Front Matter, Vol. 37, Issue 2
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Balade En CALVADOS
Sur les pas des écrivains Balade en CALVADOS présentée par Marie-Odile Laîné Éditions Alexandrines Sommaire Introduction : Un certain art de vivre, par Marie-Odile Laîné 9 Pays d’Auge N Je suis de ce pays, par Jérôme Garcin 15 Jérôme GARCIN : Le pays d’Auge à cheval 20 Saint-Ouen-le-Pin N François Guizot, un Normand de cœur, par Catherine Coste 25 François GUIZOT : Lettres à sa fille Henriette 31 La Roque-Baignard N André Gide, maire de La Roque-Baignard, par Henri Heinemann 39 André GIDE : À la Morinière 45 Lisieux N Thérèse Martin : « Je n’écris pas pour faire une œuvre littéraire… », par Guy Gaucher 51 Thérèse MARTIN : L’Épreuve et la Grâce 55 De Pont-l’Évêque à Falaise N Par les champs et par les grèves du Calvados avec Gustave Flaubert, par Dominique Bussillet 61 Gustave FLAUBERT : Bouvard et Pécuchet jardinent 67 Honfleur N Baudelaire à Honfleur : la « maison-joujou », par Pierre Brunel 73 Charles BAUDELAIRE : Lettre à Madame Aupick 79 N Lucie Delarue-Mardrus, la sirène de l’estuaire, par André Albert-Sorel 87 Lucie DELARUE-MARDRUS : Drame de la mer 92 N Là où Alphonse… allait ! par Jean-Yves Loriot 99 Alphonse ALLAIS : Les zèbres 106 Trouville N Marguerite Duras, de Trouville, par Christiane Blot-Labarrère 111 Marguerite DURAS : L’Été 80 116 Villerville N Une enfance en féerie, par Patrick Grainville 121 Patrick GRAINVILLE : L’Orgie, la neige 125 Cabourg N Marcel Proust, un gourmand aux bains de mer, par Anne Borrel 131 Marcel PROUST : À l’ombre des jeunes filles en fleurs 138 6 Caen N L’académie de Caen de Segrais à Senghor, une histoire -
Catalogue Grand Palais 2020
LIBRAIRIE FAUSTROLL Salon International du Livre Rare Grand Palais, Paris Stand A4 17 au 20 septembre 2020 LIBRAIRIE FAUSTROLL Éditions originales - Livres illustrés Manuscrits - Gravures - Photographies Christophe Champion 22, rue du Delta 75009 Paris Métro : Anvers Tel : +33 (0)6 67 17 08 42 e-mail : [email protected] Site internet : http://librairie-faustroll.com Vente par correspondance et sur rendez-vous Nous recevons à la librairie du lundi au samedi sur rendez-vous uniquement Catalogue consultable en ligne à l’adresse suivante: http://www.librairie-faustroll.com Domicile Bancaire: LCL 31 bis rue Vivienne, 75002 Paris Compte: 402 375428J IBAN: FR96 3000 2004 0200 0037 5428 J43 R.C.S. Paris 512 913 765 N° TVA intracommunautaire : FR43 512 913 765 EN BRADEL D’époque et AVEC ENVOI à ARTHUR JOHNSON 1. APOLLINAIRE (Guillaume). Calligrammes. Poèmes de la Paix et de la Guerre. 1913-1916. Paris, Mercure de France, 1918. In-8 (22,3 x 14 cm), demi-vélin à la Bradel, tête dorée, couverture et dos conservés (reliure de l’époque), 205 pp., 1 f. blanc. Edition originale illustrée d’un portrait de l’auteur par Pablo Picasso gravé sur bois par Jaudon. Exemplaire sur papier bouffant sans mention d’édition (après 4 ex. sur Japon ancien, 33 sur vélin d’Arches et 3 ex. sur Chine), portant le n°893. Envoi autographe signé de l’auteur : « À Arthur Johnson, / son ami / Guillaume Apollinaire ». Reliure de l’époque à la Bradel, condition désirable car facilitant l’ouverture de ce livre comportant des calligrammes à double page, papier jauni, comme toujours pour les exemplaires du tirage courant, une petite déchirure sans manque en tête de la page d’envoi, dos grisé, petit manque de papier sur le second plat. -
Nachlässe Von Germanistinnen Und Germanisten Aus Derddr
Erschienen in: Mitteilungen des Deutschen Germanistenverbandes Jg. 64 (2017) H. 2, S. 171-180. Nachlässe von Germanistinnen und Germanisten aus der DDR: eine Beständeübersicht Simone Waidmann / Frederike Teweleit / Ruth Doersing Die nachfolgende Beständeübersicht ist als heuristisches Arbeitsinstrument zu verstehen, das keinerlei Anspruch auf Vollständigkeit erhebt. Sie beruht auf Re cherchen in öffentlich zugänglichen Nachweisinstrumenten und Selbstauskünften bestandshaltender Institutionen. Neben Literaturwissenschaftlerinnen und Literaturwissenschaftlern wurden in Auswahl auch germanistische Linguistinnen und Linguisten berücksichtigt. Auf nahme in die Übersicht fanden nur Bestände (Nachlässe und Vorlässe), die von den genannten Personen bzw. deren Erben gebildet wurden. Instituts- und Gremien unterlagen, Promotions- und Habilitationsakten, Personalakten von Arbeitgebern und andere durch Dritte gebildete Bestände, u. a. Stasiakten, bleiben unberück sichtigt. Die Heterogenität der Angaben ist auf die sehr unterschiedlichen Er schließungsstände in den jeweiligen Archiven zurückzuführen. Becker, Henrik (1902-1984) Universitäts rchiv Jena Nachlass(5,25 lfm, erschlossen, Findbuch) Inhalt:Lehrtätigkeit, hier Unterlagen über die Tätigkeit an der Volkshochschule und der ABF in Leipzig sowie am Germanistischen Institut und dem Institut für Sprachpflege und Wortforschung der FSU Jena. Mitarbeit in Arbeitsgemein schaften und Kommissionen, hauptsächlich Sprachlehrbücher des Sprachlehr- buchausschusses der Gewerkschaft der Lehrer und Erzieher -
Christians and Jews in Muslim Societies
Arabic and its Alternatives Christians and Jews in Muslim Societies Editorial Board Phillip Ackerman-Lieberman (Vanderbilt University, Nashville, USA) Bernard Heyberger (EHESS, Paris, France) VOLUME 5 The titles published in this series are listed at brill.com/cjms Arabic and its Alternatives Religious Minorities and Their Languages in the Emerging Nation States of the Middle East (1920–1950) Edited by Heleen Murre-van den Berg Karène Sanchez Summerer Tijmen C. Baarda LEIDEN | BOSTON Cover illustration: Assyrian School of Mosul, 1920s–1930s; courtesy Dr. Robin Beth Shamuel, Iraq. This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Murre-van den Berg, H. L. (Hendrika Lena), 1964– illustrator. | Sanchez-Summerer, Karene, editor. | Baarda, Tijmen C., editor. Title: Arabic and its alternatives : religious minorities and their languages in the emerging nation states of the Middle East (1920–1950) / edited by Heleen Murre-van den Berg, Karène Sanchez, Tijmen C. Baarda. Description: Leiden ; Boston : Brill, 2020. | Series: Christians and Jews in Muslim societies, 2212–5523 ; vol. -
Gouverneurs De La Rosée, Jacques Roumain Léon L'africain, Amine Malouf Le Charme Des Après Midi Sans Fin, Dany Lafferière
2017 - 2018 Gouverneurs de la rosée, Jacques Roumain Léon l’Africain, Amine Malouf Le charme des après midi sans fin, Dany Lafferière Truismes, Marie Darrieussecq Trois femmes puissantes, Marie NDiaye 2016 - 2017 Verre cassé, Alain Mabanckou Alcools, Guillaume Apollinaire La fête de l’insignifiance, Milan Kundera Moderato cantabile, Marguerite Duras Rue Deschambault, Gabrielle Roy Viviane Elisabeth Fauville, Julia Deck 2084: La fin du monde, Boualem Sansal Dora Bruder, Patrick Modiano Le gone du Chaâba, Azouz Begag Soumission, Michel Houellebecq Le Canapé rouge, Michèle Lesbre 2015 - 2016 L’Étranger, Albert Camus L’amie de Madame Maigret, Georges Simenon Dans le café de la jeunesse perdue, Patrick Modiano Les femmes d’Alger dans leur appartement, Assia Djebar Meursault contre-enquête, Kamel Daoud Alexandre Chenevert, Gabrielle Roy Bruges-la-morte, Georges Rodenbach Antigone, Jean Anouilh Le quatrième mur, Sorj Chalandon Heureux les heureux, Yasmina Reza 2014 - 2015 La vagabonde, Colette Une si longue lettre, Mariama Bâ Sitt Marie Rose, Etel Adnan Manuscrits de Pauline Archange, Marie-Claire Blais Hiroshima mon amour, Marguerite Duras Ecorces, Georges Didi-Huberman Oviri, Paul Gauguin Les heures souterraines, Delphine de Vigan Le soleil des mourants, Jean-Claude Izzo 2013 - 2014 Candide, Voltaire Le confident, Hélène Grémillon Ru, Kim Thuy Allah n’est pas obligé, Ahmadou Kourouma Le tapis du salon, Annie Saumont Chéri, Colette Féerie générale, Emmanuelle Pireyre Le rapport de Brodeck, Philippe Claudel Le livre brisé, Serge Doubrovsky 2012 -
PSC-CUNY Research Awards (Traditional A)
PSC-CUNY Research Awards (Traditional A) Control No: TRADA-42-229 Name : Willinger, David Rank: Professor Address : Tenured: Yes Telephone : College: CITY COLLEGE Email: Panel: Performing Arts Performing Arts Discipline : Scholarship Human Subject Use No Animal Subject Use No Supplementary Materials No List of Supplementary Material Department THEATER Title of Proposed Project: IVO VAN HOVE: A MAJOR THEATRE ARTIST AND HIS WORK Brief Abstract This is a proposal for a major book-length retrospective study of Ivo Van Hove’s career as a theatre director. It would take on his design innovations and his revolutionary approach to text and theatrical ambiance as well as chart the relationships with specific theatres and theatre companies of this, one of the most prominent theatre iconoclasts alive today. Van Hove is particularly important in that he acts as one of the few long-time “bridges” between European and American praxis. His career, in itself, represents a model of cross-fertilization, as he has brought European radical interpretation of classics to America and American organic acting to Europe. This book, as conceived would contain a generous number of images illustrating his productions and archive a wide cross-section of critical and analytical responses that have engaged in the controversies his work has engendered, as well as posit new, overarching hypotheses. Relevant Publications PUBLICATIONS & Scholarship BOOKS A Maeterlinck Reader (co-edited with Daniel Gerould) New York, Francophone Belgian Series, Peter Lang Publications, 2011 Translations of The Princess Maleine, Pelleas and Melisande, The Intruder, The Blind, The Death of Tintagiles, and numerous essays, with an extensive historical and analytical introduction, 358 pp. -
David Amitin
OperaManager.com - David Amitin DAVID AMITIN Criculum Vitae 1 OperaManager.com - David Amitin BIOGRAPHY David Amitin was born in Buenos Aires, Argentina. He studied violin with Ljerko Spiller and harmony with Guillermo Graetzer. Followed acting and directing courses wirh Augusto Fernandes and Carlos Gandolfo. He has lived in England between 1971 and 1978, where he developed his apprenticeship in theatre direction and opera regie, and presented his first stagings. He assisted to workshops run by Lee Strasberg, Luca Ronconi, Marcel Marechal and Geoffrey Reeves. In the opera field, he followed rehearsals of productions by Giorgio Strehler, Luca Ronconi, Johannes Schaaf, Benno Besson and John Copley. From 1980 onwards he has been working in Buenos Aires where he staged many prose- theatre and opera productions, and developed his work as teacher of acting and directing. From 1990 onwards he started to present his work in Europe (Germany, Belgium, Austria). 2 OperaManager.com - David Amitin He is presently living in Madrid. Both in Europe and Southamerica David Amitin alternates his activities between prose theatre, opera and drama tuition. Reviewers have stressed his versatility which allows him to pass from one field to another, and have emphasized the uniqueness of his work, both in the choice of texts a wide arch running from Büchner to Melville, including Ibsen, Strindberg , Dostoievsky and Beckett- as well as the originality of his approach and the unconventional style of his theatre language. His work has been characterized by the search for new expressive paths, appealing to the extremes of the actor´s imagery, to the reformulation of the acting space and the break up with realism as an access to a new poetry of the theatrical discourse. -
Gary Snyder's Ecological Vision
Quest Journals Journal of Research in Humanities and Social Science Volume1 ~ Issue 3 (2013) pp: 25-31 ISSN(Online) :2321-9467 www.questjournals.org Research Paper Gary Snyder’s Ecological Vision: A Study of Selective Poetic Works Firas A. Nsaif Al Jumaili Department of English,Al Buraimi University College, Oman Received 20 November, 2013; Accepted 02 December, 2013© The author(s) 2013. Published with open access at www.questjournal.org ABSTRACT: Gary Snyder, born in 1930, is one of the most significant American environmentalist-poets in the second half of the twentieth century. The present article deals with the ecological issues in the poetic works of Gary Snyder. It tries to explore the ecological implications in selected poems from three of Snyder’s major works of poetry, Riprap and Cold Mountain Poems (1959), Turtle Island (1974) and Mountains and Rivers without End (1996). The article presents an ecological reading of the selected poems which draws the attention of people to the ecological matters of the world. People‟s awareness of the ecological aspect of the universe may go back more than five centuries, specifically to the rise of western civilization in the seventeenth century. Technological inventions and scientific discoveries were all directed towards achieving human control over the natural environment. It is the German scientist Ernst Haeckel who first coined the term "ecology" ("Ökologie") in 1866.Ecology deals with organisms and their environment. It consists of all living beings, the natural surroundings in which they live, and their relationship to it. Haeckel defined it as “the study of all environmental conditions of existence” (Worster, 1977, p. -
(500) Days of Summer 2009
(500) Days of Summer 2009 (Sökarna) 1993 [Rec] 2007 ¡Que Viva Mexico! - Leve Mexiko 1979 <---> 1969 …And Justice for All - …och rättvisa åt alla 1979 …tick…tick…tick… - Sheriff i het stad 1970 10 - Blåst på konfekten 1979 10, 000 BC 2008 10 Rillington Place - Stryparen på Rillington Place 1971 101 Dalmatians - 101 dalmatiner 1996 12 Angry Men - 12 edsvurna män 1957 127 Hours 2010 13 Rue Madeleine 1947 1492: Conquest of Paradise - 1492 - Den stora upptäckten 1992 1900 - Novecento 1976 1941 - 1941 - ursäkta, var är Hollywood? 1979 2 Days in Paris - 2 dagar i Paris 2007 20 Million Miles to Earth - 20 miljoner mil till jorden 1957 20,000 Leagues Under the Sea - En världsomsegling under havet 1954 2001: A Space Odyssey - År 2001 - ett rymdäventyr 1968 2010 - Year We Make Contact, The - 2010 - året då vi får kontakt 1984 2012 2009 2046 2004 21 grams - 21 gram 2003 25th Hour 2002 28 Days Later - 28 dagar senare 2002 28 Weeks Later - 28 veckor senare 2007 3 Bad Men - 3 dåliga män 1926 3 Godfathers - Flykt genom öknen 1948 3 Idiots 2009 3 Men and a Baby - Tre män och en baby 1987 3:10 to Yuma 2007 3:10 to Yuma - 3:10 till Yuma 1957 300 2006 36th Chamber of Shaolin - Shaolin Master Killer - Shao Lin san shi liu fang 1978 39 Steps, The - De 39 stegen 1935 4 månader, 3 veckor och 2 dagar - 4 Months, 3 Weeks and 2 Days 2007 4: Rise of the Silver Surfer - Fantastiska fyran och silversurfaren 2007 42nd Street - 42:a gatan 1933 48 Hrs. -
2.3 Flash-Forward: the Future Is Now
2.3 Flash-Forward: The Future is Now BY PATRICIA PISTERS 1. The Death of the Image is Behind Us Starting with the observation that “a certain idea of fate and a certain idea of the image are tied up in the apocalyptic discourse of today’s cultural climate,” Jacques Rancière investigates the possibilities of “imageness,” or the future of the image that can be an alternative to the often-heard complaint in contemporary culture that there is nothing but images, and that therefore images are devoid of content or meaning (1). This discourse is particularly strong in discussions on the fate of cinema in the digital age, where it is commonly argued that the cinematographic image has died either because image culture has become saturated with interactive images, as Peter Greenaway argues on countless occasions, or because the digital has undermined the ontological photographic power of the image but that film has a virtual afterlife as either information or art (Rodowick 143). Looking for the artistic power of the image, Rancière offers in his own way an alternative to these claims of the “death of the image.” According to him, the end of the image is long behind us. It was announced in the modernist artistic discourses that took place between Symbolism and Constructivism between the 1880s and 1920s. Rancière argues that the modernist search for a pure image is now replaced by a kind of impure image regime typical for contemporary media culture. | 1 2.3 Flash-Forward: The Future is Now Rancière’s position is free from any technological determinism when he argues that there is no “mediatic” or “mediumistic” catastrophe (such as the loss of chemical imprinting at the arrival of the digital) that marks the end of the image (18). -
Learning the Languages of Nostalgia in Modern and Contemporary Literature
Learning the Languages of Nostalgia in Modern and Contemporary Literature Tasha Marie Buttler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Carolyn Allen, Chair Katherine Cummings Mark Patterson Program Authorized to Offer Degree: English University of Washington Abstract Learning the Languages of Nostalgia in Modern and Contemporary Literature Tasha M. Buttler Chair of Supervisory Committee: Professor Carolyn Allen Department of English This dissertation builds upon recent discourses on nostalgia that focus on the generative potential of a sustained melancholic stance and position the past as resource for the future. My particular interest is in the potential for de-subjectification out of regulatory regimes, as outlined in the work of Judith Butler, particularly in The Psychic Life of Power. This text has allowed me to develop a robust theory about accumulated experiences of love and loss that are central to the formation of “character” that repeats or disrupts patterns of social relation. I differentiate between politicized nostalgia and experiential nostalgia, suggesting that the latter can make use of inevitable experiences of loss by initiating and sustaining a melancholic agency. I use various literary texts and memoirs to identify how the thwarting of melancholia can lead to nostalgia’s obverse: the desire to return suffering, or what Czech author Milan Kundera calls litost. These instances of thwarted grieving are positioned against a set of characters in the work of Virginia Woolf, Eva Hoffman, and Clarice Lispector who allow themselves to honor their experiential nostalgia rather than reverting to politicized nostalgia that repeats representations and clichés associated with empire. -
Camilo José Cela, Caballero Bonald Y Los Inicios De Papeles De Son Armadans (1956-1958)
133 CAMILO JOSÉ CELA, CABALLERO BONALD Y LOS INICIOS DE PAPELES DE SON ARMADANS (1956-1958) CAMILO JOSÉ CELA, CABALLERO BONALD AND THE BEGINNINGS OF PAPELES DE SON ARMADANS (1956-1958) Julio Neira UNED (1956-1958) Resumen: En 1956, en pleno auge de la dictadura franquista, Camilo José Cela funda Papeles de Son Armadans en Palma de Mallorca con la pretensión de lograr una alta calidad literaria según el modelo de Revista de Occidente, la gran revista de preguerra (1923-1936) creada por José Ortega y Gasset. Para ello cuenta con la ayuda del poeta José Manuel Caballero Bonald, que actúa como subdirector y agente de la publicación en Madrid. Los contactos de ambos posibilitan una de Son Armadans Papeles amplia nómina de colaboradores de primer nivel, que, junto a la incorporación de autores exiliados y la presencia de todas las literaturas peninsulares, hacen de la revista la principal referencia intelectual de las décadas del 50 y del 60 en España. En el ámbito de la poesía, debe destacarse su atención a las nuevas promociones (Barral, Gil de Biedma, Goytisolo, etc.) y la voluntad de recuperar a los autores del Veintisiete en su conjunto, incluyendo a los más olvidados Cernuda, Prados y Altolaguirre. Se estudian los tres primeros años de la revista, hasta que motivos personales produjeron la ruptura de esa colaboración entre el novelista gallego y el poeta andaluz. Palabras clave: Papeles de Son Armadans; Camilo José Cela; José Manuel Caballero Bonald; Rosario Conde; dictadura franquista; generación del 50; poetas exiliados; Luis Cernuda; Emilio Prados; Manuel Altolaguirre. Camilo José Cela, Caballero Bonald y los inicios de Camilo José Cela, Caballero Abstract: Under Franco’s dictatorship, in 1956, Camilo Jose Cela founded the Papeles de Son Armadans’ journal in Palma de Mallorca in order to achieve a 2 high literature quality.