DOCSLIB.ORG

Australian Poems You NEED to KNOW

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Australian Poems You NEED to KNOW 1OO Australian Poems You NEED TO KNOW Edited by Jamie Grant Foreword by Phillip Adams hardiegrant books MELBOURNE-LONDON Convict and Stockrider A Convict's Tour to Hell Francis Macnamara ('Frank the Poet') 16 The Beautiful Squatter Charles Harpur 22 Taking the Census Charles R Thatcher 23 The Sick Stockrider Adam Lindsay Gordon 25 The Red Page My Other Chinee Cook James Brunton Stephens 30 Bell-birds Henry Kendall 32 Are You the Cove? Joseph Furphy ('Tom Collins') 34 How McDougal Topped the Score Thomas E Spencer 35 The Wail of the Waiter Marcus Clarke 38 Where the Pelican Builds Mary Hannay Foott 40 Catching the Coach Alfred T Chandler ('Spinifex') 41 Narcissus and Some Tadpoles Victor J Daley 44 6 i Contents Gundagai to Ironbark Nine Miles from Gundagai Jack Moses 48 The Duke of Buccleuch JA Philp 49 How We Drove the Trotter WTGoodge 50 Our Ancient Ruin 'Crupper D' 52 The Brucedale Scandal Mary Gilmore 53 Since the Country Carried Sheep Harry Morant ('The Breaker') 56 The Man from Ironbark AB Paterson (The Banjo') 58 The Old Whimrhorse Edward Dyson 60 Where the Dead Men Lie Barcroft Boake 62 Australia Bernard O'Dowd , 64 The Stockman's Cheque EW Hornung 65 The Bullocky's Love-episode AF York 67 Bastard and Bushranger «<§!> The Bastard from the Bush Anonymous 70 When your Pants Begin to Go Henry Lawson 72 The Fisher Roderic Quinn 74 The Mystery Man 'NQ' 75 Emus Mary Fullerton 76 The Death of Ben Hall Will H Ogilvie 77 The Coachman's Yarn EJ Brady 80 Fire in the Heavens, and Fire Along the Hills Christopher Brennan 83 The Orange Tree John Shaw Neilsen 84 Dummy Bridge CJ Dennis 86 Morning Hugh McCrae 90 (I Contents Drought, Dusk and War Said Hanrahan PJ Hartigan ('John O'Brien') 94 The Victoria Markets Recollected in Tranquillity Frank Wilmot ('Furnley Maurice') 97 Sea Music WJ Turner 104 Dusk in the Domain Dorothea Mackellar 106 Kangaroo DH Lawrence 107 Women Are not Gentlemen Harley Matthews 110 Day's End Lesbia Harford 115 The ]ester in the Trench LeonGellert 116 On Having Grown Old Ernest G Moll 117 Country Story South Country Kenneth Slessor 120 Football Field: Evening JAR McKellar 121 Country Places AD Hope 122 They'll Tell You About Me Ian Mudie 124 Death of a Whale John Blight 126 A Country Song Douglas Stewart 127 Bullocky Judith Wright 128 The Australian Dream David Campbell 129 The Tomb of Lt. John Learmonth, A.I.F. John Manifold 131 Song Cycle of the Moon-Bone Wonguri-Mandjigai People, translated by Ronald M Berndt 133 Because James McAuley 140 A Curse on Herod Amy Witting 142 A Simple Story Gwen Harwood 144 10 I Contents Melbourne and Sydney The Cliff David Rowbotham 148 Lament for St Maria Goretti Francis Webb 150 Stroke Vincent Buckley 152 All Friends Together RA Simpson 158 Affair of the Heart Peter Porter 160 Life-Cycle Bruce Dawe 162 Defeat Evan Jones 164 Bequest Philip Martin 165 Balmoral Summer '66 Vivian Smith 166 Early Discoveries David Malouf 167 Threnody for Patrick White Barry Humphries 169 Melbourne Chris Wallace-Crabbe 170 At the baths Graeme Kinross Smith 171 A Lifetime Devoted to Literature Judith Rodriguez 173 in. Beyond Sprawl The Quality of Sprawl Les Murray 176 Bring Me the Sweat of Gabriela Sahatini Clive James 178 Smalltown memorials Geoff Page 181 The old colonist Andrew Taylor 182 The old rifle Geoffrey Lehmann 184 The Blizzard Roger McDonald 186 Anyone Home? John Tranter 188 In Departing Light Robert Gray 192 Sestina on taking a bus into Perth past the Narrows Bridge Hal Colebatch 197 Kidding Myself in Kuta, Bali: A Pantoum Alan Smith 198 Learning to Write Gary Catalano 199 Profiles of My Father Rhyll McMaster 200 Barbecue Peter Kocan 202 My Grandmother's Ghost Kate Jennings 203 Ballade for Alan Gould Alan Wearne 204 Pliers Alan Gould 206 On Seeing the First Flasher Vicki Ravmond 208 12 ! Contents The Generation of XYZ Ode to Karl Marx John Forbes 212 Fantasia on a Theme by Thomas Tallis Stephen Edgar 213 The Members of the Orchestra Kevin Hart 215 The Ferris Wheel Jennifer Harrison 216 The Domesticity of Giraffes Judith Beveridge 218 When I consider Gig Ryan 219 Sky Writing Sarah Day 220 Life Kathleen Stewart 221 The Big Goanna Philip Hodgins '222 Holy Sydney Harry Cummins 224 Kristallnacht Jemal Sharah 226 After Wendy Cope Stephen Mclnerney 227 113.
Load more

Recommended publications
  • Ballarat 2013 Pty Douglas Stewart Fine Books Ltd Melbourne • Australia # 4074
    BALLARAT 2013 PTY DOUGLAS STEWART FINE BOOKS LTD MELBOURNE • AUSTRALIA # 4074 Print Post Approved 342086/0034 Add your details to our email list for monthly New Acquisitions, visit www.DouglasStewart.com.au Ballarat Antique Fair 9-11 March 2013 # 4076 PTY DOUGLAS STEWART FINE BOOKS LTD PO Box 272 • Prahran • Melbourne • VIC 3181 • Australia • +61 3 9510 8484 [email protected] • www.DouglasStewart.com.au Some account of my doings in Australia from 1855 to 1862. REYNOLDS, Frederick AN APPARENTLY UNPUBLISHED AUTOBIOGRAPHICAL ACCOUNT OF LIFE ON THE VICTORIAN GOLDFIELDS DURING THE 1850s. Circa 1870. Manuscript written in ink on [27] pp, being one gathering from a contemporary quarto size notebook, the text complete in itself, titled on first page Some account of my doings in Australia from 1855 to 1862; written in one hand throughout and signed by the author Frederick Reynolds at the foot of the final page; beneath this signature is written in pencil in a slightly later hand (probably that of a family member) Husband of Guglielma Melford; the handwriting throughout the manuscript is bold, neat and entirely legible, and Reynolds’ expression is that of a literate, reasonably well-educated person; the thickish notepaper, of a type consistent with an 1870s dating, is toned around the edges but is extremely well preserved and shows no signs of brittleness; the black ink displays a higher level of oxidisation (ie. is slightly browner) on the exposed first page than on the inner pages of the manuscript, as should be expected. The narrative reveals that Frederick Reynolds was an English miner from Bridgewater in Somerset.
    [Show full text]
  • War and Colonial Identity: the Poetic Response
    Kunapipi Volume 18 Issue 2 Article 3 1996 War and Colonial Identity: The Poetic Response Michael Ackland Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Ackland, Michael, War and Colonial Identity: The Poetic Response, Kunapipi, 18(2), 1996. Available at:https://ro.uow.edu.au/kunapipi/vol18/iss2/3 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] War and Colonial Identity: The Poetic Response Abstract For a country spared the ravages of major wars, at least until the twentieth century, Australian creative works preceding federation exhibit a striking concern with martial prowess and the reality or possibility of physical conflict. 131oody encounters with blacks, convicts and bush-rangers frequently provide novelists with dramatic climaxes. Images of the settler literally battling natural d1sasters such as floods and fires. or of the man on horseback performing heroic deeds are iterated in the verse, while such scenes dominate the sprawling historical canvases of the period. Moreover, the spectre of armed struggle appears repeatedly in the political literature of the colonies, either as an Old World horror to be avoided or as a sacrifice willingly accepted for a free and democratic society. Henry Lawson for instance, at the turn of the century, evoked the famous patriot-image of blood staining the wattle, much as forty years before similar concepts
    [Show full text]
  • Interdisciplinary Journal of Decadence Studies
    INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 4, Issue 1 Summer 2021 ‘A Medium More Important than Bodily Sense’: Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken ISSN: 2515-0073 Date of Acceptance: 1 June 2021 Date of Publication: 21 June 2021 Citation: Thomas Vranken, ‘“A Medium More Important than Bodily Sense”: Wilde, the Antipodes, and the Techno-Imagination’, Volupté: Interdisciplinary Journal of Decadence Studies, 4.1 (2021), 65–78. DOI: 10.25602/GOLD.v.v4i1.1508.g1621 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. ‘A Medium More Important than Bodily Sense’ Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken University of British Columbia Here am I, and you at the Antipodes […]. The messages of the gods to each other travel not by pen and ink and indeed your bodily presence here would not make you more real: for I feel your fingers in my hair, and your cheek brushing mine. The air is full of the music of your voice, my soul and body seem no longer mine, but mingled in some exquisite ecstasy with yours. (Oscar Wilde, letter to Constance Wilde from Edinburgh, 16 December 1884.) A decade ago, in his chapter for The Cambridge History of Australian Literature, Ken Stewart voiced what has long been the conventional understanding of Wilde and his relationship with Britain’s Australian colonies. ‘The image of aristocratic dandyism [Wilde] affected’, Stewart asserted, was the reverse of typically Australian. In witty conversation and
    [Show full text]
  • The Bulletin Story Book a Selection of Stories and Literary Sketches from “The Bulletin”
    The Bulletin Story Book A Selection of Stories and Literary Sketches from “The Bulletin” A digital text sponsored by Australian Literature Gateway University of Sydney Library Sydney http://purl.library.usyd.edu.au/setis/id/bulstor © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission 2003 Source Text: Prepared from the print edition published by The Bulletin Newspaper Company Sydney 1902 303pp Extensive efforts have been made to track rights holders Please let us know if you have information on this. All quotation marks are retained as data. First Published: 1901 A823.8909/1 Australian Etext Collections at short stories 1890-1909 The Bulletin Story Book A Selection of Stories and Literary Sketches from “The Bulletin” Sydney The Bulletin Newspaper Company 1902 2nd Edition Prefatory THE files of The Bulletin for twenty years offer so much material for a book such as this, that it was not possible to include more than a small number of the stories and literary sketches judged worthy of republication. Consequently many excellent Australian writers are here unrepresented, their work being perforce held over for The Second Bulletin Story Book, although it is work of a quality equal to that which is now given. The risk and expense of this publication are undertaken by The Bulletin Newspaper Company, Limited. Should any profits accrue, a share of forty per cent, will be credited to the writers represented. Owing to the length of time which, in some cases, has elapsed since the original publication in The Bulletin, the names and addresses of some of the writers have been lost sight of; and their work appears over pen-names, The editor will be glad if these writers will communicate with him and assist in completing the Biographical Index at the end of the book.
    [Show full text]
  • Adam Lindsay Gordon - Poems
    Classic Poetry Series Adam Lindsay Gordon - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Adam Lindsay Gordon(19 October 1833 – 24 June 1870) Gordon was born at Fayal in the Azores, son of Captain Adam Durnford Gordon who had married his first cousin, Harriet Gordon, both of whom were descended from Adam of Gordon of the ballad. Captain Gordon, who had retired from the Bengal cavalry and taught Hindustani, was then staying at the Azores for the sake of his wife's health. After living on the island of Madeira, they went to England and lived at Cheltenham in 1840. Gordon was sent to Cheltenham College in 1841 when he was only seven, but after he had been there a year he was sent to a school kept by the Rev. Samuel Ollis Garrard in Gloucestershire. He attended the Royal Military Academy, Woolwich in 1848, where he was a contemporary and friend of Charles George Gordon (no relation, later 'Gordon of Khartoum') and Thomas Bland Strange (later known as 'Gunner Jingo'). There Gordon appears to have been good at sports, but not studious and certainly undisciplined – and like Richard Henry Horne, he was asked to leave. Gordon was again admitted a pupil at Cheltenham College. He was not there for long – he appears to have left in the middle of 1852 – but the story that he was expelled from Cheltenham is without foundation. Then Gordon was sent to the Royal Grammar School Worcester in 1852. Gordon began to lead a wild and aimless life, contracted debts, and was a great anxiety to his father, who at last decided that his son should go to Australia and make a fresh start in 1853 to join the mounted police with a letter of introduction to the Governor.
    [Show full text]
  • Australian Elegy: Landscape and Identity
    Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead.
    [Show full text]
  • An Introductory Survey on the Development of Australian Art Song with a Catalog and Bibliography of Selected Works from the 19Th Through 21St Centuries
    AN INTRODUCTORY SURVEY ON THE DEVELOPMENT OF AUSTRALIAN ART SONG WITH A CATALOG AND BIBLIOGRAPHY OF SELECTED WORKS FROM THE 19TH THROUGH 21ST CENTURIES BY JOHN C. HOWELL Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________________ Mary Ann Hart, Research Director and Chairperson ________________________________________ Gary Arvin ________________________________________ Costanza Cuccaro ________________________________________ Brent Gault ii ACKNOWLEDGMENTS I am indebted to so many wonderful individuals for their encouragement and direction throughout the course of this project. The support and generosity I have received along the way is truly overwhelming. It is with my sincerest gratitude that I extend my thanks to my friends and colleagues in Australia and America. The Australian-American Fulbright Commission in Canberra, ACT, Australia, gave me the means for which I could undertake research, and my appreciation goes to the staff, specifically Lyndell Wilson, Program Manager 2005-2013, and Mark Darby, Executive Director 2000-2009. The staff at the Sydney Conservatorium, University of Sydney, welcomed me enthusiastically, and I am extremely grateful to Neil McEwan, Director of Choral Ensembles, and David Miller, Senior Lecturer and Chair of Piano Accompaniment Unit, for your selfless time, valuable insight, and encouragement. It was a privilege to make music together, and you showed me how to be a true Aussie. The staff at the Australian Music Centre, specifically Judith Foster and John Davis, graciously let me set up camp in their library, and I am extremely thankful for their kindness and assistance throughout the years.
    [Show full text]
  • E 344L — 34495 Australian Literature and Film Fall 2015, T Th 3:30-4:45 P.M
    E 344L — 34495 Australian Literature and Film Fall 2015, T Th 3:30-4:45 p.m. COURSE SYLLABUS 344L Australian Literature and Film: A representative selection of Australian writing and films from the founding, 1788, to the present. Prerequisite: Nine semester hours of course work in English or rhetoric or writing. The subject of each class meeting may be determined from the assigned reading for the day (see following). Prerequisites: 9 semester hours of coursework in English, Rhetoric, or Writing Required Texts o Australian Literature and Film — Co-op Packet o Robyn Davidson, Tracks (separate text) o Kate Jennings, Snake — Co-op Packet Have completed readings by their assigned date and come prepared for class discussion. This is an all-important important component in your class participation percentage; see below. Films — We will see a 60 minute documentary and five full-length feature films as well as scenes from one television miniseries—40,000 Years of Dreaming: The History of Australian Cinema; Walkabout; The Tracker; Muriel’s Wedding; On the Beach; & Mad Max: Fury Road. Please note that it is vital for us to see the films in class and as a class; they will be accompanied by lecture/commentary. Grading Policy and Percentages: Because participation contributes to your grade, attendance is strongly encouraged. Grades will be determined on the following basis: Mid-Term Exam 25% Tuesday, October 27th Exam 2/Final Exam* 30% Thursday, December 3rd Essay 25% Due date tba Class Participation 20% Attendance, participation, curiousity & focus for things Australian! * Plus and minus grades will be given in this class.
    [Show full text]
  • HENRY LAWSON WAS HERE Celebrating the Life of a Famous Australian
    HENRY LAWSON WAS HERE Celebrating the life of a famous Australian LOWELL TARLING HE WASN’T BORN IN A TENT that blew down in a storm. Contrary to legend there were no thunderclaps and there was no flood on the night of 17 June 1867. On the contrary, it was a calm and frosty night in Grenfell in western New South Wales when Henry Lawson was born in a log cabin that served as a temporary community hospital. Henry’s father, 33 year old Niels Larson, was a Norwegian-born miner. His partner in the One-Mile diggings claim, Wilhelm Slee (later Chief Inspector of Mines for New South Wales), was a member of the Grenfell Hospital committee and not the kind of person who would see his mate’s vulnerable 19 year old girl-wife give birth in a tent. But an older, more famous Henry was happy to go along with the tale that he was welcomed into the world with a torrent of wicked weather. Henry’s parents, Niels Larsen and Louisa Albury, met at the goldfields of Pipeclay (now Eurunderee NSW). They were married at the Wesleyan Parsonage Mudgee, eleven months before Henry was born. On the birth of their first child the family name was Anglicised. Louisa registered Henry as ‘Lawson’ and Niels followed suit, also changing his given name to Peter. Peter Lawson’s tombstone in the Hartley Vale cemetery at the foot of Mount York, bears his original name - Niels Hertzberg Larsen, ‘father of Henry Lawson, Peter, Charles, Gertrude and Henrietta’. Henry may not have been born in a tent, but a sturdy well-reinforced tent was certainly his first home.
    [Show full text]
  • October 2022
    “A Place of Special Value”: Literary & Artistic Travels in Victoria – October 2022 18 OCT – 29 OCT 2022 Code: 22266AU Tour Leaders Susannah Fullerton, OAM, FRSN, Shane Carmody Physical Ratings Learn about Victorian writers, past and present, familiar and unfamiliar, from literary expert Susannah Fullerton, President of the Jane Austen Society of Australia, and historian Shane Carmody. Overview Victoria has a long and proud literary history. In 2008, Melbourne became only the second city in the world, after Edinburgh, to receive designation as a City of Literature within UNESCO's Creative Cities Network. Learn about Victorian writers, past and present, familiar and unfamiliar, from literary expert Susannah Fullerton, President of the Jane Austen Society of Australia. Susannah will be assisted by Shane Carmody, a historian with a great love of libraries and archives. Visit Mulberry Hill, the home of Lady Joan Lindsay and Daryl Lindsay, and enjoy a picnic afternoon tea at Hanging Rock. Explore Victoria’s great art collections at the Castlemaine Art Gallery, Bendigo Art Gallery, Art Gallery of Ballarat, Geelong Gallery, Heide and the The Ian Potter Centre (NGV). Take a literary walking tour of Maldon in the footsteps of Henry Handel Richardson, and learn about her connections with Queenscliff from Dorothy Johnston, author of Gerard Hardy’s Misfortune. Meet 2015 Miles Franklin Award author Sofie Laguna and discuss her new novel Infinite Splendours set in the foothills of Southern Grampians. Enjoy poetry by Adam Lindsay Gordon; view his cottage in Ballarat and his commemorative statue in Melbourne. Tour the rugged Shipwreck Coast of Victoria (Great Ocean Road) which featured in Mad Max (1979) and the TV series, Round the Twist.
    [Show full text]
  • A Century of Oz Lit in China: a Critical Overview (1906-2008)
    University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 2011 A century of Oz lit in China: A critical overview (1906-2008) Yu Ouyang University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Ouyang, Yu, A century of Oz lit in China: A critical overview (1906-2008) 2011. https://ro.uow.edu.au/artspapers/1870 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A Century of Oz Lit in China: A Critical Overview (1906–2008) OUYANG YU University of Wollongong HIS papER SEEKS TO EXAMINE THE DISSEMINATION, RECEPTION AUSTRALIAN LITERATURE: paRT OF THE LITERATURE FROM “THE and perception of Australian literature in China from WEAK AND SMALL NATIONS” (THE 1920S AND 1930S) T1906 to 2008 by providing a historical background for its first arrival in China as a literature undistinguished Apart from the three Australian poets translated into Chinese from English or American literature, then as part of a ruoxiao in 1921, whom Nicholas Jose mentioned in his paper, another minzu wenxue (weak and small nation literature) in the early poet who found his way to China was Adam Lindsay Gordon, 1930s, its rise as interest grew in Communist and proletarian as Yu Dafu noted in his diary on 18 August 1927.11 So, too, writings in the 1950s and 1960s, and its spread and growth did A.
    [Show full text]
  • Biographical Information
    BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi­ autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England.
    [Show full text]