Regionalism in Contemporary Australia-Moorhouse, Shapcott
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Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
A U D I O B O O
A U D I O BOOKS new titles catalogue october 2011 to april 2012 open & special access AUDIO INFORMATION FOR PEOPLE WITH PRINT DISABILITIES qns.net.au quality prices mission statement Queensland Narrating Service is a non-profit community organisation that enables people with print disabilities to exercise their right to access desired information in audio formats enabling them to enrich their lives and participate in decisions that affect them. QNS operates in a fair and responsible manner in our dealings with volunteers, staff, funding providers, agencies representing people with print disabilities and the broader community. quality The Queensland Narrating Service employs stringent processes which ensure that the quality of QNS audio books continues to improve and meet the high standards expected by readers and librarians. Queensland Narrating Service’s Quality Management System is certified under AS/NZS ISO9001:2008. Feedback is encouraged and appreciated. Narrators are skilled and motivated people often with backgrounds in radio broadcasting and acting. qns audio - open access - special access Consumers’ special needs are an important consideration: • All audio formats are clearly identifiable by introductions, endings and tactile numbering • CDs are track marked at each chapter for easy navigation • All QNS audio books are complete and unabridged QNS offers both open access books (narrated for the general community) and special access books (narrated for people with print disabilities). For a definition of print disability see www.qns.net.au No unauthorised copying, broadcasting or public performance of these recordings is permitted. prices All prices quoted in this catalogue include GST and presentation folders with full colour cover insert. -
Outside the Box How Misfits Can Help Companies to Be More Creative
THE POINT bridgepoint.eu Intelligent investing in Europe from Bridgepoint Issue 28 | November 2015 Outside the box How misfits can help companies to be more creative Technology and Customer care Capital offence happiness The decline and Lucy Kellaway A match made for fall of the on illegitimate the 21st century personal touch capital letters Contents INS & OUTS 2 Bridgepoint investments and exits across Europe SECTOR ANALYSIS 4 Are you being served? Customer service is often discussed but all-too-rarely delivered. Does it even exist any more, or are we MANAGEMENT FOCUS witnessing the death of service? 18 Odd man out TALKING POINT Most employees fit standard criteria, 9 Future positive but unconventional “misfits” can give IT is widely blamed for social businesses an unexpected boost isolation, constant overwork and the FACE TO FACE demise of the family. But does the 23 Put to the test evidence stack up? Quotient Clinical CEO Mark Egerton on IN MY OPINION drugs, revolutions and horse-riding 14 Brain retraining BUSINESS TRENDS Information overload is widespread 28 Size matters in today’s society. Dr Daniel Levitin Large companies benefit from economies maintains that it does not have to of scale. But smaller firms can be be that way leaner, more nimble and, surprisingly, more profitable MARKET INSIGHT 32 Brand aid Brands were supposed to be yesterday’s story. But, if marketed wisely, they can be stronger than ever LAST WORD 36 Capital offence Lucy Kellaway bemoans the Indiscriminate Use of Capitals in Today’s Corporate Literature FOREWORD Mavericks and the mainstream s it time for businesses to employ misfits and oddballs? Perhaps you think you Ialready do. -
A Study of How German Publishers Have Imagined Their Readers of Australian Literature
Australia and Its German-Speaking Readers: A Study of How German Publishers Have Imagined Their Readers of Australian Literature OLIVER HAAG Austrian Research Centre for Transcultural Studies, Vienna Australian literature is marketed not only to a national audience but also to an overseas readership, who consume it both in English and in various languages of translation, of which German seems to be the most common.1 The publication of translated Australian books thus undergoes marketing processes similar to those in Australia. One of the most immediate publishing mechanisms is the physical appearance of a book, or what Gerard Genette terms the ‘publisher’s peritexts’ (16); that is, the texts that ‘surround’ the actual text, such as book covers. Dust jackets in particular establish the first act of engagement between an author—or more properly, the author’s words—and his or her prospective readers: ‘Your potential reader will form an impression of your book while looking at the cover—before they even decide to look inside’ (Masterson 161). Thus, in making a particular book palatable for a prospective readership, publishers2 shape the story with a vision of the reader in mind: first, they advertise the text through its cover illustration and blurb, both of which usually reflect and summarise the content; secondly, in so doing, publishers develop an image of prospective readers. They evaluate readers’ tastes and assess their target readers, including their age, level of education, and gender; then, based on such assessments, they develop strategies for marketing a book to this particular group of intended readers. Furthermore, Genette argues that such practices are ‘made up of a heterogeneous group of practices and discourses of all kinds and dating from all periods’ (2). -
The Literary Studies Convention @ Wollongong University 7 – 11 July 2015
1 The Literary Studies Convention @ Wollongong University 7 – 11 July 2015 with the support of AAL, the Australasian Association of Literature ASAL, the Association for the Study of Australian Literature AULLA, the Australasian Universities Language and Literature Association The Faculty of Law, Humanities and the Arts School of the Arts, English and Media English and Writing Program University of Wollongong and Cengage Learning Maney Publishing The convention venues are Buildings 19, 20 and 24 of the University of Wollongong. The Barry Andrews Memorial Lecture and Prize-Giving will be in the Hope Lecture Theatre (Building 43) ** Please note that some books by delegates and keynote speakers will be for sale in the University of Wollongong’s Unishop in Building 11. Look for the special display for the Literary Networks Convention. 2 3 Barry Andrews Memorial Address: Tony Birch .......................................................................... 10 Keynote Address: Carolyn Dinshaw ............................................................................................. 11 Keynote Address: Rita Felski ......................................................................................................... 12 Dorothy Green Memorial Lecture: Susan K. Martin .................................................................. 13 Plenary Panel: Australia’s Literary Culture and the Australian Book Industry ....................... 14 Plenary Panel: Literary Studies in Australian Universities – Structures and Futures ........... 16 Stephen -
Marjorie Barnard: a Re-Examination of Her Life and Work
Marjorie Barnard: a re-examination of her life and work June Owen A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales Australia School of the Arts and Media Faculty of Arts and Social Science Thesis/Dissertation Sheet Australia's Global UNSWSYDNEY University Surname/Family Name OWEN Given Name/s June Valerie Abbreviation for degree as give in the University calendar PhD Faculty Arts and Social Sciences School School of the Arts and Media Thesis Title Marjorie Barnard: a re-examination of her life and work Abstract 350 words maximum: (PLEASE TYPE) A wealth of scholarly works were written about Marjorie Barnard following the acclaim greeting the republication, in 1973, of The Persimmon Tree. That same year Louise E Rorabacher wrote a book-length study - Marjorie Barnard and M Barnard Eldershaw, after agreeing not to write about Barnard's private life. This led to many studies of the pair's joint literary output and short biographical studies and much misinformation, from scholars beguiled into believing Barnard's stories which were often deliberately disseminated to protect the secrecy of the affair that dominated her life between 1934 and 1942. A re-examination of her life and work is now necessary because there have been huge misunderstandings about other aspects of Barnard's life, too. Her habit of telling imaginary stories denigrating her father, led to him being maligned by his daughter's interviewers. Marjorie's commonest accusation was of her father's meanness, starting with her student allowance, but if the changing value of money is taken into account, her allowance (for pocket money) was extremely generous compared to wages of the time. -
Maps of Identity in the Novels of David
2êt,t. "THE DARKNESS AT OUR BACK DOOR": MAPS OF TDENTITY IN THE NOVBLS OF DAVID MALOUF AND CHRISTOPHER KOCH by Amanda E. Nettelbeck, B. A. Hons. A thesis submitted for the degree of Doctor of Philosophy Department of English University of Adelaide February 1991 CONTENTS Absract I Statements ü Acknowledgements üi Abbreviations iv Foreword 1 1. Definition Through Difference: The Emergence of a National Tradition 8 2. "The Mapping of a World": Discourses of Power in David Maloufs Fly Away Peter 26 3. The Pattern of History: Discursive Conflict in David Malouf s Child's Play 51 4. Masculine Desire and the "Other": Intra-Discursive Conflict in Christopher Koch's The Boys in the Islønd and Across the SeaWall 72 5. Frustration of Desire: The Shifting Subject in David Malouf s Johnno and Other Texts 96 6. Ambivalence of Desire: The Split Subject in Christopher Koch's The Year of Living Dangerously t19 7. Negation of Desire: The Lacanian "Reversal" in David Malouf s An Imaginary Ltfe r39 8. Illusions of Desire: Admissions of Lack in Christopher Koch's The Doubleman 155 9. Invention of Narratives: The Identification of Self and World in David Maloufs The Great World r73 Afterword t94 Endnotes 199 Select Bibliography 201 ABSTRACT The intention of this thesis is to examine the novels of David Malouf and Christopher Koch from both a post-colonial and a psychoanalytic perspective. My argument is that the sense of displacement and preoccupation with "other" worlds which characterise these novels reflect a national tradition which positions Australian life at the "edge" of a culturally and politically dominant "centre." Such a perspective is not so much geographical as discursive; Australia was first defined, after all, through a European discourse which assumed its own centrality. -
CONCLUSION This Literary Study and Close Account of Her Social
224 CONCLUSION This literary study and close account of her social philosophy has demonstrated that the novelist, Eleanor Dark, was also a vigorous social protester and moralist, both concerned with pressing contemporary problems and with their psychological origins, and bent on showing in her fiction a close connection between political forces and individual lives. It has been made clear in this critical treatment .:hat, with a romantics revolutionary turn of mind, she was determined to open her readers eyes to so many social injustices. These were all too often perpetrated by mediocre leaders, and yet the people, in their ignorance and apathy, were hardly aware of them. To illustrate this she created a series of idealistic, independently thinking characters who set out to right social wrongs by exercising heroic personal integrity, by being true to their own consciences, and by establishing ideals which would enrich, rather than constrict, both the individual and society as a whole. The study has shown, however, that Dark always emphasised the need to put theory into action, and to curb simplistic idealism with a measure of lived practicality. There was presented in Chapter 2 the writers perception of human existence as a progression or journey, with her questing protagonists energetically engaging with all aspects of life as they struggled toward the goal of social harmony and the desired realisation of personal potential. Throughout, there has been critical emphasis upon the novels impressive celebration of life, and I have endeavoured to show that the vitality of Darks daring protagonists became a means of judging the behaviour of others, as she contrasted them with those lesser and more timid characters who refused Ito participate willingly in the mortal contest. -
Read Book Careful, He Might Hear
CAREFUL, HE MIGHT HEAR YOU PDF, EPUB, EBOOK Sumner Locke Elliot,Robyn Nevin | 299 pages | 02 Apr 2013 | Text Publishing Co | 9781921922244 | English | Melbourne, Australia Careful, He Might Hear You PDF Book I'm really glad I finally picked this up and read it. Though Vanessa initially assures Lila that she only wants weekend visits with P. Elliott had learnt first-hand what it was like to be trapped in the middle of such a war. Thanks for telling us about the problem. You can get your custom paper from our expert writers. It is a milange of emotions slowly heating until boiling point is reached. The persona of Vanessa illustrates the impact childhood experiences can have on the psyche later in life. Metacritic Reviews. George Colleen Clifford PS has been raised by his aunt Lila Nevin and her husband George since his mother died soon after his birth. I was so on the edge of my seat when it got close to the verdict that I skipped a few pages and then wanted to throw the book across the room when I read the decision From " Veronica Mars " to Rebecca take a look back at the career of Armie Hammer on and off the screen. John Hargreaves, as PS' still mostly absent father, was nobly worthless, which explained so much. By the time he published his first novel, Elliott had spent 25 years writing first radio serials in Australia and then live television dramas in New York City. What it gains, perhaps, in retrospect is a historian's view of an Australia long gone but still casting shadows over us all. -
Book Reviews
Kunapipi Volume 3 Issue 2 Article 15 1981 Book Reviews Anna Rutherford University of Aarhus, Denmark Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Rutherford, Anna, Book Reviews, Kunapipi, 3(2), 1981. Available at:https://ro.uow.edu.au/kunapipi/vol3/iss2/15 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Book Reviews Abstract Book Reviews This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol3/iss2/15 Book Reviews CURRENCY'S DECADE: A TRIBUTE In March this· year Currency Press celebrated ten years of publishing Australian plays by launching Contemporary Australian Drama, a collection of essays which deals with 1 historical as well as critical perspectives since 1955. In tracing and bringing into focus the main currents of thought and critical studies of twenty-five years of dramatic writings, the book demonstrates not only the consistently high quality of Currency publications, but also the debt of Australian drama to the determined efforts of Curren cy's directors, Katharine Brisbane and Philip Parsons. Publishing does not create good literature, but it influences it in several ways. Availability of play texts means critical studies and research, and a continuous debate; it means teaching of the texts in secondary schools and tertiary institutions, and an increased awareness on the part of the general public. Currency Press published about ninety Australian plays in the last decade, a remark able achievement considering the financial uncertainties of publishing exclusively in an art form which is still considered the step-child of Australian literature. -
'Rupture and Rapture All at Once': Queer Australian Fiction 2000-2014
Barlow Queer Australian fiction 2000-20014 La Trobe University Damien Barlow ‘Rupture and rapture all at once’: Queer Australian fiction 2000-2014 Abstract: This article provides a critical survey of queer Australian fiction spanning fifteen years from 2000 to 2014. Forty works of fiction in the forms of novels and short story collections are discussed. The survey is organised by a series of modes that I argue are prevalent within queer Australian fiction: contemporary realism, surrealism, historical novels and cosmopolitanism. Biographical note: Damien Barlow is a lecturer in the English Program at La Trobe University, Bundoora Campus (Melbourne). He has published widely on Australian literature, including essays on Marcus Clarke, Joseph Furphy, David Malouf, Frank Moorhouse, Rosa Praed, Jessica Anderson and Brian Castro. Keywords: Creative Writing – Queer writing – Queer Australian fiction TEXT Special Issue 31: Beyond Australia Queer 1 eds Jay Daniel Thompson and Dallas J Baker, October 2015 Barlow Queer Australian fiction 2000-20014 Introduction Queer Australian fiction of the twenty-first century is alive, inventive, challenging and nuanced. It can perhaps best be summed up by a phrase from Marion May Campbell’s novel Shadow Thief (2006): ‘Rupture and rapture all at once’ (283). This richness persists even without many of the avenues that existed for writers in the 1980s and 1990s. Support once offered by gay magazines such as Outrage and Campaign and, importantly, Australia’s first gay and lesbian publisher Black Wattle Press, has ceased now that these publications no longer exist. Established queer writers such as Christos Tsiolkas, Dorothy Porter and Fiona McGregor may have cemented their literary reputations by the 2000s, but ways for new voices to be heard have been fraught despite the emergence of new e-publishing platforms and the continual (although always conditional) willingness of the local publishing industry to support new works of queer fiction. -
Sf Commentary 76
SF COMMENTARY 76 30TH ANNIVERSARY EDITION October 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION SF COMMENTARY No. 76 THIRTIETH ANNIVERSARY EDITION OCTOBER 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION COVER GRAPHICS Ditmar (Dick Jenssen) Introductions 3 GEORGE TURNER: THE UNRELENTING GAZE Bruce Gillespie 4 GEORGE TURNER: CRITIC AND NOVELIST John Foyster 6 NOT TAKING IT ALL TOO SERIOUSLY: THE PROFESSION OF SCIENCE FICTION No. 27 12 SOME UNRECEIVED WISDOM Famous First Words 16 THE DOUBLE STANDARD: THE SHORT LOOK, AND THE LONG HARD LOOK 20 ON WRITING ABOUT SCIENCE FICTION 25 The Reviews 31 GOLDEN AGE, PAPER AGE or, WHERE DID ALL THE CLASSICS GO? 34 JOHN W. CAMPBELL: WRITER, EDITOR, LEGEND 38 BACK TO THE CACTUS: THE CURRENT SCENE, 1970 George and Australian Science Fiction 45 SCIENCE FICTION IN AUSTRALIA: A SURVEY 1892–1980 George’s Favourite SF Writers URSULA K. LE GUIN: 56 PARADIGM AND PATTERN: FORM AND MEANING IN ‘THE DISPOSSESSED’ 64 FROM PARIS TO ANARRES: ‘The Wind’s Twelve Quarters’ THOMAS M. DISCH: 67 TOMORROW IS STILL WITH US: ‘334’ 70 THE BEST SHORT STORIES OF THOMAS M. DISCH GENE WOLFE: 71 TRAPS: ‘The Fifth Head of Cerberus’ 73 THE REMEMBRANCE OF THINGS PRESENT: ‘Peace’ George Disagrees . 76 FREDERIK POHL AS A CREATOR OF FUTURE SOCIETIES 85 PHILIP K. DICK: BRILLIANCE, SLAPDASH AND SLIPSHOD: ‘Flow My Tears, the Policeman Said’ 89 LETTERS TO THE EDITOR: ‘New Dimensions I’ 93 PLUMBERS OF THE COSMOS: THE AUSSIECON DEBATE Peter Nicholls and George Turner George and the Community of Writers 100 A MURMURATION OF STARLING OR AN EXALTATION OF LARK?: 1977 Monash Writers’ Workshop Illustrations by Chris Johnston 107 GLIMPSES OF THE GREAT: SEACON (WORLD CONVENTION, BRIGHTON) AND GLASGOW, 1979 George Tells A Bit About Himself 111 HOME SWEET HOME: HOW I MET MELBA 114 JUDITH BUCKRICH IN CONVERSATION WITH GEORGE TURNER: The Last Interview 2 SF COMMENTARY, No.