Biographical Information
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Theatre Australia
University of Wollongong Research Online Theatre Australia 6-1980 Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980 Robert Page Editor Lucy Wagner Editor Follow this and additional works at: http://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert and Wagner, Lucy, (1980), Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980, Theatre Publications Ltd., New Lambton Heights, 50p. http://ro.uow.edu.au/theatreaustralia/43 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980 Publisher Theatre Publications Ltd., New Lambton Heights, 50p This serial is available at Research Online: http://ro.uow.edu.au/theatreaustralia/43 Australia’s magazine of the performing arts. June 1980 $1.95* Theatre Australia Circuz Oz Colin George Departs His Majesty’s Perth Open Tasmanian Puppets Closed 1 1 1 8 1 1 : m m m S S m p ^ Pw&jfe ’S r °PERa NEIL MOORE^ Theatre Australia JUNE 1980, VOLUME 4, NO. 11. DEPARTMENTS 3/COMMENT 4/INFO 9/WHISPERS, RUMOURS AND F ACTS /Norman Kessell 45/GUIDE (THEATRE, DANCE, OPERA, CONCERTS) SPOTLIGHT 10/CIRCUS OZ/Lucy Wagner 12/COLIN GEORGE DEPARTS/J?o/i Blair 13/TASMANIAN PUPPET THEATRE/Cathryn Robinson FEATURES 14/SYDNEY DANCE COMPANY/.//// 16/HIS MAJESTY’S PERTH INTERNATIONAL 18/UK: IN FAVOUR OF THE OLD SCHOOL//rvi/i£ Wardle 19/USA: LATE OF TENNESSEE/ATar/Leve« 20/ITI FUTURE EVENTS DANCE 21/BERLIN BALLET, PRAGUE BALLET, RAYMONDA/^iV/wm Shoubridge FILM 25/BREAKER MOR ANT/Elizabeth Riddell OPERA 26/THREEPENNY OPERA AND DON GIOVANNI/DaW*/ Gyger REVIEWS 29/ACT/STRAWBERRY FIELDS, OUT AT SEA /Kyle Wilson 30/NSW/CLOUDS/Robert Page NO NAMES.. -
Interdisciplinary Journal of Decadence Studies
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 4, Issue 1 Summer 2021 ‘A Medium More Important than Bodily Sense’: Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken ISSN: 2515-0073 Date of Acceptance: 1 June 2021 Date of Publication: 21 June 2021 Citation: Thomas Vranken, ‘“A Medium More Important than Bodily Sense”: Wilde, the Antipodes, and the Techno-Imagination’, Volupté: Interdisciplinary Journal of Decadence Studies, 4.1 (2021), 65–78. DOI: 10.25602/GOLD.v.v4i1.1508.g1621 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. ‘A Medium More Important than Bodily Sense’ Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken University of British Columbia Here am I, and you at the Antipodes […]. The messages of the gods to each other travel not by pen and ink and indeed your bodily presence here would not make you more real: for I feel your fingers in my hair, and your cheek brushing mine. The air is full of the music of your voice, my soul and body seem no longer mine, but mingled in some exquisite ecstasy with yours. (Oscar Wilde, letter to Constance Wilde from Edinburgh, 16 December 1884.) A decade ago, in his chapter for The Cambridge History of Australian Literature, Ken Stewart voiced what has long been the conventional understanding of Wilde and his relationship with Britain’s Australian colonies. ‘The image of aristocratic dandyism [Wilde] affected’, Stewart asserted, was the reverse of typically Australian. In witty conversation and -
Australian Poems You NEED to KNOW
1OO Australian Poems You NEED TO KNOW Edited by Jamie Grant Foreword by Phillip Adams hardiegrant books MELBOURNE-LONDON Convict and Stockrider A Convict's Tour to Hell Francis Macnamara ('Frank the Poet') 16 The Beautiful Squatter Charles Harpur 22 Taking the Census Charles R Thatcher 23 The Sick Stockrider Adam Lindsay Gordon 25 The Red Page My Other Chinee Cook James Brunton Stephens 30 Bell-birds Henry Kendall 32 Are You the Cove? Joseph Furphy ('Tom Collins') 34 How McDougal Topped the Score Thomas E Spencer 35 The Wail of the Waiter Marcus Clarke 38 Where the Pelican Builds Mary Hannay Foott 40 Catching the Coach Alfred T Chandler ('Spinifex') 41 Narcissus and Some Tadpoles Victor J Daley 44 6 i Contents Gundagai to Ironbark Nine Miles from Gundagai Jack Moses 48 The Duke of Buccleuch JA Philp 49 How We Drove the Trotter WTGoodge 50 Our Ancient Ruin 'Crupper D' 52 The Brucedale Scandal Mary Gilmore 53 Since the Country Carried Sheep Harry Morant ('The Breaker') 56 The Man from Ironbark AB Paterson (The Banjo') 58 The Old Whimrhorse Edward Dyson 60 Where the Dead Men Lie Barcroft Boake 62 Australia Bernard O'Dowd , 64 The Stockman's Cheque EW Hornung 65 The Bullocky's Love-episode AF York 67 Bastard and Bushranger «<§!> The Bastard from the Bush Anonymous 70 When your Pants Begin to Go Henry Lawson 72 The Fisher Roderic Quinn 74 The Mystery Man 'NQ' 75 Emus Mary Fullerton 76 The Death of Ben Hall Will H Ogilvie 77 The Coachman's Yarn EJ Brady 80 Fire in the Heavens, and Fire Along the Hills Christopher Brennan 83 The Orange Tree -
Hullo Marmaduke
HULLO MARMADUKE Year of release: 1924 • Scenario: Beaumont Smith Initially scripted under the working title, The King of Australia,1 Hullo Marmaduke is the story of a naive young remittance man and his adventures in Australia. It was the first of two moving pictures to star English variety comedian Claude Dampier during his second lengthy visit to the Australasian region, the other being The Adventures of Algy (1925). Both films were written, directed and produced by Beaumont Smith. Dampier was given leave of absence from his contract with Fullers' Theatres to take part in shooting, as was Jimmy Taylor, then a member of Dampier's revue company. Another prominent Australian-based vaudeville performer to appear in the film was Cyril Northcote. Hullo Marmaduke is now considered a lost film. The youngest son of a noble English family, Marmaduke is sent out to Australia on the R.M.S. Osterley with his faithful valet Huggett. At Fremantle he is swindled by two card sharps out of most of his money. With his remaining money he travels to Adelaide and then the gold fields where he hopes to make his fortune. On the voyage he meets up with Mrs Mary Morton, a barmaid, and her young daughter Margie who are searching for their husband and father, Mike Morton. Mary is later killed during a burglary, however. Complicating matters is the fact that one of the men is Mary's husband. With her dying breath she asks Maramduke to look after her daughter. Faced with this new responsibility he goes on to make his fortune as a prospector and lavishes money on his ward. -
CONCLUSION This Literary Study and Close Account of Her Social
224 CONCLUSION This literary study and close account of her social philosophy has demonstrated that the novelist, Eleanor Dark, was also a vigorous social protester and moralist, both concerned with pressing contemporary problems and with their psychological origins, and bent on showing in her fiction a close connection between political forces and individual lives. It has been made clear in this critical treatment .:hat, with a romantics revolutionary turn of mind, she was determined to open her readers eyes to so many social injustices. These were all too often perpetrated by mediocre leaders, and yet the people, in their ignorance and apathy, were hardly aware of them. To illustrate this she created a series of idealistic, independently thinking characters who set out to right social wrongs by exercising heroic personal integrity, by being true to their own consciences, and by establishing ideals which would enrich, rather than constrict, both the individual and society as a whole. The study has shown, however, that Dark always emphasised the need to put theory into action, and to curb simplistic idealism with a measure of lived practicality. There was presented in Chapter 2 the writers perception of human existence as a progression or journey, with her questing protagonists energetically engaging with all aspects of life as they struggled toward the goal of social harmony and the desired realisation of personal potential. Throughout, there has been critical emphasis upon the novels impressive celebration of life, and I have endeavoured to show that the vitality of Darks daring protagonists became a means of judging the behaviour of others, as she contrasted them with those lesser and more timid characters who refused Ito participate willingly in the mortal contest. -
Adam Lindsay Gordon - Poems
Classic Poetry Series Adam Lindsay Gordon - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Adam Lindsay Gordon(19 October 1833 – 24 June 1870) Gordon was born at Fayal in the Azores, son of Captain Adam Durnford Gordon who had married his first cousin, Harriet Gordon, both of whom were descended from Adam of Gordon of the ballad. Captain Gordon, who had retired from the Bengal cavalry and taught Hindustani, was then staying at the Azores for the sake of his wife's health. After living on the island of Madeira, they went to England and lived at Cheltenham in 1840. Gordon was sent to Cheltenham College in 1841 when he was only seven, but after he had been there a year he was sent to a school kept by the Rev. Samuel Ollis Garrard in Gloucestershire. He attended the Royal Military Academy, Woolwich in 1848, where he was a contemporary and friend of Charles George Gordon (no relation, later 'Gordon of Khartoum') and Thomas Bland Strange (later known as 'Gunner Jingo'). There Gordon appears to have been good at sports, but not studious and certainly undisciplined – and like Richard Henry Horne, he was asked to leave. Gordon was again admitted a pupil at Cheltenham College. He was not there for long – he appears to have left in the middle of 1852 – but the story that he was expelled from Cheltenham is without foundation. Then Gordon was sent to the Royal Grammar School Worcester in 1852. Gordon began to lead a wild and aimless life, contracted debts, and was a great anxiety to his father, who at last decided that his son should go to Australia and make a fresh start in 1853 to join the mounted police with a letter of introduction to the Governor. -
An Analysis of Food and Its Significance in the Australian Novels of Christina Stead, P
F.O.O.D. (Fighting Order Over Disorder): An Analysis of Food and Its Significance in the Australian Novels of Christina Stead, Patrick White and Thea Astley. Jane Frugtneit A thesis submitted for the degree of Doctor of Philosophy Department of Humanities James Cook University August 2007 ABSTRACT The purpose of this thesis is to find a correlation between food as symbol and food as necessity, as represented in selected Australian novels by Christina Stead, Patrick White and Thea Astley. Food as a springboard to a unique interpretation of the selected novels has been under-utilised in academic research. Although comparatively few novels were selected for study, on the basis of fastidiousness, they facilitated a rigorous hermeneutical approach to the interpretation of food and its inherent symbolism. The principle behind the selection of these novels lies in the complexity of the prose and how that complexity elicits the “transformative powers of food” (Muncaster 1996, 31). The thesis examines both the literal and metaphorical representations of food in the novels and relates how food is an inextricable part of ALL aspects of life, both actual and fictional. Food sustains, nourishes and, intellectually, its many components offer unique interpretative tools for textual analysis. Indeed, the overarching structure of the thesis is analogous with the processes of eating, digestion and defecation. For example, following a discussion of the inextricable link between food, quest and freedom in Chapter One, which uncovers contrary attitudes towards food in the novels discussed, the thesis presents a more complex psychoanalytic theory of mental disorders related to food in Chapter Two. -
Chapter 3 Good Mother, Bad Mother and the Changing Boundaries
1 chapter 3 good mother, bad mother and the changing boundaries The mothering of a child is not something that can be arranged by rota; it is a live human relationship which alters the characters of both partners.1 Traditionally, the good mother has been associated with self-sacrifice. An extract from a Catholic education course on marriage in 1958 illustrates the point: To successfully fulfil her vocation of motherhood, the woman should possess great qualities of heart. Her entire life should be devoted to procuring happiness for those around her…It is natural for her to be devoted.2 This view of motherhood assigns women to a subservient position. It does not take into account the changing structure of the family, and instead, creates an environment which reinforces the belief that the mother's place is within the home, and primarily concerned with raising the children. The restrictive maternal role is endorsed in part by images in films which have the capacity to both reflect and influence ways of thinking. This chapter considers the representation of the mother in Australian feature films to decipher the way in which the narrative characterises good and bad maternal behaviour. The introductory chapter of this research contained a broad overview of historical events which were significant for the maternal role. The present chapter, in its first section, deals in more detail with those aspects which relate directly to expectations of good mothering. The second section of the chapter examines the way the mother is depicted in films. The designation of her as either a good or bad mother can be determined by her demeanour, the attitude of others towards her and, perhaps, above all, by her treatment in the narrative in terms of penalties or benefits reaped by her behaviour. -
The Genesis of Thea Astley's the Multiple Effects of Rainshadow
The Genesis of Thea Astley’s The Multiple Effects of Rainshadow CHERYL TAYLOR JAMES COOK UNIVERSITY My purpose in this essay, which extends a project commenced a decade ago (Taylor 2009), is to analyse the sources of Thea Astley’s The Multiple Effects of Rainshadow, including but going beyond the list provided in the author’s ‘Acknowledgments.’ In truth, Astley’s achievement in Multiple Effects as in her other fiction far surpasses the sum of contributions that she derived from earlier writings. The mostly forgotten books that she lists as ‘[i]mpulses’ and her bequest to the Fryer Library of her newspaper sources and hand-written notes suggest that she may have welcomed a study of this novel’s genesis. The essay begins with an overview of the place of Multiple Effects in Astley’s oeuvre and the literary and political contexts for Astley’s increasing engagement with the history of Aboriginal dispossession. It then turns in detail to the novel itself and offers an excavation of the sources that inform its historical narrative. In doing this I hope to demonstrate something about Astley’s creative process: the extent and detail of her research, the ways in which her novel creatively reworks this archive, and some of the effects of that on the kind of history that Astley tells. Following the publication in 1994 of Coda, intended as the title indicates to be Astley’s last novel, the Keating Labor government awarded her a five-year Creative Fellowship of $325,000. Thus encouraged, after ‘one year of musing and two years of writing’ (Sayer 18) at Cambewarra on the NSW south coast, Astley published Multiple Effects in August 1996. -
Stories, Reviews, Poems, Articles
a quarterly review price one dollar registered at gpo perth for transmission by post as a periodical - Category '8' STORIES, POEMS, REVIEWS, ARTICLES westerly a quarterly review• EDITORS: Bruce Bennett and Peter Cowan EDITORIAL COMMI'ITEE: Bruce Bennett, Peter Cowan, Patrick Hutchings, Leonard Jolley, Margot Luke Westerly is published quarterly by the English Department, University of Western Australia, with assistance from the Literature Board of the Australia Council. The opinions expressed in Westerly are those of individual contributors and not of any member of the above Committee. Correspondence should be addressed to the Editorial Committee, Westerly, Department of English, University of Western Australia, Nedlands, Western Australia 6009 (telephone 80 3838). Unsolicited manuscripts not accompanied by a stamped self-addressed envelope will not be returned. All manuscripts must show the name and address of the sender and should he typed (double-spaced) on one side of the paper only. Whilst every care is taken of manu scripts, the Editorial Committee can take no final responsibility for their return; contributors are consequently urged to retain copies of all work submitted. Minimum rates for contributions -poems $7.00; prose pieces $7.00; reviews, articles $15.00; short stories $30.00. It is stressed that these are minimum rates, based on the fact that very brief contributions in any field are acceptable. In practice the Committee aims to pay more, and will discuss payment where required. Subscriptions: $4.00 per annum, plus postage (Australasia 80c per annum, Overseas $1.60 per annum); $7.00 for 2 years (postage Australasia $1.60, Overseas $3.20). -
The Journal of Professional Historians
Issue six, 2018 six, Issue The Journal of of The Journal Circa Professional Historians CIRCA THE JOURNAL OF PROFESSIONAL HISTORIANS ISSUE SIX, 2018 PHA Circa The Journal of Professional Historians Issue six, 2018 Circa: The Journal of Professional Historians Issue six, 2018 Professional Historians Australia Editor: Christine Cheater ISSN 1837-784X Editorial Board: Francesca Beddie Carmel Black Neville Buch Sophie Church Brian Dickey Amanda McLeod Emma Russell Ian Willis Layout and design: Lexi Ink Design Printer: Moule Printing Copyright of articles is held by the individual authors. Except for the purposes of private study, research, criticism or review as permitted by the Copyright Act, no part of this publication may be reproduced by any process without the permission of the author. Address all correspondence to: The Editor, Circa Professional Historians Australia PO Box 9177 Deakin ACT 2600 [email protected] The content of this journal represents the views of the contributors and not the official view of Professional Historians Australia. Cover images: Front cover, top row, left to right: Newman Rosenthal and Thomas Coates, Portuguese Governor of Dili and staff, Margaret Williams-Weir. Bottom: 8 Hour procession, 1866. Back cover, top: Mudgee policeman and tracker Middle row, left to right: Woman and maid, HEB Construction workers. Bottom: Walgett tracker and police Contents EDITORIAL . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. IV Part one: Explorations Pathfinders: NSW Aboriginal Trackers and Native Title History MICHAEL BENNETT. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 3 Working in the Dirt SANDRA GORTER .. ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ..11 Part two: Discoveries Unpacking a Legend MARGARET COOK AND ANNAbeL LLOYD . .21 Not Just White Proddy Boys: The Melbourne Faculty of Education 1903-1973 JULIET ELLA FLesCH . -
THE UNIVERSITY of MICHIGAN LAW SCHOOL VOLUME 29, NUMBER 3, SPRING 1985 Law Quadrangle- Notes the UNIVERSITY of MICHIGAN LAW SCHOOL VOLUME 29, NUMBER 3, SPRING 1985
THE UNIVERSITY OF MICHIGAN LAW SCHOOL VOLUME 29, NUMBER 3, SPRING 1985 Law Quadrangle- Notes THE UNIVERSITY OF MICHIGAN LAW SCHOOL VOLUME 29, NUMBER 3, SPRING 1985 CONTENTS 1 Reading.. .Between the Sheets 18 Tops Among Classes Roy F. Proffitt 18 Tops in Percentage of Participation 4 National Chairmen 19 Law School Fund Contributors 4 National Committee 37 Special Donor Groups 5 Regional Reports 43 Matching Gift Program 13 1983-84 Comparisons by Region 45 In Memoriam 14 Annual Growth Charts 46 Class Notes 16 Class Summary of Gifts Law Quadrangle Notes (USPS 893-460), is issued quarterly by the University of Michigan Law School. Second-class postage paid at Ann Arbor, Michigan. Office of publication, Law Quadrangle Notes, Law School, The University of Michigan, Ann Arbor, Michigan 48109-1215. POSTMASTER: Send Form 3579 to: Editor, Law Quadrangle Notes, Law School, The Univer- sity of Michigan, Ann Arbor, Michigan 48109-1215. This issue of the Law Quadrange Notes is the twenty-fourth annual report of the Law School Fund. The Fund is under the direction of Professor Roy F. Proffitt; Mrs. Lois A. Richards is supervisor of the Fund and is responsible for gathering the data used in this report. Editorial and design responsibilities are handled by the University of Michigan Office of Development and Marketing Communication. CAMPAIGN MMARY best research libraries providing our Reading.. .Between the Sheets students, faculty, and visiting scholars with an exceptional worlung tool; schol- arship and loan funds that have permit- by Roy F. Proffitt ted Michigan to attract and accept the very best students regardless of their Hurrah! The purpose of the fund continues as financial means; support for three top- flight student publications which pro- We had a very good year in 1984.