Annual Report 2016
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National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Resultat Catalogue Annoté Internet
Page : 1/85 Résultats de l'exposition de MACON du 01/09/12 1er Groupe 1er Groupe 1er EXCELLENT 12 FREEDOM DU PARC JONAGEOIS CACS - RCACIB LOF : 222022/22837 Tat : 250269604172855 née le 18/10/2010 (BANZAI DU PARC CHIEN DE BERGER BELGE Groenendael JONAGEOIS X U II DU PARC JONAGEOIS) Prod. Mme MURET Corinne Prop. Mme —————————— CLASSE OUVERTE MALES - JUGE M. LARIVE Jean-Claude —————————— GUENEAU Nathalie 2e EXCELLENT 1 ASHLEY DU BOIS DE GEYLIS 2e EXCELLENT 13 GALA DES LOUPS DE LA FORET SACREE RCACS - RCACIB LOF : 048956/05107 Tat : 250269600396973 né le 27/03/2005 (TIKIS DU BOIS DE GEYLIS LOF : 227191 Tat : 250269604372369 née le 23/05/2011 (HARLEY DU SARTY ROUX X X CERES BAICHA) Prod. M. PICART Denis Prop. Mme CORDIER Muriel CARLA-BELLA DU RIBAUDEAU) Prod. Mme ANSIDEI Geneviève Prop. Mme OSEPIAN Mathilde 1er EXCELLENT 2 E'CARBONNE DES ETANGS SAUVAGES CACS - CACIB LOF : 215141/21365 Tat : 2GNC 837 né le 02/11/2009 (VERY GOOD DE BRUNALINES X ————————— CLASSE OUVERTE FEMELLES - JUGE M. LARIVE Jean-Claude ————————— Meilleur de Race BRUME DES ETANGS SAUVAGES) Prod. M. GILLET Serge Prop. M. THIBAUD Marc 1er EXCELLENT 14 ESKILA DU PRAT-DES-LOUPS —————————— CLASSE JEUNE FEMELLES - JUGE M. LARIVE Jean-Claude —————————— RCACS LOF : 211973/21621 Tat : 250269801302137 née le 17/04/2009 (VICKY DU MAS DE CANTEPERDRIX X ANTIOPE DU PRAT-DES-LOUPS) Prod. Mlle CARCOPINO Marie-Line 1er EXCELLENT 3 G. EBENE ARLINDA CHIEF Prop. Mme INFRAY Claudine LOF : 229885 Tat : 250269801712445 née le 08/10/2011 (BALKO DU CLOS DES 2e EXCELLENT GIANA DU DOMAINE DE L'AVENIR Meilleur Jeune AGAPORNIS X CHELSY ARLINDA CHIEF) Prod. -
Joslyn Art Museum's 2007 Annual Report
Joslyn Art Museum 2 0 0 7 A N N U A L R E P O R T YEAR AT A GLANCE 201,021 visited Joslyn Art Museum. 293 works of art were acquired by Joslyn Art Museum through gift or purchase in the following areas: Modern and Contemporary (142); American (140); European (8); and Asian (3). 60 works of art were lent by Joslyn to other institutions. 28 works of art were lent by other institutions and individuals to Joslyn's permanent collection. 10 special exhibitions were on view at the Museum. 38,774 attended tours, lectures, gallery talks, special programs for adults, art classes, camps, and other programs at Joslyn. The Museum ended the year with 5,971 membership households and an additional 10,000 members through the Passport Partners program. 46,298 attended music programs at Joslyn. 68,041 participated in Joslyn outreach programs. Volunteers logged 7,855 hours of service for the Museum's Art Reference Library; Museum Shop; Joslyn Art Museum Association events; Young Art Patrons events; and Membership, Education (including the docent program), and Marketing and Public Relations departments (including music series and visitor services). Joslyn's Abrahams Library acquired 699 new volumes, and there were 258 outgoing interlibrary loans. Joslyn Art Museum receives numerous requests from around the world for images of art works from its permanent collection. These images are used in textbooks, exhibition catalogues, books, and other publications; featured on posters, cards, and calendars; and used in films, videos, or television programs. In 2007, there were 77 completed reproduction requests, 46 of which were for works by Karl Bodmer. -
Small Replacement Parts Case, Empty A.6144 Old Ballpoint Pen with Head for Classic 0.62
2008 Item No. Page Item No. Page 0.23 00 – 5.01 01 – 1 22 0.61 63 5.09 33 5.10 10 – 0.62 00 – 2 – 23 – 5.11 93 0.63 86 3 24a Blister 0.64 03 – 5.12 32 – 4 25 0.70 52 5.15 83 0.80 00 – 5.16 30 – 26 – 4 0.82 41 5.47 23 29 0.71 00 – 5.49 03 – 30a – 5 0.73 33 5.49 33 30b 0.83 53 – 6 – 5.51 00 – 32 – 0.90 93 7 5.80 03 34 1.34 05 – 9 – 6.11 03 – 36 – 1.77 75 11 6.67 00 37 1.78 04 – 6.71 11 – 38 – 11a 1.88 02 6.87 13 38a 1.90 10 – 7.60 30 – 41 – 13 1.99 00 7.73 50 43 Ecoline 7.71 13 – 43a – 2.21 02 – 14 7.74 33 43b 3.91 40 2.10 12 – 14a – 7.80 03 – 44 – 3.03 39 14c 7.90 35 44a CH-6438 Ibach-Schwyz Switzerland 8.09 04 – 46 – Phone +41 (0)41 81 81 211 4.02 62 – 16 – Fax +41 (0)41 81 81 511 8.21 16 47b 4.43 33 18b www.victorinox.com Promotional P1 [email protected] material A VICTORINOX - MultiTools High in the picturesque Swiss Alps, the fourth generation of the Elsener family continues the tradition of Multi Tools and quality cutlery started by Charles and Victoria Elsener in 1884. In 1891 they obtained the first contract to supply the Swiss Army with a sturdy «Soldier’s Knife». -
EDISON's Warriors
EDISON’S WaRRIORS Christoph Cox Real security can only be attained in the long run through confusion. — Hilton Howell Railey, commander of the Army Experimental Station1 Simulantur quae non sunt. Quae sunt vero dissimulantur. — Motto of the 23rd Special Troops2 In “The Invisible Generation,” an experimental text from 1962, William S. Burroughs unveiled a proposal to unleash urban mayhem via the use of portable tape recorders. “Now consider the harm that can be done and has been done when recording and playback is expertly carried out in such a way that the people affected do not know what is happening,” he wrote. “Bands of irresponsible youths with tape recorders playing back traffic sounds that confuse motorists,” Burroughs gleefully imagined, could incite “riots and demonstrations to order.”3 Championing the productive (and destructive) powers of portable audio, “The Invisible Generation” is an emblematic text in the history of sound art and DJ culture. Yet, nearly 20 years earlier, Burroughs’s vision had already been conceived and deployed by none other than the United States Army, whose “ghost army,” the 23rd Special Troops, included several units dedicated to “sonic deception” and its results: enemy confusion and carnage.4 The first division in American Armed Forces history assigned exclusively to camouflage and deception, the 23rd was a military oddity. Despite the centrality of deception in the history of warfare from the Trojan Horse on, soldiers drilled in the West Point code of duty, honor, trust, and integrity were ill-suited to a life of simulation and dissimulation; and American officers tended to dismiss deceptive tactics as underhanded, a sign of weakness in every sense.5 It’s not surprising, then, that the 23rd consisted primarily of a population with an occupational predisposition to deception, invention, and fabrication: artists. -
The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Online
XumZy [Read now] The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Online [XumZy.ebook] The Ghost Army of World War II: How One Top- Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery Pdf Free Rick Beyer, Elizabeth Sayles DOC | *audiobook | ebooks | Download PDF | ePub #19765 in Audible 2016-01-08Format: UnabridgedOriginal language:EnglishRunning time: 252 minutes | File size: 67.Mb Rick Beyer, Elizabeth Sayles : The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery before purchasing it in order to gage whether or not it would be worth my time, and all praised The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery: 46 of 46 people found the following review helpful. A MUST READ FOR ANY FAN OF WWIIBy RC MayerImagine, captured German maps showing 15,000 Allied troops in a location that there were no troops. Imagine, Nazirsquo;s keeping their soldiers out of position opposite what they think are thousand of enemy troops. Imagine, they can hear the US tanks lining up on the opposite riverbank. They can even here the soldiers yell ldquo;Hey Private! Put out that cigarette! Therersquo;s gas tanks over there!rdquo; Imagine, Nazi civilian spys transmitting radio broadcasts to Berlin that they overheard conversations in a pub in from soldiers in 4th Infantry Division that they were moving into Metz this evening. -
Texas Knifemakers Supply 2016-2017 Catalog
ORDERING AND POLICY INFORMATION Technical Help Please call us if you have questions. Our sales team will be glad to answer questions on how HOW TO to use our products, our services, and answer any shipping questions you may have. You may CONTACT US also email us at [email protected]. If contacting us about an order, please have your 5 digit Order ID number handy to expedite your service. TELEPHONE 1-888-461-8632 Online Orders 713-461-8632 You are able to securely place your order 24 hours a day from our website: TexasKnife.com. We do not store your credit card information. We do not share your personal information with ONLINE any 3rd party. To create a free online account, visit our website and click “New Customer” www.TexasKnife.com under the log in area on the right side of the screen. Enter your name, shipping information, phone number, and email address. By having an account, you can keep track of your order [email protected] history, receive updates as your order is processed and shipped, and you can create notifica- IN STORE tions to receive an email when an out of stock item is replenished. 10649 Haddington Dr. #180 Houston, TX 77043 Shop Hours Our brick and mortar store is open six days per week, except major holidays. We are located at 10649 Haddington Dr. #180 Houston, TX 77043. Our hours are (all times Central time): FAX Monday - Thursday: 8am to 5pm 713-461-8221 Friday: 8am to 3pm Saturday: 9am to 12pm We are closed Sunday, and on Memorial Day, Labor Day, Thanksgiving, Christmas, and New Year’s Day. -
Museum of Arts and Design
SPRING/SUMMER BULLETIN 2011 vimuseume of artsws and design Dear Friends, Board of Trustees Holly Hotchner LEWIS KRUGER Nanette L. Laitman Director Chairman What a whirlwind fall! Every event seemed in some way or another a new milestone for JEROME A. CHAZEN us all at 2 Columbus Circle. And it all started with a public program that you might have Chairman Emeritus thought would slip under the radar—Blood into Gold: The Cinematic Alchemy of Alejandro BARbaRA TOBER Chairman Emerita Jodorowsky. Rather than attracting a small band of cinéastes, this celebration of the Chilean- FRED KLEISNER born, Paris-based filmmaker turned into a major event: not only did the screenings sell Treasurer out, but the maestro’s master class packed our seventh-floor event space to fire-code LINDA E. JOHNSON Secretary capacity and elicited a write-up in the Wall Street Journal! And that’s not all, none other HOllY HOtcHNER than Debbie Harry introduced Jodorowsky’s most famous filmThe Holy Mountain to Director filmgoers, among whom were several downtown art stars, including Klaus Biesenbach, the director of MoMA PS1. A huge fan of this mystical renaissance man, Biesenbach was StaNLEY ARKIN DIEGO ARRIA so impressed by our series that beginning on May 22, MoMA PS1 will screen The Holy GEORGE BOURI Mountain continuously until June 30. And, he has graciously given credit to MAD and KAY BUckSbaUM Jake Yuzna, our manager of public programs, for inspiring the film installation. CECILY CARSON SIMONA CHAZEN MICHELE COHEN Jodorowsky wasn’t the only Chilean artist presented at MAD last fall. Several had works ERIC DObkIN featured in Think Again: New Latin American Jewelry. -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
The Cutting Edge of Knives
THE CUTTING EDGE OF KNIVES A Chef’s Guide to Finding the Perfect Kitchen Knife spine handle tip blade bolster rivets c utting edge heel of a knife handle tip butt blade tang FORGED vs STAMPED FORGED KNIVES are heated and pounded using a single piece of metal. Because STAMPED KNIVES are stamped out of metal; much like you’d imagine a license plate would be stamped theyANATOMY are typically crafted by an expert, they are typically more expensive, but are of higher quality. out of a sheet of metal. These types of knives are typically less expensive and the blade is thinner and lighter. KNIFEedges Plain/Straight Edge Granton/Hollow Serrated Most knives come with a plain The grooves in a granton This knife edge is perfect for cutting edge. This edge helps the knife edge knife help keep food through bread crust, cooked meats, cut cleanly through foods. from sticking to the blade. tomatoes & other soft foods. STRAIGHT GRANTON SERRATED Types of knives PARING KNIFE 9 Pairing 9 Pairing 9 Asian 9 Asian 9 Steak 9 Cheese STEAK KNIFE 9 Utility 9 Asian 9 Santoku Knife 9 Butcher 9 Utility 9 Carving Knife 9 Fillet 9 Cheese 9 Cleaver 9 Bread BUTCHER KNIFE 9 Chef’s Knife 9 Boning Knife 9 Santoku Knife 9 Carving Knife UTILITY KNIFE MEAT CHEESE KNIFE (INCLUDING FISH & POULTRY » PAIRING » CLEAVER » ASIAN » CHEF’S KNIFE FILLET KNIFE » UTILITY » BONING KNIFE » BUTCHER » SANTOKU KNIFE » FILLET CLEAVER PRODUCE CHEF’S KNIFE » PAIRING » CHEF’S KNIFE » ASIAN » SANTOKU KNIFE » UTILITY » CARVING KNIFE BONING KNIFE » CLEAVER CHEESE SANTOKU KNIFE » PAIRING » CHEESE » ASIAN » CHEF’S KNIFE UTILITY » BREAD KNIFE COOKED MEAT CARVING KNIFE » STEAK » FILLET » ASIAN » CARVING ASIAN KNIVES offer a type of metal and processing that BREAD is unmatched by other types of knives typically produced from » ASIAN » BREAD the European style of production. -
Summer 2013 in “John Singer Sargent Watercolors,” Brooklyn Museum, NY
museumVIEWS A quarterly newsletter for small and mid-sized art museums John Singer Sargent, Simplon Pass: Reading, c.1911. Opaque and translucent watercolor and wax resist with graphite underdrawing. Summer 2013 In “John Singer Sargent Watercolors,” Brooklyn Museum, NY 1 museumVIEWS Features Summer 2013 Page 3 • Biennale • From the AAM Page 4 • Notes about an Artist: Left: Reference photo for Norman Rockwell’s Breakfast Table Politcal Arguement Above: Norman Rockwell, Breakfast Table Politcal Arguement, Ellsworth Kelly (detail) 1948. Illustration for The Saturday Evening Post. Both in “Norman Rockwell: Behind the Camera,” McNay Art Museum, TX • Building an Emergency Plan Page 5 • African-American Art Hits the Nation’s Museums • Numbers Game: Some Museum Statistics • Research Results in Surprise Findings Page 6 • Baruch and Rubin Pair up for Conference Pages 7 • Tips for Travel Off the Beaten Track Page 8-11 • newsbriefs Pages 12 • Textiles Take Center Stage in Denver Pages 13-19 • summerVIEWS Ridley Howard, Blues and Pink (detail), 2012. Oil on linen. In “Ridley Howard,” Museum of Fine Arts, Boston, MA Jeffrey Gibson, Much Stronger Than You Know, 2013. Acrylic and oil paint on deer hide stretched over wood panel. In “Jeffrey Gibson: Said the Pigeon museumVIEWS to the Squirrel,” National Academy Museum, NY Editor: Lila Sherman Publisher: Museum Views, Ltd. 2 Peter Cooper Road, New York, NY 10010 Phone: 212.677.3415 FAX: 212.533.5227 Email: [email protected] On the web: www.museumviews.org MuseumVIEWS is supported by grants from the Horace W. Goldsmith Foundation and Bloomberg. MuseumVIEWS is published 4 times a year: Winter (Jan.