Chapter 3 Good Mother, Bad Mother and the Changing Boundaries
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alfred Rolfe: Forgotten Pioneer Australian Film Director
Avondale College ResearchOnline@Avondale Arts Papers and Journal Articles School of Humanities and Creative Arts 6-7-2016 Alfred Rolfe: Forgotten Pioneer Australian Film Director Stephen Vagg FremantleMedia Australia, [email protected] Daniel Reynaud Avondale College of Higher Education, [email protected] Follow this and additional works at: https://research.avondale.edu.au/arts_papers Part of the Film and Media Studies Commons Recommended Citation Vagg, S., & Reynaud, D. (2016). Alfred Rolfe: Forgotten pioneer Australian film director. Studies in Australasian Cinema, 10(2),184-198. doi:10.1080/17503175.2016.1170950 This Article is brought to you for free and open access by the School of Humanities and Creative Arts at ResearchOnline@Avondale. It has been accepted for inclusion in Arts Papers and Journal Articles by an authorized administrator of ResearchOnline@Avondale. For more information, please contact [email protected]. Alfred Rolfe: Forgotten Pioneer Australian Film Director Stephen Vagg Author and screenwriter, Melbourne Victoria, Australia Email: [email protected] Daniel Reynaud Faculty of Arts, Nursing & Theology, Avondale College of Higher Education, Cooranbong, NSW, Australia Email: [email protected] Daniel Reynaud Postal address: PO Box 19, Cooranbong NSW 2265 Phone: (02) 4980 2196 Bios: Stephen Vagg has a MA Honours in Screen Studies from the Australian Film, Television and Radio School and has written a full-length biography on Rod Taylor. He is also an AWGIE winning and AFI nominated screenwriter who is currently story producer on Neighbours. Daniel Reynaud is Associate Professor of History and Faculty Assistant Dean, Learning and Teaching. He has published widely on Australian war cinema and was instrumental in the partial reconstruction of Rolfe’s film The Hero of the Dardanelles, and the rediscovery of parts of How We Beat the Emden. -
Hullo Marmaduke
HULLO MARMADUKE Year of release: 1924 • Scenario: Beaumont Smith Initially scripted under the working title, The King of Australia,1 Hullo Marmaduke is the story of a naive young remittance man and his adventures in Australia. It was the first of two moving pictures to star English variety comedian Claude Dampier during his second lengthy visit to the Australasian region, the other being The Adventures of Algy (1925). Both films were written, directed and produced by Beaumont Smith. Dampier was given leave of absence from his contract with Fullers' Theatres to take part in shooting, as was Jimmy Taylor, then a member of Dampier's revue company. Another prominent Australian-based vaudeville performer to appear in the film was Cyril Northcote. Hullo Marmaduke is now considered a lost film. The youngest son of a noble English family, Marmaduke is sent out to Australia on the R.M.S. Osterley with his faithful valet Huggett. At Fremantle he is swindled by two card sharps out of most of his money. With his remaining money he travels to Adelaide and then the gold fields where he hopes to make his fortune. On the voyage he meets up with Mrs Mary Morton, a barmaid, and her young daughter Margie who are searching for their husband and father, Mike Morton. Mary is later killed during a burglary, however. Complicating matters is the fact that one of the men is Mary's husband. With her dying breath she asks Maramduke to look after her daughter. Faced with this new responsibility he goes on to make his fortune as a prospector and lavishes money on his ward. -
Frederick Fisher and the Legend of Fisher's Ghost Booklet(4MB, PDF)
Frederick Fisher and the legend of Fisher’s Ghost Your guide to Campbelltown’s most infamous resident Frederick Fisher and the legend of Fisher’s Ghost The legend of Fisher’s Ghost is one of Australia’s most well-known ghost stories. Since John Farley first told the story of his encounter with the spectre, tales of the ghost have inspired writers, artists, poets, songwriters and film producers, and captivated the imagination of generations. Who was Frederick Fisher? Frederick George James Fisher was born in London on 28 August 1792. He was the son of James and Ann Fisher, who were London bookbinders and booksellers of Cripplegate and Greenwich. Fred was of average height, had a fair complexion and brown hair. By his early 20s, he was a shopkeeper, and although unmarried, was believed to possibly be the father of two children. Either innocently or deliberately, Fred obtained forged bank notes through his business for which he was arrested and tried at the Surrey Gaol Delivery on 26 July 26 1815. He was sentenced to 14 years transportation to Australia with 194 other convicts aboard the Atlas, which set sail from England on 16 January 1816, and landed in Australia eight months later, on 16 September 1816. Fred Fisher could read and write and because literate men were rare in the colony, the crown solicitor recommended him to the colonial administrator, TJ Campbell, who attached Fred to his staff. Within two years, Fred was assigned as superintendent to the Waterloo Flour Company, which was owned and managed by ex-convicts and was the most influential and dynamic enterprise in colonial NSW. -
Charles Kingsford Smith, Known As
Significant People People Significant inAUSTRALIA’S HISTORY Contents in Significant People Significant People in Australia’s History profiles the people who brought HISTORY AUSTRALIA’S History makers 4 Boom times and the Great Depression 5 about important events or changes to Australian society through their in A snapshot of history 6 knowledge, actions or achievements. Explore the fascinating story of Australia, AUSTRALIA’S HISTORY Hudson Fysh, Pilot 8 from its ancient Indigenous past to the present day, through the biographies of Ross Smith and Keith Smith, Pilots 9 Raymond Longford and Lottie Lyell, Film stars 10 these significant people. Charles Bean, Journalist 12 Edith Cowan, Politician 14 Volume 6 Stanley Bruce, Prime Minister 16 Each volume focuses on a particular Special features include: Jimmy Clements, Indigenous leader 17 period in Australia’s history and includes: 6 Volume John Flynn, Religious leader 18 ‘life facts’ mini timeline Charles Kingsford Smith, Pilot 20 Life Facts background information about the of each person’s life Alf Traeger, Inventor 21 1580 Born in Holland 1920 –1938 featured time period and achievements 1615 Becomes commander 22 David Unaipon, Writer a timeline of main events of the Eendrach 1920 Grace Cossington Smith, Artist 23 1616 Lands on the western ‘more about …’ Morecoast about of Australia ... illustrated biographies of a wide range – Margaret Preston, Artist 24 information boxes Dirk Hartog1618 Island Returns to the 1938 Netherlands on the Jack Davey, Radio star 25 of significant people Hartog had landed in an area that was about related Eendrach home to the Malkana people, near Boom Times Don Bradman, Sportsperson 26 a glossary of terms * events and places modern-day Shark Bay in Western Australia. -
Corowa (1893) and Bathurst (1896)
Papers on Parliament No. 32 SPECIAL ISSUE December 1998 The People’s Conventions: Corowa (1893) and Bathurst (1896) Editors of this issue: David Headon (Director, Centre for Australian Cultural Studies, Canberra) Jeff Brownrigg (National Film and Sound Archive) _________________________________ Published and Printed by the Department of the Senate Parliament House, Canberra ISSN 1031–976X Published 1998 Papers on Parliament is edited and managed by the Research Section, Department of the Senate. Copy editor for this issue: Kay Walsh All inquiries should be made to: The Director of Research Procedure Office Department of the Senate Parliament House CANBERRA ACT 2600 Telephone: (02) 6277 3078 Email: [email protected] ISSN 1031–976X ACKNOWLEDGEMENTS: Centre for Australian Cultural Studies The Corowa and District Historical Society Charles Sturt University (Bathurst) The Bathurst District Historical Society Cover design: Conroy + Donovan, Canberra Introduction When Henry Parkes delivered his Tenterfield speech in October 1889, declaring federation’s time had come, he provided the stimulus for an eighteen-month period of lively speculation. Nationhood, it seemed, was in the air. The 1890 Australian Federation Conference in Melbourne, followed by the 1891 National Australasian Convention in Sydney, appeared to confirm genuine interest in the national cause. Yet the Melbourne and Sydney meetings brought together only politicians and those who might be politicians. These were meetings, held in the Australian continent’s two most influential cities, which only succeeded in registering the aims and ambitions of a very narrow section of the colonial population. In the months following Sydney’s Convention, the momentum of the official movement was dissipated as the big strikes and severe depression engulfed the colonies. -
Diari Di Cineclub N. 67
_ n.3 Anno VII N. 67 | Dicembre 2018 | ISSN 2431 - 6739 1968-70. Enzo Ungari al Chaplin della Spe- Nando, quanto ci zia: il d’Artagnan e gli altri di Giovane Criti- mancherai ca Addio a Nando Scanu, una “Siamo stati i figli di un tempo fortunato. Non vi sembri un paradosso. Gli anni ‘50-’60 furono un tempo per molti vita dedicata al cinema versi felice, nonostante le arretratezze del nostro paese. indipendente: socio fondatore Ungari. Un ragazzino che avevo conosciuto a Venezia, all’apertura di un festival, con il sacco a pelo sulla schiena. nel ‘51 del Cineclub Sassari, Era di Spezia e lo prenotai per la rivista. E’ morto preco- tra i precursori del cinema cemente e ha lasciato di sé un ricordo molto forte. Era uno spettatore vorace e divenne un ottimo organizzatore. neorealista in Sardegna e È spiacevole che non abbia potuto dimostrare a pieno “campione dell’associazionismo quanto valesse artisticamente”. Luigi Faccini culturale”. E’ stato un pilastro del Sardinia Film Festival e un attivo La bella rievocazione persona, a tutt’oggi, lo stesso Stefano, come di Stefano Beccastrini purtroppo, a suo tempo, Melani e con lui Pie- collaboratore di Diari di Cineclub (Quando, con Marco Me- francesco Bargellini, da tempo entrambi, co- Qualcuno lo ricorderà lani, gestimmo la sala ci- me Ungari, là unde negant redire. Con i film di come un buon padre di nematografica di Cavri- Pierfranceso esordiente ebbi invece il privile- famiglia, qualcun altro glia) e la successiva gio di familiarizzare da subito, negli anni del- come un valente im- Nuccio Lodato rilettura del suo ma- la Cooperativa Cinema Indipendente di cui prenditore edile e, in gnifico contributo a fui osservatore ravvicinato attivo, grazie alla tanti, come un infati- un libro a suo tempo molto amato, Il viandante triade amicale Bacigalupo-Leonardi-De Ber- cabile operatore cultu- ebbro (Ricordi di Marco (e di me). -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
Extend Public Participation
the balmain association mmm si incorporated NEWS SHEET Vol 26 No 11 Issue 209 FOUNDED 1965 DECEMBER 1991 Extend Public Participation Street as well as a reservation for extra lanes ThebyRezoning LeichhardtWorkshops Council conducted have been on Victoria Rd from Iron Cove Bridge to concluded and there is agreement that Terry Street was well supported. The street they generally presented a consensus of network as portrayed on the sketch is not residents* views and concerns. The desirable and does not follow the site levels. Council is now expected to determine the Chemplex representative, Mr John Boyd, Local Environment Plans before the end stated that they had not tendered for of the year. Cockatoo Island as it does not appear to be As we forecast last month, the Depart a viable development ment of Planning is still formulating their The Caltex workshop wants Council to Regional Environmental Plan which they request the State Government to purchase had proposed to exhibit on 18 November 'Vs of Ballast Point for a park and to allow and is now due "before the end of the year". development on the remainder. If this re There is, however, a possibility of a legal quest was unsuccessful a minority report challenge to this process from the Council had two schemes which approximated the and the Local Government Association. Commissioners' recommendations. Caltex Some of the developers have discussed advocated the adoption of the "umpire's" the rezonings with the workshops and decision. agreement had been achieved on general The next step in the public participation principles. The most developed concepts operation is to produce measures to control were from Leda on the White Bay site and the effects of the development on these five the sketch illustrates some of the ideas sites and others such as the MSB buoy site promoted by members of the workshop and the White Bay Power Station which is committee. -
Dad Rudd, M.P. and the Making of a National Audience. Dad Rudd, M.P
Dad Rudd, M.P. and the making of a national audience. Dad Rudd, M.P. was the fourth and final film made by Ken G. Hall based on characters originally created by ‘Steele Rudd’ (Arthur Hoey Davis) in 1895. It. was also the first of four films to receive a £15,000 overdraft from the NSW government as part of an attempt to encourage local film production. It was released by Cinesound in Australia in June 1940. According to the Australasian’s film critic ‘The Chiel,’ when the film was shown in Melbourne, ‘a queue that was 100 yards long to the box office, a crowded theatre, and sustained applause indicated that the Australian people have no fault to find with “Dad Rudd, M.P.”’(Chiel 1940). Box office for the film was indeed remarkable in Australia and the film also gained popular acclaim in Britain, where it was screened more than 1400 times before mid-1941 (Pike 1980:45). The Rudd family texts are unique in Australian cultural history for the extent to which they have been adapted, and the degree of their popularity in a variety of media over time. Authors, producers, directors and publicists of these texts engendered a market defined by its recognition of Australian cultural commonplaces. In this respect the Rudd characters have been instrumental in the creation and characterization of a specifically ‘Australian’ audience that can be defined in relation to a set of national symbols. Dad Rudd, M.P., in particular, illustrates the way in which such national symbols can be a product of market imperatives, overseas influences and chance. -
The Adventures of Algy
THE ADVENTURES OF ALGY Year of release: 1925 • Scenario: Beaumont Smith A romantic comedy/drama starring English-born variety entertainer and self-proclaimed "professional idiot" Claude Dampier, The Adventures of Algy was the comedian's second film for director/producer Beaumont Smith1 and his first to be set in both Australia and New Zealand. Following a series of misadventures in both countries, the film reaches its climax with the opening of an extravagant new revue at a Sydney theatre. It is here that Algy is reunited with his sweetheart. Among the cast were several high profile variety entertainers, notably Lester Brown, Verna Bain, and Hilda Attenboro. Image sources: Above: Mediasphere, Ngā Taonga Sound and Vision. New Zealand. Left: Still from the film. The narrative follows Algernon Allison, a Londoner with a monocle and a mania for crossword puzzles,2 who travels to New Zealand with his cousin Murray to claim a their inheritance. The bequest involves two parcels of land left by a recently-deceased uncle who wills the better property to the first cousin to claim it. When Murray tricks him out of the better inheritance, a sheep station, Algy is left with a seemingly worthless piece of land. Competition between the two me increase when they both fall for the beautiful and beguiling Kiwi McGill, a Pākehā and the daughter of the farm station's manager. Thwarted by his social awkwardness and inability to "stake his claim," Algy gives up and sets off despondently to wander the New Zealand countryside. If things weren't already bad enough, Algy is also thwarted by a by a perplexing crossword, in which a word of four letters meaning a popular disease continues to baffle him. -
Newsletter of the Manly, Warringah and Pittwater
VOLUME 13 No. 3 April 2020 ISSN 1835-7628 (print) 2207-8401 (electronic) FROM THE EDITOR Something to read while in lockdown! have converted our committee meetings to virtual ones, “meeting“ via the internet. The Historian will continue so the Thank you to Keith Amos for providing two items for this issue. Society will not disappear completely from your lives. He has given a summary of what is known about Aboriginal presence on the northern beaches at the time of European In late February I attended a reception organised by NB arrival and also an item associated with early surfing at Manly. Council to thank volunteers who worked at various venues on The former was triggered by the article by William Govett in Australia Day. Proceeds for the day were distributed by the previous issue and the latter by the article on Duke Kahan- Council amongst the various community groups who amoku late last year. participated and we are very grateful to receive our generous share. Alongside Keith’s note on the local aboriginal groupings, I have included a well-known portrait of Bungaree whom Keith In early March I gave some support to the group trying to mentions. This image does a disservice to a man of quite establish a museum of surfing on the Northern Beaches. outstanding intelligence, skills, knowledge and experience. I They had a stall at the international surfing championship will include a fuller item on Bungaree in a future issue. which was held in Manly early in March. More than 450 people signed a petition in support of the museum concept. -
SCREENING MOTHERS: Representations of Motherhood in Australian Films from 1900 to 1988
SCREENING MOTHERS: Representations of motherhood in Australian films from 1900 to 1988 CAROLINE M. PASCOE B.A. (Honours) M.A. UNIVERSITY OF SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy September 1998 ii The work presented in this thesis is, to the best of my knowledge and belief, original, except as acknowledged in the text. The material has not been submitted, either in whole or in part, for a degree at this or any other university. CAROLINE MYRA PASCOE iii ABSTRACT Although the position of mothers has changed considerably since the beginning of the twentieth century, an idealised notion of motherhood persists. The cinema provides a source of information about attitudes towards mothering in Australian society which is not diminished by the fact that mothers are often marginal to the narrative. While the study recognises that cinematic images are not unconditionally authoritative, it rests on the belief that films have some capacity to reflect and influence society. The films are placed in an historical context with regard to social change in Australian society, so that the images can be understood within the context of the time of the making and viewing of the films. The depictions of the mother are scrutinised with regard to her appearance, her attitude, her relationship with others and the expectations, whether explicit or implicit, of her role. Of particular significance is what happens to her during the film and whether she is punished or rewarded for her behaviour. The conclusions reached after analysis are used to challenge those ideas which assume that portrayals of motherhood are unchangeable and timeless.