. Helen Charnes Schaefer Frances P. and Seth Taft The Perkins Charitable Foundation Mr. and Mrs. Elliott L. Schlang Mr.+ and Mrs. Thomas E. Taplin Sr. Estate of Peter Pfouts Betty T. and David M. Schneider

75 Individual Elliott L. Schlang Scott C. Mueller and Margaret Fulton ANNUAL Mueller Giving Naomi Singer OPERATING Edith G. and William W. Taft Mrs. Alfred M. Rankin Joyce B. Weidenkopf James and Susan Ratner Family Foundation Circles Leadership Hannah S. Weil SUPPORT Donna and James Reid Committee Trudy Wiesenberger Barbara S. Robinson Steering Committee Paula Zeisler Betty T. and David M. Schneider Annual operating gifts provide Alfred M. Rankin Jr. essential, unrestricted support that Chair Dr. Gerard and Phyllis Seltzer enables the museum to direct dollars Mr. and Mrs. Michael Sherwin where the need is greatest. We are William Litzler Individual Giving particularly grateful to Donor Circles June Morgan $50,000 or more $10,000 $24,999 members, Annual Fund donors, Scott Mueller Mr. and Mrs. Michael J. Horvitz and Patron and Contributing level Anonymous Leon Plevin+ Peter B. Lewis museum members. Thank you for Mr. and Mrs. B. Charles Ames such an enduring demonstration of Barbara S. Robinson Mr. and Mrs. Alfred M. Rankin Jr. James and McKey Berkman support during the 12-month period David L. Selman from July 1, 2007 to June 30, 2008. $25,000 to $49,999 Richard J. Blum and Harriet L. Warm Kate Stenson Randall J. and Virginia N. Barbato Mr. and Mrs. Charles P. Bolton Hanna H. and James T. Bartlett Mr. and Mrs. William R. Calfee Richard E. Beeman Leigh and Mary Carter Mrs. Ellen Wade Chinn William R. Calfee Sarah S. and Alexander M. Cutler Mrs. M. Roger Clapp Deborah W. Cowan Mr. and Mrs. Robert Gillespie Mr. and Mrs. Gerald A. Conway Peter and Margaret Dobbins George Gund III and Iara Lee Maxeen and John Flower Barbara Galvin Janice Hammond and Edward Sally and Bob Gries Robert N. and Nicki Gudbranson Hemmelgarn David and Robin Gunning Anne Higerd Mr. Robert M. Kaye and Ms. Diane Marilyn Harris Adrienne L. Jones, Ph.D. Upright Dorothy Tremaine Hildt Randall D. Luke Joseph P. and Nancy F. Keithley Joan E. Horvitz Katherine Moroscak William P. and Amanda C. Madar Charles and Charlene Hyle Michael J. Peterman The Maltz Family Foundation James D. Ireland III Florence KZ Pollack Mandel Supporting Foundations Mr. and Mrs. Dieter Kaesgen Fran and Frank Porter Jr. Ellen and Bruce Mavec Mr. and Mrs. Douglas A. Kern

76 Mr. and Mrs. Edward A. Kilroy Jr. $5,000 to $9,999 Toby Devan Lewis $2,500 to $4,999 Mr. and Mrs. John E. Kohl Anonymous (1) Connie and Russ Lincoln Anonymous (1) Mr. and Mrs. Alan M. Krause Quentin and Elisabeth Alexander Mr. and Mrs. Edward A. Lozick Mr. and Mrs. Paul R. Abbey Jon and Virginia Lindseth Mr. and Mrs. Daniel F. Austin Edith D. Miller Dick and Joan Ainsworth Nancy-Clay Marsteller, Ph.D. Mr. and Mrs. Dean C. Barry Mr. and Mrs. Dan T. Moore III Mr. and Mrs. A. Chace Anderson Mr. and Mrs. Herbert McBride Erva L. Barton Ray and Katie Murphy Elizabeth L. Armington Mr. and Mrs. William C. McCoy Marilyn and Paul Brentlinger/The William J. and Katherine T. O’Neill Thomas J. Baechle Mr. and Mrs. S. Sterling McMillan III Brentlinger Foundation Henry Ott-Hansen Marcelle Bergman Mr. and Mrs. Stanley A. Meisel Mr. and Mrs. Morton Cohen Jane and Jon Outcalt Fred and Laura Bidwell Clare and Harold Sam Minoff Mr. and Mrs. William E. Conway Leon and Gloria Plevin William P. Blair III Mr. and Mrs. William A. Mitchell Mrs. Gay Ban Cull Mr. and Mrs. Larry I. Pollock Marilyn and Lawrence Blaustein The John C. and Sally S. Morley Albert DeGulis Mr. and Mrs. Thomas A. Quintrell Mr. and Mrs. Richard E. Boyatzis Family Foundation Charles D. and Charlotte A. Fowler Andy Rayburn and Heather Guess Mr. and Mrs. Edward B. Brandon Mary Schiller Myers+ Ann Friedman Mr. and Mrs. Timothy Rub Maud M. Bray Mr. and Mrs. Stephen E. Myers Mrs. Robert I. Gale Jr. James and Judith Saks Mr. and Mrs. John G. Breen Lucia S. Nash Mr. and Mrs. Robert J. Garon Leonard S. Schwartz and Charlotte R. Dr. William A. Chilcote Jr. and Dr. Mr.+ and Mrs. Eric T. Nord Sally A. Good Kramer Barbara S. Kaplan Mr. and Mrs. Albert B. Ratner Joseph T. Gorman Mark Schwartz and Dr. Bettina Katz Mr. and Mrs. Victor J. Cohn Sarah P. and William R. Robertson Ann and Richard Gridley Mr. and Mrs. Boake A. Sells Dr. John and Helen Collis Dr. and Mrs. Ronald J. Ross Dr. and Mrs. Shattuck Hartwell Mr. and Mrs. David L. Selman Mr. and Mrs. William H. Coquillette Edwin M. Roth Mrs. Harry Richard Horvitz Mr. and Mrs. John L. Selman Mr. and Mrs. Alfred G. Corrado Mr. and Mrs. Elliott L. Schlang Marguerite B. Humphrey Dr. Paul J. Vignos Jr. Dr. Dale Cowan Laura and Alvin A. Siegal Mr. and Mrs. Donald M. Jack Jr. John Walton Deborah W. Cowan Mr. and Mrs. Edward C. Smith Mr. and Mrs. Robert H. Jackson Elizabeth H. and David H. Mrs. George N. Daniels Mr. and Mrs. Steven Spilman Helen Kangesser Warshawsky Dr. and Mrs. Robert B. Daroff Richard A. Statesir and Georganne Mr. and Mrs. Stuart F. Kline Mr. and Mrs. Charles D. Weller Mr. and Mrs. Ralph Daugstrup Vartorella Mr. and Mrs. John D. Koch Mr. and Mrs. Loyal W. Wilson Dr. and Mrs. Richard C. Distad Paula and Eugene Stevens Mr. and Mrs. Dennis W. LaBarre Dr. Norman W. Zaworski Peter and Margaret Dobbins Susan and John Turben Foundation Mr. and Mrs. Arthur J. Lafave Jr. Mr. and Mrs. Kenneth Zeisler Mr. and Mrs. Robert P. Duvin Mr. and Mrs. Richard T. Watson Mrs. Jack W. Lampl Jr. Carmela Catalano Zoltoski Dr. and Mrs. Henry Eisenberg

77 Mrs. Morris Everett Sr. Mr. and Mrs. Peter A. Kuhn Nelson S. Talbott Mr. and Mrs. James H. Berick Franklin and Marian Fearing Mr. and Mrs. Thomas J. LaFond Mr. and Mrs. Neil Thompson Laurie Mitchell Billowitz and Dr. Lauren Fine and Gary Giller Mr. and Mrs. Kurt Liljedahl Roger and Sharon Vail Aaron Billowitz Allen H. Ford Bill and Joyce Litzler Dr. Steven Ward and Dr. Barbara Mr. and Mrs. James D. Blaser Leah S. Gary Mr. and Mrs. Randall D. Luke Brown Rabbi and Mrs. Richard A. Block Mr. and Mrs. Adi F. Gazdar Mr. and Mrs. Christopher McKenna Anne W. Weinberg Mrs. Lawrence Blumenthal Judith Gerson Beth E. Mooney Nancy N. West Dr. and Mrs. Jeffrey L. Blumer Mr. and Mrs. Robert A. Goodman Mr. and Mrs. Richard J. Moroscak Mr. and Mrs. Alton W. Whitehouse Jr. Jerome Sophia Boron Mr. and Mrs. Andrew L. Green Mr. and Mrs. Thomas W. Morris Mr. and Mrs. Steven R. Wiesenberger Helen and Albert Borowitz Robert N. and Nicki Gudbranson Donald W. Morrison Mr. and Mrs. Bret Williams Jerome+ and Loretta Borstein Robert L. and Nancy H. Bostwick Elaine Grasselli Hadden Creighton B. Murch and Janice A. $1,000 to $2,499 Smith Ruth J. Boza Steven and Martha Hale Anonymous (3) Mr. and Mrs. Henry R. Hatch III Susan B. Murphy James J. Branagan and Mary Lou Mr. and Mrs. Peter W. Adams Stricklin Sally and Oliver Henkel John G. and Karen R. Nestor Stanley and Hope Adelstein Emily H. Brasfield Mr. and Mrs. James J. Heusinger William M. Osborne Jr. and Amelia S. Osborne Catherine C. Alfred Mr. and Mrs. Benjamin Brick Mrs. Charles Hickox Mr. and Mrs. Richard P. Price Mr. and Mrs. Thomas Stewart Allen Kenneth L. and Nancy E. Brown Elizabeth A. Holan Laundy Blanche Rakita Mr. and Mrs. Norman W. Allison Marshall and Brenda Brown Arthur+ and Arlene Holden Mr. and Mrs. Paul J. Schlather Mr. and Mrs. Richard S. Ames Mr. and Mrs. Stephen R. Brown Richard A. Horvitz and Erica William R. Anderson Hartman-Horvitz Mr.+ and Mrs. Viktor Schreckengost Mr. and Mrs. Henry G. Brownell II Dr. and Mrs. James Arnold Dr. and Mrs. William L. Huffman Sally and Larry Sears Cynthia and Robert Bruml Janet G. and Gregory J. Ashe Pamela and Scott Isquick Kim Sherwin Mr. and Mrs. Stephen J. Bucchieri Patricia M. Ashton Susan and Stanley Jaros Dr. and Mrs. Conrad C. Simpfendorfer Dr. and Mrs. Harvey Buchanan Mr. and Mrs. Arthur D. Baldwin II Adrienne L. Jones, Ph.D., and Morris Naomi G. and Edwin Z. Singer Family John F. Burke Jr. and Nancy A. Fuerst Jones, M.D. Fund Kathleen L. Barber Linda R. Butler and Steven E. Nissen, Mr. and Mrs. Thomas Fisher Kahn Mr. and Mrs. David W. Sloan Kathleen and Dennis Barrie M.D. Walter and Jean Kalberer Foundation Mr. and Mrs. Jeffrey H. Smythe Mr. and Mrs. Richard E. Beeman William E. and Patricia Butler Mr. and Mrs. John E. Katzenmeyer Brit and Kate Stenson Mr. and Mrs. Jules Belkin Timothy J. and Nancy S. Callahan Steven and Denise Kestner Mr. and Mrs. Donald W. Strang Jr. Mr. and Mrs. Myron Belkin Mrs. Thomas F. Campbell Ann F. Kiggen Mr. and Mrs. Joseph D. Sullivan Dr. Ronald and Mrs. Diane Bell Mrs. Sumner Canary Mr. and Mrs. William W. Taft Dr. Robert B. Benyo Harry and Marjorie M. Carlson

78 Janice L. Carlson Shirley B. Dawson Stephen H. Gariepy and Nancy Sin Ruth Ann Holt and William Taylor Mr. and Mrs. Frank H. Carpenter Mary Kay DeGrandis and Edward J. Alison W. Gee and David J. Madeline Huber and Merritt Neal Rains Mr.+ and Mrs. Frank B. Carr Donnelly Eichenmiller Mr. and Mrs. Norman Hyams Mr. and Mrs. Kevin M. Carr Diane De Grazia, Ph.D. Mr. and Mrs. David Geyer Mr. and Mrs. E. Dale Inkley Mr. and Mrs. George B. Chapman Jr. Mr. and Mrs. David L. Deming Mr. and Mrs. John A. Giltinan Dr. and Mrs. Scott R. Inkley Kelly Chapman Philip J. Dempsey Dr. and Mrs. Victor M. Goldberg Mr. and Mrs. Fred Isenstadt Corning Chisholm Dr. and Mrs. Gerard A. DeOreo Jr. Sid Good James J. Jackson III Gertrude K. and Homer D. W. Dr. and Mrs. Walter H. Dimling David Goodman and Barbara Hawley Mr. and Mrs. Edwin T. Jeffery Jr. Chisholm Marian Drost Mr. and Mrs. Randall J. Gordon Carl M. Jenks Dr. Alfred J. Cianflocco and Mary George+ and Becky Dunn Elaine H. Green Candace M. Jones Anne Garvey Susan R. Dunn Mr. and Mrs. James B. Griswold Mr. and Mrs. Theodore T. Jones Mr. and Mrs. Charles D. Clark Dr. and Mrs. Lloyd H. Ellis Jr. Scott Grunder Trevor and Jennie Jones Mr. and Mrs. Robert W. Clark Mr. and Mrs. Robert A. Ellis Mr. and Mrs. Peter Guren William R. Joseph and Sarah J. Sager Frederick W. and Kathryn G. Clarke Mr. and Mrs. Douglas V. Epp Mr. and Mrs. Richard H. Hahn Dr. and Mrs. Donald W. Junglas Mr. and Mrs. Michael A. Clegg Dr. and Mrs. R. Bennett Eppes Mr. and Mrs. Thomas C. Hallisy Henri Pell Junod Jr. Richard R. Colbert and Dr. Ellen D. Rie Mr. and Mrs. Donald Esarove Mr. and Mrs. James L. Hambrick Mr. and Mrs. Richard Kaplan Richard A. and Diane L. Collier Mr. and Mrs. Jeff Ettinger Mr. and Mrs. Norman C. Harbert Hilary and Robert Kendis Mr. and Mrs. Owen M. Colligan Mr. and Mrs. Warren W. Farr Jr. Mr. and Mrs. Robert L. Hartford Susan and James Kendis Mr. and Mrs. Kenneth L. Conley Mr. and Mrs. Gene A. Faubel Charles D. Hartman and Rob S. Jozsa Mr. and Mrs. Bruce Kendrick Mr. and Mrs. Robert D. Conrad Victoria Vermes Fazio Mr. and Mrs. Kenneth F. Hegyes Mr. and Mrs. Robert J. Kichler Mr. and Mrs. David J. Cook Mr. and Mrs. Louis A. Femec Mr. and Mrs. Richard A. Heimlich Kenneth H. Kirtz Dr. and Mrs. William B. Cornell Darrell A. Fields and Helen Forbes- Dr. and Mrs. Robert E. Hermann Dr. and Mrs. William S. Kiser Evan and Barbara Corns Fields Mr. and Mrs. John F. Herrick Mr. and Mrs. Eric J. Klieber Mr. and Mrs. Edward G. Cowan Mrs. George Foley Margaret Stone Hesslein Mr. and Mrs. Stephen J. Knerly Jr. Philip Cristal Mr. and Mrs. Walter E. Fortney Mr. and Mrs. John J. Hetzer Stewart and Donna Kohl Mr. and Mrs. Thomas W. Cristal Dr. and Mrs. Ronald G. Fountain Arthur H. Heuer and Joan M. Hulbert- Dr. and Mrs. Adrian G. Krudy Patricia F. Cusick Michael Frank and Patricia Snyder Heuer Rose Mary Kubik Mr. and Mrs. David A. Daberko Mr. and Mrs. Earl R. Franklin Mr. and Mrs. Jeffrey J. Higerd Mr. and Mrs. Albert Wade Laisy Mrs. S. L. Dancyger Mr. and Mrs. John R. Fraylick Mr. and Mrs. Eric A. Hillenbrand Mr. and Mrs. Charles T. Lake Bernice M. Davis Mr. and Mrs. Ted H. Frost Edith F. Hirsch Dr. and Mrs. Michael E. Lamm Sandra R. Davis Barbara and Peter Galvin Mr. and Mrs. Richard R. Hollington

79 Mrs. Samuel H. Lamport Carol and Dick Michel Dr. and Mrs. Gosta Pettersson Mrs. David Seidenfeld Judith E. Lancaster Steven and Dolly Minter Dr. and Mrs. Franklin H. Plotkin Mr. and Mrs. Oliver E. Seikel Ellen and Howard Landau Mr. and Mrs. Charles J. Mintz Florence KZ Pollack Mr. and Mrs. Thomas W. Seitz Mr. and Mrs. Robert Larson Mr. and Mrs. A. Malachi Mixon III Harry and Nina Pollock Dinah Seiver and Thomas E. Foster Dr. and Mrs. Stephen F. Lau Mr. and Mrs. Richard Keith Morgan Mr. and Mrs. Frank H. Porter Jr. Dr. Daniel Sessler and Dr. Ximena Mr. and Mrs. John N. Lauer Shirley O. Morgan Cynthia E. Rallis Valdes-Sessler Mr.+ and Mrs. Sherman E. Lee Thomas and Katharine Morley Bruce T. Rankin Mrs. Robert L. Shearer Mr. and Mrs. Bertram H. Lefkowich Andrea A. Morris Katharine Lee and Bryan S. Reid Mr. and Mrs. John A. Shields Ruth Anna Carlson and Albert Mr. and Mrs. Stephen C. Morris II Cici Riley Mr. and Mrs. Joseph Shrier Leonetti Mr. and Mrs. William J. Morse Richard G. and Patricia S. Robertson Mr. and Mrs. Lawrence N. Siegler Mr. and Mrs. Morton Q. Levin Joan R. Mortimer, Ph.D. Mr. and Mrs. Robert Rogoff Dr. Marie A. Simon and John Michael Zayac Cathy Anne Lincoln Peta and Rollie Moskowitz Mr. and Mrs. George M. Rose Mr. and Mrs. Jeffrey C. Sinclair Mrs. James F. Lincoln Jr. Bert W. Moyar Charles B. and Carole W. Rosenblatt Phyllis Sloane Alan Gordon Lipson and Judith D. Mr. and Mrs. Patrick S. Mullin Mr. and Mrs. Robert J. Roth Harris Barbara and John Smeltz Murlan J. Murphy Jr. Judge Betty Willis Ruben and Prof. Ann Halle Little Gretchen D. Smith Mr. and Mrs. Robert D. Neary Alan Miles Ruben Mrs. Sidney Lobe Mr. and Mrs. Judson E. Smith Mrs. James Nelson Mr. and Mrs. Vaughn P. Rubin Drs. Todd and Susan Locke Richey and Sandra Smith Mr. and Mrs. Francis Wynne Neville Jocelyn C. Ruf Mr. and Mrs. Michael D. Lundin Dr. and Mrs. Alan J. Sogg Stuart and Ellen Neye Mr. and Mrs. Robert S. Rutledge Mr. and Mrs. Alex Machaskee Florence Brewster Rutter Katherine Solender and Dr. William Daurine Noll E. Katzin Dr. Alvin and Lorrie Magid Marjorie Bell Sachs Robert A. Novak Omer F. Spurlock Alan Markowitz, M.D., and Cathy Steven Sagri and Marian Dieter Pollard George Oliva Jr. Mr. and Mrs. Thomas Stafford Mr. and Mrs. Marc Saltzberg Dr. and Mrs. Sanford E. Marovitz Mrs. Donald C. Opatrny R. Thomas and Meg Harris Stanton Kit and Ray Sawyer Dr. Harold and Suzanne Mars Mr. and Mrs. Harvey Oppmann Mr. and Mrs. Leonard Stein-Sapir Dee and Michael Scalabrino Mrs. Walter A. Marting Russell O’Rourke and Georgia Froelich Dr. Timothy Stephens Mr. and Mrs. Thomas J. Scanlon Charlotte M. Masterson Mr. and Mrs. Charles J. O’Toole Mr. and Mrs. Lawrence E. Stewart Mr. and Mrs. Victor J. Scaravilli Dr. and Mrs. Matig Mavissakalian Bob and Trisha Pavey Jack Stinedurf and Lori Locke Robin and Andrew Schachat Julien L. McCall Steve and Polly Percy Jeffrey and Heidi Strean Linda M. Schlageter Mrs. Frederick S. McConnell Jr. Mr. and Mrs. Michael J. Peterman Mr. and Mrs. Arthur M. Stupay Dr. John Sedor and Geralyn Presti Dr. and Mrs. Beno Michel Mr. and Mrs. Graham A. Peters Mr. and Mrs. John E. Sulak

80 Sandra S. Sullivan Louinia Mae Whittlesey Joy L. Comey Elizabeth A. Heiman Mr. and Mrs. Daniel C. Sussen Mr. and Mrs. Christopher Wick Dr. and Mrs. William B. Cornell Mr. and Mrs. Gerald L. Herschman Mary E. Suzor Donald and Francille Willis Peter W. and Susan G. Danford Robert T. Hexter Franny and Seth Taft Mr. and Mrs. Stephen Wolff Dr. Ranajit K. Datta Dr. Terence Isakov Mr. and Mrs. Bruce E. Taylor Mrs. Robert L. Wolpe Sally M. Davis Mr. and Mrs. Norbert R. Jaworowski Martha P. Thompson Mr. and Mrs. Bennett Yanowitz Dr. and Mrs. Paul E. DiCorleto Mr. and Mrs. Lowell L. Kampfe Mr. and Mrs. Leonard K. Tower Marilynn L. Zupon Mark Dimaline Mr. and Mrs. Gary Kaufman Brenda and Evan Turner Marilyn N. Doerr David B. Krakowski $500 to $999 Mr. and Mrs. Robert F. Vail Jr. Mr. and Mrs. Samuel Dolinsky Mark C. Krzysiak Anonymous (2) Drs. Sandip and Pauravi Vasavada Eric W. Dunn and Jennifer C. Myers Lorenzo S. Lalli, M.D. Kenneth R. Adamo Tinkham Veale II Mr. and Mrs. Christopher T. Dr. and Mrs. Chien-Wei Liao Emily A. Adams Catherine and Dale Veres Dunworth Dr. and Mrs. Jack Lissauer Mr. and Mrs. David F. Adler Mr. and Mrs. R. Charles VerMerris Mr. and Mrs. John Ertz Mr. and Mrs. David Logsdon Mr. and Mrs. Thomas W. Adler Mrs. Daniel Verne Mr. and Mrs. John Ferchill Mr. and Mrs. Robert P. Madison Drs. Sawsan T. and Ali Alhaddad Mr. and Mrs. John H. Vinton Kimberly Fleischman Alice D. Malone James M. Anastos Mrs. Myron Viny Mr. and Mrs. Earl R. Franklin Dr. and Mrs. James S. Marshall Dr. and Mrs. Albert C. Antoine Dominic A. Visconsi John H. Franklin Jr. Kay S. Marshall Joseph Babin Honorable and Mrs. William F. B. Robert Friedman and Elizabeth R. Charlotte M. Masterson Dr. Gene Barnett and Dr. Cathy Sila MacGowan Vodrey Barbara McCarthy Arthur W. Bayer Jr. Mary Galeti Mr. and Mrs. Paul J. Volpe Mr. and Mrs. John G. McDonald Dr. and Mrs. Robert W. Bercaw Mr. and Mrs. Richard T. Garrett Dr. and Mrs. Richard A. Walsh Thomas B. McGowan III Mr. and Mrs. Paul H. Bodden David Gavin Doris H. and Russell J. Warren Leroy L. Meier and Quentin Draudt Mr. and Mrs. John M. Bourne Mr. and Mrs. Edmond Gerard Courtney and David Watson Robert T. Moll and Maura L. Hughes Barbara J. Bradley Mr. and Mrs. Robert M. Ginn William B. Watterson and Melissa K. Marie Morelli Richmond Mrs. Morris A. Bradley II Mr. and Mrs. Lowell K. Good Sarah Yoshiko Murakami Dr. and Mrs. Leslie T. Webster Jr. Elaine E. Brookes Scott Grunder Richard J. Murway Mr. and Mrs. David W. Weidenkopf Dr. Margaret Brooks-Terry Col. and Mrs. Thomas O. Haig Mr. and Mrs. Rod Naro Mr. and Mrs. Michael R. Weil Mr. and Mrs. William C. Butler Mr. and Mrs. David E. Halasz Mr. and Mrs. Eric M. Oakley Joy and Jerome Weinberger Joseph Butz Mrs. John D. Hansen Chloe Warner Oldenburg Mr. and Mrs. Michael Weiner William M. and Zoe Carter Mr. and Mrs. Joseph D. Harnett Sarah Ott-Hansen Constance S. White, M.D. Mary E. Chilcote Mr. and Mrs. Donald F. Hastings

81 Dr. and Mrs. Chanho Park Taras Szmagala and Helen Jarem Mr. and Mrs. Michael A. Pendry Mr. and Mrs. Kenneth E. Taylor Dr. and Mrs. Charles A. Peter Mr. and Mrs. Mark Taylor Mrs. Charles E. Petot John D. Thorp Jean Z. Piety Robert M. Torok Gary Powers Anthony and Michele Tricarichi Robert W. Price Juliana Turek Mr. and Mrs. John Prim Mr. and Mrs. Robert J. Vagi Cynthia Prior Eileen J. Walsh Margaret Ann and Bradford J. Mr. and Mrs. Charles W. Walton Richmond Nancy C. Wamsley Kenneth R. Roll Maurice D. Weidenthal Mrs. Martin Rosskamm James W. and Anne Wert Suzanne Cushwa Rusnak and Jeffrey Steve B. Wheeler D. Rusnak Mr. John C. Williams Clarine Saks Mrs. James A. Winton Mr. and Mrs. James C. Schaefer Dolores Yankauskas Mr. and Mrs. Carlton B. Schnell Molly H. Young James and Heather Scullin Ruth G. Zander-Sindelar Dr. and Mrs. Michael G. Sheahan Genevieve Zarnick Mrs. John Sherwin Jr. Mr. and Mrs. William L. Ziegler Gary and Evelyn Siegel Ben Signer Dr. and Mrs. Herbert C. Smith Special Projects, Programming, Mr. and Mrs. Mark Smrekar and Exhibitions Mr. and Mrs. Timothy P. Smucker Kathleen L. Barber Patrick T. Soltis Hegyes Family Fund Mr. and Mrs. William E. Spatz Malcolm E. Kenney Mrs. Richard W. Spurney Mr. and Mrs. William E. MacDonald III Lanie Strassburger Tim A. Neufer Dr. Kenneth F. Swanson William M. Weiss Foundation

82 Corporate Business Leadership Council Corporate Benefactor Corporate Contributor Charles S. Hyle ($10,000 to $14,999) ($3,000 to $4,999) Support Chair, KeyCorp American Greetings Corporation Bostwick Design Partnership William Brancovsky Ernst & Young, LLP Cleveland-Cliffs, Inc. Oswald Companies Goldman, Sachs & Co. Donley’s, Inc. Marc S. Byrnes KeyCorp FirstEnergy Corp. Oswald Companies McMaster-Carr Supply Company Gilbane Building Company William R. Calfee Cleveland-Cliffs, Inc. Ulmer & Berne LLP Institutional Capital Corporation Luce, Smith & Scott, Inc. Stephen J. Knerly Jr. Corporate Patron Hahn Loeser + Parks LLP ($5,000 to $9,999) The Millcraft Group Ray Leach Brush Engineered Materials, Inc. Panzica Construction Company JumpStart Inc. Christie’s Parker Hannifin Corporation Operating Support Dominion Plain Dealer Publishing Company Corporate Sustainer Fifth Third Bank Richey Industries, Inc. ($25,000 or more) John Carroll University Corporate Associate Bank of America Keithley Instruments, Inc. ($1,000 to $2,999) Cleveland Clinic Foundation KPMG LLP Alliance Capital Management Jones Day Lamson & Sessions AmTrust NACCO Industries, Inc. Lincoln Electric Company Applied Industrial Technologies Inc.

Corporate Founder MTD Products Inc. Blue Point Capital Partners ($15,000 to $24,999) Northern Haserot Co. Bonfoey Company Baker Hostetler LLP Oswald Companies CBIZ, Inc. Hahn Loeser + Parks LLP Prince & Izant Company The Chilcote Company Rockwell Automation Citigroup Foundation The Sherwin-Williams Company City Architecture, Inc. Squire, Sanders & Dempsey, LLP Cohen & Company Thompson Hine LLP Cuyahoga Community College Wegman, Hessler & Vanderburg Dix & Eaton Wellington Management Company, Doan Pyramid LLC LLP Dollar Bank

83 Findley Davies Inc. Corporate Donors Matching Gift Companies Key Foundation GE Consumer & Industrial (under $1,000) Alliance Bernstein Lincoln Financial Foundation Glorious Food Gould Electronics, Inc. The Andrew W. Mellon Foundation Lubrizol Foundation Great Lakes Integrated Neundorfer, Inc. AT&T Foundation Macy’s Foundation Herbruck, Alder & Company Ohio Envelope Manufacturing AXA Foundation Mellon Financial Corporation Company IBM Corporation Barnes Group Foundation, Inc. Foundation Philpott Rubber Company International Management Group BD Merck Partnership for Giving Strang Corporation The J. M. Smucker Company BP Foundation, Inc. Merrill Lynch & Co. Foundation Inc. Johnson Controls, Inc. Caterpillar Tractor Company Microsoft Corporation Kinetico Incorporated Special Projects, Programming, Chase NACCO Industries, Inc. Landau Public Relations and Exhibitions Citizens Charitable Foundation Eric and Jane Nord Foundation Lubrizol Corporation The Chrysler Foundation Collins Equipment Corporation Nordson Corporation Marcus Thomas Dominion Foundation Computer Associates International The Pfizer Foundation Margaret W. Wong & Associates, Co., Ford Motor Company Fund Inc. PPG Industries Foundation LPA Gallery Group, Inc. Corning Glass Works Foundation Progressive Insurance Foundation Masterpiece International, Ltd. Giant Eagle Foundation Deluxe Corporation Foundation Reader’s Digest Foundation Millisor & Nobil Great Lakes Brewing Company Dominion Foundation Rockwell International Corporation Morgan Litho, Inc. Hahn Loeser + Parks LLP Eaton Corporation Trust Nordson Corporation Key Foundation The Elsevier Foundation Saint-Gobian Corporation Foundation Northern Trust Bank KeyCorp ExxonMobil Foundation SBC Foundation Ohio CAT Macy’s Foundation First Data Corporation Select Equity Group, Incorporated Olympic Steel, Inc. Margaret W. Wong & Associates, Co., FirstEnergy Foundation Sprint Foundation QT Equipment Inc. LPA FM Global Foundation The Stanley Works Foundation Trust Richard Fleischman Architects, Inc. Medical Mutual of Ohio GE Foundation Starbucks Matching Gifts Program The Rise Group, LLC National City Bank GlaxoSmithKline Foundation Thomson West SE Blueprint Target Stores Glenmede Trust Company UBS Foundation USA Matching Gift Sebesta Bloomberg & Associates, Inc. Goodrich Foundation Program STERIS Corporation IBM Corporation W. W. Grainger, Inc. Vorys, Sater, Seymour & Pease John Wiley & Sons, Inc. Weston Hurd LLP Johnson & Johnson Family of Companies

84 Foundation Unrestricted Operating $5,000 to $9,999 Special Projects, Programming, and Exhibitions and Government $150,000 or more Collacott Foundation Cuyahoga Arts & Culture The Katherine Kenyon Lippitt $150,000 or more Support Ohio Arts Council Foundation U.S. Department of Education The Murch Foundation The Kelvin and Eleanor Smith $20,000 to $149,999 Foundation John P. Murphy Foundation Institute of Museum and Library The Rose-Giltinan Family Foundation $25,000 to $149,999 Services The Leighton A. Rosenthal Family Ellsworth Kelly Foundation, Inc. Helen Wade Greene Charitable Trust Foundation The Samuel H. Kress Foundation Sage Cleveland Foundation WCLV Foundation Henry Luce Foundation Wright Foundation $10,000 to $24,999 National Endowment for the Arts George W. Codrington Charitable $2,500 to $4,999 Womens Council of the Cleveland Foundation The Thomas Hoyt and Katharine Museum of Art Corinne L. Dodero Trust for the Arts Brooks Jones Family Foundation and Sciences Under $20,000 Elizabeth and Ellery Sedgwick Fund Hankins Foundation American Architectural Foundation Sherwick Fund S. Livingston Mather Charitable Trust Laub Foundation Lois C. and Thomas G. Stauffer The Payne Fund Nord Family Foundation Foundation SCH Foundation George Garretson Wade Charitable $1,000 to $2,499 Trust #2 The Harry K. Fox and Emma R. Fox S. K. Wellman Foundation Charitable Foundation George M. and Pamela S. Humphrey Fund The Victor C. Laughlin, M.D., Memorial Foundation Trust David and Inez Myers Foundation The Charles J. and Patricia Perry Nock Fund Wolf Family Foundation

85 PLANNED Planned Giving Council Robert R. Galloway Bradley J. Schlang Richard E. Beeman, Stephen H. Gariepy Paul J. Schlather GIVING Chair James A. Goldsmith Eric W. Schwartz Catherine G. Veres, Sally L. Gries Gary S. Shamis Vice Chair Ellen E. Halfon John F. Shelley Richard B. Ainsworth Jr. David P. Handke Jr. Roger L. Shumaker Thomas S. Allen Oliver C. Henkel Jr. Mark A. Skvoretz Gordon A. Anhold Kenneth G. Hochman Richard T. Spotz Jr. James S. Aussem Gregory T. Holtz Mark F. Swary P. Thomas Austin William J. Hyde Robert A. Valente Molly Balunek Brian J. Jereb Missia H. Vaselaney Laurence A. Bartell Mark A. Kikta Gloria A. Walas Gary B. Bilchik Stephen J. Knerly Jr. Richard T. Watson Terry L. Bork James R. Komos Jeffry L. Weiler Herbert L. Braverman Roy A. Krall Marcia J. Wexberg David J. Brown Donald W. Laubacher Drew E. Wright J. Donald Cairns Robert K. Lease Alan E. Yanowitz Peter H. Calfee Herbert B. Levine Gary A. Zwick Angela G. Carlin James M. Mackey Peter J. Chudyk Lisa H. Michel Ronald B. Cohen Wayne D. Minich David E. Cook M. Elizabeth Monihan Hedy T. Demsey Patrick S. Mullin Rebecca H. Dent Joseph V. Pease Jr. Carina S. Diamond Andrew I. Press Sarah M. Dimling Richard C. Renkert Gary L. Dinner Frank M. Rizzo Emily A. Drake Sara K. Robechek Heather Roulston Ettinger James D. Roseman Georgia A. Froelich Patrick J. Saccogna

86 Legacy Society Anonymous (76) Alexander W. Budden Elaine S. Engeln Martha Aarons Sally M. Buesch Dr. and Mrs. Michael D. Eppig Carolyn Adelstein Honnie and Stanley Busch Heather Roulston Ettinger The Cleveland Museum of Art thanks the members of the Legacy Norman W. and Helen T. Allison Pauline Bushman Eleanor Everett Society for their generosity, Hazel M. Anchor Milan Busta Patricia J. Factor kindness, and support. Legacy Herbert Ascherman Jr. Mary Luetkemeyer Cahan and Alfred S. Jay Ferrari Society members have made Cahan provisions for the museum in Frances and Andrew D.+ Babinsky Mr. and Mrs. C. J. Fiordalis their estate plans or have created Mr. and Mrs. Clinton E. Barry+ Harry and Marjorie M. Carlson Marilyn L. Fisher endowments or gift annuities. Laurence and Nancy Bartell Barbara A. Chambers, Ed.D. Maxeen and John Flower These planned gifts help Ellen Wade Chinn ensure the museum’s future for Hanna H. and James T. Bartlett Virginia Foley generations to come. Norma E. Battes Ray W. Clarke Richard Lee Francis Karen M. and Kenneth L. Conley New members to the Legacy Mr. and Mrs. Fred G. Behm Barbara and Peter Galvin Society appear in italic. Carolyn H. Bemis Mr. and Mrs. Gerald A. Conway Mrs. Carl H. Ganzenmueller Mr. and Mrs. Kenneth Cooley +deceased (July 1, 2007–June 30, Nancy Harris Beresford Phyllis Asquith Gary 2008) Dorothy A. and Don A. Berlincourt Mrs. John (Louise) Cooper James E. Gibbs, M.D. Dr. Harold and Lillian Bilsky Robert and Reed Costa F. David Gill Catherine F. Paris Biskind Vincent R. Crew Rocco Gioia Jean A. Blanche William S. Cumming Leonard C. Gradeck Flora Blumenthal Ran K. Datta Ruth Thompson Grandin+ John C. Bonebrake Barbara Ann Davis Elaine Harris Green Helen and Albert Borowitz Bernice M. Davis Ann and Richard Gridley Ruth Gedeon Boza Carol J. Davis Anne Groves Barry W. Bradley E. Barbara Davis Mrs. David L. Grund Gracey Bradley Mary Kay DeGrandis and Edward J. Agnes Gund and Daniel Shapiro Donnelly Louise Bradley Graham Gund Al DeGulis Jeanette G. Brown and Glenn R. Edward Halbe Brown Mark Dreger in memory of Kelly Dreger James J. Hamilton Dr. and Mrs. Harvey Buchanan Elizabeth G. Drinko David A. Hardie Rita Whearty Buchanan Mr. and Mrs. Robert Duvin Thomas and Joan Hartshorne Fred and Linda Buchler Bernard and Sheila Eckstein D. J. Hassler

87 Mr. and Mrs. Wade Farley Helms Kenneth Kirtz William W. and Pamela M. McMillan Rice Hershey Gina and Richard Klym Laura Messing Dorothy Tremaine Hildt Margery A. Kowalski Ivan Mezi Tom Hinson and Diana Tittle Dr. Tom and Barbara Kuby Edith Miller Mr.+ and Mrs. Arthur S. Holden Jr. James I. Lader Mark J. Miller Mr. and Mrs. Michael J. Horvitz Fredrick S. Lamb Lynn Underwood Minnich Patience Cameron Hoskins Dr. Joan P. Lambros Alice Mitchell Elizabeth A. Hosmer Carolyn C. Lampl Mr. and Mrs. William A. Mitchell Mr. and Mrs. George M. Humphrey II Mrs. Samuel H. Lamport Robert L. Moncrief Carola B. Hunt Roger J. Lerch Beryl and Irv Moore Dr. and Mrs. Scott R. Inkley Jon and Virginia Lindseth Geraldine M. Moose B. Scott Isquick Tommy and Gill LiPuma Joan R. Mortimer, Ph.D. Donald M. Jack Jr. Mrs. Sidney Lobe Margaret Mueller Karen L. Jackson Martin A. LoSchiavo Susan B. Murphy Sharon Faith Jacobs Byron Lutman Anthony C. Nassif, M.D. Robert J. Jergens Alice D. Malone Mr. and Mrs. George Oliva III Adrienne L. Jones, Ph.D., and Morris Jack N. Mandel George Oliva Jr. Jones, M.D. Robert A. Mann Marilyn B. Opatrny Mr. and Mrs. E. Bradley Jones Mr. and Mrs. Samuel Mann William M. Osborne Jr. and Amelia S. David and Gloria Kahan Karen Lee Marano Osborne Etole and Julian Kahan Kate M. Markert Frederick Woodworth Pattison Andrew Kahane Wilbur J. Markstrom Emily M. Phillips Aileen and Julian Kassen Dr. and Mrs. Sanford E. Marovitz Florence KZ Pollack Patricia Kelley Nancy-Clay Marsteller, Ph.D. Stanley M. Proctor John Kelly Mr. and Mrs. Anthony M. Martincic M. Neal Rains Bruce and Eleanor Kendrick Ellen and Bruce Mavec Mrs. Alfred M. Rankin Malcolm E. Kenney Mary W. and William K. McClung Donna and James Reid Patricia Kenney Eleanor Bonnie McCoy Robert S. and Sylvia K. Reitman Nancy H. Kiefer Marguerite H. McGrath Barbara S. Robinson Mr. and Mrs. Edward A. Kilroy Jr. Judith and Ted McMillan James J. Roop

88 Audra L. and George M. Rose Katherine Solender and Dr. William Mr. and Mrs. Frederick Weizman Norton Rose E. Katzin Dr. Joyce West Carole W. and Charles B. Rosenblatt Rochelle A. Solomon Marcia J. Wexberg and Kenneth D. Dr. and Mrs. Ronald J. Ross Dr. and Mrs. Gottfried K. Spring Singer Edwin M. Roth Lia N. Staaf Marilyn J. White Aurelie A. Sabol Barbara J. Stanford Mr. and Mrs. Alton W. Whitehouse Jr. Marjorie Bell Sachs Lois C. and Thomas G. Stauffer Hugh and Sherry Whiting James and Judith Saks Dr. Willard D. Steck+ Douglas Wick+ James Dalton Saunders Saundra K. Stemen Alan and Merry Wilde Helen Charnes Schaefer Dr. Myron B. and Helene+ Stern Burt T. Williams James Scheid Lois and Stanley M. Stone Mrs. Lewis C. Williams Mr. and Mrs. Elliott L. Schlang Karen K. Sutherland Meredith Williams Dina Schoonmaker Frances P. and Seth Taft Mr. and Mrs. Roy L. Williams Bryan K. Schwegler Nelson Talbott Nancy L. Wolpe Elizabeth Wade Sedgwick Susan and Andrew Talton Donald F. Woodcock Ralph and Roslyn Seed Charles H. Teare Joan H. and William L. Ziegler Dr. Gerard and Phyllis Seltzer Betty Toguchi Frances R. Zverina Mrs. William H. Shackleton Mrs. Richard B. Tullis Larry and Margaret Shaffer Dorothy Ann Turick Dr. and Mrs. Daniel J. Shapiro Brenda and Evan Turner Elizabeth Carroll Shearer Mr. and Mrs. Robert A. Urban Dr. Walter Sheppe Marshall A. Veigel Mr. and Mrs. Michael Sherwin Elliot Veinerman Patricia Shiverick Catherine G. Veres Mr. and Mrs. Joseph Shrier Dr. Paul J. Vignos Jr. Miriam, Stanley and Kenneth Shuler Elizabeth H. and David H. Warshawsky Adele Z. Silver Mr. and Mrs. John C. Wasmer Jr. Dr.+ and Mrs. John A. Sims Mrs. Daniel T. Weidenthal Naomi G. Singer Lucile Weingartner Alden Smith

89 Endowment Named $400,000 to $999,999 G. M. and J. R. Kelly** Endowment Delia E. Holden Mr. and Mrs. Roger J. Lerch in memory Support Lillian M. Kern Memorial Fund of Carl J. Lerch and Winifred J. Lerch** Funds for Edwin R. and Harriet Pelton Perkins Mary Spedding Milliken Memorial Art Purchase, Mr. and Mrs. Richard W. Whitehill Dr. Gerard and Phyllis Seltzer Elizabeth Carroll Shearer Specific Purpose, $250,000 to $399,999 Nicholas J. Velloney and Operations Edward L. Whittemore Mr. and Mrs. William E. Ward

The following list salutes the indi- $100,000 to $249,999 viduals, families, and organizations Charlotte Ekker and Charlotte Van Endowment Funds Specific Purpose whose named endowment funds for der Veer $1,000,000 and more art purchase, specific purpose, and Maria J. and William Aubrey Hall** operations provide an assured source Robert P. Bergman, Curatorial Chair Hershey Family Fund of income for the museum and serve for Medieval Art as a lasting legacy to their generosity Louis Severance Higgins Robert P. Bergman Memorial Fund and foresight. L. E. Holden Marie K. and Hubert L. Fairchild Fund Based on Market Value as of Louis D. Kacalieff, M.D. Ernest L. and Louise M. Gartner Fund June 30, 2008. Alma and Robert Milne Andrew W. Mellon Foundation** **New fund or activity in 2007–8 James A. Parmelee Andrew W. Mellon Foundation Fund Charles B. and Carole W. Rosenblatt** for Publications and Research Judith and James A. Saks in memory Reinberger Foundation Endowment Funds Art Purchase of Lynn and Dr. Joseph Tomarkin** John and Frances Sherwin Fine Arts $10,000,000 and more Jane B. Tripp Garden Leonard C. Hanna Jr. Bequest Anne Elizabeth Wilson Fund Nicholas J. Velloney Mr. and Mrs. William H. Marlatt Fund The Paul J. and Edith Ingalls Vignos Jr. Up to $99,999 Severance A. and Greta Millikin Curator of European Painting John Cook Memorial Fund $1,000,000 to $6,999,999 A. W. Ellenberger Sr. $500,000 to $999,999 Dorothea Wright Hamilton Ruthe and Heinz Eppler George P. Bickford, Curatorial Chair for Indian and Southeast Asian Art Andrew R. and Martha Holden Julius L. Greenfield Rufus M. Ullman Jennings Lawrence Hitchcock Delia H. White Alma Kroeger Tom L. Johnson Anton and Rose Zverina Music Fund

90 $250,000 to $499,999 Up to $99,999 Thomas Munro Memorial Fund $500,000 to $999,999 Mildred K. Bickel Lydia May Ames S. Louise Pattison Charles R. and Emma M. Berne The Noah L. Butkin Fund Valentine Bikerman Scholarship Fund Preservation and Conservation of Memorial Fund Ellen Wade Chinn Robert Blank Art Scholarship Fund Asian Paintings Roberta Holden Bole Harold T. Clark Educational Extension Arthur, Asenath, and Walter H. Mr. and Mrs. Edd A. Ruggles Josephine P. and Dorothy B. Everett Fund** Blodgett Memorial Fund Memorial Fund Charles W. Harkness The FUNd Kelly Dreger Adolph Benedict and Ila Roberts Louise H. and David S. Ingalls Schneider Memorial Music Fund Marianne Millikin Hadden Fund Louise M. Dunn Fund Alison Loren and Leslie Burt Fund in Charles Frederick Schweinfurth memory of Albert and Doris Glaser Malcolm E. Kenney Special Netta Faris Scholarship Exhibitions** Fine Arts Garden Margaret Huntington Smith H. E. Weeks Memorial for Art and McCarthy F. J. O’Neill The Gallery Group Architecture F. J. O’Neill Rose E. Zverina Gilpin Scholarship Fund of Karamu Mary H. White House Anna L. Vanderwerf Memorial Fund $100,000 to $249,999 Dorothy H. Zak Mr. and Mrs. James C. Hageman in Mr. and Mrs. Richard W. Whitehill Anonymous memory of Mrs. Elta Albaugh Schleiff Silvia and Justin Zverina Fund Mr. and Mrs. Matthew Andrews Charlotte L. Halas Endowment Funds Operating in memory of Lillie and Adolph Wunderlich Ronald and Isabelle G. Brown Flora E. Hard Memorial Fund $10,000,000 and more John and Helen Collis Family Guerdon Stearns Holden Leonard C. Hanna Jr. Bequest $250,000 to $499,999 Dr. Gerhard and Mrs. Lee K. Dorothy Humel Hovorka Musical Arts Membership Endowment George P. Bickford Hoffmann Fund Julia Cobb and Benedict Crowell $1,000,000 to $6,999,999 L. E. Holden Frank and Margaret Hyncik Memorial Memorial Fund Mr. and Mrs. Wilbert S. Brewer Gertrude S. Hornung Fund Elizabeth G. Drinko Memorial Fund Zane Bland Odenkirk and Magdalena Dr. and Mrs. Scott R. Inkley in Richard B. and Chaille H. Tullis Maillard Odenkirk memory of Katharine Newcomer Dorothea Wright Hamilton G. Garretson Wade Charlotte F. J. Van der Veer Albertha T. Jennings Musical Arts Leonard C. Hanna Jr. Lewis C. and Lydia Williams Womens Council Flower Fund** Ruth Lessam Memorial** Benjamin S. Hubbell Family Fund Ellen Bonnie Mandel Children’s Andrew R. and Martha Holden $100,000 to $249,999 Jennings Education Fund Quentin and Elisabeth Alexander William G. Mather Robert A. Mann Julia and James Dempsey Mr. and Mrs. James S. Reid Jr. Herman R. Marshall Memorial Frances W. and David S. Ingalls Katherine Holden Thayer Malcolm Martin Mr. and Mrs. Edward A. Kilroy Jr. Ethel Cable McCabe Ada E. Koehler Memorial

91 Mr. and Mrs. William H. Marlatt Fund James Endowment** Trust Fund Income General Endowment Estate of Malcolm L. McBride Martin A. LoSchiavo** for Art Purchase, Guerdon S. Holden Ruth K. McDonough Caroline MacNaughton John Huntington Art and Polytechnic Laurence H. Norton Mr. and Mrs. Severance A. Millikin Specific Purpose, Trust Helen G. and A. Dean Perry David and Dorothy Morris Memorial and Operations Hinman B. Hurlbut William B. Sanders Mr. and Mrs. George Oliva Jr. Horace Kelley Art Foundation Margaret E. and Frank E. Taplin Jr. Rudolph J. Pepke Memorial William Curtis Morton, Maud The following list acknowledges the Morton, and Kathleen Morton Paul J. and Edith Ingalls Vignos Mr. and Mrs. Alfred M. Rankin individuals and families whose trusts Elisabeth Severance Prentiss Alton and Helen Whitehouse Mr. and Mrs. Louis Rorimer provided income to the museum in Katherine Holden Thayer Fund #3 Lewis B. and Helen C. Williams Memorial** 2007–8. Glenn C. Sheidler John Mason Walter and Jeanne M. Up to $99,999 Walter Memorial Francis M. and Margaret Halle Art Purchase Jean Astrup Faubel Blanche Sherwin William E. Ward Dudley P. Allen Arthur, Asenath, and Walter H. James N. and Kathleen B. Sherwin Karl B. Goldfield Blodgett Memorial Fund Jane B. Tripp Severance and Greta Millikin Noah and Muriel Butkin George Garretson Wade Memorial John L. Severance Julius Cahan Worcester Reed and Cornelia Mrs. Harold T. Clark Memorial Blakemore Warner Memorial Norman O. Stone and Ella A. Stone Memorial Mary Elder Crawford Paul D. and Odette V. Wurzburger J. H. Wade Nancy W. Danford Bernard and Sheila Eckstein Specific Purpose Adele C. and Howard P. Eells Jr. Leonard C. Hanna Jr. Eleanor and Morris Everett Hermon A. Kelley Art Library Elsa C. and Warren C. Fargo P. J. McMyler Musical Endowment Robert I. Gale Jr. and Frances W. Gale Newman T. and Virginia M. Halvorson** Operating Mr. and Mrs. Arthur S. Holden Jr. Harry F. and Edna J. Burmester Ralph and Mildred Hollander Caroline E. Coit Mr. and Mrs. Michael J. Horvitz Helen C. Cole James D. and Cornelia W. Ireland Henry G. Dalton

92 Gifts in Honor of Karen Krause, birthday Michael Starinsky for his Masterpiece TRIBUTE Dr. and Mrs. Henry Eisenberg in the Making presentation Diane Bell, Bat Mizvah Mayfield Women’s Club Dr. and Mrs. Franklin H. Plotkin Robert Luntz, 90th birthday Mr. and Mrs. Theodore M. Luntz Marcia Stone Diane and Ronald Bell Karen J. Stone Marjorie Bell Sachs Ellen Stirn Mavec Mr. and Mrs. Crawford T. Harvie Joy Sweeney Fern Bushman the Cedar Point Garden Club of Donna Kater Linda McGinty, birthday Sandusky Ruth Dancyger Megan Carpenter Nancy Wamsley Abbie Blocksom Karen B. Newborn on Mother’s Day Winston Stromberg Michael R. Thomas Mrs. William Evans Sam Weil Mrs. Richard Barclay Tullis Norton N. Newborn, birthday Cary B. Schmelzer Michael R. Thomas Arthur and Marjorie Feldman Dr. and Mrs. Robert Feldman Connie Nunn Mr. and Mrs. Mike Nunn Gifts in Memory of Joan Goulder, 85th birthday Mr. and Mrs. Theodore M. Luntz Judith M. Pendergast Bud Barratt Amy Gustaferro Mr. and Mrs. Albert Wade Laisy Marc Graves Mr. and Mrs. Robert S. Friedman Timothy Rub’s Hard Hat tour Dr. Norman E. Berman Martin and Carolann Cohen Joanne Z. Berman Marsha Gross, birthday Anne L. Berk Fairmount Temple Sisterhood Ada May Booher Mr. and Mrs. Irwin M. Feldman David and Betty Schneider Susan E. Hartman-Pearce Stephen and Betsy Cushman Agnes Gund, who continues to be one Antoinette Brunswick of the greatest friends of art in the Michael Harvey Eloise A. Coxe world philip and Amy Schneider Richard Cowan Ellsworth Kelly Foundation, Inc. Phyllis and Gerry Seltzer, 55th wedding Mrs. Daniel Verne Julie Keifer anniversary Jeannette J. Dempsey James Whaley Mr. and Mrs. Kenneth F. Hegyes Donald F. Barney Jr. Marjorie Bell Sachs Nancy Kermode George J. Dunn David W. Kermode Naomi Singer, birthday Dr. Ronald and Mrs. Diane Bell Edith D. Miller Nathan and Holly Kossover, wedding Charles Dowd Fuller Adam R. Glick Barbara Smeltz Judith Bourne John E. Smeltz Jr.

93 Chip Fumich David Fitch Leslie and Steve Klein Northeast Ohio Surgery Center Friends at DFAS Cleveland Mr. and Mrs. John A. Latkovic Ronald Godes Edward S. and Randi Lee Jones hilda and Bill Mattlin Carol Godes Michael P. Lukas Marcia Merson Mary B. Gorman Larry S. and Barbara Marzaloes Anne and John Mitchell Mr. and Mrs. Kenneth S. Cohen Jack Mowry Moskal Gross Orchosky Inc. Jeanne Gregg Mr. and Mrs. Kurt T. Nelson, from tom and Sharon Munson Dorothy W. Bulow the North Olmsted High School Nurenberg, Paris, Heller & Alumni Association Susan Lukas McCarthy Co., L.P.A. Dr. and Mrs. Sanford E. Marovitz Ann E. Parker and her bridge group Christine E. Orders and John R. John W. and Jean M. Ryan Asplin Helen G. Perry Donald F. Barney Jr. Mr. and Mrs. Dan Wetzel Carmen Paradis Nancy J. Wides parker, Milliken, Clark, O’Hara, Emily Rosen Samuelian Mr. and Mrs. Robert S. Friedman Maria Walta Joanne Prober Mr. and Mrs. H. Carroll Cassill hans A. Drescher paula Reshotko on behalf of Mr. and Mrs. Alan H. Englander Eric Weinberger Donna’s study group Sylvia K. Adler Christine Stewart Caryn, Allen, and Pamela Rich Gail Arnoff and George Woideck Greta and Henry Sherman Mr. and Mrs. Roger B. Salomon Stephen and Darien Arnstein Miriam Friedlander Susan E. Schnur Brian A. Bash Mr. and Mrs. Charles Henningsen Andrew Schuster Dr. and Mrs. Donald Bly Barbara Schuetze Stuart R. Silver Dr. and Mrs. William E. Braun Luba Slodov Elinore G. Simon Julie Herman Cahill Joel Breitkopf Madeline A. Skala Lee A. Friedman, Ph.D. Patricia C. Templeton Spangenberg, Shibley & Liber LLP Mr. and Mrs. William J. O’Neill Jr. Mr. and Mrs. Michael B. Gardner and family Mr. and Mrs. Benjamin N. Spidalieri Suzanne M. Toomey Frances Goldberg three Village Condominiums Kaethe Buchholz Mr. and Mrs. David Goldense Barry Weisz Kevin and Elizabeth M. Mr. and Mrs. David A. Wolfort Cunningham Mr. and Mrs. Clay P. Graham Mr. and Mrs. John D. Finlin Jr. Mr. and Mrs. Harry E. Graham Mr. and Mrs. Robert Herman

94 Gifts to Individuals John Price Bibliothèque des Musées de Anonymous Jon Eric Riis Strasbourg Ingalls Ann Abid Charles A. Sarnoff, M.D. Blanton Museum of Art Margot Baldwin Sen-En-Kyo Bridgestone Museum of Art Library and Ho Baron Kang Woobang Brooklyn Museum of Art Bruce Beasley Mrs. Charles Wrightsman Carnegie Museum of Art Archives William Blynn Case Western Reserve University John L. Boop Centre de Documentacio / Museu Institutions and Organizations Textil Lawrie Brown Abegg-Stiftung Chinati Foundation Diana Chou Agnes Etherington Art Centre Chrysler Museum of Art Susie Cobbledick Akron Art Museum Chuncheon National Museum Michael Crouser Albuquerque Museum Cigarralejo Iberian Art Museum Michael Cunningham American Craft Council Cincinnati Art Museum Sherry Dinner American School of Classical Studies Clara Lander Library, Winnipeg Art Carolyn Donaldson Amici Della Scala Gallery Lloyd H. Ellis Jr. Amon Carter Museum Cleveland Artists Foundation Jun Fujita Anne Miniver Press Cleveland Public Library Fujita Family Arcadia University Art Gallery Cleveland Restoration Society Yoshiharu Fukuhara Art Angel Contemporary Art Center of Virginia Dr. Phil Thomas Gadeke Art Gallery of Alberta Contemporary Arts Museum, Francesca Galloway Art Services International Houston Alan Hodges/Elegant Extras Austin Museum of Art Cranbrook Art Museum Paul Jennings Badisches Landesmuseum Cuyahoga Community College Christine Kermaire Bayerisches Nationalmuseum Dallas Museum of Art, Mayer Library Ellen G. Landau Beijing Hanhai Auction Company Dar al-Athar al-Islamiyyah, Ministry of Information Jane Merritt Beijing Imperial City Art Museum De Appel Arts Centre Guillaume Nicoud Beijing World Art Museum Detroit Institute of Arts Arthur Olson Benko Horvat Fine Arts Gallery Docuritsu Shojindan Foundation Picchio (Dieter Specht) Berlinische Galerie Edward Burtynsky Photography Joe Price Bible Lands Museum Jerusalem

95 Enamelist Society Grace Tsumugi Fine Art Ltd. Jurgen Fischer Auction House Epigraphic Society Graduate Institute of Art History, Kagedo Japanese Art Eretz Israel Museum National Taiwan University Kashihara Archaeological Institute Ewha Womans University Museum Graphische Sammlung der ETH Kita-ku Asukayama Hakubutsukan Fairbanks Art and Books Gyarari Ici Take Yanagi Dou Knoedler & Company Federal Reserve Board, Fine Art Gyeongju National Museum Kochukyo Gallery Program Hammer Museum The Korea Foundation Ferenc Hopp Museum of Eastern Himalayan Institute Korean Society Asiatic Art Hong Kong Art History Research Kuboso Memorial Museum of Arts Florida State University, Museum of Society Fine Arts Kunst und Museumbibliothek Hoogsteder Mercury Cologne Fondazione Museo Venanzo Crocetti Howard Greenberg Gallery Kunsthalle Bremen Frances Lehman Loeb Art Center Hudson River Museum Kunsthaus Zurich Friends of Fiber Arts International Hungarian National Gallery Kunstmuseum Basel Fritz Thyssen Stiftung Hunt Institute Kunstsammlung Nordrhein- Fundacion Juan March Institut Valencia d’Art Modern Westfalen Galerie Brusberg Berlin Institute of Contemporary Art, Kurokawa Institute of Ancient Galerie Iris Wazzau University of Pennsylvania Cultures Galerie Lelong International Centre for the Study of Kyoto Philosophical Society Galerie Malingue the Preservation and the Restoration L. A. Louver Gallery of Cultural Property Galerie Maurice Garnier Lahore Museum International House of Japan Galerie Schwind GMBH Landesmuseum Zurich International Research Center for Gangoji Institute for Research of Japanese Studies Lauren Greenfield Photography Cultural Property Isabella Stewart Gardner Museum LBS/Archival Products Gemeentearchief Amsterdam The Israel Museum Library Los Angeles County Museum of Art Georgia Museum of Art Iziko Museums of Cape Town Lowell Libson Ltd. Germanisches Nationalmuseum J. Van Dooren Ludwig Forum for International Art The Gilder Lehrman Institute of Library The Japan Foundation American History Mainfrankisches Museum The Japan Society Gosudarstvennyi Ermitazh Memorial Art Gallery, University of (Hermitage) Julie Saul Gallery Rochester Goteborg Museum of Art

96 The Menil Collection Museum of Applied Arts Nikkei Incorporated Michigan State University Museum of Contemporary Art The Noble Maritime Collection Mildred Lane Kemper Art Museum, Cleveland Museum & Study Center Washington University Museum of Contemporary Art Noortman Master Paintings Ministero per i Beni e le Attivita Shanghai Ny Carlsberg Glyptotek Culturali Museum of Fine Arts, Houston Ohio Designer Craftsman Minneapolis Institute of Arts Museum of Geometric and Madi Art Ohio Museums Association Mint Museum of Art Museum Rietberg Zurich Oshkosh Public Museum Mobile Museum of Art Museums Magazines Österreichische Galerie Belvedere Musashino Art University Muzeum Narodow Warszawie Pace Wildenstein Muscarelle Museum of Art Nara International Foundation Palais de Beaux Arts de Lille Musée Cernuschi Nara National Museum Palmer Museum of Art Musée d’Art Moderne de Saint- Narodni Galerie v Praze Paramount Biosciences Etienne Metropole National Folk Museum of Korea Paris Musées Musée des Beaux Arts de Lyon National Gallery of Art Partridge Fine Art Ltd. Musée des Beaux-Arts, Bordeaux National Gallery of Canada Patrimonio Nacional Musée National Suisse National Gallery of Slovenia Peggy Guggenheim Collection Museo Arqueologico Nacional National Library of China Pera Museum Museo de Arte en Vidrio de Alcorcon National Library of Russia Philadelphia Museum of Art Museu de Belles Artes de Valencia National Museum of Korea The Phillips Collection Museu do les Arts Decoratives, National Museum of Modern Art, Pittsburgh Glass Center Institut de Cultura Barcelona Tokyo Portland Museum of Art Museum Boijmans Van Beuningen National Palace Museum Pre-Columbian Art Research Institute Museum der Bildenden Kunste National Research Institute for Leipzig Cultural Properties, Tokyo Pro Helvetica Information und Presse Museum der Kulturen Basel New York Silver Society Progressive Corporation Museum der Stadt Linz Newington Cropsey Foundation Pushkin State Museum of Fine Arts Museum für Angewandte Kunst Nicolaas Teeuwisse OHG Qorvis Communications, LLC Frankfurt Niedersachsische Lottostiftung R. H. Love Galleries Museum für Ostasiatische Kunst Rijksmuseum Amsterdam Cologne Niedersachsischen Landemuseum Hannover

97 Rossi & Rossi Ltd. Stiftung Wilhelm Lehmbruck Virginia Museum of Fine Arts Royal Museums of Fine Arts Belgium Museum Von der Heydt-Museum Wuppertal Sadberk Hanim Museum Studio Giangaleazzo Visconti Vrienden van de Leuvense Stedelijke Samuel P. Harn Museum of Art Sumida Arts Foundation Musea San Diego Museum of Art Sundaram Tagore Gallery W. W. Carpenter Enamel Foundation Seattle Asian Art Museum Suntory Museum of Art Walker Art Center Sen-En-Kyo Suzhou City World Heritage The Weiss Gallery Protection Office Sen-Oku Hakuko Kan Yale University Art Gallery Sweg Service HK Limited Seok Juseon Memorial Museum Yale University Library Dankook University Taipei National University of the Arts Yekyong Publishing Co. Library Shibundo Publishing Co., Ltd. Yong-In University Museum Texas Tech University Silverstein Photography Yoseido Gallery The Textile Museum Smithsonian Institution, Archives of American Art Throckmorton Fine Art, Inc. Smithsonian Institution Libraries Tokyo National Museum Smithsonian Institution, National Toledo Museum of Art Museum of American Art UMI/Proquest Information & Soma Olympic Museum Learning Company Sordoni Art Gallery University of Hong Kong Art Museum Spanierman Gallery University of Kentucky Art Museum Sprengel Museum Hannover University of Maryland Art & Staatliche Kunstsammlungen Architecture Libraries Dresden University of Oregon Museum of Art Staatliche Museen zu Berlin University of St. Andrews, School of Staatsgalerie Stuttgart Art History Städel Museum University of Virginia Art Museum Städtische Galerie im Lenbachhaus Valerie Carberry Gallery Munchen Vancouver Art Gallery State Russian Museum Victoria and Albert Museum, Statens Museum for Kunst Conservation Department Sterling and Francine Clark Art Institute

98 Benefactors Patron Benefactor The HRH Family Foundations The Reinberger Foundation ($1,000,000 or more) Virginia Hubbell John L. Severance Anonymous David S. Ingalls and Family Carol and Michael Sherwin The Cleveland Museum of Art Mr. and Mrs. B. Charles Ames recognizes the cumulative giving Louise H. and David S. Ingalls Mr. and Mrs. Kelvin Smith of individuals, corporations, and The Mildred Andrews Fund Foundation The Kelvin and Eleanor Smith organizations. We extend our Ann Baumann Institute of Museum and Library Foundation deepest appreciation to these Mr. and Mrs. George P. Bickford Services State of Ohio generous donors. Mr. and Mrs. Wilbert S. Brewer Andrew R. and Martha Holden Lockwood Thompson Jennings Helen E. Brown U.S. Department of Education Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Noah L. Butkin Mr. and Mrs. Richard Whitehill The Kresge Foundation The Cleveland Foundation The Womens Council of the Lila Wallace–Reader’s Digest Fund Helen C. Cole Cleveland Museum of Art Amanda and William P. Madar Alexander M. and Sarah S. Cutler Mr. and Mrs. Paul D. Wurzburger Mr. and Mrs. Milton Maltz Marie and Hubert Fairchild Justin and Silvia Zverina The Mandel Foundations Thomas L. Fawick Mr. and Mrs. William H. Marlatt Mr. and Mrs. Lawrence A. Fleischman Foundation Benefactor The Andrew W. Mellon Foundation Mr. and Mrs. Ernest L. Gartner ($500,000 to $999,999) Mr. and Mrs. Severance A. Millikin Mr. and Mrs. Alexander Ginn Anonymous (2) The David and Inez Myers Hanna H. and James T. Bartlett Helen Wade Greene Foundation Jeanne Miles Blackburn Mr. and Mrs. James C. Gruener National City BP America Agnes Gund National Endowment for the Arts The George Gund Foundation Hon. Joseph P. Carroll and Mrs. Mr. and Mrs. Eric T. Nord Carroll Dorothea Wright Hamilton Ohio Arts Council Leigh and Mary Carter Mrs. Leonard C. Hanna Georgia O’Keeffe Charter One Bank Leonard C. Hanna Jr. The F. J. O’Neill Charitable Ellen Wade Chinn Stanley Hess Corporation Eaton Corporation Dr. Gerhard Hoffmann and Mrs. Lee Mr. and Mrs. A. Dean Perry The Freeman Foundation Hoffmann Elisabeth Severance Prentiss The GAR Foundation Mrs. Liberty E. Holden Mr. and Mrs. Alfred M. Rankin Nelson Goodman Lois U. Horvitz Mr. and Mrs. James S. Reid Jr. Mr. and Mrs. Michael J. Horvitz George Gund III and Iara Lee

99 Hahn Loeser + Parks LLP Squire Sanders & Dempsey Mr. and Mrs. John D. Drinko MBNA America Systems Peter and Peggy Horvitz Mr. and Mrs. Eugene Stevens Robert H. Ellsworth The Mellen Foundation James D. Ireland III United Technologies Corporation Josephine P. and Dorothy Burnham Elizabeth Briggs Merry Mr. and Mrs. William Powell Jones Nicholas J. Velloney Everett Thomas P. Miller Lillian M. Kern Dr. and Mrs. Paul J. Vignos Jr. Bruce Ferrini India E. Minshall KeyBank Mrs. J. H. Wade Maxeen and John Flower Mr. and Mrs. Stephen Myers Alma Kroeger Dr. Norman W. Zaworski The J. Paul Getty Trust Ohio SchoolNet Commission Robert A. Mann Mr. and Mrs. Robert W. Gillespie Payne Fund, Inc. Morton Glaser Mr. and Mrs. Thomas A. Mann Benefactor Fellow Mr. and Mrs. Frank H. Porter William G. Mather ($250,000 to $499,999) Gladys B. Goetz Leonna Prasse Mr. and Mrs. Bruce V. Mavec Anonymous (4) Lucile and Robert H. Gries Charity Mildred Andrews Putnam Fund Metropolitan Savings Bank The Abington Foundation Peter Putnam Mr. and Mrs. Robert D. Gries The John P. Murphy Foundation Mr. and Mrs. Quentin Alexander Mr. and Mrs. Alfred M. Rankin Jr. Mr. and Mrs. Graham Gund NACCO Industries, Inc. The Andrews Foundation David Rollins Maria Hall Lucia S. Nash Raymond Q. and Elizabeth R. Alexandre P. Rosenberg Henry Hawley National Endowment for the Armington Carole and Charles Rosenblatt Mr. and Mrs. Arthur S. Holden Humanities AT&T Foundation Edwin Roth Barbara A. Joseph Mr. and Mrs. R. Henry Norweb Pamela Pratt Auchincloss and Mr. and Mrs. James A. Saks Garner Tullis Susan and Dieter Kaesgen Anne Hollis Perkins The Sears-Swetland Family Francis F. Prentiss Baker & Hostetler LLP Malcolm E. Kenney Foundation The Print Club of Cleveland Mr. and Mrs. Randall J. Barbato Muriel Kozlow Dr. Gerard and Phyllis Seltzer PTS Foundation Louis Dudley Beaumont The Kulas Foundation Mr. and Mrs. James N. Sherwin Sarah P. and William R. Robertson The Louis D. Beaumont Foundation Helen A. and Fredrick S. Lamb John and Frances M. Sherwin Grace Rainey Rogers Mike and Annie Belkin Dr. and Mrs. Sherman E. Lee Mr. and Mrs. Alvin A. Siegal SBC Communications Inc. Emma R. Berne Peter B. Lewis William Kelly Simpson Mr. and Mrs. David M. Schneider Emily E. and Dudley S. Blossom Jr. Mr. and Mrs. Jon A. Lindseth Nancy Baxter Skallerup Mark Schwartz and Bettina Katz Martha and Thomas Carter Mr. and Mrs. Thomas LiPuma Kathleen E. Smith Mr. and Mrs. Ellery Sedgwick Jr. The George W. Codrington Mrs. Lee W. Lockwood Mr. and Mrs. Howard F. Stirn Charitable Foundation The Sherwick Fund Rosemarie and Leighton R. Longhi Mr. and Mrs. Courtenay Taplin Mr. and Mrs. Warren H. Corning Elizabeth M. Skala The S. Livingston Mather Charitable Katherine Holden Thayer CVJ Corporation Trust

100 Mrs. Chester D. Tripp Jeanette Grasselli Brown and Glenn Edith Virginia Enkler Janice Hammond and Edward Susan and John Turben Foundation R. Brown Ernst & Young LLP Hemmelgarn U.S. Department of Commerce Ronald and Isabelle Brown Mr. and Mrs. Raymond F. Evans Mrs. Charles W. Harkness George Garretson Wade Charitable Mr. and Mrs. Willard Brown Eleanor and Morris Everett Mr. and Mrs. Edward S. Harkness Trust #2 Eva L. and Joseph M. Bruening Jane Iglauer Fallon Dr. and Mrs. Shattuck Wellman Foundation Hartwell Jr. Mr. and Mrs. Jeptha H. Wade III Mr. and Mrs. James E. Ferrell Ella Brummer Josef Hatzenbuehler Evelyn S. and William E. Ward FirstEnergy E. Rhodes and Leona B. Carpenter Rudolf J. Heinemann William E. Ward Allen H. Ford Foundation The Hershey Family Katherine C. White Forest City Enterprises, Inc. The Chubb Corporation Dorothy Hildt Mr. and Mrs. Lewis C. Williams Hollis French Mr. and Mrs. M. Roger Clapp Mr. and Mrs. Lawrence Hitchcock Robert and Ann Friedman Mrs. Harold T. Clark Michael Hoffman Endowment Benefactor Charles and Marguerite C. Galanie The Cleveland Clinic Foundation Constance Holden-Sommers ($100,000 to $249,999) Mr. and Mrs. Robert I. Gale Jr. Cleveland Society for Contemporary Mr. and Mrs. James Horner Anonymous (2) Art The Giant Eagle Foundation Dr. Gertrude Hornung Dudley P. Allen Collacott Foundation William J. Gordon Lillian L. Hudimac American Greetings Corporation Mildred Constantine Joseph T. Gorman Mr. and Mrs. George M. Humphrey II Bank One, N.A. Mr. and Mrs. Gerald A. Conway The Florence Gould Foundation Mr. and Mrs. Clinton E. Barry George M. and Pamela S. Humphrey Mr. and Mrs. William E. Conway Mr. and Mrs. Robert T. Gow Fund Ann Bassett Arlene Coper Elizabeth Firestone Graham Mrs. Albert S. Ingalls Vernon W. Baxter Foundation Mr. and Mrs. Benedict Crowell Institut Ramon Llull Maud K. Bell Edward B. Greene Cuyahoga County Board of International Business Machines Corp. Mr. and Mrs. James S. Berkman Commissioners Ann and Richard Gridley Mr. and Mrs. James D. Ireland Mildred K. Bickel Henry G. Dalton Mr. and Mrs. John E. Guinness Charles Isaacs and Carol Nigro The Family of Mrs. Robert H. Bishop Dorothy Dehner Mr. and Mrs. Gordon Gund Mr. and Mrs. Donald M. Jack Jr. Elizabeth B. Blossom Mr. and Mrs. James H. Dempsey Jr. Musa Gustan John C. Jackson Richard J. Blum and Harriet L. Warm Mrs. John B. Dempsey Carl E. Haas Barbara Jacobs Mrs. Benjamin P. Bole Edna H. Doller The Hadden Foundation The Jewish Community Federation of Mr. and Mrs. Charles P. Bolton Dominion East Ohio Mr. and Mrs. John Hadden Sr. Cleveland John C. Bonebrake Zoann and Warren Dusenbury Mrs. Salmon P. Halle Jones Day The Britton Fund Louise Rorimer Dushkin Mr. and Mrs. Newman T. Halvorson Virginia Jones

101 Mr. and Mrs. William Jurey Judith K. and S. Sterling McMillan III Larry and Barbara S. Robinson Mrs. Worcester R. Warner Louis D. Kacalieff, M.D. Mrs. P. J. McMyler The Samuel Rosenthal Foundation Mr. and Mrs. David Haber The Kangesser Foundation Moselle Taylor Meals Mr. and Mrs. Albrecht Saalfield Warshawsky Robert M. Kaye Mr. and Mrs. Edward H. Merrin Mr. and Mrs. Paul H. Sampliner Mr. and Mrs. Richard T. Watson Ellsworth Kelly Foundation, Inc. Samuel Merrin SCH Foundation The Raymond John Wean Foundation John Kelly William Mathewson Milliken Mr. and Mrs. Gilbert P. Schafer The S. K. Wellman Foundation George S. Kendrick Mr. and Mrs. Harold S. Minoff Mr. and Mrs. Elliott L. Schlang Mr. and Mrs. Alton W. Whitehouse Jr. Mr. and Mrs. Edward A. Kilroy Jr. David and Lindsay Morgenthaler Mr. and Mrs. Ralph S. Schmitt Mr. and Mrs. Lewis B. Williams Ralph Thrall King Sally S. and John C. Morley Ethelyne Seligman Mary Jo Wise Fred W. Koehler Barrie Morrison Boake and Marian Sells Janette Wright Mr. and Mrs. Stewart Kohl Gordon K. Mott Mrs. John L. Severance The Samuel H. Kress Foundation The Murch Foundation Mr. and Mrs. Francis M. Sherwin Benefactor Mr. and Mrs. Jack W. Lampl Jr. Ray and Katie Murphy John and Frances W. Sherwin ($50,000 to $99,999) Harley C. Lee Louis S. and Mary Schiller Myers Rabbi Daniel and Adele Silver Anonymous (3) Mr. and Mrs. Herbert F. Leisy Nordson Corporation Phyllis Sloane 1525 Foundation Mildred Lerch Mrs. R. Henry Norweb Jr. Mr. and Mrs. Edward C. Smith Charles Abel T. Dixon Long Mr. and Mrs. George Oliva Jr. Louise Hawley Stone Shuree Abrams Henry Luce Foundation, Inc. Lillian and Derek Ostergard Norman W. and Ella A. Stone Accenture LLP Mr. and Mrs. John D. MacDonald Henry Ott-Hansen The Irving Sunshine Family Robert H. Adams Caroline Macnaughton Park-Ohio Holdings Mitsuru Tajima Mrs. Frances Almirall Morton and Barbara Mandel James Parmelee Mr. and Mrs. Nelson S. Talbott Amica Insurance Elizabeth Ring Mather and William Robert deSteacy Paxton Mr. and Mrs. Frank E. Taplin Jr. Mrs. and Mrs. Matthew Andrews Gwinn Mather Fund James Edward Peck Textile Arts Alliance Mr. and Mrs. Arnold S. Askin Stephan Mazoh Mrs. Rudolph J. Pepke The Tiffany & Co. Foundation Lester P. and Marjorie W. Aurbach Mrs. Malcolm McBride Mary Witt Perkins The Emily Hall Tremaine Foundation Mr. and Mrs. Daniel F. Austin Margaret H. S. McCarthy Francine and Benson Pilloff Mrs. Henry Trenkamp Jr. Mrs. S. Prentiss Baldwin Eleanor Bonnie McCoy Plain Dealer Publishing Co. Mr. and Mrs. Richard B. Tullis Bank Leu AG Mrs. Norman F. McDonough Mr. and Mrs. Leon M. Plevin Charlotte Van der Veer Dr. Kathleen L. Barber Sarah Holden McLaren Mr. and Mrs. Max Ratner G. Garretson Wade Theodore S. and Marcella M. Bard Mr. and Mrs. S. Sterling McMillan David Raymond Worcester R. Warner Margret A. Beekel

102 Dr. Ronald and Diane Bell Mr. and Mrs Robert R. Cull (Lady) Marie Louise Gollan The Japan Foundation Milena M. Benesovsky Mr. and Mrs. David A. Daberko Mr. and Mrs. Richard I. Goss Mr. and Mrs. Homer H. Johnson BF Goodrich Company/Tremco David E. and Bernice Sapirstein Davis Josephine Grasselli The Joyce Foundation Foundation Helen and Albert J. DeGulis Geoffrey Gund Dr. and Mrs. Donald W. Junglas John B. Black Frances F. Dickenson Thomas M. Hague Mr. and Mrs. Paul Kaminsky Peter M. Black Dr. and Mrs. Richard C. Distad Edgar A. Hahn Harry D. Kendrick Ruth Blumka William Dove Mrs. Howard M. Hanna Mr. and Mrs. Douglas A. Kern Mrs. Chester C. Bolton Dr. and Mrs. Paul G. Ecker Mr. and Mrs. Henry R. Hatch III Mr. and Mrs. R. Steven Kestner Kathryn G. Bondy Mr. and Mrs. Howard P. Eells Jr. Mr. and Mrs. Osborne Hauge Mrs. Ralph Thrall King Mr. and Mrs. Albert I. Borowitz Natasha Eilenberg Mr. and Mrs. Victor Hauge Irene Kissell Mr. and Mrs. Paul S. Brentlinger A. W. Ellenberger Sr. Ruth C. Heede R. P. Kitaj Mrs. Carol Brewster June M. Eppink Mrs. Charles Hickox Mr. and Mrs. G. Robert Klein Dr. and Mrs. Jerald S. Brodkey Heinz Eppler Sheila Hicks Mr. and Mrs. J. J. Klejman Louise Ingalls Brown Joseph M. Erdelac Hiroshi Hirota Mr. and Mrs. Stephen J. Knerly Jr. Brush Engineered Materials, Inc. Mr. and Mrs. Giuseppe Eskanazi Liberty E. Holden Kotecki Monuments, Inc. Edith Burrous Dr. and Mrs. Warren C. Fargo Dr. and Mrs. Ralph F. Hollander KPMG LLP Margaret Uhl Burrows Mr. and Mrs. Arthur L. Feldman Mr. and Mrs. John H. Hord William Krause Julius Cahen Ferro Corporation Dr. and Mrs. Roger Y. K. Hsu Mr. and Mrs. Dennis W. LaBarre Mrs. Henry White Cannon Fifth Third Bank Mr. and Mrs. Benjamin S. Hubbell Jr. Mr. and Mrs. Arthur J. Lafave Jr. Central National Bank Pamela Humphrey Firman Dr. and Mrs. William L. Huffman Rogerio Lam Mr. and Mrs. Harold Terry Clark The Ford Foundation The Gilbert W. and Louise Ireland The Lamson & Sessions Foundation Cleveland-Cliffs, Inc. Mrs. James Albert Ford Humphrey Foundation Mr. and Mrs. Oscar J. Lange Mr. and Mrs. Ralph M. Coe Ford Motor Company Marguerite B. Humphrey The Laub Foundation Mr. and Mrs. Ralph F. Colin The Harry K. Fox and Emma R. Fox Helen Humphreys Mrs. Raymond E. Lawrence Stella M. Collins Charitable Foundation Huntington National Bank Mary B. Lee Mrs. John Lyon Collyer Mrs. Robert J. Frackelton Jarmila Hyncik Toby Devan Lewis Daniel S. Connelly The Family of Elizabeth Ege David S. Ingalls Jr. Linden Trust Freudenheim George B. Coombe Dr. and Mrs. Scott R. Inkley The Katherine Kenyon Lippitt Mrs. James W. Corrigan GE Consumer & Industrial Kate Ireland Foundation Alan Covell and K. Pak-Covell Marian Sheidler Gilbert Mr. and Mrs. R. Livingston Ireland Jack B. List Testamentary Trust Mr. and Mrs. Wilbur A. Cowett Lucille F. Goldsmith Mr. and Mrs. Raymond T. Jackson

103 Mr. and Mrs. Herbert M. Litton Dr. and Mrs. Thomas Munro Dr. and Mrs. Ronald J. Ross Mr. and Mrs. Paul Tishman Mr. and Mrs. William Litzler Klaus F. Naumann RPM, Inc. Toshiba International Foundation LTV Steel Company Mr. and Mrs. James A. Nelson Arthur Sachs Mr. and Mrs. William C. Treuhaft Lubrizol Corporation Nestle Frozen, Refrigerated & Ice Mr. and Mrs. Maurice Saltzman TRW Foundation Mr. and Mrs. Theodore M. Luntz Cream Companies, Inc. Martha Bell Sanders Brenda and Evan Turner Mr. and Mrs. Alex Machaskee David Z. Norton William B. Sanders Mr. and Mrs. Thomas V. H. Vail Brian and Florence Mahony Laurence H. Norton Dr. and Mrs. Robert Schermer Mrs. Jacob W. Vanderwerf Mr. and Mrs. Paul Mallon The Norton-White-Gale Trust Mr. and Mrs. Viktor Schreckengost Mitzie Verne Jack and Lilyan Mandel Earle W. Oglebay Florence B. Selden Gertrude L. Vrana Joseph and Florence Mandel Mr. and Mrs. Frederick S. C. Perry Mr. and Mrs. David L. Selman Mildred E. Walker Dr. Nancy-Clay Marsteller Dr. and Mrs. Harlan R. Peterjohn John L. Selman Pamela Ward Samuel Mather Mr. and Mrs. Peter Pfouts Isosuke Setsu Helen B. Warner Mrs. William G. Mather Hobson L. Pittman Takako and Iwao Setsu The Weatherhead Foundation Virginia Hosford Mathis John and Mary Preston Dennis Sherwin Mr. and Mrs. Charles D. Weller Kathryn Arns May Mr. and Mrs. Thomas A. Quintrell Sherwin-Williams Company Mr. and Mrs. Fred White Jr. Elizabeth McBride Mr. and Mrs. Albert B. Ratner Asa and Patricia Shiverick Mrs. Windsor T. White Adelaide McCracken Mr. and Mrs. James Ratner Morris Siegel Mr. and Mrs. Hugh R. Whiting McDonald Investments Mr. and Mrs. Bryan S. Reid Mrs. Aye Simon Edward L. Whittemore Aline McDowell Louise S. Richards Mr. and Mrs. Steven Spilman Doris and Ed Wiener McMaster-Carr Supply Company Mr. and Mrs. Thomas R. Riley Mr. and Mrs. Herbert A. Spring Jr. Ralph L. Wilson Dr. and Mrs. Ruben F. Mettler RJF International Mr. and Mrs. Donald W. Strang John Wise Dr. Leo Mildenberg John D. Rockefeller Jr. Lillian and Henry Steinberg Young Friends of CMA Mr. and Mrs. Eugene R. Miles Mr. and Mrs. John D. Rockefeller III Mr. and Mrs. Oscar H. Steiner Mr. and Mrs. William L. Ziegler Mr. and Mrs. Joseph B. Milgram Jr. Rockwell Automation Frank Stella Helen B. Zink Edith D. Miller Mr. and Mrs. James J. Rorimer Ester R. Stern Helen Zmek Mr. and Mrs. Robert D. Milne Milton C. Rose Mr. and Mrs. Donald W. Strang Tessim Zorach Mr. and Mrs. William A. Mitchell Mr. and Mrs. Charles S. Roseman Mr. and Mrs. Seth C. Taft Anton and Rose Zverina Fund Mrs. Paul Moore Rosenberg and Stiebel Inc. Mr. and Mrs. Thomas E. Taplin Sr. Frances S. Zverina Nellie W. Morris Mr. and Mrs. J. King Rosendale Mr. and Mrs. Eugene Victor Thaw Joan R. Mortimer, Ph.D. Gloria Ross The Timken Company

104 Affiliate Contemporary Art Society Friends of African and African Friends of Photography Board of Trustees American Art Board of Trustees groups Robert Kiwi Board of Trustees John C. Williams President Helen Forbes-Fields President Peta Moskowitz President Deborah Pinter Vice President Cynthia Samples Vice President Jack Katzenmeyer Vice President Michael Weil Treasurer Alfred L. Bright Secretary Diane Disanto Secretary Neil Viny Secretary Gayle Goodwin Smith Treasurer Albert Albano Treasurer Jane Critchlow Lindy Barnett Charles Burkett Jr. Abbie Klein Robert Bostwick Mark Cole Judith McMillan Associate Curator of American Rosalie Cohen Painting and Sculpture Donna Turner Ruhlman Char Fowler Martha Lattie Nancy Stuart Harriet Goldberg Affiliate Group Coordinator Diane Stupay Beno Michel Morris Wheeler Bob Roth Tom Hinson Art Stupay Curator of Photography Roslyn Sukenik Martha Lattie Affiliate Group Coordinator Steve Wiesenberger Stephanie Wiles Paola Morsiani Curator of Contemporary Art Martha Lattie Affiliate Group Coordinator

105 Musart Society Painting and Drawing Society The Print Club of Cleveland Textile Art Alliance Board of Trustees Board of Trustees Board of Trustees Board of Trustees Robert Schneider Henry Ott-Hansen Kenneth Hegyes Katherine Dunlevey President President President President James Dickinson, Esq. Joan Fountain William Martin Jean Martha Young Secretary Vice President Vice President Vice President Shattuck W. Hartwell Jr. Nancy West Margaret Collings Louise W. Mackie Advisory Trustee Vice President Secretary Curator of Textiles and Islamic Art Mrs. Alfred Rankin Gertrude Chisholm Henry Ott‑Hansen Treasurer Advisory Trustee Secretary Treasurer Cathy Keith A. Chace Anderson Anthony Brant Rachael Davis Assistant Treasurer Treasurer Treasurer Mary Kay DeGrandis Jan Gibson Recording Secretary Virginia Belveal Anne Ames Linda De Marco Mary Davis Patricia Ashton Sandy Shelenberger Barbara Galvin Communications Samuel E. Henes Victoria Bell Mary Anne Garvey Leslie Alperin Walter Holtkamp Jr. Patricia Brownell Stephen Goldrich Mary Ann Conn-Brody Eleanor Bonnie McCoy Janet Coquillette Pearl Hachen Karen Hinkle Toni S. Miller Nancy North Donald Jack Sue Jones Charles H. Teare Harry Pollock William Kubat Barbara Kathman Carolyn F. Wipper Susan Stickler-Hale Jane Lewis Sara Mack Norman Zaworski Gloria Plevin Susan McNamara Mark Cole Thomas Roese Associate Curator of American Jane Peterson Painting and Sculpture Carole Rosenblatt Nina Setrakian Heather Lemonedes Larry Santon Deirdre Vodanoff Associate Curator of Drawings Patricia Stillman Curatorial Assistant William Robinson Lee Warshawsky Martha Lattie Curator of Modern European Art Lois Weiss Affiliate Group Coordinator Jon Seydl Nancy Wolpe Curator of European Painting and Sculpture Jane Glaubinger Curator of Prints Martha Lattie Affiliate Group Coordinator Martha Lattie Affiliate Group Coordinator

106 Museum Associates William Litzler Museum Council Carolyn Lampl Thomas Baechle Robert Moll Betty Armington Milton Maltz Alfred Cianflocco June Morgan Al Borowitz Tamar Maltz Jane Daroff Richard Morgan Helen Borowitz Nancy-Clay Marsteller Robert Daroff Henry Ott-Hansen Marilyn Brentlinger Bill McCoy Tamara Durn Doody Sue Schieman Paul Brentlinger Eleanor McCoy Jose Feliciano Karen Schlather Harvey Buchanan Edith Miller Molly Feliciano Paul Schlather Penny Buchanan Lindsay Morgenthaler Lauren Fine Richard Statesir Al DeGulis Mary Myers Mary Anne Garvey Catherine Sullivan John Flower Lucia Nash Gary Giller Joseph D. Sullivan Jr. Maxeen Flower Henry Ott-Hansen Sid Good Georganne Vartorella Virginia Foley Barbara Robinson David Gunning Michael Wager Frannie Gale Gene Schreckengost Robin Gunning Peggy Gries Wager Ann Gridley Leonard Schwartz Martha Hale Richard Gridley Gerry Seltzer Steven Hale Bob Gries Phyllis Seltzer Betsy Hegyes Sally Gries Al Siegal Kenneth Hegyes Debbie Guren Laura Siegal Bob Herbst Lainie Hadden Sally Smith Jane Herbst Dick Hahn Ted Smith Maura Hughes Mary Louise Hahn Cara Stirn Laurie Jacobs Dee Hildt Iris Wolstein Leslie Jacobs Arlene Holden Jean Kalberer Bonnie Humphrey Walter Kalberer Jennie Jones Ann Kiggen Trevor Jones Merle Kiwi Helen Kangesser Robert Kiwi Suzanne Kelley Laurie Klingensmith Ward Kelley Jr. Joyce Litzler Charlotte Kramer

107 Docent Association Claire Brugnoletti Joann Lafferty Lynda Seidel Officers Marilyn Butler Mary Anne Liljedahl Patricia Simpfendorfer Peter Dobbins Gail B. Calfee Sandra Littman Margaret Sloan President Ran Datta Barbara Lurie Sabrina Spangle Kate Stenson Marie Dellas Diane Maher Judith Spencer Vice President Beth Desberg Susan Manross Daryle Spero Linda Friedman Treasurer Susan Deutsch Patricia Markey Kate Stenson Erva Barton Sam Dittmar Laura Martin Mary Ann Stepka-Warner Corresponding Secretary Peter Dobbins Maguy Mavissakalian Christine Vilas Erwin A. Edleman and Erwin A. Edelman George Frederic McCann Kathy Vilas Patricia Markey Anne S. Frank Mary McClung Bob Walcott Recording Secretaries Linda Friedman Nancy Mino Ann Walling Joann M. Broadbooks, Mary McClung, Nancy Mino, Gail S. Garon Helene Morse Dave Walters and Susan Schloss Carol Godes Margie Moskovitz Margaret W. Walton Members-at-Large Lowell K. Good Lara Mullen Joyce Wells-Corrigan Kermit W. Greeneisen William Ott Anne Wilson Docent Corps Marsha Gross Anne C. Owens Jack Wilson Anne Adamson Karen Hahn Carole Phipps Kathleen Wood Stephen Badman Rick Hamilton Susanne Piazza Claudia Woods Michael Bailis Shannon Harris Cheryl Piper Erva Barton Maya Hercbergs Anne Poirson Barbara Baskin Kathleen Hickman Zsuzsa Rácz Vicki Bell Ingrid Hoegner Robin Ritz Anne Berk Elaine Hopkins Michael Roche Arlene Bialic J. Jackson III Catherine Rose Carol Blixen Gwen Johnson Lourdes Sanchez Jane A. Bondi Cathy Keith Susan Schloss Laura Borns Joan E. Kohn Sally Schwartz Karen Bourquin Mark Krzysiak Betty Jo Scurei Joann M. Broadbooks Julie Kurtock Linda Sebok

108 Womens Council of the Cleveland Standing/Special Committees Special Decorations, Cathy Miller and Museum of Art Advocacy, Pat Plotkin and Jane Thomas Officers Ellen Schermer Study Groups, Ann Hunter and Nancy Kate Stenson Affiliates, Dinny Bell and Mino Chair Margie Sachs Subscriptions/Capital Campaign, Margaret Krudy Circle Neighbors, Sabrina Inkley Joan Fountain First Vice Chair Community Arts, Dorothy Ceruti Trips, Nancy Goldberg and Donna Joanne Cowan and Hilary Colvin Walsh Second Vice Chair Database/Roster, Joanne Cowan VCAM, Linda McGinty and Carol Michel Suzanne Blaser Hospitality, Pam Isquick and Third Vice Chair Cathy Mecaskey Youth Initiatives, Gail Schlang Anne Ginn Information Desk, Margaret Wilson Museum Liaison, Diane DeBevec Corresponding Secretary and Bonnie Lau Marjorie Fow Member Services, Carolyn Horn and Assistant Corresponding Secretary JoAnne Lake Mary Anne Liljedahl Museum Ambassadors, Ellen Bishko Recording Secretary and Diane Stupay Betty Williams New Members, Betsi Morris and Assistant Recording Secretary Claire Morgan Marianne Bernadotte Newsletter, Lucia Jezior Treasurer Nominating, Christy Bittenbender Debbie Latson and JoAnne Lake Assistant Treasurer Orientation, Nina Pettersson and Kathy Goldman Parade the Circle, Helen Cherry Pedestal Arrangers, Dorie Farley Photographer, Ryn Clarke Programs, Mary Ann Katzenmeyer and Margaret Krudy Provisionals Follow Up, Lynn Quintrell Ready Volunteers, Karen Chinnici Speakers Series, Josie Anderson and Marianne Bernadotte

109 Museum Ambassadors Re’Shawn Cleveland, East Maria Vana, Bedford Schools and Faculty Margaret Davishaw, Cleveland Nicolas Vereen, School of the Arts Bedford High School: Dagmar Heights Crystal Williams, Valley Forge Clements Kiandra Ellis, East Rachel Woods, Cleveland Heights Cleveland Heights High School: Donte Foley, Shaw Laura Wright, Bedford Susan Hood-Cogan Denise Frantz, Padua Tess Young, Cleveland Heights Cleveland Metropolitan School of the Emily Gross-Rosenblatt, Shaker Arts: Evan Koehler Elizabeth Guyon, East Master Ambassadors East High School: Johnnie M. Smart Samantha Hartman, Shaker Terrell Blake, Shaw Padua Franciscan High School: Laurie Stroempl Vincent Hicks, Shaw Ann Marie Carl, Padua Strongsville High School: Ellen Kaylyn Hlavaty, Valley Forge Gerald Clarke, Bedford Goodworth, Terri Harbart, Joanna Rachel Jackson, Bedford Kaleigh Eichel, Strongsville Pusti, Kristi Trussa Sam Kalafat, Cleveland Heights Amber Esner, Valley Forge Shaker Heights High School: Tim Alex Karpati, Strongsville Cara Garrett, Bedford Kalan Shannon Kelly, Strongsville Bethany Kazimir, Valley Forge Shaw High School: Irene Chudzik Brandi McCormick, School of the Arts Beatrice Luu, Strongsville Valley Forge High School: Andrea Harchar, Kim Weber Melanie Misconish, Padua Andrea McGhee, Strongsville Julia Pierce, Padua Rachel Miller, Strongsville Apprentice Ambassadors Sarah Pierce, Strongsville Robert Rease, Shaw Michelle Baytosh, Padua Elizabeth Ramsey, Cleveland Heights Courtney Richardson, Bedford Olivia Gray Bé, Cleveland Heights Kasey Rosswurm, Shaker Becky Schmaltz, Parma Daphine Bell, East Rueben Russell, Shaw Bridget Sykes, Padua Amber Benford, Shaw Amanda Schneider, Strongsville Talea Tucker, Shaw Natalie Benos, Padua Joseph Schorgl, Shaker Sidney Walker, Shaw Hailee Briteman, Bedford Devin Schwab, Bedford Ellen Weber, Valley Forge Laura Bukowski, Strongsville Bonnie Snow, Strongsville Harrison Werner, Bedford Sze Chan, Cleveland Heights Margaret Stamm, Shaker Michael Chmielewski, Padua Samantha Travarca, Bedford Max Clarke, Strongsville Barbara Tucker, Shaw Shirlyn Clayton, East Hanna Unger, Bedford

110 Volunteers Gretchen and Brian Adams Gert Bleisch Thomasine, Eric, Jason, and Bryan Anne Adamson Carol Blixen Clark Carolyn Adelstein Susan Block Kathryn Clarke Tala Ahmavi Flora Blumenthal Phyllis Cleary Lisa Alexander Julia Bolton Sue Clegg Gail Ames Jane Bondi Margaret Collings Bill Anderson Laura Borns Kathy Colquhoun Josie Anderson Elda Borroni Hilary Colvin Roma Aronoff Judy Bourne Hallie Cook Ann Austin Karen and Butch Bourquin Inez Corrado Cynthia Azim Kevaly Bozes Joanne Cowan Stephen Badman Susan Brachna Eloise A. Coxe Michael Bailis Barbara Bradley Lois Crawford Margot Baldwin Emily Brasfield Shirley Culbertson Alice and Robert Barfoot Amanda Brewton Susan Cummings Jean Barth John Brickley CWRU, “Case for Community Day” Erva Barton Alyssa Briggs Sarah Dagy Barbara Baskin Joann Broadbooks Susan Dahm Aerielle, Tom, Nick, and Ted Bedell Ernestine Brown Faye D’Amore Dinny Bell Mebby Brown Ranajit Datta Vicki Bell Claire Brugnoletti Ann Davis Anne Berk Marilyn Butler Barbara Davis Marianne Bernadotte Pat Butler Lois Davis Neerja Bhushan Grace Bynum Kit DeFazio Arlene Bialic Gail Calfee Marie Dellas Joanne Billiar Lynn Cameron Hedda Dempsey Ellen Bishko Cassandra Caraffi Beth Desberg Christy Bittenbender Rita Cerne Susan Deutsch Dorothy Blaha Helen Cherry Bonnie Dick Suzanne Blaser Karen and Joseph Chinnici Kristen Dieres

111 Sam Dittmar Marilyn Furlan Maya Hercbergs Mary Ann Katzenmeyer Julie and Josh Dobbins Barbara Galvin Maryanne Hertzer Cathy Keith Pete Dobbins Gail Garon Patty Hester Patricia Kelley Patricia Dolak Jane Garrett Kathleen Hickman Key Bank, “Neighbors Make a Kay Donovan Marjorie Garrett Martha Hickox Difference” Erwin Edelman George Gilliam Dale Hilton Laurie Klingensmith Betsy Eells Anne Ginn Ingrid Hoegner Christine Knott Doris Eisaman Carol Godes Carol Holder Joan Kohn Lee Ensign Brenda Goldberg Sarena Holder Talor Kohn Pam Esch Nancy Goldberg Peter Holmes Elaine Koskie Chandler Everett Kathy Goldman Jann Holzman Ann Koslow Dale Evert Lowell Good Elaine Hopkins Margaret Krudy Leigh Fabens Fran Grambo Carolyn Horn Mark Krzysiak Cavana Faithwalker Sally Granger Carole Hughes Mina Kulber Mary Louise Falkner Jennifer Gray Ann Hunter Peggy Kundtz Doris Farley Alvira Greene Sabrina Inkley Julie Kurtock Dorothy Farley Ann and Kermit Greeneisen Joe Ionna Sally Lacombe Keith Filip Carolyn Griffen Pamela Isquick Joann Lafferty Jamie and Ronald Fish Elaine Gross Marta Jack JoAnne Lake Carol and Daniel Fishwick Marsha Gross James Jackson Barbara Langlotz Joan Fitchet Lois Guren Derrick James Kim Lansdowne John Foley Karen Hahn Lucia Jezior Debbie Latson Mary Lou Foley Haidi Haiss Beatrice Johnson Bonnie Lau William Fortune Nola Haiss Gwendolyn Johnson Michelle and Emma Laughinghouse Joan Fountain Rick Hamilton Peronne Joseph Nancy Lavelle Marjorie Fow Faye Hargate Susan Kaesgen Juanita Lewis Anne Fox Holly Harris Ann Kahn Susan Lewis Anne Frank Margit Harris Carolyn Karch Cathy Lewis-Wright Becky Frazier Shannon Harris Donna Kasunic Debra Light Linda Friedman Bettyann Helms Blanche and Dudley Katz Mary Anne Liljedahl

112 Tami Liss Carol Michel Nina Pettersson Jen Robare Cheryl Lister Lorna Mierke Emily Phillips Georgianna Roberts Sandra Littman Catherine Miller Carole Phipps Vince Robinson Candace Ljubi Suzanne Miller Suzanne Piazza Michael Roche Jean Lombardo Nancy Mino Greg Pickett Claire Rogers Karen and Henry Louda Nick Moore Susan Pim Vivian Rokfalusi Nan Lowerre Marie Morelli Cheryl Piper Sally Roman Barbara Lurie Claire Morgan Ashley Pitts Catherine Rose Diane Maher Andrea Morris Patricia Plotkin Celia Rosenberg Carole Majewski Betsi Morris Margaret Plumpton Edward Rosenberg Marvin Mandel Helene Morse Janee Poe-Atkins Carole Rosenblatt Susan Manross Marjorie Moskovitz Anne Poirson Raymond Rozman Patricia Markey Emily Mueller Frankie Polster Sandra Rueb Jessie Martin Lara Mullen Fran Porter Mary, Kevin, Katie, and Brendan Ryan Laura Martin Janet Neary Lisa Powers Aurelie Sabol Shawn Martin Lila Newman Ella Quintrell Marjorie Sachs Audrey and Russell Marxen Lacey Nichols Lynn Quintrell Lourdes Sanchez Maguy Mavissakalian Halley Novak Zsuzsanna Racz Mitzi Sands Terri Mazzola Josue Nunez Viki Rankin Dee Scalabrino George McCann Alyce Nunn Seema Rao Ellen Schermer Katie McCartney Helen Orton Adrienne Rasmus Gail Schlang Mary McClung William Ott Virginia Ratcliffe Susan Schloss Eveline McElroy Anne Owens Susan Rathbone Brandon Schneider Andrea McGhee Becky Owens Karishma Reddy Nancy Schneider Linda McGinty Grace Palczewska Ellen Resnik Arnold Schreibman Patricia McIlraith Maria Papalia Jack Revak Barbara Schreibman+ Lisa McLeer Denese Pappas George Richardson Sally Schwartz Reathel McWhorter Rita Pearlman Margaret Richmond Betty Jo Scurei Cathy Mecaskey Ethel Pearson Shirley Ann Ricketts Cindy Seaman Jack Melody Peg and Bill Petrovic Robin Ritz +deceased

113 Linda Sebok Bathsheba Thomas Joan Wilson Lynda Seidel Jane Thomas Margaret Wilson Nick Sepich Jean Thorrat Monica Wilson Carolyn Shanklin Ruth Toth Kathleen Wood Jane Shapard Gail and Marty Trembly Claudia Woods Dorothy Shrier Michael Turner Sana Yared Patricia Simpfendorfer Christine Vilas Mary Lou Zamler Marguerite Skorepa Kathy Vilas Renate Zeissler Margaret Sloan Pamela Vizdos Alan Zelina Barbara Smeltz Sandra and Nick Vodanoff Lee Zickel Nancy and Art Smialek Gabriela Voskerician Susan Ziegler Chuck Smick Annie Wainwright Richard Zupancic Gretchen Smith Robert Walcott Linda Smith-Richardson Barbara Walker Becky Smythe Jessica Walker Sabrina Spangler Ann Wallings Judith Spencer Donna Walsh Daryle Spero Hunter Walter Dan Stahura Dave Walters Michael Starinsky Elaine Walton Mary Stark Margaret Walton Lorelei Stein-Sapir Marie Walzer Kate Stenson Hannah Weil Mary Ann Stepka-Warner Joyce Wells-Corrigan Edward Stockhausen Lori Whittington Ruthe Stone Louinia Mae Whittlesey Debra Streeter Marianne Wilham Diane Stupay Betty Williams Alexa Sulak Anne Wilson May Targett Jack Wilson

114 Interns Ayla Amon Annie Krol Leslie Wallace Beth Bai Lauren Kutik Hanna Whitehead Kristina Bardos Christina Larson Stacy Wideman Theresa Bembnister Alex Locke Lori Wienke Liza Bergrin Mary Manning Emily Wilson Phillip Bernadotte Aaron Marcovy Katherine Wolf Genny Boccardo-Dubey Alisa McClusker Victoria Wolfe Alyssa Briggs Colleen McGuirk Erin Wozniak Christopher Bruns Karen Miller Esther Wysong Hanna Bures Rachael Mundie Lee Zickel Michael Cale Maureen Murphy Megan Carpenter Josue Nunez Jennifer Clare Kristin Patterson Kimberly Cook Kathleen Payne Carolyn Corrigan Andrea Marie Przybysz Ana Dieglio Karishma Reddy Patricia Driscoll Kara Rothenburg Allison Faye Margaret Roulette Katherine Flach Michael Schisler William Fortune Avery Schumaker Jennifer Freiss Sarah Schuster-Tucker Arnaud Gerspacher Sun-Young Shin Rachel Geschwind Bridget Simoson Angela Gindlesperger Ellen Stedtefelt Jessica Goodworth Edward Stockhausen Robin Heinrich Michele Stover Stefanie Hilles Claire Tramba Kerry Jones Erin Valentine Alex Jung Mark Vance Andrew Robert Keast Lisa Volpe

115 Drawing class led by Michael Starinsky and Mary Ryan at Education and the public reopening of the historic 1916 Public Programs building.

David A. Brichford

116 The reopening of the upper-level galleries in the original museum building occupied the Division of Education and Public Programs for many months in advance of the June 29 ribbon cutting. The renovation and construction project provided a unique opportunity to create a comprehensive and consistent interpretive system. To that end, educa- tion staff members and docents worked with the curatorial, design, and publications departments in creating a new interpretative labeling system and materials. Printed pieces included an “Art to Find” map designed to combine navigating through the galleries with learning observational skills. Cura- tors and educators designed special training pro- grams for 90 docents so that they could teach in the newly renovated galleries. (Before the 1916 galleries opened, docents were active in supporting this year’s exhibitions, Ansel Adams: A Legacy, Icons Architectural tours of American Photography, Impressionist and Modern by Michael St. Clair Masters, and Arms and Armor from Imperial Austria.) introduced the newly renovated Education director Marjorie Williams chaired 1916 building. the committee for the public reopening. Education staff members planned programs to engage visitors with the collection, offering “Art Cart” stations in the Armor Court, gesture drawing sessions in the Neoclassical gallery, and hands-on studio classes

in the classrooms. Architectural tours by Michael y onle y M. D 117 regor G St. Clair, Peter van Dijk, and Ted Sande introduced This architectural the newly renovated 1916 building. In all, nearly collage class was one of many workshops 3,000 people attended the ribbon-cutting ceremony offered during and the afternoon activities. the week the 1916 The Distance Learning department reaches be- building reopened. yond the museum walls into classrooms nationally and internationally. Live videoconference classes introduce CMA collections in places as far away as Canada, England, and Mexico. Distance Learning won two awards this year: the Teacher’s Choice Award for favorite content providers in the Art

The “Art to Find” map, available at museum entrances, ory M. Donley was designed to g Gre combine navigating through the galleries Museum category in a competition sponsored by with learning Polycom, the leading vendor of videoconferencing observational skills and vocabulary. equipment; and the Center for Collaboration and Interactivity’s Pinnacle Award for videoconference providers with outstanding evaluation from their clients. The program reached 28,745 students and teachers, the highest number in its history. In the Art to Go program, which served ap- proximately 7,000 students and adults this year in free presentations to schools in the Cleveland Met- ropolitan School District, regional audiences learn by handling real works of art. The “Art Cart,” a completely new hands-on initiative built around objects from the Education Art Collection, served d a r a rn s b s

118 ma ho t approximately 1,500 people during Arms and Armor At long last, school from Imperial Austria and 700 visitors during the tours began visiting the permanent opening events of the 1916 building. In addition, collection again. nearly 9,000 students from schools throughout Ohio and neighboring Pennsylvania toured the special exhibitions. The Educators Academy offers professional devel- opment opportunities for K–12 educators, and this ford h

year was spent introducing teachers to ex­hibitions ric

and preparing for the reopening of the upper-level id A. B v a galleries in the 1916 building. Approximately 70 D teachers participated in workshops featuring the exhibition Impressionist and Modern Masters from the The museum’s collaboration with John Hay Cleveland Museum of Art. The Educators Advisory High School of Architecture and Design is a model Committee helped plan teacher open houses for the partnership between a museum and an urban coming year. school. John Hay is governed by a board of trustees with representatives from universities, architectural The ever-popular museum art firms, and businesses; CMA director Timothy classes for children Rub co-chairs the board along with Paul Clark, continued to president of National City Bank. An IMLS grant introduce young people to the supports the initiative. During this year Claire museum and the Gallagher, an architect/educator, led teacher train- world of art. ing workshops featuring concepts of space and architecture in Cleveland. The museum’s collection and architectural principles are integrated into all academic subjects, and the arts-infused curriculum was supported last year by field trips to CMA exhi-

ford bitions including Monet and Normandy and Arms and h

ric Armor from Imperial Austria. Student achievement is id A. B

v high; more than 50% of 10th-grade students passed a D

119 Last year marked the 40th anniversary of the joint CMA/CWRU program in art history. To celebrate this momentous occasion, the museum developed a cohesive orientation for CWRU’s in- coming M.A. and Ph.D. students and expanded in- ternship offerings structured to give these students an introduction to all aspects of museum work— from the financial and marketing departments to education and curatorial areas. During this year, ford

h the CMA began for the first time a teaching part- ric nership with the Cleveland Clinic Lerner School id A. B v

a of Medicine, capitalizing on the intersection be- D tween the observation skills needed for the medical Lantern workshops the 12th-grade level Ohio Graduation exam, and profession and the connoisseurship skills needed during Holiday John Hay students won a citywide math competi- CircleFest let families for museum careers. Finally, for the sixth year, partake in the tion at John Carroll University. lantern procession The Museum Ambassador Program, sponsored that concludes the by the Womens Council of the Cleveland Museum Circle of Masks afternoon. workshops are part of Art, introduced 64 students from 10 urban and of the April festival suburban high schools to the different staffing that kicks off Parade functions within the museum and the process of the Circle season. putting together an exhibition. The four major exhibitions—Icons of American Photography and Ansel Adams: A Legacy (co-hosted by the Cleveland Institute of Art), Impressionist and Modern Masters from the Cleveland Museum of Art, and Arms and Armor from Imperial Austria—were accompanied by contextual lectures by leading ford scholars. The photography shows opened in fiscal h ric year 2006–7; see last year’s annual report for a dis- id A. B v a

cussion of each. D

120 the museum welcomed the collaboration with the CWRU SAGES (Seminar Approach to General Education and Scholarship) program for first-year students. Planning continued for the Lifelong Learning Center, a 12,000-square-foot space located adja- cent to the north door and dedicated to interactive learning for audiences of all ages. Cross-divisional teams of curators, educators, conservators, archi- vists, librarians, and designers met regularly to develop learning environments and activities that build on the interpretation system designed for the new galleries. Community Engagement initiatives establish vital relationships for the museum, identifying neighborhoods, urban and suburban, located on

Dancers from the the east and west sides of the city that will figure Cleveland School of prominently in community development plans in the Arts Urban Dance future years. The neighborhoods within walking Collective perform during the annual distance of the museum are a high priority, and a Circle of Masks. pilot plan to work with organizations in Fairfax, Glenville, Hough, and East Cleveland was drafted. Community festivals present dynamic oppor- tunities for engaged learning through the creative collaborations between artists and community ford h ric

121 id A. B v a D groups. Four festivals accented 2007–8: the Circle of Masks in April, June’s Parade the Circle, the Chalk Festival in September, and the December Winter Lights Lantern Festival. An essential part of life and expressions of cultures around the world, festivals are exciting ways of creating partnerships between community groups and the museum. The 19th annual Parade the Circle, the flagship event ford h in the museum’s festival schedule, was the largest ric in its history, with more than 60,000 people at- id A. B v a

D tending and approximately 1,700 participants daz- zling spectators on Wade Oval. The parade takes Parade the Circle. a whole year of preparation and building relation- ford

ships with schools, churches, and neighborhood h groups. This year’s parade theme, “Skipping the ric id A. B v Muse, Running the Fiddle,” began with leader- a D

Above: Chalk Festival. ship and outreach workshops in March and April. Left: Winter Lights Community leaders attending these workshops re- Lantern Festival. turned as the organizing “artists-leaders” for their groups. The museum builds community through the event and strengthens relationships between individuals who might not otherwise encounter one another. ford h ric 122 id A. B v a D ADULT PROGRAMS Art and Fiction Book Club Central Asian architecture). Christina Ingalls Library Programs Education department and Ingalls Pereyma, artist, “Primroses and What’s an ALEPH? Training sessions Library staff. Umberto Eco, The Name Eggshells: Ritual Textiles.” using the library’s new online catalog of the Rose. Karen Essex, Leonardo’s Studio Classes. Instructors: Susan for finding books, journals, videos, Swans. Victoria Finley, Color: The Gray Bé, Kate Hoffmeyer, Mitzi Lai, and DVDs. Natural History of the Palette. and Jesse Reinhardt. Going Once, Going Twice, SOLD. Find Janet Gleeson, The Arcanum. Kazuo resources for researching works of Ishiguro, An Artist of the Floating Docent Program art sold at auction. World. Sue Roe, Private Lives of the Special exhibition presentations Tracking Roosterman. Trace the Impressionists. Mary Taylor Simeti, to students/adult chaperones and Travels with a Medieval Queen. provenance, exhibition history, families in the museum, and “A published scholarship, and Masterpiece in the Making” to adults Continuing Education acquisition of a work of art in the offsite. museum’s collection. Courses. Education department staff: “Art Appreciation: An Introduction Exhibition Programs Research Roadshow. Learn the basics to the History of Art”; “Imperial of art research using an object from Arms and Armor from Imperial your collection. Austria: Power, Patronage, and Art”; Austria. Lecture series. Stephen “Impressionist and Modern Masters Architecture to Archives. Discover Parade the Circle staff Fliegel, CMA, “The Forge of from the Cleveland Museum of methods of archival research by artist Lizzie Roche Vulcan: Arms, Armor, and European Art”; “Introduction to Tibetan Art.” looking into the history of the puts the final touches Culture.” Dr. Matthias Pfaffenbichler, Heather Lemonedes, CMA: “A Day museum’s original building. on a giant spider web. Hofjagd- und Rüstkammer with the Masters at the Cleveland Kunsthistorisches Museum, Museum of Art.” “Imperial Armor in the Hofjagd- und Lectures. Harvey Buchanan Lecture Rüstkammer.” Johannes Ramharter, in Art History and the Humanities: director, PONTE, “The Holy Roman Patricia Fortini Brown, Princeton Empire: Problems of a Federal University, “Seen But Not Heard Structure in Early Modern Times.” From: Renaissance Children and Dr. Leopold Toifl, Landesmuseum Their Visual World.” John and Helen Joanneum, “The Armory in Graz: Its Collis Lecture devoted to Ancient Historical Meaning and Treasures.” Greek and Byzantine Art: Robert S. Impressionist and Modern Masters Nelson, Yale University, “The Light of from the Cleveland Museum of Art. Icons at St. Catherine’s Monastery.” Education department staff. Object Ellen Landau, Case Western Reserve in Focus lectures. University: “Action/Reaction: The Artistic Friendship of Jackson Pollock and Herbert Matter.” Tehnyat Majeed, CMA, “Ethereal Beauty and

ford Geometric Lyricism” (2 lectures on h ric

123 id A. B v a D COMMUNITY Community Arts Parade the Circle University Circle Incorporated Chalk Festival International, national, and regional (UCI) member institution groups: ENGAGEMENT Abington Arms, Cleveland Museum Professional artists and members artists join families, schools, and community groups working over of Art (CMA), Cleveland Museum of of the community create street Natural History (CMNH), Cleveland We thank the following organizations a six-month period to create the paintings in chalk on pavement Music School Settlement (CMSS), for their support and assistance annual arts parade in University around the museum accompanied by Cleveland Public Library (CPL), Mt. with the museum’s Community Circle, complemented by Circle live entertainment. Zion Congregational Church, and St. Engagement programs. Village activities, entertainment, and Featured artists: Tim Haas, Wendy food presented by UCI. Adalbert. Case Western Reserve University, Mahon, A. D. Peters, Rafael Valdivieso, Guest artists: Veanne Bonas (Trinidad Directors ensemble: City of Cleveland Youth Philanthropy and Service Robin VanLear, and Edwige Winans. and Tobago), Kelvin Keli Cadiz (Sabra Pierce Scott, councilwoman, Department; Cleveland State Musicians: Blues de Ville, Panic Steel (Trinidad and Tobago), Anne Cubberly Ward 8), Cleveland Hearing & University, Office of Diversity and Ensemble, and Hue People. (Connecticut), Felix Diaz (Mexico), Speech Center (Bernard P. Henri, Multicultural Affairs; Esperanza Participating groups: Brunswick Liza Godell (Pennsylvania), Brad executive director), CMA (Timothy Inc. Promoting Hispanic Education; High, Girl Scout Troop 219 (Valley Harley (Canada), Ana Paula Jones Rub, director; Alfred M. Rankin Hispanic Arts and Culture View), Lake Center Christian School (Brazil), Nickocy Phillips (Trinidad and Jr., president; Michael J. Horvitz, Collaborative; Northeastern Ohio (Hartville), Mayfield High Italian Tobago), Nkhruma Potts (Trinidad chairman), CMNH (Bruce Latimer, Inter-Museum Council; Sankofa Fine classes, Rocky River High art and and Tobago), Lari Richardson (Trindad executive director), Cleveland Play Arts Plus; Urban League of Greater service clubs. and Tobago), Rick Simon (Canada), House (Michael Bloom, artistic Cleveland. director), CPL (Holly Carroll, deputy Sponsors: The Chalk Festival is and Rudolph “Murphy” Winters (Trinidad and Tobago). director), Cleveland Sight Center sponsored by CMA Community Arts (CSC) (Michael E. Grady, director), Partner Medical Mutual of Ohio. It is Artists and support staff: Sarah Dunham Tavern Museum (Marsha a featured event on the Sparx Gallery Alhaddad, Debbie Apple-Presser, French, president), Epworth-Euclid Hop, a Downtown Cleveland Alliance Chris Begay, Sue Berry, Story Lee United Methodist Church (L. Chris program. Cadiz, Michael Crouch, Denajua, Nan Martin, pastor), Junior League Eisenberg, JoAnn Giordano, Tanya of Cleveland, Inc. (Susan Larson, Circle of Masks Gonzalez, Marlon Hatcher, D. Scott president), Maltz Museum of Jewish A free festival of mask making and Heiser, Ann Koslow, Wendy Mahon, Heritage (Judi Feniger, executive dance performances marks the Julia Pankhurst, Ian Petroni, Nancy director), MOCA Cleveland (Jill beginning of Parade the Circle season. Prudic, Jesse Rhinehart, Lizzie Roche, Snyder, executive director), Mt. Donna Spiegler, Chuck Supinski, Gail Zion Congregational Church (Paul Artists: Tanya Gonzalez and Johnnie Trembly, Rafael Valdivieso, Alexandra Smart. Hobson Sadler Sr., pastor), UCI (Chris Underhill, Robin VanLear, Bill Wade, Ronayne, president), and Womens Movement performers: Cleveland and Craig Woodson. Council of the CMA (Kate Stenson, School of the Arts Urban Dance 2008 poster and T-shirt: Rafael chair). Collective, choreographers Terence Valdivieso. Greene and Story Lee Cadiz. Encore School and education groups: Performance for Turkish exchange Cleveland Heights–University group funded by the Council of Heights Schools: Boulevard International Programs USA. Elementary, Canterbury Elementary,

124 Fairfax Elementary, Mosaic Church; New Life Community; No Circle Village activities presenters: Sponsors: Womens Council of the Experience at Cleveland Heights Rulz Art Collective; Oberlin Big American Heart Association; Cleveland Museum of Art. Additional High, Noble Elementary; Cleveland Parade; Passport Project Global Children’s Museum of Cleveland; support from Medical Mutual; Metropolitan School District (CMSD): Community Arts Center; Rafael’s Art Cleveland Botanical Garden; University Hospitals Case Medical Cleveland School of Architecture Studio; Rainey Institute; Raízes da Cleveland Clinic’s Children’s Center; Cleveland City Council and Design at John Hay Campus, Tradição Institute (Brazil); St. Vincent Hospital; Cleveland.com; Cleveland members Mamie J. Mitchell, Ward 6, Cleveland School of the Arts, Charity Hospital Building Healthy Hearing & Speech Center; Cleveland Sabra Pierce Scott, Ward 8, and Kevin Motivation through Excellence Communities, EMBRACE; Standing Institute of Art; Cleveland Institute Conwell, Ward 9; Cuyahoga Arts and Program (students from Mary Rock Cultural Arts; Thea Bowman of Music; CMA; CMNH; CMSS; Culture; and the Ohio Arts Council. M. Bethune Elementary, George Center; and Trinity Cathedral. Cleveland Orchestra; Cleveland Play Promotional support provided by 89.7 Washington Carver Elementary, Music and dance groups: 7 Mile Isle; House; CPL; CSC; Cuyahoga Valley WKSU, Cleveland.com, and Hughie’s. Scranton Elementary, Wade Park African Soul International; Berço National Park Association; Dunham Special thanks to Charlie’s Fabrics, Elementary); CMSS departments do Samba de São Mateus (Part of Tavern Museum; Epworth–Euclid Distillata, and Ohio City Bicycle Co-op. of Early Childhood and Music Brasil Fest); CMSS Suzuki Program; United Methodist Church; Famicos Therapy; Hawken School; Holy Cleveland Saxtet; C-Life and the Foundation; Hawken School; Winter Lights Lantern Festival Name Elementary; Laurel School; Leaders of Tomorrow; Crooked River Invest in Children; Junior League of Lantern workshops, displays, Wade Mayfield Middle; Montessori School Dance Troupe; Gypsy Soul; Hareem Cleveland, Inc.; Lake View Cemetery; Oval installation, and procession at Holy Rosary; Our Lady of Mount Shar’eem; Inlet Dance Theatre, Inlet’s Maltz Museum of Jewish Heritage; highlight the museum’s contribution Carmel; Peaceful Children Montessori Mosaic Experience at Cleveland MOCA Cleveland; Montessori High to Holiday CircleFest, University School; Ruffing Montessori School; Heights High, and Inlet Youth School at University Circle; Nature Circle’s seasonal community open St. Adalbert School; and Urban Ensemble; Joia Escola de Samba; Center at Shaker Lakes; Park Lane house. Community School. Villa; Rainbow Babies & Children’s Kent African Drum Community; Environment of Lights installation: Community groups: Abington Arms Mystic Motions; Navel Academy; Hospital; Rainey Institute; Ronald McDonald House of Cleveland; concept and design, entry arch Art Therapy Program; Asian Services Panic Steel Ensemble; Pick Up artist: Robin VanLear; corn crib in Action, Inc.; Beck Center for the Stix; Polyrhythmics; Praise Dance St. Clair Superior Development Corporation; Western Reserve artists: Hector Castellanos-Lara Arts; Broadway Public Art; Broadway Academy; Samba e Coisas; Shuvani and Rafael Valdivieso, Mark and United Methodist Church; Cleveland Jezebels Bellydance Troupe; and Historical Society; WKSU; Womens Council of the Cleveland Museum Patty Jenks, Mark Jenks and Robin Metropolitan Housing Authority, Lake Sutphen School of Music at Phillis Van Lear, Carl Johnson and Abby View Terrace Community Center; Wheatley Association. of Art; and Young Audiences of Northeast Ohio. Maier, Story Lee Cadiz and Lizze Cleveland Peace Action; CMNH Book Groups on Community or Wade Roche; centerpiece artist Ian Petroni. Explorers; CPL; Cleveland Public Oval stage: 7 Mile Isle; African Soul; Pole banner artists (new banners): Technical assistance: Kelvin Keli Cadiz, Theatre; Enhancement Ministries, Berço do Samba de São Mateus; Centers for Dialysis Care, Children’s Marlon Hatcher, Mark Jenks, Ian Inc.; Extended Family; Firelands Crooked River Dance Troupe; Joia Museum of Cleveland, CMSS, Petroni, and Jesse Rhinehart. Music: Association for the Visual Arts (FAVA); Escola de Samba; Motivation through Kate Hoffmeyer, Junior League of Joe DeJarnette and Friends. Puppets: Girl Scouts of Lake Erie Council, Troop Excellence; Panic Steel Ensemble; Cleveland, Inc., and Mary Ryan. Scott Heiser and Inlet Dance Theatre. 598 (Olmsted Falls); Golden Ciphers; Passport Project; Praise Dance Dancers: Inlet Dance Theatre, Melanie Hessler Street Fair; Jewish Family Academy; Samba e Coisas; and Fioritto, Story Lee Cadiz, and Lizzie Service Association, YouthAbility; Kole Sutphen School of Music. Roche. Artistry; Mount Zion Congregational

125 Guest lantern artists: Debbie Apple- Community Arts around Town Robert Ocasio Latin Jazz Camp; Community Programs Presser, Diana Bjel, Barbara Chira, Puppets, stilt-dancers, musicians, Shaker Summer Solstice Festival; Art Crew Tanya Gonzalez, Scott Heiser, Wendy costumed dancers, and visual Sparx Gallery Hop (3 appearances); Mahon, Ian Petroni, and Mark Sparx Street Beats (4 appearances); Costumed characters based on artists promote Community objects in the permanent collection Yasenchack. Arts festivals and the museum Stan Hywet Hall and Gardens Scarecrows; Summa Health Systems and their “handlers” promote the Lantern displays within museum: at selected community events museum. Alluvial Cairns; Han Dynasty throughout the area: American Sapphire Ball; Tower City Holiday Entertainment (22 performances); Reflections; The Firebird: In the King’s Heart Association; Arts Collinwood Cafe Bellas Artes Orchard; In Memory of You, artists Holiday Gallery Show; Bedford Tremont Arts and Cultural Festival Debbie Apple-Presser and Wendy Art Festival; Big Parade Workshop (2 days); Tri-C Jazz Fest; University Monthly gatherings with members Mahon; Suburban Hawk Angel, artist (Oberlin); Broadway United Circle Inc. Wade Oval Wednesdays of the Latino community to converse Story Lee Cadiz. Methodist Church Celebration of and Scarecrows; University Heights in Spanish about current cultural Library; and University Heights events. Activities: Art Crew characters Flight and Pan Workshops; Buckeye Road Festival; Burning River Fest; Community Concert. throughout the museum; Art stories Museum Ambassadors with celebrity readers: Colleen Chagrin Falls Blossom Time Festival; Brown (FBI), Ella Fong (WVIZ and Cleveland Clinic Staff and Families; Students from greater Cleveland WCPN, Ideastream), Kuan-Foung Cleveland Metroparks Boo at the high schools, both public and private, Fong Sr. (General Motors), Merlene Zoo (8 days); Cleveland Metroparks are trained at the museum to Santiago (Plain Dealer); Chroma Key ZOObilee Celebration; Cleveland become ambassadors and volunteers Technology: Wanna Be in Pictures?; Metropolitan School District All City for the arts both at the museum and Gallery talk: Heather Lemonedes; Arts Program Open House; CMA in their communities. Illustrated books by Kate Greenaway Museum Ambassadors; Clifton Arts Participating schools: Bedford High in Ingalls Library; Lantern-making and Music Festival; Coventry Street School, Cleveland Heights High workshops; Seasonal music: Arts Fair; Community Arts Studio School, Cleveland Metropolitan Cleveland Boychoir, Sylvia Smith, Open House; Downtown Cleveland School of the Arts, East High School, director. Alliance Winterfest; Great Lakes Normandy High School, Padua Towing; Hathaway Brown; Ingenuity Sponsors: The Winter Lights Festival Franciscan High School, Shaker Festival (2 days); Jewish Community Heights High School, Shaw High receives generous support from CMA Federation Yom Ha’atzmaut (Israel Community Arts Partner Medical School, Strongsville High School, Independence Day) Celebration; Valley Forge High School. Mutual of Ohio and the Womens National City Bank Building; North Council of the Cleveland Museum of Coast Community Homes; North Womens Council committee co- Art. Union Farmers Market at Crocker chairs: Ellen Bishko and Diane Stupay. Park, Fairlawn, and Shaker Square (6 appearances); Ohio State University Nia Coffee House Urban Arts Space Midnight Robbers: Bi-monthly live jazz and poetry for The Artists of Notting Hill Carnival adults. exhibition; ParkWorks Movie under the Stars (4 appearances);

126 FAMILY AND YOUTH Circle Sampler Camp Future Connections Participating cultural institutions: Participating cultural institutions: PROGRAMS Cleveland Botanical Garden; Case Western Reserve University: Cleveland Institute of Art; Cleveland Center for Community Partnerships, Museum of Art; Cleveland Museum Center for Science and Mathematics, of Natural History; Cleveland Music Francis Payne Bolton School of School Settlement; Cleveland Play Nursing, Kelvin Smith Library, Office House; Museum of Contemporary of Urban Health/Urban Area Health Art Cleveland; Nature Center at Education Center; School of Dental Shaker Lakes; and Western Reserve Medicine, School,of Law, School Historical Society. of Medicine; Children’s Museum of Cleveland; Cleveland Botanical ELI Early Learning Initiative Garden; Cleveland Museum of Participating cultural institutions: Art; Cleveland Museum of Natural Cleveland Botanical Garden; History; Cleveland Music School Cleveland Institute of Music; Settlement; Cleveland NAACP; Cleveland Museum of Art; Cleveland Cleveland Play House; Free Clinic of Museum of Natural History; Greater Cleveland; Maltz Museum Cleveland Orchestra; Cleveland of Jewish Heritage; Museum of Play House; HealthSpace Cleveland; Contemporary Art Cleveland; and Nature Center at Shaker Lakes; and Progressive Arts Alliance. Western Reserve Historical Society. Museum Art Classes Day care centers: Cleveland Municipal School District: Bolton, Classes for children ages 4 to 17. Cleveland Early Childhood Instructors: Amy Ankrom, Debbie Development Center, Daniel E. Apple-Presser, Melissa Corcoran, Morgan, Dike, Giddings, John Candice Dangerfield, Pamela Dodds, Raper, Lois Pasteur, and Wade Park Lisa Focareto, Jeanna Forhan, Ashley Elementary; Cleveland Music School Gerst, Joseph Gosar, Shanna Henry, Settlement Preschool; Cleveland Kate Hoffmeyer, Shari Jamieson, Erin Sight Center Preschool; Karamu Early Kenney, Christie Klubnik, Michaelle Childhood Development Center; Marschall, Aileen McKimm, Colleen KinderCare; and Wade Day Care O’Malley, Carol Pressler, Shawn Center. Prudic-Dennis, JoAnn Rencz, Kate Ryan, Mary Ryan, Pamela Sika, Betsy Families Learning Together Stanbro, and Jess Stork. Intergenerational art classes based on special exhibitions: “Call to Arms” and “Learn from the Masters.”

127 SCHOOL AND Art to Go Educators Academy Madison Local, Painesville, Perry Museum professionals and trained Workshops for teachers, focusing on Local, Willoughby–Eastlake; Lorain: TEACHER services volunteers visit area classrooms, the classroom, that carry graduate Avon, North Ridgeville, Sheffield; libraries, and community centers credit. Medina: Highland Local, Medina City; Mahoning: Austintown, Campbell, to teach students and adults about Advisory Board: Cleveland art and art history using objects Warren, Youngstown Catholic Metropolitan School District: Diane Diocese; Ottawa: Danbury Local; from the museum’s Education Art Joy Stone; Cleveland School of Collection. Portage: Kent City; Stark: Marlington Architecture & Design @John Hay Local; Summit: Cuyahoga Falls, High School: Sarah Dalrympl, Jakki Distance Learning Stow–Munroe Falls, Woodridge Local; Dukes, Peggy Wertheim; Shaker Warren: Franklin. Through live videoconferencing, Heights High School: Ellen Kelly; students view art and artifacts from Shaker Heights Middle School: Other states: Pennsylvania: Edinboro around the world while sharing Maureen Carrol, Mike Sears, Kim (General McLane). in two-way conversations with Woodruff. museum educators. These interactive Workshops: “Modern Masters,” programs are designed for grades “Photography in Focus.” K–12, and workshops for teachers are offered as well. Presentations School Tours to client schools in 26 states: Alabama, Arizona, California, Florida, Tours of the permanent collection Georgia, Illinois, Indiana, Kentucky, galleries as well as special Maine, Maryland, Massachusetts, exhibitions. Michigan, Minnesota, Missouri, New Ohio counties and school districts: Hampshire, New Jersey, New York, Columbiana: Beaver Local; Cuyahoga: North Carolina, Ohio, Pennsylvania, Bay Village, Beachwood, Brecksville– South Carolina, Tennessee, Texas, Broadview Heights, Brooklyn, Virginia, West Virginia, and Catholic Diocese of Cleveland, Wisconsin. Chagrin Falls, Cleveland Clinic Center for Autism, Cleveland Heights– University Heights, Cleveland Metropolitan, Euclid, Lakewood, Maple Heights, Mayfield, North Olmsted, North Royalton, Olmsted Falls, Orange, Parma, Rocky River, Shaker Heights, Solon, Westlake, Westlake Christian Academy; Erie; Franklin: Bexley, Grove City; Geauga: Chardon, Ledgemont, Newbury; Lake: Hershey Montessori, Kirtland,

128 Summary of Education and Public Programs Family and Youth Programs Performing Arts, Music, and Film Family workshops 357 Panorama Film Series 5,288 Adult Programs High school programs 122* VIVA! & Gala Around Town 10,018 Attendance CWRU audit classes Museum Art Classes 4,120* Grand Total 15,306 for museum members 78* Special days (total) 2,242 CWRU classes 1,575* Martin Luther King Jr. 776 Docent-guided groups 1,184 Museum Visitors 1916 building reopening 489 Gallery talks by docents 1,057 Total Attendance 180,000 Exhibition family days 977 Gallery talks by staff 1,794 Special youth programs 322 Public lectures 589 Total 7,163 Staff-guided groups 662 Staff-guided groups (offsite) 713 Studio classes 1,070* School and Teacher Services Total 8,722 Art to Go 7,830 Asian Odyssey 355* Community Engagement Distance Learning 28,787 Docent-guided groups 8,497 Community Arts Educators Academy 933 Chalk Festival 13,500 John Hay High School project 2,525* Circle of Masks 725 School studio programs 1,794 Community Arts (offsite) 242,698 Self-guided groups 951 Parade the Circle 60,000 Staff-guided groups 382 Winter Lights Lantern Festival 13,000 Total 52,054 Total 329,923 Community Programs Grand Total 403,784 Art Crew 4,583 Cafe Bellas Artes 340 *reflects multi-attendance Museum Ambassadors 486* Nia Coffee House (offsite) 513 Total 5,922 Total 335,845

129 Ingalls Library and Archives Serials Public Services Archives Web site 1,228,315 hits Subscriptions and Door count 34,476 Records accessioned 183 cubic feet (January 1–June 30, 2008) memberships 1,579 Elevator count 45,126 and 10 gigabytes in 79 accessions Library catalog (ALEPH) 382,707 hits Serials gifts and exchanges 186 Staff use 2,077 Total holdings as of June 30, 2007 (September 1, 2007–June 30, 2008) 2,356 cubic feet Sales catalogs received 2,357 Nonstaff users registered 2,609 Library online resources 230,791 hits plus 65 drawers of architectural New print subscriptions 8 Book circulation 12,292 (October 1, 2007–June 30, 2008) drawings, 20 drawers of oversized Total serial issues checked in 4,187 Museum members 311 material in flat files, 57 linear feet of Total serials holdings 64,782 Museum staff 8,523 oversized material on shelves, and Library CWRU 2,028 electronic records Cataloging Electronic Resources Other researchers 1,430 Finding aids/box lists prepared 5 Items cataloged 4,005 titles Total electronic journal titles 2,247 Renewals 4,042 Record schedules implemented 1 in 4,399 items Total electronic databases 95 holds placed 1,024 Reference questions answered 240 includes books, serials, electronic Electronic books 186,000 Museum staff 180 resources, microforms, sales Returns 11,961 catalogs, dealer catalogs, and Books shelved 7,501 Nonstaff 60 videos/DVDs, in Roman and CJK Collections Preservation Books handled via courier run 6,280 scripts Book binding/conservation 2,280 Interlibrary loans 504 Volume count as of June 30, 2008 as borrower 351 333,416 titles SCIPIO (Sales Catalog Index in 442,325 volumes as lender 153 Project Input Online) Items reclassed/processed 21,727 Reference questions answered 2,246 Sales catalogs received and including 301 e-mail questions Items deaccessioned 10,649 records added 2,227 Web site questions answered 129 Headings added to ArtNACO 4 Total records in online system 87,220

Acquisitions Image Services Books ordered 2,397 Images requested 18,433 Books received 4,936 Images scanned 20,327 Gifts received 216 Slides cataloged 3,000 Exchanges received 303 CMA image catalog and storage facilities Records in Zoph (images) only 258,869 Records with metadata 180,000

130 Staff Director’s Office Information Technology Shawn Burns, General Cleaner Timothy Rub, Director and CEO Information Services LaTonya Cozart, General Cleaner Jacqueline Kelling, Executive Douglas Hiwiller, Director of Brian Ferguson, General Cleaner Assistant Information Technology Brian Fields, General Cleaner Roberto Prcela, Assistant Secretary of Michael Hilliard, Support Analyst Rebecca Harrison, General Cleaner the Board Linda Wetzel, Support Analyst Deanna Miller, General Cleaner Administration Adam LaPorta, Digital Imaging Jasmine Peterson, General Cleaner Specialist Janet Ashe, Deputy Director of Bobby Shoulders, Group Leader/ Administration and Treasurer Media and User Services General Cleaner Steve Prcela, Finance Assistant Dave Shaw, Manager of Media and John Weems, General Cleaner User Services Cynthia Wiggins, General Cleaner Finance Marvin Richardson, Support Analyst Avila Winston, General Cleaner Accounting Michael St. Clair, Support Analyst Ed Bauer, Assistant Treasurer and Construction Services Controller Judy Fredrichs, Support Specialist Mark Unick, Construction Services Russ Klimczuk, Manager of Financial Laszlo Vince, Support Specialist Supervisor Planning Tim Harry, AV Assistant* Daniel Simmons, Construction Kimberly Cerar, Assistant Controller Services Technician Network Engineering and Technical Amy Butinski, Construction/ Services Development Accountant Distribution Services Tom Hood, Manager of Network Christine Hoge, Endowment Wanda Irwin, Distribution Services Engineering and Technical Services Accountant Supervisor Robert Nuhn, Assistant Manager, Karen Lind, Accounts Receivable Kimberly Grice, Distribution Services Network Engineering Specialist Assistant Bob Hlad, Hardware and Software Patricia Wilson, Payroll Coordinator Michael Meredith, Shipping and Administrator Receiving Coordinator Human Resources Allison Hegedus, Network Technician Sharon Reaves, Director of Human Engineering Operations Resources Joseph Z. Jamrus, Engineering Building Services Sara Hodgson, Human Resources Supervisor Generalist Joe Savage, Building Services Anthony Lee, Assistant Engineering Supervisor Lauren Petkoff, Human Resources Supervisor Generalist Christopher Fredrichs, Facilities Carla Petersen, Benefits Specialist *part-time Technician

131 Joseph Klubert, Electrician Dedeja Tsiranany, Office Coordinator/ David Setny, Security Supervisor George Johnson, Security Officer* Frank Babudar, Engineer Retail Analyst Reginald Sturdivant, Security Walter Karoly, Security Officer* Thomas J. Cari, Engineer Hedvig Novota, Museum Store Supervisor Dwayne Kirkland, Security Officer Manager Anthony Ceo, Engineer John Williams, Security Supervisor Gary Lambert, Security Officer Lucy Abadier, Museum Store Stephen Gause, Engineer William McGee, Electronic Security Calvin Lampkin, Security Officer Assistant Manager Coordinator Fred E. Sanders, Engineer Antojuan Latorres, Security Officer* Rachel Coon, Sales Associate, Retail* Kamilia Abadier, Security Officer Ibn Taylor, Engineer Areil Latorres, Security Officer* Marvin Mandel, Sales Associate, Jordan Ashberry, Security Officer* Retail* Shannon Latorres, Security Officer* Facilities Victor Barnett, Security Officer* Christine McCall, Sales Associate, Louris Malaty, Security Officer Thomas Catalioti, Director of Lashondra Brantley, Security Officer* Retail* Dominique Malone, Security Officer* Facilities Bruce Briggs, Security Officer Rick Napoli, Sales Associate, Retail* Henry Maslach, Security Officer* Paul Krenisky, Associate Director of Frank Cacciacarro, Security Officer Facility Operations Tony Shields, Sales Associate, Retail* Candice Matthews, Security Officer Danial Canfield, Security Officer* Michael Mirwald, Associate Director Renee Suich, Warehouse Coordinator James McCullough, Security Officer* Mervin Clary, Security Officer of Facility Construction Hugh McGee, Security Officer* Protection Services Dexter Davis, Security Officer Tonya Pileski, Coordinator James McNamara, Security Officer Jaime Juarez, Acting Director of Andrew Demjanczuk, Security Grounds Protection Services Officer* Salwa Melek, Security Officer Thomas Hornberger, Grounds Carol Camloh, Coordinator Russ Durr, Security Officer* Donald Miller, Security Officer* Supervisor Carolyn M. Ivanye, Operations Carolyn Ernst, Security Officer* Josue Nunez, Security Officer* Manager Ronald L. Crosby, Group Leader/ Michael Evans, Security Officer Timothy Roach, Security Officer Groundskeeper Jeff Cahill, Security Manager Derrick Fields, Security Officer Bianca Roberts, Security Officer* Allen C. Jesunas, Grounds Assistant Eugene Irwin, Security Manager Ted Frisco, Security Officer* Anthony Robinson, Security Officer* Lott Crosby, Groundskeeper Frederick D. Martin Jr., Security Jason Rudolf, Security Officer* Manager Leonard Gipson Jr., Security Officer William Foster, Groundskeeper Albert Russell, Security Officer* Basil Reynolds, Security Manager Alexandria Grady, Security Officer* Joseph L. Hrovat, Groundskeeper Robert Sahle, Security Officer* Steven Witalis, Security Manager JoAnne Grady, Security Officer* John Sawicki, Groundskeeper Scott Salzgeber, Security Officer* Michael Browne, Security Supervisor Kevin Grays, Security Officer* Kevin Shepherd, Security Officer* Museum Store James Donovan, Security Supervisor Alexander Gulkin, Security Officer Abram Shneyder, Security Officer Catherine Surratt, Manager, Retail Charles Ellis, Security Supervisor Judith Heard, Security Officer* and Merchandising Tony Smalls, Security Officer* Ken Haffner, Security Supervisor Mary Heard, Security Officer* John Baburek, Buyer/Product Clifford Hicks, Security Officer Camille Smith, Security Officer* Developer Carol Meyers, Security Supervisor Emmett Hogg, Security Officer* Richard Thompson, Security Officer*

132 Martin Tkac Jr., Security Officer Chief Curator Decorative Art and Design Prints and Drawings Evan Tucker, Security Officer* Charles L. Venable, Ph.D., Deputy Stephen Harrison, Curator of Jane Glaubinger, Ph.D., Curator of Michael Turner, Security Officer* Director of Collections and Programs Decorative Art and Design Prints (until October 2007) Alexander Verni, Security Officer Carol A. Ciulla, Senior Curatorial Heather Lemonedes, Ph.D., Associate Lynn Cameron, Executive Assistant Assistant Curator of Drawings Janet Voss, Security Officer (until March 2008) Catherine Walworth, Cleveland Joan Brickley, Senior Curatorial Timothy Waddell, Security Officer Fellow for Decorative Art and Design Assistant Curatorial Thomas Wallace, Security Officer* African Art Darryl Williams, Security Officer* European and American Painting and Textiles and Islamic Art Constantine Petridis, Ph.D., Curator Sculpture Jasmine Williams, Security Officer* Louise W. Mackie, Curator of Textiles of African Art William H. Robinson, Ph.D., Curator and Islamic Art Valerie Williams, Security Officer* Lisa Simmons, Curatorial Assistant of Modern European Art Deirdre Vodanoff, Curatorial Kenneth Wilson, Security Officer* Jon L. Seydl, Ph.D., The Paul J. and Assistant Ancient Art Ethan Wilt, Security Officer Edith Ingalls Vignos Jr. Curator of Tehynat Majeed, Cleveland Fellow for Antoine Winston, Security Officer* Michael Bennett, Ph.D., Curator of European Painting and Sculpture Islamic Art Greek and Roman Art Deretha Young, Security Officer* Mark Cole, Ph.D., Associate Curator David Smart, Ph.D., Curatorial of American Painting and Sculpture Exhibition Office George Youssef, Security Officer Assistant June de Phillips, Curatorial Assistant Heidi Domine Strean, Director of Alton Avery, Night Watch Person Exhibitions Aimee Marcereau DeGalan, Art of the Ancient Americas Joshua Bates, Night Watch Person* Postdoctoral Research Fellow Morena Carter, Exhibitions Specialist Susan E. Bergh, Ph.D., Associate Michael Billingsly, Night Watch Ellen Rudolph, Research Fellow Sheri Walter, Exhibitions Assistant Person Curator of Art of the Ancient Americas Julie Dansereau, Research Assistant* Lawrence Fitch, Night Watch Person Performing Arts, Music, and Film Lisa Simmons, Curatorial Assistant Lee Hebebrand, Night Watch Person Medieval Art Massoud Saidpour, Director, Performing Arts, Music, and Film Leonard Kile, Night Watch Person Asian Art Stephen N. Fliegel, Curator of Medieval Art Tom Welsh, Associate Director, Music Dwayne Kirkland, Night Watch Anita Chung, Ph.D., Curator of John Ewing, Associate Director, Film Person Chinese Art Holger A. Klein, Ph.D., Consulting Curator Kyra Burton, Production Manager David Robbins, Night Watch Person Katie Kilroy, Curatorial Assistant Adam Schonhiutt, Night Watch Virginia Brilliant, Ph.D., Cleveland Michael McKay, Office Manager Person Contemporary Art Fellow for Medieval Art Caren Atanackovic, Administrative John Somogyi, Night Watch Person Paola Morsiani, Curator of Amanda Mikolic, Curatorial Assistant Assistant Contemporary Art Photography Robin Koch, Curatorial Assistant Tom E. Hinson, Curator of Photography Robin Koch, Curatorial Assistant 133 Publications Joan Ainsworth, Major Gifts Officer Supervisor Caroline Guscott, Distance Learning Laurence Channing, Director of Bishoy Mikhail, Associate Director, Brittany Hager, Food Service Assistant* Publications Planned Giving Representative* Barbara A. Kathman, Associate Barbara J. Bradley, Senior Editor Kathleen Branscomb, Planned Giving Ramon McCall, Food Service Director, Docent Program Jane Takac Panza, Editor* Specialist Representative* Michael Starinsky, Associate Director, Education Art Collection Amy Sparks, Assistant Editor Patricia J. Butler, Support Services Maketa White, Food Service Administrator Representative* Alicia Hudson Garr, Assistant Kathy Rowe, Research Specialist Director, Art to Go Volunteer Initiatives Development and External Affairs Theresa Mazzola, Development Joyce Wells-Corrigan, Programs Coordinator Diane De Bevec, Associate Director, Assistant, Art to Go* Susan Stevens Jaros, Deputy Director Volunteer Initiatives of Development and External Affairs Karen Wellman, Development Karen Bourquin, Assistant, Art to Go* Coordinator Liz Pim, Volunteer Placement Jesse Hammond, Art to Go Driver* Laurie Klingensmith, Associate Manager Director, Capital Campaign Seema Rao, Assistant Director, Membership Susan Schieman, Manager, Creative Content, Lifelong Learning Cindy Kellett, Associate Director, Center Development Communications Education and Public Programs Membership Jinai Amos, Administrative Assistant Linda Goldstein, Executive Assistant Marjorie Williams, Director of Maureen Kelly, Membership Claire Lee Rogers, Associate Director, Rennie White, Capital Campaign Coordinator Education and Public Programs Assistant School and Family Services John Kelly, Membership Assistant Kathleen Colquhoun, Special Projects Coordinator Cathy Lewis-Wright, Associate Development Meghan Olis, Membership Assistant Director, Audience Development Holly Witchey, Ph.D., Director of New Jack Stinedurf, Director of Robin VanLear, Artistic Director, Constituent Relations Media Initiatives Development Community Arts Karen Carr, Director of Constituent Shannon Masterson, Associate Donna Winter, Administrative Nan Eisenberg, Coordinator, Relations, Protocol, and Events Director for Interpretation Assistant Community Arts Eliza Parkin, Senior Special Events Thomasine Clark, Assistant* Danica Savchuk, Associate Director, Gail Trembly, Community Arts Coordinator Corporate Relations Cavana I. O. Faithwalker, Assistant Assistant Margaret Day, Administrative Director, Community Outreach Hunter Walter, Corporate Relations Joe Ionna, Curriculum Liaison, John Assistant/Web Event Coordinator Coordinator Dyane Hronek Hanslik, Associate Hay High School Martha Lattie, Affiliate Group Director, Family and Youth Programs Ruth Ann Holt, Senior Development Joellen Deoreo, Associate Director, Coordinator Officer, Institutional Giving Mary Ryan, Administrative Assistant, Exhibition and Adult Programs* Family and Youth Programs* Mary Wheelock, Senior Development Special Events Alice Barfoot, Scheduling Officer, Individual Giving Dale Hilton, Associate Director, Administrator John Royak, Associate Director, Café Distance Learning Emily Goodyear, Individual Giving and Event Management Sarah Dagy, Assistant* Coordinator Arielle Levine, Distance Learning Terry Bistricky, Food Service Instructor

134 Marketing and Communications Susan Cummings, Sales Associate, John Beukemann, Art Handler Design and Architecture Cindy Fink, Director of Marketing and Ticket Center* Joseph R. Blaser Jr., Art Handler Jeffrey Strean, Director of Design and Communications Patricia Dolak, Sales Associate, Ticket Gary Feterle, Art Handler* Architecture Center* James Kopniske, Assistant Director, Todd Hoak, Art Handler* Rusty Culp, Associate Director of Communications Susan Flickinger, Sales Associate, Design and Architecture Michael Marks, Art Handler* Laura Andrews, Communications Ticket Center* Andrew Gutierrez, Exhibition Assistant Martha Jacoby, Sales Associate, Photographic and Digital Imaging Designer Robine Andrako, External Affairs Ticket Center* Services Amy Draves, Administrative Assistant Assistant Erin Murray, Sales Associate, Ticket Howard T. Agriesti, Chief Center* Photographer Design Marketing Ariel Pruitt, Sales Associate, Ticket Gary Kirchenbauer, Associate Lizzy Lee, Graphic Designer Susan Watiker, Assistant Director of Center* Photographer Jeremiah Boncha, Junior Graphic Advertising and Promotions Faye Grinage, Switchboard Operator David Brichford, Associate Designer Katie Tricarichi, Marketing Photographer and Digital Imaging Terra Blue, Production Designer* Coordinator Technician Mary Thomas, Production Designer* Museum Services Publications Bruce Shewitz, Assistant Manager Exhibition Production Thomas H. Barnard III, Senior Graphic Collections Management Conservation Jeff Falsgraf, Chief of Exhibition Designer Mary Suzor, Director of Collections D. Bruce Christman, Chief Production Gregory M. Donley, Senior Writer/ Management Conservator (until January 2008) Designer, External Affairs Robin Roth, Senior Graphics Registrar’s Office Marcia C. Steele, Conservator of Technician Charles Szabla, Production Manager Paintings Gretchen Shie Miller, Registrar for Mark McClintock, Lighting Technician Steven Probert, Production Designer Jennifer Perry, Associate Conservator Loans Philip Brutz, Mount Maker Mel Horvath, Printer of Asian Paintings Katie Gundlach, Assistant Registrar Dante Rodriguez, Mount Maker Robin Hanson, Associate Conservator Guest and Member Services Bridget Weber, Assistant Registrar of Textiles Robin Presley, Facilities Painter John Alan, Manager, Guest and Andrea S. Bour, Assistant Registrar Beth Wolfe, Textile Conservation Joseph Murtha, Lead Cabinet Maker for Collections Information* Member Services Technician Justin Baker, Assistant Cabinet Maker Elizabeth Saluk, Rights and JC Dunigan, Ticket Center Assistant Moyna Stanton, Paper Conservator Jim Engelmann, Production Assistant Supervisor Reproductions Coordinator James George, Senior Conservation Mark Gamiere, Production Assistant LaTonya Gibson, Manager, Visitor Tracy Sisson, Art Movement Technician Services Supervisor Barbara Konrad, Production Joan Neubecker, Conservation Assistant* Sarah Blazek, Sales Associate, Ticket Barry Austin, Art Handler Technician Center* Arthur Beukemann, Art Handler* Joan Bewley, Senior Assistant

135 Ingalls Library And Archives Susan Miller, Library Technician* Elizabeth A. Lantz, Director of Ingalls Jennifer Smith, Library Assistant Library and Archives Lori Thorrat, Associate Librarian for Elizabeth Berke, Administrative Technical Services Assistant Margaret Castellani, Cataloger Ingalls Library Shaw-Jiun Chalitsios-Wang, Asian Bibliographer/Cataloger Louis Adrean, Senior Librarian for Reader and Circulation Services Rachael Mundie, Digital Image Cataloger Christine Edmonson, Reference Librarian Stacie A. Murry, Cataloging Assistant Matthew Gengler, Instruction and Violet Ryder, Library Technician Outreach Librarian Melanie Seal, Cataloger* Jennifer Vickers, Circulation Manager Mark Augustine, Library Technician* Sheeza Edris, Circulation Assistant Christine Borne, Library Technician* Beverly Essinger, Circulation Assistant Peter Buettner, Library Technician* Linda Ayala, Circulation Assistant* Sarah Cristy, Library Technician* Helen f. Carter, Assistant Librarian for Susan Greenspan, Library Technician* Acquisitions Jonathan Harris, Library Technician* Marsha Morrow, Acquisitions Tanya Keaton, Library Technician* Assistant Valerie Kondrich, Library Technician* Christine Bardwell, Acquisitions Assistant* Jennifer Morton, Library Technician* Frederick Friedman-Romell, Systems Katherine Norris, Library Technician* and Image Librarian Jose Nunez, Library Technician* Steve Szatmary, Systems Assistant* Archives Becky Bristol, Image Manager Leslie Cade, Archivist and Records Jennie Devaney, Image Digitizer* Manager Erin Robinson, Image Services Hillary Bober, Assistant Archivist Assistant* Maria C. Downey, Continuations Librarian Michael Becroft, Continuations Assistant

136 July 1, 2007–June 30, 2008

Financial Report

137 Treasurer’s Fiscal year 2007–8 was a very exciting one for the persistent uncertainty, we will monitor our Report 2008 the museum. The second floor galleries of the position regarding both the operating budget and historic 1916 building reopened to the public the building project as we move forward. on June 29, 2008, just as the contracts for the We look forward to the opening of the east demolition of the 1958 and 1983 buildings wing galleries in June 2009. The museum is were awarded, clearing the way for Phase II committed to free and open public access during of the expansion project. The significance of these difficult economic times. Even though the the demolition is evident in the year’s financial museum’s financial strength has been challenged, statements. Consistent with the results for 2005, we have the utmost confidence in its ability to when Phase I began, one-time write-offs for remain a place of solace and artistic value available the undepreciated portion of the buildings to all into the future. resulted again in an overall loss for the year. Excluding the write-off, the museum showed Janet G. Ashe an operating surplus of more than $600,000. Deputy Director of Administration and Treasurer Many components led to this surplus, and not the least was reopening the museum in a fiscally prudent fashion. During the year, the value of the museum’s investments and charitable perpetual trusts declined. The prospect for further turbulence in the financial markets leads us to expect a continued reduction in these assets. However, the spending rule the museum uses is based on the trailing 20-quarter average market value, which smoothes out the highs and lows. With

138 Revenue Contributions and membership 12%

Special exhibition 8%

Investments—general and specific purpose 63% Program revenues and other support 13%

Stores, cafe, and parking 4%

Expense Curatorial, conservation, General and and programs 20% administrative 11%

Special exhibitions 8% Building facilities and security 28%

Education, library, and community programs 14%

Development and Stores, cafe, membership services 15% and parking 4%

139 Summary of Key Finance Data

U unaudited Audited Audited year Audited year Audited year 12 months year ended ended June 30 ended June 30 ended June 30 ended June 30 December 31 (in thousands) 2008 2007 2006 2005 2004 Investment $418,281.0 $454,814.1 $402,671.6 $382,052.4 $388,322.3 Charitable perpetual trusts 318,663.0 365,875.8 323,698.5 302,479.0 307,080.2 Total 736,944.0 820,689.9 726,370.1 684,531.4 695,402.5

Art purchase 13,929.0 16,130.1 4,748.3 6,820.1 13,878.6 Unrestricted revenue and support 33,692.0 36,020.7 29,481.3 32,430.7 31,607.9 Operating expensees 35,012.0 35,992.2 29,479.7 34,223.5 31,584.9 Excess (deficiency) of operating revenue and support over operating expenses (1,320.0) 28.5 1.6 (1,792.8) 23.0 Less one-time expenses 1,967.0 2,390.0 a Comparative annualized operating position excluding one-time charge 647.0 28.5 1.6 597.2 23.0 Five-year average (excluding one-time charge) 259.5 141.0

A. Includes one-time charges for building depreciation, severance

140 Report of The Board of Trustees Independent The Cleveland Museum of Art Auditors

We have audited the accompanying statements effectiveness of the Museum’s internal control over of financial position of the Cleveland Museum of financial reporting. Accordingly, we express no Art (the Museum) as of June 30, 2008 and 2007, such opinion. An audit also includes examining, and the related statements of activities and cash on a test basis, evidence supporting the amounts flows for the years then ended. These financial and disclosures in the financial statements, assessing statements are the responsibility of the Museum’s the accounting principles used and significant management. Our responsibility is to express an estimates made by management, and evaluating opinion on these financial statements based on our the overall financial statement presentation. We audits. believe that our audits provide a reasonable basis We conducted our audits in accordance with for our opinion. auditing standards generally accepted in the United In our opinion, the financial statements States. Those standards require that we plan and referred to above present fairly, in all material perform the audit to obtain reasonable assurance respects, the financial position of the Museum as of about whether the financial statements are free of June 30, 2008 and 2007, and the changes in its net material misstatement. We were not engaged to assets and its cash flows for the years then ended, perform an audit of the Museum’s internal control in conformity with accounting principles generally over financial reporting. Our audits included accepted in the United States. consideration of internal control over financial As discussed in note 8 to the financial reporting as a basis for designing audit procedures statements, effective June 30, 2007, the Museum that are appropriate in the circumstances, but not changed its method of accounting for pension and for the purpose of expressing an opinion on the other postretirement medical benefits.

November 26, 2008

141 Statements of Financial Position

(in thousands)

June 30, 2008 June 30, 2007 June 30, 2008 June 30, 2007 Assets Liabilities and net assets Current assets: Current liabilities: Cash and cash equivalents $ 2,735 $ 2,971 Accounts payable and accrued expenses $ 15,526 $ 13,923 Short-term investments 9,559 25,911 Deferred revenue 1,625 1,713 Accounts receivable 362 1,150 Other current liabilities 17,058 40,723 Inventories 656 339 Total current liabilities 34,209 56,359 Other current assets 18,687 42,121 Total current assets 31,999 72,492 Long-term debt 90,000 90,000

Investments 418,281 454,814 Other liabilities: Accrued postretirement medical benefits 2,530 3,453 Buildings and equipment: Accrued pension obligation 1,361 2,350 Buildings and improvements 37,800 43,154 Other 2,636 1,431 Equipment 15,432 14,339 6,527 7,234 Construction-in-progress 178,252 135,296 Total liabilities 130,736 153,593 231,484 192,789 Less accumulated depreciation 36,780 38,567 Net assets: Total buildings and equipment—net 194,704 154,222 unrestricted 181,396 201,851 temporarily restricted 353,799 347,607 Other assets: permanently restricted 338,408 385,620 Charitable perpetual trusts 318,663 365,876 Total net assets 873,603 935,078 pledges receivable 39,118 38,584 Other 1,574 2,683 Total other assets 359,355 407,143

Total assets $ 1,004,339 $ 1,088,671 Total liabilities and net assets $ 1,004,339 $ 1,088,671

See accompanying notes.

142 Statement Temporarily Permanently Unrestricted Restricted Restricted Total of Activities Revenues and support Endowment and trust income $ 19,773 $ 1,998 — $ 21,771 Contributions and membership 3,968 24,729 — 28,697 Year ended June 30, 2008 Gifts, grants, and other revenue for special exhibitions 2,819 — — 2,819 (in thousands) Program revenues and other support 2,801 2,075 — 4,876 Stores, café, parking, and products 1,235 — — 1,235 Net assets released from restrictions used for operations 3,096 (3,096) — — Total revenues and support 33,692 25,706 — 59,398

Expenses Curatorial, conservation, and registrar 6,846 — — 6,846 Special exhibitions 2,760 — — 2,760 Education, library, and community programs 4,858 — — 4,858 Marketing and communications 1,488 — — 1,488 Development and membership services 3,714 — — 3,714 General and administrative 3,992 — — 3,992 Building facilities and security 6,235 — — 6,235 Stores, café, parking, and products 1,490 — — 1,490 Depreciation 1,662 — — 1,662 Loss on disposal of fixed assets 1,967 — — 1,967 Total expenses 35,012 — — 35,012 (Deficiency) excess of revenues and support over expenses before changes in net assets (1,320) 25,706 — 24,386

Other changes in net assets Trust revenue designated for art purchases — 5,869 — 5,869 Investment return designated for art purchase — 12,536 — 12,536 Proceeds from the sale of art objects — 77 — 77 Net assets released from restrictions used to fund acquisition of art objects 13,929 (13,929) — — Expenditures for the acquisition of art objects (13,929) — — (13,929) Gifts, contributions, and other changes 4,162 2,321 — 6,483 Investment loss after amounts designated (22,207) (26,388) — (48,595) Change in fair value of derivative instrument (2,481) — — (2,481) Change in fair value of charitable perpetual trusts — — $ (47,212) (47,212) Unrecognized changes in funded status of pension benefits (note 8) 989 — — 989 Unrecognized changes in funded status of postretirement medical benefits (note 8) 402 — — 402 (Decrease) increase in net assets (20,455) 6,192 (47,212) (61,475) Net assets at beginning of year 201,851 347,607 385,620 935,078

Net assets at end of year $ 181,396 $ 353,799 $ 338,408 $ 873,603

143 See accompanying notes. Statement Temporarily Permanently Unrestricted Restricted Restricted Total of Activities Revenues and support Endowment and trust income $ 19,859 $ 1,599 — $ 21,458 Contributions and membership 4,164 35,013 — 39,177 Year ended June 30, 2007 Gifts, grants, and other revenue for special exhibitions 4,560 — — 4,560 (in thousands) Program revenues and other support 2,670 2,029 — 4,699 Stores, café, parking, and products 2,322 — — 2,322 Net assets released from restrictions used for operations 2,446 (2,446) — — Total revenues and support 36,021 36,195 — 72,216

Expenses Curatorial, conservation, and registrar 4,898 — — 4,898 Special exhibitions 4,055 — — 4,055 Education, library, and community programs 4,472 — — 4,472 Marketing and communications 1,213 — — 1,213 Development and membership services 4,417 — — 4,417 General and administrative 4,539 — — 4,539 Building facilities and security 8,929 — — 8,929 Stores, café, parking, and products 1,654 — — 1,654 Depreciation 1,816 — — 1,816 Total expenses 35,993 — — 35,993 Excess of revenues and support over expenses before changes in net assets 28 36,195 — 36,223

Other changes in net assets Trust revenue designated for art purchases — 5,327 — 5,327 Investment return designated for art purchase — 11,530 — 11,530 Proceeds from the sale of art objects — 1,349 — 1,349 Net assets released from restrictions used to fund acquisition of art objects 16,130 (16,130) — — Expenditures for the acquisition of art objects (16,130) — — (16,130) Gifts, contributions, and other changes 882 2,612 — 3,494 Investment return after amounts designated 22,171 22,586 — 44,757 Change in fair value of derivative instrument (743) — — (743) Change in fair value of charitable perpetual trusts — — $ 42,177 42,177 Adoption of FASB Statement No. 158 for pension benefits (note 8) (2,499) — — (2,499) Adoption of FASB Statement No. 158 for postretirement medical benefits (note 8) 1,768 — — 1,768 Increase in net assets 21,607 63,469 42,177 127,253 Net assets at beginning of year 180,244 284,138 343,443 807,825

Net assets at end of year $ 201,851 $ 347,607 $ 385,620 $ 935,078

See accompanying notes. 144 Statements of Year Ended Year Ended June 30, 2008 June 30, 2007 Cash Flows Reconciliation of change in net assets to net cash provided by operating activities (Decrease) increase in net assets $ (61,475) $ 127,254 (in thousands) Adjustments to reconcile (decrease) increase in net assets to cash used in operating activities: Depreciation and amortization 1,662 1,847 Loss on disposal of fixed assets 1,966 — Change in fair value of derivative instrument 2,481 743 Net realized and unrealized losses (gains) on long-term investments 31,715 (63,527) Contributions restricted for long-term purposes (25,292) (22,955) Decrease (increase) in fair value of charitable perpetual trusts 47,212 (42,177) Changes provided by (used in) operating assets and liabilities: Decrease (increase) in accounts receivable 788 (751) Decrease in inventories and other current assets 23,117 6,836 (Increase) in pledges receivable (534) (13,037) Decrease (increase) in other assets 31 149 Increase in accounts payable and accrued expenses 1,603 1,756 Decrease (increase) in deferred revenue (88) 566 Decrease in other current liabilities (23,665) (9,140) (Decrease) increase in other liabilities (2,111) 318 Net cash (used in) provided by operating activities (2,590) (12,118)

Financing activities Proceeds from long-term debt — — Deferred issuance costs — — Contributions restricted for long-term purposes 25,292 22,955 Payments on short-term borrowings — — Net cash provided by financing activities 25,292 22,955

Investing activities Purchases of buildings and equipment (44,109) (57,669) Decrease in short-term investments 16,352 838 Proceeds from sales and maturities of investments 13,202 16,240 Purchases of investments (8,383) (4,855) Net cash provided by (used) in investing activities (22,938) (45,446)

Net decrease in cash and cash equivalents (236) (377) Cash and cash equivalents at beginning of year 2,971 3,348

Cash and cash equivalents at end of year $ 2,735 $ 2,971

See accompanying notes.

145 Notes to 1. Organization The Cleveland Museum of Art (the Museum) maintains in the Financial City of Cleveland a museum of art of the widest scope for the benefit of the public. Statements

June 30, 2008 and 2007 2. Significant Accounting Policies (in thousands, unless noted) Use of Estimates In August 2008, the Financial Accounting Standards Board (FASB) The preparation of financial statements in conformity with issued FSP FAS 117-1, Endowments of Not-for-Profit Organizations: accounting principles generally accepted in the United States Net Asset Classification of Funds Subject to an Enacted Version of requires management to make estimates and assumptions that the Uniform Prudent Management of Institutional Funds Act, and affect the amounts reported in the financial statements and Enhanced Disclosures (FSP 117-1). FSP 117-1 provides guidance on accompanying notes. Actual results could differ from those the net asset classification of donorrestricted endowment funds estimates. for not-for-profit organizations that are subject to an enacted version of the Uniform Prudent Management of Institutional Temporarily and Permanently Restricted Net Assets Funds Act of 2006 (UPMIFA). FSB 117-1 will be effective for the Temporarily restricted net assets are used to differentiate Museum in fiscal year 2009. The Museum is currently evaluating resources, the use of which is restricted by donors or grantors the potential impact that the adoption of this statement will to a specific time period or for a specific purpose, from have on its financial statements and related disclosures. resources on which no restrictions have been placed or that arise from the general operations of the Museum. Temporarily Art Collection restricted gifts, grants, and bequests are recorded as additions The Museum’s collections are made up of art objects and to temporarily restricted net assets in the period received. artifacts of historical significance that are held for educational, When restricted net assets are expended for their stipulated research, scientific, and curatorial purposes. Each of the items purpose or time restriction expires, temporarily restricted net is cataloged, preserved, and cared for, and activities verifying assets become unrestricted net assets and are reported in the their existence and assessing their condition are performed statements of activities as net assets released from restrictions. continuously. For temporarily restricted net assets used for major capital Purchases for the collection are recorded as expenditures for projects, the Museum records the additions to temporarily the acquisition of art objects in the statements of activities restricted net assets and then records a reclassification to in the year in which the objects are acquired. Proceeds from unrestricted net assets as net assets released from restrictions the deaccession of art objects are recorded as temporarily for an amount equal to annual depreciation. There were no such restricted net assets and are restricted to the acquisition of reclassifications in the 2008 or 2007 statements of activities. other art objects. In keeping with standard museum practice, Permanently restricted net assets consist of amounts held in the collections, which were acquired via purchases and perpetuity. Earnings on investments, unless restricted by donors, contributions, are not recognized as assets on the statements of are included in unrestricted revenues and other changes in net financial position. assets. Restricted earnings are classified as temporarily restricted net assets until amounts are expended in accordance with the Cash Equivalents donors’ specifications. Cash equivalents are highly liquid investments with a maturity of three months or less when purchased. Cash equivalents are measured at fair value in the statements of financial position and exclude amounts restricted or designated for long-term purposes.

146 Short-Term Investments Special Exhibitions Short-term investments (maturities of three to twelve months) Other current assets and deferred revenue include expenditures are liquid investments that are readily convertible into cash, with and revenues in connection with the development of special limited risk of change in value because of interest rate changes. exhibitions. Revenues and expenses are recognized pro rata over the life of the exhibition. Revenues include such items Inventories as corporate and individual sponsorships. The expenditures Inventories consist of merchandise available for sale and are generally include such items as research, travel, insurance, stated at the lower of average cost or market. transportation, and other costs related to the development and installation of the exhibition. Investment Income Investment income, including realized gains (losses), is added Contributions to (deducted from) the appropriate unrestricted or temporarily Unconditional pledges to give cash, marketable securities, and restricted net assets. Unrealized gains (losses) are added to other assets are reported at fair value and discounted to present (deducted from) the applicable unrestricted, temporarily, or value at the date the pledge is made to the extent estimated permanently restricted net assets. to be collectible by the Museum. Conditional promises to give and indications of intentions to give are not recognized until the Financial Instruments condition is satisfied. Pledges received with donor restrictions The carrying values of cash equivalents, short-term investments, that limit use are reported as either temporarily or permanently accounts receivable, accounts payable, and accrued expenses restricted support, or other changes in net assets if designated are reasonable estimates of their fair value due to the short-term for long-term investment. When a donor restriction expires, that nature of these financial instruments. Investments are reported is, when a stipulated time restriction ends or purpose restriction at fair value. The carrying value of the Museum’s long-term debt is accomplished, temporarily restricted net assets are reclassified approximates fair value. to unrestricted net assets and reported in the statements of In September 2006, FASB issued FASB Statement No. 157, activities as net assets released from restrictions. Funds received Fair Value Measurement (Statement 157), which establishes a on pledges receivable will be used primarily for long-term framework for using fair value to measure assets and liabilities, purposes; therefore, pledges receivable are classified as long- and expands disclosures about fair value measurements. term in the statements of financial position. Statement 157 applies to other accounting pronouncements that require or permit fair value measurements and, Buildings and Equipment accordingly, Statement 157 does not require any new fair Buildings and equipment are carried at cost. Expenditures that value measurements. Statement 157 is effective for financial substantially increase the useful lives of existing assets are statements issued for fiscal years beginning after November 15, capitalized. Routine maintenance and repairs are expensed as 2007, and interim periods within those fiscal years. The Museum incurred. Depreciation is computed by the straight-line method is currently evaluating the potential impact that the adoption of using the estimated useful lives of the assets. Buildings and this statement will have on its financial position and results of improvements are assigned a useful life of up to 40 years. operations. Equipment is assigned a useful life ranging from three to five years. Interest cost incurred on borrowed funds during Donated Services the period of construction of capital assets is capitalized as a No amounts have been reflected in the financial statements for component of the cost of acquiring those assets. donated services. The Museum pays for most services requiring The Museum is undertaking a major construction, renovation, specific expertise. However, many individuals volunteer their and expansion project. In total, approximately $178,252 and time and perform a variety of tasks that assist the Museum with $133,296 have been expended and included in construction- various programs. in-progress related to the expansion and renovation project at June 30, 2008 and 2007, respectively. At June 30, 2008, the Museum had outstanding commitments for construction and

147 other related capital contracts of approximately $10,000. In Derivative Instruments and Hedge Activities June 2008, the Museum’s Board of Trustees approved a second The Museum follows SFAS No. 133, Accounting for Derivative phase to the construction, renovation and expansion project. Instruments and Hedging Activities, which was amended by In connection with this project, the Museum identified certain SFAS No. 138, Accounting for Certain Derivative Instruments and buildings and equipment that will no longer be used. The net Hedging Activities, to account for its derivative instruments. book value of these assets of $1,960 was recorded as a loss on SFAS No. 133 requires the Museum to recognize its derivative disposal of fixed assets in the statement of activities for the year instrument as either an asset or liability in the statements of ended June 30, 2008. financial position at fair value. The gain or loss on the derivative instrument is recognized in the statements of activities in the Other Current Assets and Liabilities period of change. Other current assets and liabilities at June 30, 2008 and 2007, include $16,795 and $40,723, respectively, of collateral investments related to securities lending whereby certain securities in the Museum’s portfolio were loaned to other institutions generally for a short period of time. The Museum receives as collateral the market value of securities borrowed plus a premium approximating 2% of the market value of those securities. In accordance with Statement of Financial Accounting Standards (SFAS) No. 140, Accounting for Transfers and Servicing of Financial Assets and Extinguishment of Liabilities, the Museum recorded the collateral received as both a current asset and a current liability since the Museum is obligated to return the collateral upon the return of the borrowed securities.

Asset Retirement Obligations Asset retirement obligations (ARO) are legal obligations associated with the retirement of long‑lived assets. These liabilities are initially recorded at fair value and the related asset retirement costs are capitalized by increasing the carrying amount of the related assets by the same amount as the liability. Asset retirement costs are depreciated over the useful lives of the related assets. Subsequent to initial recognition, the Museum records year-to-year changes in the ARO liability resulting from the passage of time and revisions to either the timing or the amount of the original estimate of undiscounted cash flows.

148 3. Pledges Receivable Outstanding pledges receivable from various corporations, foundations and individuals are as follows: June 30, 2008 June 30, 2007 Pledges due: In less than one year $ 7,679 $ 6,312 In one to five years 32,226 30,920 Greater than five years 6,373 8,471 46,278 45,703 Present value discount on pledges (3.25%–5.38% discount rate) (7,160) (7,119)

$ 39,118 $ 38,584

4. Temporarily Restricted Net Assets Temporarily restricted net assets are available for the following purposes: June 30, 2008 June 30, 2007 Acquisition of art $ 183,832 $ 202,656 Specific operating activities: Curatorial and conservation 19,668 18,808 Education and extensions 4,250 4,070 Library 3,354 3,576 publications, printing, and photography 4,954 5,155 Musical programming 4,136 4,480 Buildings, grounds, and protection services 127,176 102,013 Fine Arts Garden 2,909 3,174 Sundry 3,520 3,675

Total temporarily restricted net assets $ 353,799 $ 347,607

5. Permanently Restricted Net Assets Permanently restricted net assets are amounts held in perpetuity, the income from which is expendable to support the following purposes: June 30, 2008 June 30, 2007 Purchase of art $ 120,803 $ 133,381 Specific operating activities 4,988 5,506 General operating activities 212,617 246,733

Total permanently restricted net assets $ 338,408 $ 385,620 149 6. Net Assets Released From Restrictions Net assets were released from restrictions by incurring expenses or making capital expenditures satisfying the restricted purposes as follows:

Year ended June 30 2008 2007

Acquisition of art $ 13,929 $ 16,130 Specific operating activities: Curatorial and conservation $ 1,651 $ 1,420 Education and extensions 623 532 Library 85 60 Musical programming 267 210 Fine Arts Garden 211 172 Sundry — 4 Buildings, grounds, and protection services 259 47

Net assets released from restrictions used for operations $ 3,096 $ 2,445

7. Investments and Charitable Perpetual Trusts The fair value of Museum investments is based on quoted Alternative investments include certain interests in absolute market prices, except for other investments, primarily limited return, hedged equity, private equity, or fixed income depending partnerships or limited liability corporations (i.e., alternative on the legal structure and investment strategy of the underlying investments), for which fair value is estimated in an unquoted manager. The investee funds employ various strategies, market. Fair value of alternative investments is generally including traditional strategies (long only) in readily marketable determined by principal market makers or an investment securities (liquid equities or bonds traded on exchanges) and manager of the individual investment fund. The financial others employing less traditional strategies (long and short statements of the investee funds are audited annually by equity or fixed income, event driven, macro, relative value, independent auditors. Generally, fair value of alternative and arbitrage strategies) that may include the use of options, investments reflects net contributions to the investee and an futures, and other derivative instruments. The fair value of ownership share of realized and unrealized investment income limited partnerships and similar nonmarketable equity interests and expenses. Certain alternative investments held by the investing in both publicly and privately owned securities is Museum have withdrawal restrictions. At June 30, 2008, the based on estimates and assumptions of general partners or Museum is committed to invest an additional $33.7 million in partnership valuation committees in the absence of readily alternative investments; however, it is uncertain as to the timing determined market values. Such valuations generally reflect or level of additional contributions that will ultimately be made. discounts for illiquidity and consider variables such as financial performance of investments, recent sales prices of investments, and other pertinent information. Because alternative

150 investments are not readily marketable, their estimated fair value is subject to uncertainty and therefore may differ from the value that would have been used had a ready market for such investments existed. Such difference could be material. The Museum is the sole income beneficiary of several charitable perpetual trusts and a partial income beneficiary of other charitable perpetual trusts. Because the trusts are not controlled by the Museum, the assets are classified as permanently restricted net assets. The charitable perpetual trusts are presented at the fair value of the Museum’s portion of the underlying trust assets. The change in the fair value of the charitable perpetual trusts is classified as a change in permanently restricted net assets within the statements of activities. Museum investments consist of the following:

June 30, 2008 June 30, 2007 Cash equivalents $ 11,273 $ 4,140

Equities: Securities/common stock 56,624 80,113 Collective equity funds 135,025 153,175 Subtotal 191,649 233,288

Fixed Income: Corporate bonds 26,441 18,474 Foreign bonds 2,706 267 Government bonds — 9,498 Subtotal 29,147 28,239

Alternative investments: Absolute return 66,485 60,679 hedged equity 91,991 67,281 private equity 57,736 61,187 Subtotal 186,212 189,147

Total investments 418,281 454,814 Charitable perpetual trusts 318,663 365,876

$ 736,944 $ 820,690

151 The following summarizes returns from the Museum’s investments and charitable perpetual trusts and the related classifications in the statements of activities:

temporarily permanently Year ended June 30, 2008 Unrestricted Restricted Restricted Dividends and interest $ 4,025 $ 4,363 $ — Realized and unrealized losses net of realized and unrealized gains (15,172) (16,543) — Change in fair value of charitable perpetual trusts (47,212) Investment return (11,147) (12,180) (47,212) Investment return designated for current operations (11,060) (1,672) — Investment return designated for art purchase — (12,536) —

Investment loss after amounts designated $ (22,207) $ (26,388) $ (47,212)

temporarily permanently Year ended June 30, 2007 Unrestricted Restricted Restricted Dividends and interest $ 2,332 $ 2,541 $ — Realized and unrealized gains net of realized and unrealized losses 30,544 32,983 — Change in fair value of charitable perpetual trusts — — 42,177 Investment return 32,876 35,524 42,177 Investment return designated for current operations (10,705) (1,408) — Investment return designated for art purchase — (11,530) —

Investment income after amounts designated $ 22,171 $ 22,586 $ 42,177

The Museum uses the spending rule concept in making for inflation and additional contributions. For fiscal 2008 and distributions from its investments. In doing so, the Museum 2007, the calculations resulted in an annual spending rate of 5%. takes into account the distributions from the charitable Investment returns in excess of (less than) amounts designated perpetual trusts. Under this method, a portion of its investment for current operations are classified as other changes in net earnings is recorded as unrestricted revenue. The amount of assets in the statements of activities. investment income used by the Museum for its operations and The Museum’s investments and charitable perpetual trusts are purchases of art is calculated using a spending rate of between exposed to various risks such as interest rate, market, and credit 4.5% to 5.5% of the market value of the investments for the risks. During the third and fourth quarter of calendar 2008, the prior twenty-quarter average ended March 31, 2007 for fiscal Museum’s investments and charitable perpetual trusts have year ended June 30, 2008 and March 31, 2006 for the fiscal year been negatively impacted by market volatility. ended June 30, 2007, as adjusted (subject to certain limitations) 152 8. Benefit Plans The Museum converted from a contributory defined benefit for Defined Benefit Pension and Other Postretirement Plans, an pension plan for eligible employees to a noncontributory Amendment of FASB Statements No. 87, 88, 106, and 132(R). This defined benefit pension plan (the Pension Plan) on January 1, statement required the Museum to recognize in the statement 2002. Eligible participants in the Pension Plan on December 31, of financial position the funded status of its defined benefit 2001 were given the option of continuing to contribute to the pension and postretirement medical plans, measured as the Pension Plan. For those employees not making this election, difference between the fair value of plan assets and the benefit their accumulated benefit was converted to the noncontributory obligation, with a corresponding adjustment to unrestricted defined benefit plan. For either contributing or noncontributing net assets. The adjustment to unrestricted net assets at participants, benefits under the Pension Plan are based on years adoption represents the net unrecognized actuarial losses of service and the final five-year average compensation. It is and unrecognized prior service costs, which were previously the policy of the Museum to fund with an insurance company netted against the funded status in the statements of financial at least the minimum amounts required by the Employee position in accordance with SFAS No. 87, Employers’ Accounting Retirement Income Security Act. Pension Plan assets are invested for Pensions, and SFAS No. 106, Employers ’ Accounting for in group annuity contracts. Postretirement Benefits Other Than Pensions. These amounts The Museum provides health care benefits upon retirement will be subsequently recognized as net periodic benefit costs to certain employees meeting eligibility requirements as of as they are amortized. Further, actuarial gains and losses that December 31, 2001, and contractually required additions. No arise in subsequent periods that are not recognized as net other employees are eligible to receive these postretirement periodic benefit cost in the same periods will be recognized as a heath care benefits. The Museum’s policy is to fund the annual component of unrestricted net assets. costs of these benefits from unrestricted net assets of the The incremental effects of adopting the provisions of Statement Museum. No. 158 on the Museum’s statement of financial position are On June 30, 2007, the Museum adopted the recognition and presented in the following table. The adoption of Statement disclosure provisions of SFAS No. 158, Employers’ Accounting No. 158 did not impact the excess of revenues and support over expenses, any prior periods presented, and any financial covenants.

prior to Application of Effect of Adopting As Reported at Statement No. 158 Statement No. 158 June 30, 2007 Defined benefit pension plan: prepaid (accrued) retirement cost $ 149 $ (2,499) $ (2,350) Postretirement medical plan: Accrued postretirement cost (current and long-term) (5,221) 1,768 (3,453) Change in unrestricted net assets 17,521 (731) 16,790

153 Included in unrestricted net assets at June 30, 2008 and 2007, actuarial loss and prior service credit for the postretirement respectively, are the following amounts that have not yet been medical plan that will be amortized from unrestricted net assets recognized in net periodic benefit cost: unrecognized actuarial into periodic benefit cost over the next fiscal year are $0 and loss of $1,501 and $2,438; and, unrecognized net prior service cost $196, respectively. of $9 and $61 for the Pension Plan and unrecognized actuarial The Museum uses June 30 as the measurement date for the gain of $390 and $208; and, unrecognized net prior service credit pension and postretirement medical plans. of $1,780 and $1,976 for the postretirement medical plan. The actuarial loss and prior service cost for the Pension Plan that will The following table sets forth the actuarial present value of be amortized from unrestricted net assets into periodic benefit benefit obligations and aggregate funded status of the Pension cost over the next fiscal year are $0 and $52, respectively. The Plan:

June 30, 2008 June 30, 2007 Change in benefit obligation: Benefit obligation at beginning of fiscal year $ 24,414 $ 22,163 Service cost 654 632 Interest cost 1,482 1,346 Actuarial losses (gains) (1,764) 1,340 Benefits paid (1,200) (1,145) participant contributions 73 78 Benefit obligation at end of fiscal year 23,659 24,414

Change in plan assets: Fair value of plan assets at beginning of fiscal year 22,064 21,590 Actual return on plan assets 672 993 Employer contributions 689 548 Benefits paid (1,200) (1,145) participant contributions 73 78 Fair value of plan assets at end of fiscal year 22,298 22,064 underfunded status of the plan and accrued pension obligation (1,361) (2,350)

Accumulated benefit obligation $ 21,136 $ 21,700

Weighted-average assumptions are as follows: June 30, 2008 June 30, 2007 Discount rate—liability 6.75% 6.25% Discount rate—cost 6.25% 6.25% Expected rate of return on plan assets 7.00% 7.00% Compensation growth rate 3.50% 3.50%

154 The assumptions used in the actuarial valuations were established by the Museum in conjunction with its actuary. The weighted-average rates of increase in compensation were established based upon the Museum’s long-term internal compensation plans. The expected long-term weighted‑average rate of return on plan assets was established using the Museum’s target asset allocation for equity and fixed income and the historical average rates of return for equity and fixed income adjusted by an assessment of possible future influences that could cause the returns to trail long‑term patterns.

June 30, 2008 June 30, 2007 Components of net periodic benefit cost recognized in the statements of activities: Service cost $ 654 $ 632 Interest cost 1,482 1,346 Expected return on plan assets (1,499) (1,481) Amortization of prior service cost 52 52

$ 689 $ 549

The Pension Plan invests in an unallocated immediate participation guarantee group annuity contract with John Hancock Life Insurance Company (the Insurer). The Insurer credits the Pension Plan’s deposits that are intended to provide future benefits to present employees to an account that is invested with other assets of the Insurer. The account is credited with its share of the Insurer’s actual investment income. The actual asset allocations by asset category are as follows:

June 30, 2008 June 30, 2007 Debt securities 94% 94% Equity securities 2 2 Real estate 2 2 Other 2 2

Total 100% 100%

155 The Museum expects to make a contribution of $656 to the Pension Plan in 2008. Benefit payments over the next five fiscal years are estimated as follows: 2009—$1,278; 2010—$1,340; 2011—$1,375; 2012—$1,406; 2013—$1,471; and in the aggregate for the five years thereafter is $8,112. In addition, effective January 1, 2002, the Museum initiated a 401(k) savings plan. The Museum matches employee contributions at a rate of 50% of the first 4% of total compensation. The Museum’s contributions to the 401(k) plan were $204 and $192 for the years ended June 30, 2008 and 2007, respectively. The following information is provided for the Museum’s postretirement medical benefits plan: June 30, 2008 June 30, 2007 Change in benefit obligation: Benefit obligation at beginning of fiscal year $ 3,453 $ 4,784 plan amendments — (1,759) Interest cost 206 286 Actuarial (gains) losses (599) 438 Benefits paid (304) (379) Retiree drug subsidy — 53 participant contributions 36 30 Benefit obligation at end of fiscal year 2,792 3,453

Change in plan assets: Fair value of plan assets at beginning of fiscal year — — participant contributions 36 30 Employer contributions 268 349 Benefits paid (304) (379) Fair value of plan assets at end of fiscal year — —

Underfunded status of the plan and accrued postretirement medical benefits $ (2,792) $ (3,453)

Beginning in January 2007, the Museum no longer offers prescription drug coverage to Medicare eligible retirees. The discount rate used in determining the accumulated postretirement benefit obligation at June 30, 2008 and 2007 was 6.75% and 6.25%, respectively. The discount rate used in determining the net periodic benefit cost was 6.25% at June 30, 2008 and 2007. The health care cost trend rate used is 10% for

156 fiscal year 2008 declining to 5.5% by 2014. A one-percentage- point increase or decrease in the health care cost trend rate would have increased or decreased the fiscal 2008 service and interest costs in total by $17 and $(15), respectively, and would have increased or decreased the accumulated postretirement benefit obligation by $208 and $(187), respectively.

Year ended June 30 2008 2007 Components of net periodic benefit cost recognized in the statements of activities: Interest cost $ 206 $ 286 Amortization of prior service cost (196) (26)

$ 10 $ 260

The gross benefits expected to be paid in each year for the fiscal years 2009–2013 are $272, $284, $286, $294, and $288, respectively. The anticipated benefits to be paid in the five years from 2014–2018 are $1,283.

9. Financing Arrangements and Long-Term Obligations Operating Leases variable rate, tax exempt Cultural Facility Revenue Bonds (The In fiscal 2005, the Museum entered into a three-year operating Cleveland Museum of Art Project) (the Bonds), Series 2005, lease for office space, with an option for an additional two years. payable October 1, 2040. The proceeds of the Bonds will be Total rental expense for the years ended June 30, 2008 and used to finance the Museum’s construction, renovation, and 2007 was $432 and $426, respectively. Minimum operating lease expansion project. The Bonds were issued in four series (i) the payments for the next fiscal year are approximately $348. Series A Bonds in the principal amount of $30,000, (ii) the Series B Bonds in the principal amount of $20,000, (iii) the Series C In fiscal 2007, the Museum entered into a four-year operating Bonds in the principal amount of $20,000, and (iv) the Series lease for warehouse, carpentry and paint workshop space, D Bonds in the principal amount of $20,000. The Bonds have with an option for three sequential, additional terms of one- adjustable methods of interest rate determination and interest year. Total rental expense for the years ended June 30, 2008 payment dates, and were in weekly variable rate mode on and 2007 was $76 and $62, respectively. Minimum operating June 30, 2008 bearing interest at 1.52–1.59% (range from 1.22% to lease payments for each of the next four fiscal years are 4.02% during the year ended June 30, 2008). The interest rate is approximately $61. determined by an external agent. Cultural Facility Revenue Bonds While the Cultural Facility Revenue Bonds are not a direct In October 2005, pursuant to certain agreements between indebtedness of the Museum, the loan agreement with the the Museum and the Cleveland-Cuyahoga Port Authority, Cleveland-Cuyahoga Port Authority obligates the Museum to the Cleveland-Cuyahoga Port Authority issued $90 million in make payments equal to the principal of and premium, if any,

157 and interest on the respective Bonds, whether at maturity, upon designated as a hedging instrument. At June 30, 2008 and 2007, acceleration, or upon redemption. Bond Service Charges due on the fair value of the swap agreement, based on mid-market the Bonds will be required to be made by the Museum as loan levels as of the close of business that day, was $(1,404) and payments under the agreement. Interest only payments are $1,078, respectively, owed to and due from the counterparty and required to be made until October 1, 2036. has been recorded in other assets on the statements of financial Unamortized financing costs are amortized over the period the position. The change in fair value of the swap agreement is obligation is outstanding using the bonds outstanding method. recorded in other changes in net assets on the statement of activities. Net interest (benefit) cost incurred under the swap Interest Rate Swap agreement was $312 and $(400) for fiscal 2008 and 2007, In connection with the $90,000 Cultural Facility Revenue Bonds, respectively, and was capitalized as an addition to construction- the Museum entered into a floating-to-fixed rate swap to in-progress. manage the risk of increased debt service costs resulting from rising interest rates. The swap consists of a $90 million 8-year Interest floating-to-fixed rate swap whereby the Museum pays a fixed Interest paid was approximately $2.9 million in fiscal years 2008 rate of 3.341% and receives 70% of 1-month London Interbank and 2007, respectively, and was capitalized. In fiscal year 2007, Offer Rate (LIBOR). The nominal amount of the swap will begin capitalized interest was reduced by interest income on the bond to decline on July 1, 2008 and will continue to decline until proceeds of $.065 million. There was no interest income on the maturity on January 1, 2014. This derivative instrument is not bond proceeds in fiscal year 2008.

10. Income Taxes The Museum is a nonprofit organization and is exempt from federal income taxes on related income under Section 501(c)(3) of the Internal Revenue Code. The Museum adopted the provisions of FIN 48, Accounting for Uncertainty in Income Taxes—an Interpretation of FASB Statement 109, in fiscal 2008, as required. FIN 48 requires that realization of an uncertain income tax position must be more likely than not (i.e., greater than 50% likelihood of receiving a benefit) before it can be recognized in the financial statements. Furthermore, FIN 48 prescribes the benefit to be recorded in the financial statements as the amount most likely to be realized assuming a review by tax authorities having all relevant information and applying current conventions. FIN 48 also clarifies the financial statement classification of tax-related penalties and interest and set forth new disclosures regarding unrecognized tax benefits. There was no impact on the fiscal 2008 financial statements from the adoption of FIN 48.

158 Annual Report The Cleveland Museum of Art The Annual Report was produced by Works of art in the collection were 11150 East Boulevard the Cleveland Museum of Art. photographed by Cleveland Museum of July 1, 2007–June 30, 2008 Cleveland, Ohio 44106-1797 Writing: Individual departments and Art photographers Howard Agriesti and Copyright © 2008 The Cleveland Gregory M. Donley, with contributions Gary Kirchenbauer; the museum holds Museum of Art by Barbara J. Bradley and Sue Schieman the copyright to these photographs. The works themselves may be protected by All rights reserved. No portion of this Editing: Barbara J. Bradley and copyright in the United States or abroad publication may be reproduced in any Kathleen Mills and may not be reproduced in any form form whatsoever without the prior Design: Thomas H. Barnard or medium without permission from the written permission of the Cleveland copyright holders. Museum of Art. Production: Charles Szabla The type is TheSans and Gotham.

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