An Anthology of Australian Poetry to 1920
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Ballarat 2013 Pty Douglas Stewart Fine Books Ltd Melbourne • Australia # 4074
BALLARAT 2013 PTY DOUGLAS STEWART FINE BOOKS LTD MELBOURNE • AUSTRALIA # 4074 Print Post Approved 342086/0034 Add your details to our email list for monthly New Acquisitions, visit www.DouglasStewart.com.au Ballarat Antique Fair 9-11 March 2013 # 4076 PTY DOUGLAS STEWART FINE BOOKS LTD PO Box 272 • Prahran • Melbourne • VIC 3181 • Australia • +61 3 9510 8484 [email protected] • www.DouglasStewart.com.au Some account of my doings in Australia from 1855 to 1862. REYNOLDS, Frederick AN APPARENTLY UNPUBLISHED AUTOBIOGRAPHICAL ACCOUNT OF LIFE ON THE VICTORIAN GOLDFIELDS DURING THE 1850s. Circa 1870. Manuscript written in ink on [27] pp, being one gathering from a contemporary quarto size notebook, the text complete in itself, titled on first page Some account of my doings in Australia from 1855 to 1862; written in one hand throughout and signed by the author Frederick Reynolds at the foot of the final page; beneath this signature is written in pencil in a slightly later hand (probably that of a family member) Husband of Guglielma Melford; the handwriting throughout the manuscript is bold, neat and entirely legible, and Reynolds’ expression is that of a literate, reasonably well-educated person; the thickish notepaper, of a type consistent with an 1870s dating, is toned around the edges but is extremely well preserved and shows no signs of brittleness; the black ink displays a higher level of oxidisation (ie. is slightly browner) on the exposed first page than on the inner pages of the manuscript, as should be expected. The narrative reveals that Frederick Reynolds was an English miner from Bridgewater in Somerset. -
Interdisciplinary Journal of Decadence Studies
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 4, Issue 1 Summer 2021 ‘A Medium More Important than Bodily Sense’: Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken ISSN: 2515-0073 Date of Acceptance: 1 June 2021 Date of Publication: 21 June 2021 Citation: Thomas Vranken, ‘“A Medium More Important than Bodily Sense”: Wilde, the Antipodes, and the Techno-Imagination’, Volupté: Interdisciplinary Journal of Decadence Studies, 4.1 (2021), 65–78. DOI: 10.25602/GOLD.v.v4i1.1508.g1621 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. ‘A Medium More Important than Bodily Sense’ Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken University of British Columbia Here am I, and you at the Antipodes […]. The messages of the gods to each other travel not by pen and ink and indeed your bodily presence here would not make you more real: for I feel your fingers in my hair, and your cheek brushing mine. The air is full of the music of your voice, my soul and body seem no longer mine, but mingled in some exquisite ecstasy with yours. (Oscar Wilde, letter to Constance Wilde from Edinburgh, 16 December 1884.) A decade ago, in his chapter for The Cambridge History of Australian Literature, Ken Stewart voiced what has long been the conventional understanding of Wilde and his relationship with Britain’s Australian colonies. ‘The image of aristocratic dandyism [Wilde] affected’, Stewart asserted, was the reverse of typically Australian. In witty conversation and -
Parramatta's Archaeological Landscape
Parramatta’s archaeological landscape Mary Casey Settlement at Parramatta, the third British settlement in Australia after Sydney Cove and Norfolk Island, began with the remaking of the landscape from an Aboriginal place, to a military redoubt and agricultural settlement, and then a township. There has been limited analysis of the development of Parramatta’s landscape from an archaeological perspective and while there have been numerous excavations there has been little exploration of these sites within the context of this evolving landscape. This analysis is important as the beginnings and changes to Parramatta are complex. The layering of the archaeology presents a confusion of possible interpretations which need a firmer historical and landscape framework through which to interpret the findings of individual archaeological sites. It involves a review of the whole range of maps, plans and images, some previously unpublished and unanalysed, within the context of the remaking of Parramatta and its archaeological landscape. The maps and images are explored through the lense of government administration and its intentions and the need to grow crops successfully to sustain the purposes of British Imperialism in the Colony of New South Wales, with its associated needs for successful agriculture, convict accommodation and the eventual development of a free settlement occupied by emancipated convicts and settlers. Parramatta’s river terraces were covered by woodlands dominated by eucalypts, in particular grey box (Eucalyptus moluccana) and forest -
Australian Poems You NEED to KNOW
1OO Australian Poems You NEED TO KNOW Edited by Jamie Grant Foreword by Phillip Adams hardiegrant books MELBOURNE-LONDON Convict and Stockrider A Convict's Tour to Hell Francis Macnamara ('Frank the Poet') 16 The Beautiful Squatter Charles Harpur 22 Taking the Census Charles R Thatcher 23 The Sick Stockrider Adam Lindsay Gordon 25 The Red Page My Other Chinee Cook James Brunton Stephens 30 Bell-birds Henry Kendall 32 Are You the Cove? Joseph Furphy ('Tom Collins') 34 How McDougal Topped the Score Thomas E Spencer 35 The Wail of the Waiter Marcus Clarke 38 Where the Pelican Builds Mary Hannay Foott 40 Catching the Coach Alfred T Chandler ('Spinifex') 41 Narcissus and Some Tadpoles Victor J Daley 44 6 i Contents Gundagai to Ironbark Nine Miles from Gundagai Jack Moses 48 The Duke of Buccleuch JA Philp 49 How We Drove the Trotter WTGoodge 50 Our Ancient Ruin 'Crupper D' 52 The Brucedale Scandal Mary Gilmore 53 Since the Country Carried Sheep Harry Morant ('The Breaker') 56 The Man from Ironbark AB Paterson (The Banjo') 58 The Old Whimrhorse Edward Dyson 60 Where the Dead Men Lie Barcroft Boake 62 Australia Bernard O'Dowd , 64 The Stockman's Cheque EW Hornung 65 The Bullocky's Love-episode AF York 67 Bastard and Bushranger «<§!> The Bastard from the Bush Anonymous 70 When your Pants Begin to Go Henry Lawson 72 The Fisher Roderic Quinn 74 The Mystery Man 'NQ' 75 Emus Mary Fullerton 76 The Death of Ben Hall Will H Ogilvie 77 The Coachman's Yarn EJ Brady 80 Fire in the Heavens, and Fire Along the Hills Christopher Brennan 83 The Orange Tree -
The Bulletin Story Book a Selection of Stories and Literary Sketches from “The Bulletin”
The Bulletin Story Book A Selection of Stories and Literary Sketches from “The Bulletin” A digital text sponsored by Australian Literature Gateway University of Sydney Library Sydney http://purl.library.usyd.edu.au/setis/id/bulstor © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission 2003 Source Text: Prepared from the print edition published by The Bulletin Newspaper Company Sydney 1902 303pp Extensive efforts have been made to track rights holders Please let us know if you have information on this. All quotation marks are retained as data. First Published: 1901 A823.8909/1 Australian Etext Collections at short stories 1890-1909 The Bulletin Story Book A Selection of Stories and Literary Sketches from “The Bulletin” Sydney The Bulletin Newspaper Company 1902 2nd Edition Prefatory THE files of The Bulletin for twenty years offer so much material for a book such as this, that it was not possible to include more than a small number of the stories and literary sketches judged worthy of republication. Consequently many excellent Australian writers are here unrepresented, their work being perforce held over for The Second Bulletin Story Book, although it is work of a quality equal to that which is now given. The risk and expense of this publication are undertaken by The Bulletin Newspaper Company, Limited. Should any profits accrue, a share of forty per cent, will be credited to the writers represented. Owing to the length of time which, in some cases, has elapsed since the original publication in The Bulletin, the names and addresses of some of the writers have been lost sight of; and their work appears over pen-names, The editor will be glad if these writers will communicate with him and assist in completing the Biographical Index at the end of the book. -
Adam Lindsay Gordon - Poems
Classic Poetry Series Adam Lindsay Gordon - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Adam Lindsay Gordon(19 October 1833 – 24 June 1870) Gordon was born at Fayal in the Azores, son of Captain Adam Durnford Gordon who had married his first cousin, Harriet Gordon, both of whom were descended from Adam of Gordon of the ballad. Captain Gordon, who had retired from the Bengal cavalry and taught Hindustani, was then staying at the Azores for the sake of his wife's health. After living on the island of Madeira, they went to England and lived at Cheltenham in 1840. Gordon was sent to Cheltenham College in 1841 when he was only seven, but after he had been there a year he was sent to a school kept by the Rev. Samuel Ollis Garrard in Gloucestershire. He attended the Royal Military Academy, Woolwich in 1848, where he was a contemporary and friend of Charles George Gordon (no relation, later 'Gordon of Khartoum') and Thomas Bland Strange (later known as 'Gunner Jingo'). There Gordon appears to have been good at sports, but not studious and certainly undisciplined – and like Richard Henry Horne, he was asked to leave. Gordon was again admitted a pupil at Cheltenham College. He was not there for long – he appears to have left in the middle of 1852 – but the story that he was expelled from Cheltenham is without foundation. Then Gordon was sent to the Royal Grammar School Worcester in 1852. Gordon began to lead a wild and aimless life, contracted debts, and was a great anxiety to his father, who at last decided that his son should go to Australia and make a fresh start in 1853 to join the mounted police with a letter of introduction to the Governor. -
Australian Elegy: Landscape and Identity
Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead. -
New Evidence on Arthur Phillip's First Landing Place 26 January 1788
New evidence on Arthur Phillip’s first landing place 26 January 1788 Michael Flynn and Gary Sturgess The location of Governor Arthur Phillip’s first landing and the flag-raising ceremony in Sydney Cove on 26 January 1788 has been an issue of dispute and uncertainty among historians since the 19th century. The cove was divided into an east and west side by the Tank Stream and it was clear that the ceremony was held very close to the landing place, as described by Judge-Advocate David Collins. None of the generally known eyewitness accounts mentioned on which side of the cove the landing took place. History is full of blind spots where chroniclers failed to record something that seemed obvious or commonplace at the time, or because there was so much else going on. Since 2011 we have been working on a close analysis of sources, which allow the spot to be pinpointed with much greater accuracy. Early maps and paintings of Sydney Cove and manuscript journals collected by various institutions over time are now readily accessible through online digitisation. New evidence has emerged, the most significant item being an obscure letter from a First Fleet sailor John Campbell identifying the site as lying on the west side of the cove, the only surviving primary evidence from a First Fleeter. This is supported by the 1847 obituary of First Fleet convict John Limeburner and an entry in the 1806 NSW Pocket Almanack, published when Philip Gidley King (an eyewitness) was Governor. All three sources accord with the persistent 19th century oral tradition of a landing at a spot near the bottom of Bethel Steps, The Rocks (behind the south end of the present Overseas Passenger Terminal),i and a flag raising ceremony held on or very close to George Street, between Cadman’s Cottage and the former Mariners’ Churchii at the corner of Hickson Road.iii In 1789 John Campbell, a seaman on the Lady Penrhyn transport, sent a letter specifically indicating the west side location. -
Old Government House and Domain, Parramatta Park Management Plan
OLD GOVERNMENT HOUSE AND DOMAIN, PARRAMATTA PARK MANAGEMENT PLAN 2008 A New South Wales Contributory Site: Australian Convict Sites World Heritage Nomination Cover illustration: Montage of Old Government House, Governor Brisbane’s Bath house, and the Flat Rocks in Parramatta River: Photographer: David Wallace/Parramatta Park Trust The cover of this management plan is badged with a representation of the Great Seal of NSW used between 1790 and 1832. The seal shows on its obverse (front) a design that alludes to the intended redemptive qualities of the convict settlement, and was described in the Royal Warrant granting the seal as follows: Convicts landed at Botany Bay; their fetters taken off and received by Industry, sitting on a bale of goods with her attributes, the distaff [a spindle for spinning wool or flax], bee-hive, pick axe, and spade, pointing to an oxen ploughing, the rising habitations, and a church on a hill at a distance, with a fort for their defence. Motto: Sic fortis etruria crevit [So, I think, this is how brave Etruria grew]; with this inscription round the circumference, Sigillum Nov. Camb. Aust. [Seal of New South Wales] Image source: State Library of NSW, Digital image a1328002 Crown Copyright 2008 Disclaimer Whilst every reasonable effort has been made to ensure that this document is correct at the time of printing, the State of New South Wales, its agents and employees disclaim any and all liability to any persons in respect of anything or the consequences of anything done or omitted to be done in reliance upon the whole or any part of this document. -
Excavation of Buildings in the Early Township of Parramatta
AUSTRALIAN HISTORICAL ARCHAEOLOGY, 5,1987 The Excavation of Buildings in the Early Township of Parramatta, New South Wales, 1790-1820s EDWARD HIGGINBOTHAM This paper describes the excavation of a convict hut, erected in 1790 in Parramatta, together with an adjoining contemporary out-building or enclosure. It discusses the evidence for repair, and secondary occupation by free persons, one of whom is tentatively identified. The site produced the first recognised examples of locally manufactured earthenware. The historical and archaeological evidence for pottery manufacture in New South Wales between 1790 and 1830 is contained in an appendix. INTRODUCTION Before any archaeological excavation could take place, it was necessary to research the development of the township In September 1788 the wheat crop failed at Sydney Cove from historical documentation, then to establish whether any and also at Norfolk Island, partly because the seed had not items merited further investigation, and finally to ascertain been properly stored during the voyage of the First Fleet. As whether any archaeological remains survived later soon as this was known the Sirius was sent to the Cape of development. Good Hope for both flour and seed grain.' Also in November Preliminary historical research indicated that the area 1788 an agricultural settlement was established at Rose Hill available for archaeological investigation was initially (Parramatta).2 The intention was to clear sufficient land in occupied by a number of huts for convict accommodation, advance of the ship's return, so that the grain could be and subsequently by residential development.8 This paper is immediately sown. The early settlement at Rose Hill was an therefore mainly concerned with the development of convict attempt to save the penal colony from starvation, and and then domestic occupation in Parramatta. -
E 344L — 34495 Australian Literature and Film Fall 2015, T Th 3:30-4:45 P.M
E 344L — 34495 Australian Literature and Film Fall 2015, T Th 3:30-4:45 p.m. COURSE SYLLABUS 344L Australian Literature and Film: A representative selection of Australian writing and films from the founding, 1788, to the present. Prerequisite: Nine semester hours of course work in English or rhetoric or writing. The subject of each class meeting may be determined from the assigned reading for the day (see following). Prerequisites: 9 semester hours of coursework in English, Rhetoric, or Writing Required Texts o Australian Literature and Film — Co-op Packet o Robyn Davidson, Tracks (separate text) o Kate Jennings, Snake — Co-op Packet Have completed readings by their assigned date and come prepared for class discussion. This is an all-important important component in your class participation percentage; see below. Films — We will see a 60 minute documentary and five full-length feature films as well as scenes from one television miniseries—40,000 Years of Dreaming: The History of Australian Cinema; Walkabout; The Tracker; Muriel’s Wedding; On the Beach; & Mad Max: Fury Road. Please note that it is vital for us to see the films in class and as a class; they will be accompanied by lecture/commentary. Grading Policy and Percentages: Because participation contributes to your grade, attendance is strongly encouraged. Grades will be determined on the following basis: Mid-Term Exam 25% Tuesday, October 27th Exam 2/Final Exam* 30% Thursday, December 3rd Essay 25% Due date tba Class Participation 20% Attendance, participation, curiousity & focus for things Australian! * Plus and minus grades will be given in this class. -
[T]He Poet Would Define the Amount of the Unknown Awakening in His Time in the Universal Soul
[T]he poet would define the amount of the unknown awakening in his time in the universal soul.... Poetry.. .will be in advance. Arthur Rimbaud. (Tijverything in the world exists to end in a book. The qualities required in this work - most certainly genius - frighten me as one of those devoid of them: not to stop there, and granted that the volume requires no signatory, what is it? - the hymn of the connexions between all things, harmony, and joy, entrusted with seeing divinely because the bond, limpid at will, has no expression except in the parallelism of leaves of a book before his glance. Stephane Mallarme [rjt's a faith in what used to be called in old Victorian novels 'the Divine Mystery.' I can't find a better word for it, because it is a mystery to me. All I know is that it pours down love.. .[and] I worship that with my uttermost being. Bruce Beaver 2 Introduction For critics of recent contemporary Australian poetry, the term 'New Poetry' sug• gests primarily the work of those poets published in John Tranter's 1979 anthology, The New Australian Poetry.1 According to Tranter these twenty-four poets, only two of whom are women, formed a 'loose group'2 of writers associated with various poetry readings, little magazines and small presses in Sydney and Melbourne during the late sixties and seventies.3 Although there were many little magazines and small presses associated with the period, and earlier anthologies which had gathered together achievements of the New Poets,4 to a significant extent Tranter's anthology has circumscribed for critics the boundaries of the New Poetry group, and those poets published in the anthology have attracted a measure of critical acclaim.