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BARRY N. MALZBERG Introduction by D
REVELATIONS A Paranoid Novel of Suspense BARRY N. MALZBERG Introduction by D. Harlan Wilson AP ANTI-OEDIPUS PRESS Revelations Copyright © 1972 by Barry N. Malzberg ISBN: 978-0-99-915354-3 Library of Congress Control Number: 2020934879 First published in the United States by Warner Paperback First Anti-Oedipal Paperback Edition: March 2020 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author and publisher. Published in the United States by Anti-Oedipus Press, an imprint of Raw Dog Screaming Press. www.rawdogscreaming.com Introduction © 2020 by D. Harlan Wilson Afterword © 1976 by Barry N. Malzberg Afterword to an Afterword © 2019 by Barry N. Malzberg Cover Design by Matthew Revert www.matthewrevert.com Interior Layout by D. Harlan Wilson www.dharlanwilson.com Anti-Oedipus Press Grand Rapids, MI www.anti-oedipuspress.com SF SCHIZ FLOW PRAISE FOR THE WORK OF BARRY N. MALZBERG “There are possibly a dozen genius writers in the genre of the imaginative, and Barry Malzberg is at least eight of them. Malzberg makes what the rest of us do look like felonies!” —Harlan Ellison “Malzberg makes persuasively clear that the best of science fiction should be valued as literature and nothing else.” —The Washington Post “One of the finest practitioners of science fiction.” —Harry Harrison “Barry N. Malzberg’s writing is unparalleled in its intensi- ty and in its apocalyptic sensibility. His detractors consider him bleakly monotonous and despairing, -
Panels Seeking Participants
Panels Seeking Participants • All paper proposals must be submitted via the Submittable (if you do not have an account, you will need to create one before submitting) website by December 15, 2018 at 11:59pm EST. Please DO NOT submit a paper directly to the panel organizer; however, prospective panelists are welcome to correspond with the organizer(s) about the panel and their abstract. • Only one paper proposal submission is allowed per person; participants can present only once during the conference (pre-conference workshops and chairing/organizing a panel are not counted as presenting). • All panel descriptions and direct links to their submission forms are listed below, and posted in Submittable. Links to each of the panels seeking panelists are also listed on the Panel Call for Papers page at https://www.asle.org/conference/biennial-conference/panel-calls-for-papers/ • There are separate forms in Submittable for each panel seeking participants, listed in alphabetical order, as well as an open individual paper submission form. • In cases in which the online submission requirement poses a significant difficulty, please contact us at [email protected]. • Proposals for a Traditional Panel (4 presenters) should be papers of approximately 15 minutes-max each, with an approximately 300 word abstract, unless a different length is requested in the specific panel call, in the form of an uploadable .pdf, .docx, or .doc file. Please include your name and contact information in this file. • Proposals for a Roundtable (5-6 presenters) should be papers of approximately 10 minute-max each, with an approximately 300 word abstract, unless a different length is requested in the specific panel call, in the form of an uploadable .pdf, .docx, or .doc file. -
Nt Venues Association Unites to Save Our Stages by DAN ENGLAND
7.25” x 9.875” 2 album reviews BandWagon VIVIAN PG. 4 Magazine A.M. PleAsure ASsassins PG. 5 andy sydow PG. 6 BandWagMag BandWagMag 802 9th St. Greeley, CO 80631 BANDWAGMAG.COM THE COLORADO PUBLISHER SOUND’S my5 PG. 11 ELY CORLISS EDITOR KEVIN JOHNSTON ART DIRECTOR CARTER KERNS CONTRIBUTORS DAN ENGLAND VALERIE VAMPOLA the fate of festival future music education goes NATE WILDE PG. 12 LAURA GIAGOS onlinePG. 10 PG. 16 ATTN: BANDS AND MUSICIANS Submit your album for review: BandWagon MAgazine 802 9th St. Greeley, CO 80631 or [email protected] CONTACT US Advertising Information: [email protected] Editorial Info/Requests: [email protected] Any other inquiries: [email protected] BandWagon Magazine PG. 20 © 2020 The Crew Presents Inc. NATIONAL INDEPENDENT VENUE ASSOSIATION 3 VIVIAN The Warped Glimmer Laura Giagos and puts the seat back for the BandWagon Magazine listener. It’s a warm envelope to rest in but exciting enough not to put you to sleep. VIVIAN’s Tim Massa and Alana Rolfe came out of big changes leading up to quarantine: Massa went through a divorce and their other band Stella Luce ended after ten years. Suddenly, they began cranking out songs. “There’s a sense of urgency but an overwhelming sense of loss,” says Rolfe, “It’s so confusing it makes your head want to split in half.” Covid-19 has changed much “In the last two years I really of what we love about music – got into home recording and some possibly forever – but the beat production,” Massa says. “I indomitable spirit of musicians was working on some stuff as continues to persevere. -
KATHERINE BRADFORD B
KATHERINE BRADFORD b. 1942, New York, NY Lives New York City and works in Brooklyn, NY Education MFA, State University of New York, Purchase, NY BA, Bryn Mawr ColleGe, PA SOLO AND TWO PERSON EXHIBITIONS 2018 Superman Returns With Swimmers, Galerie Haverkampf, Berlin, Germany Friends and StranGers, CANADA, New York, NY MaGenta NiGhts, Adams and Ollman, Portland, OR BeinG like Water, with Jen DeNike, Anat EGbi, Los AnGeles, CA 2017 Superman Responds, Galerie Haverkampf, Berlin, Germany Focus: Katherine Bradford, The Modern Art Museum of Fort Worth, Fort Worth, TX Katherine Bradford, Galleria Monica De Cardenas, Milan, Italy Sperone Westwater, New York, NY 2016 Fear of Waves, CANADA, New York, NY Divers and Dreamers, Adams and Ollman, Portland, OR 2015 Fred Giampietro Gallery, New Haven, CT Caldbeck Gallery, Rockland, ME 2014 Adams and Ollman, Portland, OR Arts & Leisure, New York, NY Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL 2013 Bowdoin ColleGe Museum of Art, Brunswick, ME Steven Harvey Fine Art, New York, NY 2012 Edward Thorp Gallery, New York, NY John Davis Gallery, Hudson, NY 2011 Aucocisco Galleries, Portland ME 2010 John Davis Gallery, Hudson, NY Samson Projects, Boston, MA 2008 University of Maine Museum, BanGor, ME Rebecca Ibel Gallery, Columbus, OH 2007 Edward Thorp Gallery, New York, NY 2005 Sarah Bowen Gallery, Brooklyn, NY 2004 ICON Contemporary Art, Brunswick, ME 2002 Canaday Gallery, Bryn Mawr ColleGe, Bryn Mawr, PA 1996 Katherine Bradford and Mark Wethli, Farnsworth Museum, Rockland, ME 1994 David -
Pittsburgh the Arts & Cultural Legacy of America’S Steel Town October 27 – 31, 2021 MUSEUM TRAVEL ALLIANCE
MUSEUM TRAVEL ALLIANCE Pittsburgh The Arts & Cultural Legacy of America’s Steel Town October 27 – 31, 2021 MUSEUM TRAVEL ALLIANCE Dear Travelers and Friends, Forged from steel, Pittsburgh has evolved from a gritty industrial center to a cosmopolitan arts mecca and one of America’s most livable cities. Over four nights in October 2021, join the Museum Travel Alliance for exclusive access to the wealth of museums, galleries, studios, and diverse architecture that now populate this revitalized urban landscape. Personal access to local experts and creators is one of the features of all the trips offered by the Museum Travel Alliance. On this program, you will travel in the company of esteemed guest lecturer Judith O’Toole, Director Emerita of the Westmoreland Museum of American Art, who will host a private reception and lecture for us at her exceptional museum. HIGHLIGHTS As you explore Pittsburgh’s illustrious history, RELIVE the Gilded Age with a behind-the- step back in time to its Gilded Age past on an scenes tour at Clayton, the 19th-century exclusive tour of Clayton, the art-filled former Victorian family home of industrialist Henry mansion of industrialist Henry Clay Frick. Join a Clay Frick, featuring a perusal of its Car and curator at the Carnegie Museum of Art to admire Carriage Museum, followed by a visit to the its distinguished collections. Discover the largest Frick Art Museum collection of pop-art masterpieces from Andy Warhol — one of Pittsburgh’s greatest native sons — IMMERSE yourself in Pittsburgh’s storied on a private tour of his eponymous museum. -
Carnegie Institute: History, Architecture, Collections
FRICK FINE ARTS LIBRARY The Carnegie Institute: History, Architecture, Collections Library Guide Series, No. 40 “Qui scit ubi scientia sit, ille est proximus habenti.” -- Brunetiere* An Introduction Andrew Carnegie, the founder of The Carnegie Institute, was an American industrialist who worked in the fields of the railroad, oil and became a baron of the iron and steel industries. During his lifetime he donated more than $350 million to a variety of social, educational and cultural causes, the best known of which was his support of the free public library movement. He gave grants for 3,000 library buildings in the English- speaking world between the late 1890s and 1917. The first Carnegie Library opened in 1889 and was built in Braddock, PA near the location of his largest steel mill. The second library opened in Allegheny City during 1890. Carnegie’s most ambitious cultural creation, however, was the Carnegie Institute in Pittsburgh which included a library, natural history museum, art gallery, and concert hall that were designed by Alden and Harlow between 1891-1907. Few people outside of Pittsburgh know that Andrew Carnegie was also involved in the art world of his day, creating the Art Gallery portion of the Carnegie Institute that is now known as the Carnegie Museum of Art and also beginning what has become one of the oldest international art exhibitions in the world – the Carnegie International in 1896. A little more than a century later the Carnegie Museum of Art had grown to include The Andy Warhol Museum of Art and the Heinz Architectural Center. -
Ray Johnson Drawings and Silhouettes, 1976-1990. RJE.FA02L.2012 RJE.01.2012 Finding Aid Prepared by Finding Aid Prepared by Julia Lipkins
Ray Johnson drawings and silhouettes, 1976-1990. RJE.FA02L.2012 RJE.01.2012 Finding aid prepared by Finding aid prepared by Julia Lipkins This finding aid was produced using the Archivists' Toolkit August 18, 2015 Describing Archives: A Content Standard Ray Johnson Estate January 2013 34 East 69th Street New York, NY, 10021 (212) 628-0700 [email protected] Ray Johnson drawings and silhouettes, 1976-1990. RJE.FA02L.2012 Table of Contents Summary Information ................................................................................................................................. 3 Biographical Note.......................................................................................................................................... 4 Scope and Contents Note.............................................................................................................................. 4 Administrative Information .........................................................................................................................5 Related Materials ........................................................................................................................................ 6 Controlled Access Headings..........................................................................................................................6 Bibliography...................................................................................................................................................7 Collection Inventory..................................................................................................................................... -
Schor Moma Moma
12/12/2016 M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking3 H O M E A B O U T L I N K S Browse: Home / 2016 / December / 09 / M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking CONNE CT 3 Mira's Facebook Page DE CE MBE R 9 , 2 0 1 6 Subscribe in a Reader Subscribe by email M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking3 miraschor.com The first issue of M/E/A/N/I/N/G: A Journal of Contemporary Art Issues, was published in December 1986. M/E/A/N/I/N/G is a collaboration between two artists, TAGS Susan Bee and Mira Schor, both painters with expanded interests in writing and 2016 election Abstract politics, and an extended community of artists, art critics, historians, theorists, and Expressionism ACTUAW poets, whom we sought to engage in discourse and to give a voice to. Activism Ana Mendieta Andrea For our 30th anniversary and final issue, we have asked some longtime contributors Geyer Andrea Mantegna Anselm and some new friends to create images and write about where they place meaning Kiefer Barack Obama CalArts craft today. As ever, we have encouraged artists and writers to feel free to speak to the Cubism DAvid Salle documentary concerns that have the most meaning to them right now. film drawing Edwin Denby Facebook feminism Every other day from December 5 until we are done, a grouping of contributions will Feminist art appear on A Year of Positive Thinking. -
Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture
Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture Patrick Scott Lawrence, PhD University of Connecticut, 2016 Tracing a cultural history from the 1970s to the 1990s, Obscene Gestures places popular and legal notions of obscenity in conversation with anti-consumerist and anti-capitalist resistance movements, women of color feminism, and LGBTQ activism. Since the 1973 Supreme Court ruling in Miller v. California, obscenity discourse has policed the shape of the nation by marking non-normative bodies as objectionable. The dissertation’s study of the cultural artifacts this discourse concerns opens by situating the history of literary obscenity alongside the key theories of sexuality, power, race, and knowledge. The first body chapter links the Miller ruling with 1970s-era neoconservative policies by considering some of the decade’s major novels, including Thomas Pynchon’s Gravity’s Rainbow (1973), revealing a home- front cultural politics that stymied dissent by classing as out of bounds many forms of political speech, including Huynh Cong Ut’s 1972 photo The Terror of War. Chapter Two builds upon the polarization this moment caused via an analysis of the feminist battles over pornography in the early 1980s. I juxtapose figures on both sides of this debate with works by women of color, such as Alice Walker’s The Color Purple (1983), that address the histories of embodiment that this debate tended to obscure. The occlusion of race in organizing around pornography parallels the role of possessive individualism in justifying racial wealth disparities during the Reagan administration, which the third chapter highlights. Working in the shadow of the 1986 Meese Commission report, this chapter interprets neoliberal economic policies as an enactment of racial indifference through the metaphors of sex and violence in The Bonfire of the Vanities (1987) and American Psycho (1990). -
Barbara-Zucker-CV-1.Pdf
Barbara Zucker Born, Philadelphia, PA. Lives and works in Burlington,Vermont, and New York, New York. Studio: 444 S. Union St. Burlington, Vermont 05401 802 863 8513 Fax: 802 864 5841 email: [email protected] Education University of Michigan, BS in Design Hunter College, MA Cranbrook Academy of Art Selected One Person Exhibitions Barbara Zucker: Time Signatures, The Gershman Y, Phila., Pa. 2007 Time Signatures: Tufts University, Mass., 2005 Universal Lines: Homage to Lilian Baker Carlisle and Other Women of Distinction”; Amy Tarrant Gallery, The Flynn Center for the Performing Arts, Burlington, Vt., 2001 Robert Hull Fleming Museum, Burlington, VT, 1998, 1980 One Great Jones Gallery, NYC, 1997 Paley Gallery, Moore College of Art, Phila., PA, 1996 (catalog) “For Beauty’s Sake,” Artists’ Space, NYC, 1994 Haeneh Kent Gallery, NYC, 1990 Webb and Parsons, Burlington, VT, 1989, 1991 Benjamin Mangel Gallery, Phila., PA, 1989 The Sculpture Center, NYC, April, 1989 Pam Adler Gallery, NYC, 1983, 1885 Swarthmore College, PA, 1983 Fine Arts Center, University of Massachusetts, Amherst, 1982 Joselyn Art Museum, Omaha, Nebraska, 1981 Robert Hull Fleming Museum, Burlington, VT, 1981 Robert Miller Gallery, NYC, 1978, 1980 Pennsylvania Academy of Fine Art, 1980 Marion Deson Gallery, Chicago, 1979, 1985 112 Greene Street Gallery, NYC, 1976 A.I.R. Gallery, NYC, 1972, 1974 Rutgers University, Douglass College, New Brunswick, NJ, 1973 Selected Group Exhibitions ‘Radical Lace and Subversive Knitting”, The Museum of Arts and Design, New York, 2007 “From the Inside Out: Feminist Art Then and Now”, New York, 2007 Winter Salon , Lesley Heller Gallery, December, New York, 2006 “Selfish“, curated by Lori Waxman, 128 Rivington, New York, 2004 Reading Between the Lines”, curated by Joyce Kozloff; Wooster Arts Space, New York, 2003 “Drawing Conclusions: Work by Artists Critics”, curated by Judith Collishan, New York Arts, New York, 2003 “The Art of Aging”, Hebrew Union College Museum, New York, 2003-2004; traveling exhibition, through 2006. -
Pittsburgh the Arts & Cultural Legacy of America’S Steel Town October 27 – 31, 2021 MUSEUM TRAVEL ALLIANCE
MUSEUM TRAVEL ALLIANCE Pittsburgh The Arts & Cultural Legacy of America’s Steel Town October 27 – 31, 2021 MUSEUM TRAVEL ALLIANCE Dear Travelers and Friends, Forged from steel, Pittsburgh has evolved from a gritty industrial center to a cosmopolitan arts mecca and one of America’s most livable cities. Over four nights in October 2021, join the Museum Travel Alliance for exclusive access to the wealth of museums, galleries, studios, and diverse architecture that now populate this revitalized urban landscape. Personal access to local experts and creators is one of the features of all the trips offered by the Museum Travel Alliance. On this program, you will travel in the company of esteemed guest lecturer Judith O’Toole, Director Emerita of the Westmoreland Museum of American Art, who will host a private reception and lecture for us at her exceptional museum. HIGHLIGHTS As you explore Pittsburgh’s illustrious history, RELIVE the Gilded Age with a behind-the- step back in time to its Gilded Age past on an scenes tour at Clayton, the 19th-century exclusive tour of Clayton, the art-filled former Victorian family home of industrialist Henry mansion of industrialist Henry Clay Frick. Join a Clay Frick, featuring a perusal of its Car and curator at the Carnegie Museum of Art to admire Carriage Museum, followed by a visit to the its distinguished collections. Discover the largest Frick Art Museum collection of pop-art masterpieces from Andy Warhol — one of Pittsburgh’s greatest native sons — IMMERSE yourself in Pittsburgh’s storied on a private tour of his eponymous museum. -
Copyrighted Material
Contents Preface x Acknowledgements and Sources xii Introduction: Feminism–Art–Theory: Towards a (Political) Historiography 1 1 Overviews 8 Introduction 8 1.1 Gender in/of Culture 12 • Valerie Solanas, ‘Scum Manifesto’ (1968) 12 • Shulamith Firestone, ‘(Male) Culture’ (1970) 13 • Sherry B. Ortner, ‘Is Female to Male as Nature is to Culture?’ (1972) 17 • Carolee Schneemann, ‘From Tape no. 2 for Kitch’s Last Meal’ (1973) 26 1.2 Curating Feminisms 28 • Cornelia Butler, ‘Art and Feminism: An Ideology of Shifting Criteria’ (2007) 28 • Xabier Arakistain, ‘Kiss Kiss Bang Bang: 86 Steps in 45 Years of Art and Feminism’ (2007) 33 • Mirjam Westen,COPYRIGHTED ‘rebelle: Introduction’ (2009) MATERIAL 35 2 Activism and Institutions 44 Introduction 44 2.1 Challenging Patriarchal Structures 51 • Women’s Ad Hoc Committee/Women Artists in Revolution/ WSABAL, ‘To the Viewing Public for the 1970 Whitney Annual Exhibition’ (1970) 51 • Monica Sjöö, ‘Art is a Revolutionary Act’ (1980) 52 • Guerrilla Girls, ‘The Advantages of Being a Woman Artist’ (1988) 54 0002230316.indd 5 12/22/2014 9:20:11 PM vi Contents • Mary Beth Edelson, ‘Male Grazing: An Open Letter to Thomas McEvilley’ (1989) 54 • Lubaina Himid, ‘In the Woodpile: Black Women Artists and the Modern Woman’ (1990) 60 • Jerry Saltz, ‘Where the Girls Aren’t’ (2006) 62 • East London Fawcett, ‘The Great East London Art Audit’ (2013) 64 2.2 Towards Feminist Structures 66 • WEB (West–East Coast Bag), ‘Consciousness‐Raising Rules’ (1972) 66 • Women’s Workshop, ‘A Brief History of the Women’s Workshop of the