Download Resume
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Galleries, Like Their Buyers, Make Themselves at Home in Palm Beach the City Has Become an Art Hub of Its Own That Benefits from Being Near, but Not In, Miami
https://nyti.ms/39zx4u7 Galleries, Like Their Buyers, Make Themselves at Home in Palm Beach The city has become an art hub of its own that benefits from being near, but not in, Miami. By Hilarie M. Sheets Dec. 1, 2020 Updated 10:28 a.m. ET When the pandemic forced Art Basel Miami Beach to shift its raucous annual art fair to online viewing rooms and events, a cluster of top New York City galleries still made the pilgrimage to South Florida in hopes of connecting with collectors in person. Notably, they all chose to set up outposts not in Miami but some 70 miles north in Palm Beach — home (or second or third home) to a concentrated community of prominent art collectors sheltering for the winter. “What dealer wouldn’t want to be where the collectors are?” said Adam Sheffer, a vice president at Pace Gallery, who is heading up a new space in Palm Beach leased through Memorial Day. “It allows for an ongoing dialogue with some of these same people you would see in Miami once a year, but now you get to do it on their turf, in a way that’s safe where they’re comfortable.” Building on the success of galleries following their wealthy patrons to East Hampton, N.Y., this summer in the early months of the pandemic, Pace, Acquavella Galleries and Sotheby’s auction house coordinated opening spaces in Royal Poinciana Plaza adjacent to the contemporary gallery Gavlak, long based in Palm Beach. Gisela Colón’s Rectanguloid (Rubidium Spectrum), blow-molded acrylic. -
Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
5 Essential Tips for Collecting Drawings Scott Indrisek Sep
AiA news-service 5 Essential Tips for Collecting Drawings Scott Indrisek sep. 13, 2019 5:44pm Andy Warhol Kenny Burrell, 1956 Ambleside Gallery While prints are a common entry point into the art market, there may come a day when a budding collector yearns for a unique artwork, rather than an edition. Works on paper, specifically drawings, can be a fruitful place to start: a way to access an artist’s intimate process without breaking the bank. While some artists, like Robert Longo or Kara Walker , make drawing a centerpiece of their practice, for many the medium is one tool among many. Drawings can be sketches or studies pointed toward fuller paintings or sculptures; they can be whimsical diversions, quick experiments, or fully fleshed-out artworks in their own right. They “can provide a very different creative outlet to the artist’s primary practice,” said Sueyun Locks of Philadelphia’s Locks Gallery, “and thus can offer us a more complete story about an artist’s oeuvre.” Kara Walker The Root, The Demise of the Flesh, The Immortal Negress, 2018 Sikkema Jenkins & Co. They may never have the commanding wall power of a massive Abstract Expressionist canvas, but that’s part of the point. Drawings have a quieter energy, one that welcomes deep, close-up contemplation. And unlike larger works—which, in many cases, may have been completed with the aid of studio assistants—a drawing is one of the easiest ways to commune directly with the hand of the artist, hunched over her desk or drafting table. Here are a few key tips for anyone looking to start collecting this singular medium. -
Plimack Mangold Selected Biography
1 2021 SYLVIA PLIMACK MANGOLD SELECTED BIOGRAPHY 1938 Born in New York 1956-1959 Cooper Union, New York 1959-1961 BFA, Yale University, New Haven, CT The artist lives and works in Washingtonville, NY AWARDS 1974 National Endowment for the Arts Fellowship 2006 Edwin P. Palmer Memorial Prize, National Academy Museum, New York 2009 William A. Paton Prize, National Academy Museum, New York Cooper Union President's Citation for Art, New York ONE-PERSON EXHIBITIONS 2021 Sylvia Plimack Mangold: The Pin Oak, 1985-2015, Krakow Witkin Gallery, Boston 2018 Sylvia Plimack Mangold: Winter Trees, Brooke Alexander, New York 2017 Summer and Winter, Alexander and Bonin, New York 2016 Sylvia Plimack Mangold: Floors and Rulers, 1967-76, Craig F. Starr Gallery, New York 2012-2013 Sylvia Plimack Mangold: Landscape and Trees, Norton Museum of Art, West Palm Beach, FL 2012 Recent Works, Alexander and Bonin, New York 2007 Sylvia Plimack Mangold, Alexander and Bonin, New York; Annemarie Verna Galerie, Zürich 2003 Sylvia Plimack Mangold: recent paintings and watercolors, Alexander and Bonin, New York 2000 Sylvia Plimack Mangold, Alexander and Bonin, New York 1999 Sylvia Plimack Mangold: Trees, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY 1997 New Paintings and Watercolors, Annemarie Verna Galerie, Zürich 1995 Sylvia Plimack Mangold, Paintings, 1990-1995, Brooke Alexander, New York 1994-1996 The Paintings of Sylvia Plimack Mangold, Albright-Knox Art Gallery, Buffalo, NY; Wadsworth Atheneum, Hartford, CT; Blaffer Art Museum, University of Houston; -
YING LI American, Born Beijing, China
YING LI American, Born Beijing, China EDUCATION 1987 MFA, Parsons School of Design, New York, NY 1977 BFA, Anhui Teachers University, Wuhu, Anhui, China ONE PERSON EXHIBITIONS 2020 “Ying Li, Blossoms in a Sudden Strangeness”, Cantor Fitzgerald Gallery, Haverford College, Haverford, PA “Ying Li, Alterity”, Pamela Salisbury Gallery, Hudson, NY 2019 “Ying Li, Beyond Trees”, VCAM, Haverford College, Haverford, PA “Efflorescent Gardens” Artist Space, Orient, NY “Ying Li, Peregrination”, Gross McCleaf Gallery, Philadelphia, PA 2018 “Ying Li, Elements,”, Alexander Hogue Gallery of Art, The University of Tulsa, OK 2017 “Ying Li, Expanded Geographies”, Sellars Gallery, Brenau University, Gainesville, Georgia, “Sojourn,Ying Li”, Gross McCleaf Gallery, Philadelphia, PA 2016 “Ying Li, Geographies”, Cantor Fitzgerald Gallery, Haverford College, Haverford, PA; Wilkes University, Wilkes-Barre, PA (catalog) “Variations on Water”, Heliker-LaHotan Foundation, Cranberry Island, Maine 2015 “Ascona Revisited” Centro Incontri Umani Ascona, Switzerland “Ying Li, Paintings”, John Davis Gallery, Hudson, NY “Ying Li, Wonderlust”, Gross McCleaf Gallery, Philadelphia, PA “Ying Li, Landscape Paintings”, Green Field Gallery, Armory Art Center, West Palm Beach, FL 2014 “Foreign Terrain, Paintings and works on Paper”, (catalog) College of Staten Island, City University of New York, NYC, NY “From Michael’s Window”, (catalog) The Painting Center, NYC, NY 2013 “Ying Li recent Paintings”, New York Studio School of Drawing, Painting and Sculpture, NYC, 2012 “Ying Li: Artist-in-Residence -
FOR IMMEDIATE RELEASE Eve Aschheim: Drawings And
FOR IMMEDIATE RELEASE Eve Aschheim: Drawings and Photograms September 8 – October 15, 2016 Lori Bookstein Fine Art is pleased to announce an exhibition of Eve Aschheim’s drawings and photograms – two distinct but related groups of work. This is the artist's fourth solo show with the gallery. With the simplest of tools and a limited palette, Aschheim evokes a domain under pressure in her drawings. In this latest body of work, Aschheim adds tonal washes of ink to her repertoire of graphite, ink and black and white gesso lines and brush strokes. Together, they form tenuous configurations on the verge of dispersal. Indicative of the artist’s interest in states of transition, Aschheim’s work is animated by a sense of motion, lyricism, transference and transformation – something becomes something else. Pictorial structures seem to be disassembling, assembling and re-forming. The result is a dynamic reality that offers the viewer different possibilities of seeing one image and then another without being able to settle on a final picture. In the photograms, exhibited for the first time with the gallery, Aschheim has found a powerful way to capture light and dark, line and space. Initially, working with the photographer Emmet Gowin, Aschheim made photograms directly from her translucent drawings, a kind of X-ray. In the recent photograms, Aschheim adds other processes in which she layers drawn elements and objects, makes multiple exposures, as well as draws with an altered flashlight. Whereas the first process leads to a negative reversal image of her original Mylar drawing, the recent photograms, which are composed in the darkroom, are unique and have no intact source. -
John Zurier in Berkeley,” San Francisco Chronicle, October 21 Baker, Kenneth
GALLERY PETER BLUM JOHN ZURIER PETER BLUM GALLERY JOHN ZURIER Born 1956 in Santa Monica, CA Lives and works in Berkeley, CA and Reykjavik, Iceland EDUCATION 1974 – 1984 University of California at Berkeley BA 1979 in Landscape Architecture; MFA 1984 in Painting SELECTED SOLO EXHIBITIONS 2019 North from Here, Peter Blum Gallery, New York, NY Places and Things, Galerie Nordenhake, Stockholm, Sweden 2018 Etchings and Monotypes, Borch Gallery, Berlin, Germany A Mind of Winter, Galerie Nordenhake, Berlin, Germany Sometimes (Over me the mountain), BERG Contemporary, Reykjavík, Iceland 2017 Stars Without Distance, Peter Blum Gallery, New York, NY At the very end of the blue sky, The Club, Tokyo, Japan John Zurier, Galleri Opdahl, Stavanger, Norway Dust and Troubled Air, Anglim Gilbert Gallery, San Francisco, CA 2016 The Last Summer Light, Office Baroque, Brussels, Belgium John Zurier: Summer Book, Niels Borch Jensen, Berlin, Germany John Zurier and Friends, Crown Point Press, San Francisco, CA Recent Watercolors, Lawrence Markey, San Antonio, Texas East, Galerie Nordenhake, Berlin, Germany 2015 John Zurier: Watercolors, Galleri Gangur (The Corridor), Reykjavik, Iceland Between North and Night, Galerie Nordenhake, Stockholm, Sweden West of the Future, Peter Blum Gallery, New York, NY 2014 John Zurier: Matrix 255, Berkeley Art Museum, Berkeley, CA Recent Paintings, Lawrence Markey, San Antonio, TX 2013 Knowledge is a blue naiveté, Galerie Nordenhake, Berlin, Germany A spring a thousand years ago, Peter Blum Gallery, New York, NY John Zurier: Watercolors, -
By Andy Warhol from the Leo Castelli Gallery, NY
Marilyn By Andy Warhol From the Leo Castelli Gallery, NY TITLE: Marilyn ARTIST: Andy Warhol DATE: 1964 SIZE: 40 X 40“ MEDIUM: Silkscreen & Oil on Canvas STYLE: Pop Art ELEMENT & PRINCIPLE: Color & Value to create Emphasis Andy Warhol was born on August 6, 1928, in Pittsburgh, PA, to Czechoslovak immigrant parents. He received his B.F.A. from the Carnegie Institute of Technology, Pittsburgh, in 1949. That same year, he moved to New York, where he soon became successful as a commercial artist and illustrator. By the 1960s, Warhol began to paint comic-strip characters and images derived from advertisements; this work was characterized by repetition of culturally popular subjects such as Coca-Cola bottles and soup cans. He also painted celebrities at this time. By 1963, he had substituted a silkscreen process for hand painting, making this medium a serious fine art medium. He tried his hand at filmmaking, but soon began to paint again. Warhol died from gallbladder surgery complications February 22, 1987, in New York. Pop Art (1950’s – 1960’s) is a style of art which explores the everyday imagery which is part of contemporary consumer culture. It was a movement in which artists adopted and adapted elements of popular culture (hence, the name "pop") into their works of art. Common sources include advertisements, consumer product packaging, celebrities, and comic strips. Leading Pop artists include Andy Warhol, Claes Oldenburg, Roy Lichtenstein, Jasper Johns, George Segal, Jim Dine, Tom Wesselmann, Robert Indiana, Wayne Thiebaud, and Robert Rauschenberg. On the next 3 slides you will see more Marilyns …pay attention to the technique of placing down areas of flat color, followed by a stamp-type photographic image. -
Donors 2016–17
Donors 2016–17 1 Trustees of The Museum of Modern Art In Memorium Glenn Dubin Honorary Trustees David Rockefeller (1915–2017) John Elkann Lin Arison Laurence Fink Mrs. Jan Cowles Jerry I. Speyer Glenn Fuhrman Lewis B. Cullman Chairman Kathleen Fuld H.R.H. Duke Franz of Bavaria Howard Gardner Maurice R. Greenberg Leon D. Black Mimi Haas Wynton Marsalis Co-Chairman Marlene Hess Richard E. Oldenburg‡ Ronnie Heyman Lord Rogers of Riverside Marie-Josée Kravis AC Hudgins Ted Sann President Jill Kraus Yoshio Taniguchi Marie-Josée Kravis Eugene V. Thaw Sid R. Bass Ronald S. Lauder Mimi Haas Michael Lynne Marlene Hess Khalil Gibran Muhammad Ex-Officio Maja Oeri Philip S. Niarchos Glenn D. Lowry Richard E. Salomon James G. Niven Director Vice Chairmen Peter Norton Daniel S. Och Agnes Gund Glenn D. Lowry Maja Oeri Chairman of the Board of Director Michael S. Ovitz MoMA PS1 Ronald O. Perelman Richard E. Salomon David Rockefeller, Jr. Sharon Percy Rockefeller Treasurer Sharon Percy Rockefeller President of the International Richard E. Salomon Council James Gara Marcus Samuelsson Assistant Treasurer Anna Deavere Smith Thomas R. Osborne and Ann Schaffer Jerry I. Speyer Co-Chairmen of Patty Lipshutz Ricardo Steinbruch The Contemporary Arts Council Secretary Jon Stryker Daniel Sundheim Bill de Blasio Ronald S. Lauder Tony Tamer Mayor of the City of New York Honorary Chairman Alice M. Tisch Gary Winnick Gabrielle Fialkoff Robert B. Menschel Mayor’s Designee Chairman Emeritus Life Trustees Wallis Annenberg Melissa Mark-Viverito Agnes Gund Sid R. Bass Speaker of the Council of President Emerita Eli Broad the City of New York Douglas S. -
Charles Arnoldi
CHARLES ARNOLDI CONTENTS Biography 2 One Artist Exhibitions 2 Selected Group Exhibitions 4 Awards 11 Public Collections 11 Books & Exhibition Catalogues 12 Selected Bibliography 14 2525 Michigan Ave. B4, Santa Monica, CA 90404 | t. 310.828.8488 | f. 310.828.1075 | www.rosamundfelsen.com | [email protected] 1 BIOGRAPHY 1946 Born, Dayton, Ohio 1968 Attended Chouinard Art Institute, Los Angeles Lives in Malibu, CA ONE ARTIST EXHIBITIONS 1971 Riko Mizuno Gallery, Los Angeles. 1972 Texas Gallery, Houston. 1974 Nicholas Wilder Gallery, Los Angeles. 1975 Nicholas Wilder Gallery, Los Angeles. 1976 Seattle Art Museum, Seattle, WA. 1977 Nicholas Wilder Gallery, Los Angeles. Texas Gallery, Houston. 1978 Nicholas Wilder Gallery, Los Angeles. Robert Elkon Gallery, New York. 1979 Texas Gallery, Houston. Nicholas Wilder Gallery, Los Angeles. Dobrick Gallery, Chicago. Robert Elkon Gallery, New York. 1980 James Corcoran Gallery, Los Angeles. 1981 Hansen Fuller Goldeen Gallery, San Francisco. Texas Gallery, Houston. James Corcoran Gallery, Los Angeles. 1982 James Corcoran Gallery, Los Angeles. 1983 Texas Gallery, Houston. James Corcoran Gallery, Los Angeles. 1984 “Charles Arnoldi: Unique Prints,” Los Angeles County Museum of Art, Los Angeles (catalogue). James Corcoran Gallery, Los Angeles. 1985 Fuller Goldeen Gallery, San Francisco. Thomas Babeor Gallery, La Jolla, CA. Charles Cowles Gallery, New York. James Corcoran Gallery, Los Angeles. 1986 New City Editions, Venice, CA. Charles Cowles Gallery, New York. Pamela Auchincloss Gallery, Santa Barbara, CA. Janie Beggs Gallery, Aspen, CO. “Arnoldi: Recent Paintings,” Univ. of Missouri-Kansas City Gallery of Art, Kansas City, MO (catalogue). 1986 “Arnoldi, A Survey: 1971-1986,” Arts Club of Chicago, Chicago. 1987 Fuller Goldeen Gallery, San Francisco. -
Sean Scully, 1945 —
Sean Scully, 1945 — Sean Scully (b. 1945, Dublin, Ireland) is an American-Irish artist who is internationally recognised for his distinctive abstract compositions that interrogate the properties of light, colour and form. Scully studied painting at Croydon College of Art, London and Newcastle University, UK, where he began to work in abstraction. During a trip to Morocco in 1969, Scully was strongly influenced by the local textiles and rich colours of the region, which he translated into the broad horizontal stripes and deep earth tones that characterise his mature style. Scully’s travels throughout Morocco and Mexico would also prompt his decision to move from Minimalism to a more emotional and humanistic form of abstraction. Following fellowships in 1972 and 1975 at Harvard University, Scully’s paintings became increasingly monumental and sculptural, consisting of interconnected three-dimensional panels that anticipated his later sculpture practice. In 1984 he began to develop the Wall of Light series, replacing the precise stripes of his early paintings with solid blocks of colour, built with increasingly loose and feathered brushstrokes into vertical and horizontal ‘bricks’ that suggest a wall of stone. Subtle differences in colour in the paintings indicate the location in which they were created, the changing seasons and the artist’s own emotions. This series formed the subject of a major touring exhibition at The Metropolitan Museum of Art, New York in 2007. In 1984 Scully achieved international breakthrough through his inclusion in the major group exhibition An International Survey of Recent Painting and Sculpture at the Museum of Modern Art, New York. -
June 2020 June 2020 June 2020 June 2020
JUNE 2020 JUNE 2020 JUNE 2020 JUNE 2020 field notes art books Normality is Death by Jacob Blumenfeld 6 Greta Rainbow on Joel Sternfeld’s American Prospects 88 Where Is She? by Soledad Álvarez Velasco 7 Kate Silzer on Excerpts from the1971 Journal of Prison in the Virus Time by Keith “Malik” Washington 10 Rosemary Mayer 88 Higher Education and the Remaking of the Working Class Megan N. Liberty on Dayanita Singh’s by Gary Roth 11 Zakir Hussain Maquette 89 The pandemics of interpretation by John W. W. Zeiser 15 Jennie Waldow on The Outwardness of Art: Selected Writings of Adrian Stokes 90 Propaganda and Mutual Aid in the time of COVID-19 by Andreas Petrossiants 17 Class Power on Zero-Hours by Jarrod Shanahan 19 books Weston Cutter on Emily Nemens’s The Cactus League art and Luke Geddes’s Heart of Junk 91 John Domini on Joyelle McSweeney’s Toxicon and Arachne ART IN CONVERSATION and Rachel Eliza Griffiths’s Seeing the Body: Poems 92 LYLE ASHTON HARRIS with McKenzie Wark 22 Yvonne C. Garrett on Camille A. Collins’s ART IN CONVERSATION The Exene Chronicles 93 LAUREN BON with Phong H. Bui 28 Yvonne C. Garrett on Kathy Valentine’s All I Ever Wanted 93 ART IN CONVERSATION JOHN ELDERFIELD with Terry Winters 36 IN CONVERSATION Jason Schneiderman with Tony Leuzzi 94 ART IN CONVERSATION MINJUNG KIM with Helen Lee 46 Joseph Peschel on Lily Tuck’s Heathcliff Redux: A Novella and Stories 96 june 2020 THE MUSEUM DIRECTORS PENNY ARCADE with Nick Bennett 52 IN CONVERSATION Ben Tanzer with Five Debut Authors 97 IN CONVERSATION Nick Flynn with Elizabeth Trundle 100 critics page IN CONVERSATION Clifford Thompson with David Winner 102 TOM MCGLYNN The Mirror Displaced: Artists Writing on Art 58 music David Rhodes: An Artist Writing 60 IN CONVERSATION Keith Rowe with Todd B.