George Gordon Mccrae - Poems
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War and Colonial Identity: the Poetic Response
Kunapipi Volume 18 Issue 2 Article 3 1996 War and Colonial Identity: The Poetic Response Michael Ackland Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Ackland, Michael, War and Colonial Identity: The Poetic Response, Kunapipi, 18(2), 1996. Available at:https://ro.uow.edu.au/kunapipi/vol18/iss2/3 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] War and Colonial Identity: The Poetic Response Abstract For a country spared the ravages of major wars, at least until the twentieth century, Australian creative works preceding federation exhibit a striking concern with martial prowess and the reality or possibility of physical conflict. 131oody encounters with blacks, convicts and bush-rangers frequently provide novelists with dramatic climaxes. Images of the settler literally battling natural d1sasters such as floods and fires. or of the man on horseback performing heroic deeds are iterated in the verse, while such scenes dominate the sprawling historical canvases of the period. Moreover, the spectre of armed struggle appears repeatedly in the political literature of the colonies, either as an Old World horror to be avoided or as a sacrifice willingly accepted for a free and democratic society. Henry Lawson for instance, at the turn of the century, evoked the famous patriot-image of blood staining the wattle, much as forty years before similar concepts -
Interdisciplinary Journal of Decadence Studies
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 4, Issue 1 Summer 2021 ‘A Medium More Important than Bodily Sense’: Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken ISSN: 2515-0073 Date of Acceptance: 1 June 2021 Date of Publication: 21 June 2021 Citation: Thomas Vranken, ‘“A Medium More Important than Bodily Sense”: Wilde, the Antipodes, and the Techno-Imagination’, Volupté: Interdisciplinary Journal of Decadence Studies, 4.1 (2021), 65–78. DOI: 10.25602/GOLD.v.v4i1.1508.g1621 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. ‘A Medium More Important than Bodily Sense’ Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken University of British Columbia Here am I, and you at the Antipodes […]. The messages of the gods to each other travel not by pen and ink and indeed your bodily presence here would not make you more real: for I feel your fingers in my hair, and your cheek brushing mine. The air is full of the music of your voice, my soul and body seem no longer mine, but mingled in some exquisite ecstasy with yours. (Oscar Wilde, letter to Constance Wilde from Edinburgh, 16 December 1884.) A decade ago, in his chapter for The Cambridge History of Australian Literature, Ken Stewart voiced what has long been the conventional understanding of Wilde and his relationship with Britain’s Australian colonies. ‘The image of aristocratic dandyism [Wilde] affected’, Stewart asserted, was the reverse of typically Australian. In witty conversation and -
Victorian Historical Journal
VICTORIAN HISTORICAL JOURNAL VOLUME 90, NUMBER 2, DECEMBER 2019 ROYAL HISTORICAL SOCIETY OF VICTORIA VICTORIAN HISTORICAL JOURNAL ROYAL HISTORICAL SOCIETY OF VICTORIA The Victorian Historical Journal has been published continuously by the Royal Historical Society of Victoria since 1911. It is a double-blind refereed journal issuing original and previously unpublished scholarly articles on Victorian history, or occasionally on Australian history where it illuminates Victorian history. It is published twice yearly by the Publications Committee; overseen by an Editorial Board; and indexed by Scopus and the Web of Science. It is available in digital and hard copy. https://www.historyvictoria.org.au/publications/victorian-historical-journal/. The Victorian Historical Journal is a part of RHSV membership: https://www. historyvictoria.org.au/membership/become-a-member/ EDITORS Richard Broome and Judith Smart EDITORIAL BOARD OF THE VICTORIAN HISTORICAL JOURNAL Emeritus Professor Graeme Davison AO, FAHA, FASSA, FFAHA, Sir John Monash Distinguished Professor, Monash University (Chair) https://research.monash.edu/en/persons/graeme-davison Emeritus Professor Richard Broome, FAHA, FRHSV, Department of Archaeology and History, La Trobe University and President of the Royal Historical Society of Victoria Co-editor Victorian Historical Journal https://scholars.latrobe.edu.au/display/rlbroome Associate Professor Kat Ellinghaus, Department of Archaeology and History, La Trobe University https://scholars.latrobe.edu.au/display/kellinghaus Professor Katie Holmes, FASSA, Director, Centre for the Study of the Inland, La Trobe University https://scholars.latrobe.edu.au/display/kbholmes Professor Emerita Marian Quartly, FFAHS, Monash University https://research.monash.edu/en/persons/marian-quartly Professor Andrew May, Department of Historical and Philosophical Studies, University of Melbourne https://www.findanexpert.unimelb.edu.au/display/person13351 Emeritus Professor John Rickard, FAHA, FRHSV, Monash University https://research.monash.edu/en/persons/john-rickard Hon. -
Australian Poems You NEED to KNOW
1OO Australian Poems You NEED TO KNOW Edited by Jamie Grant Foreword by Phillip Adams hardiegrant books MELBOURNE-LONDON Convict and Stockrider A Convict's Tour to Hell Francis Macnamara ('Frank the Poet') 16 The Beautiful Squatter Charles Harpur 22 Taking the Census Charles R Thatcher 23 The Sick Stockrider Adam Lindsay Gordon 25 The Red Page My Other Chinee Cook James Brunton Stephens 30 Bell-birds Henry Kendall 32 Are You the Cove? Joseph Furphy ('Tom Collins') 34 How McDougal Topped the Score Thomas E Spencer 35 The Wail of the Waiter Marcus Clarke 38 Where the Pelican Builds Mary Hannay Foott 40 Catching the Coach Alfred T Chandler ('Spinifex') 41 Narcissus and Some Tadpoles Victor J Daley 44 6 i Contents Gundagai to Ironbark Nine Miles from Gundagai Jack Moses 48 The Duke of Buccleuch JA Philp 49 How We Drove the Trotter WTGoodge 50 Our Ancient Ruin 'Crupper D' 52 The Brucedale Scandal Mary Gilmore 53 Since the Country Carried Sheep Harry Morant ('The Breaker') 56 The Man from Ironbark AB Paterson (The Banjo') 58 The Old Whimrhorse Edward Dyson 60 Where the Dead Men Lie Barcroft Boake 62 Australia Bernard O'Dowd , 64 The Stockman's Cheque EW Hornung 65 The Bullocky's Love-episode AF York 67 Bastard and Bushranger «<§!> The Bastard from the Bush Anonymous 70 When your Pants Begin to Go Henry Lawson 72 The Fisher Roderic Quinn 74 The Mystery Man 'NQ' 75 Emus Mary Fullerton 76 The Death of Ben Hall Will H Ogilvie 77 The Coachman's Yarn EJ Brady 80 Fire in the Heavens, and Fire Along the Hills Christopher Brennan 83 The Orange Tree -
Artistic Identity in the Published Writings of Margaret Thomas (C1840-1929)
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1993 Artistic identity in the published writings of Margaret Thomas (c1840-1929) Lynn Patricia Brunet University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Brunet, Lynn Patricia, Artistic identity in the published writings of Margaret Thomas (c1840-1929), Master of Creative Arts (Hons.) thesis, School of Creative Arts, University of Wollongong, 1993. -
The Mad-Doctor
In June 1857, Dr Alfred Yates Carr wrote to his wife and young sons back in England from the Yarra Bend Lunatic Asylum, to which he had been committed three months before. Convinced of his own sanity and believing himself falsely imprisoned, he gave Louisa the latest news on his efforts to secure his freedom and return home. Before sealing the letter, he scribbled on the inside of the envelope “Keep up your spirits and do not despair, once out of this I do not think they will ever again succeed in getting me into an asylum. AYC”. Aside from a series of short escapes and releases, he would spend the rest of his life – 37 years – at Yarra Bend and Ararat lunatic asylums before he died, aged 73, in 1894. He never saw his family again. Carr appealed about his fate to members of the Victorian parliament and visiting doctors – who did not believe that he had a wife and children, thought that this was all part of his delusion. After all, he was clearly mad when he claimed that his mother had been murdered by his brother. Clearly mad when he claimed that the bouts of theft and violence that resulted in his committal were due to poisoning by Indian Hemp, which had been surreptitiously introduced into his tobacco by a longstanding foe. Clearly mad when he claimed to have been viciously beaten by asylum attendants, or kept in solitary confinement for three days without water. It was to provide for his family back in England, Carr said, that he put in a claim against the government for non-payment for his medical services in the aftermath of the Eureka rebellion. -
Adam Lindsay Gordon - Poems
Classic Poetry Series Adam Lindsay Gordon - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Adam Lindsay Gordon(19 October 1833 – 24 June 1870) Gordon was born at Fayal in the Azores, son of Captain Adam Durnford Gordon who had married his first cousin, Harriet Gordon, both of whom were descended from Adam of Gordon of the ballad. Captain Gordon, who had retired from the Bengal cavalry and taught Hindustani, was then staying at the Azores for the sake of his wife's health. After living on the island of Madeira, they went to England and lived at Cheltenham in 1840. Gordon was sent to Cheltenham College in 1841 when he was only seven, but after he had been there a year he was sent to a school kept by the Rev. Samuel Ollis Garrard in Gloucestershire. He attended the Royal Military Academy, Woolwich in 1848, where he was a contemporary and friend of Charles George Gordon (no relation, later 'Gordon of Khartoum') and Thomas Bland Strange (later known as 'Gunner Jingo'). There Gordon appears to have been good at sports, but not studious and certainly undisciplined – and like Richard Henry Horne, he was asked to leave. Gordon was again admitted a pupil at Cheltenham College. He was not there for long – he appears to have left in the middle of 1852 – but the story that he was expelled from Cheltenham is without foundation. Then Gordon was sent to the Royal Grammar School Worcester in 1852. Gordon began to lead a wild and aimless life, contracted debts, and was a great anxiety to his father, who at last decided that his son should go to Australia and make a fresh start in 1853 to join the mounted police with a letter of introduction to the Governor. -
Australian Elegy: Landscape and Identity
Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead. -
Unit 2 Marcus Clarke : the Seizure of the Cyprus
UNIT 2 MARCUS CLARKE : THE SEIZURE OF THE CYPRUS Structure Objectives Introduction Marcus Clarke 2.2.1 From Foreign OfZce to Foreign Shore 2.2.2 Man of Many Talents His Natural Life Themes in Clarke " 2.4.1 Marcus Clarke in the 20&Century The Szimre of the Cyprus- Text 2.5.1 Analysing The Seizure of the Cyprus 2.5.2 Action in The Seizure of the Cyprus 2.5.3 Characterisation 2.5.4 Narrative Technique 2.5.5 Contextualising The Seizure of the Cyprus 2.5.6 Highlights Let us Sum up Questions Suggested Reading 2.0 OBJECTIVES The primary motive behind this unit is to provide you with some of the critical information surrounding the life and works of a great writer like Marcus Clarke. We shall, look into his biographical details, the circumstances related to the birth of his creativity, his position amongst the other short fiction writers of the age, and hs contribution to the development of Australian short fiction. 2.1 INTRODUCTION It is generally believed that the short story in Australia began with the writings of Henry Lawson. For most literary critics writing (of the short story 1 short fiction) before Lawson was not worth much critical attention. H M Green states in his introduction to the short story between 1850 to 1890 that, "the short stories of the period were many in number but poor in quality." He regards most of the short fiction before Lawson as mere 'sketches' in comparison with Lawson's stories. The short story as a genrc gained popularity chiefly on account of it being published regularly in the Sydney Bulletin of the 1890s. -
University of Queensland Library
/heuhu} CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION In tlie UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Heiherington t • i w lA ‘i 1 11 ( i ii j / | ,'/? n t / i i / V ' i 1- m i V V 1V t V C/ U V St Lucia, University of Queensland Library 1976 CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION in the UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Hetherington St Lucia, University of Queensland Library 1976 Copyright 1976 University of Queensland Library National Library of Australia card number and ISBN 0 9500969 8 9 CONTENTS Page Frontispiece: Father Leo Hayes ii Foreword vii Preface ix Catalogue of the Hayes Manuscript Collection 1 Subject index 211 Name index: Correspondents 222 Name index - Appendix 248 Colophon 250 V Foreword University Libraries are principally agencies which collect and administer collections of printed, and in some cases, audio-visual information. Most of their staff are engaged in direct service to the present university community or in acquiring and making the basic finding records for books, periodicals, tapes and other information sources. Compiling a catalogue of manuscripts is a different type of operation which university libraries can all too seldom afford. It is a painstaking, detailed, time-consuming operation for which a busy library and busy librarians find difficulty in finding time and protecting that time from the insistent demand of the customer standing impatiently at the service counter. Yet a collection of manuscripts languishes unusable and unknown if its contents have not been listed and published. -
Marcus Clarke: Confronting Spectacle with Spectacle in for the Term of His Natural Life
Stephen F. Austin State University SFA ScholarWorks English 502: Research Methods English 12-9-2014 Marcus Clarke: Confronting Spectacle with Spectacle in For the Term of His Natural Life Mary E. Perkins Stephen F Austin State University, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/english_research_methods Part of the Literature in English, Anglophone outside British Isles and North America Commons Tell us how this article helped you. Repository Citation Perkins, Mary E., "Marcus Clarke: Confronting Spectacle with Spectacle in For the Term of His Natural Life" (2014). English 502: Research Methods. 8. https://scholarworks.sfasu.edu/english_research_methods/8 This Article is brought to you for free and open access by the English at SFA ScholarWorks. It has been accepted for inclusion in English 502: Research Methods by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. Mary Perkins ENG 502 Dr. Courtney Adams Wooten December 4, 2014 Marcus Clarke: Confronting Spectacle with Spectacle in For the Term of His Natural Life While Marcus Clarke’s For the Term of His Natural Life is unquestionably a classic text of the Australian literary canoni, oftentimes the importance of Clarke’s journalism as influential antecedents to his novel is underappreciated. In “Marcus Clarke: The Romance of Reality,” John Conley outlines how Clarke’s journalism career affected his literature, such as sensitivity to historical accuracy, a sense of audience and reader interest, and even funding for his research visit to the Tasmanian prisons. In addition to skills and access, Clarke’s journalism experience also put him in a unique position to observe nineteenth century Melbourne. -
HENRY LAWSON WAS HERE Celebrating the Life of a Famous Australian
HENRY LAWSON WAS HERE Celebrating the life of a famous Australian LOWELL TARLING HE WASN’T BORN IN A TENT that blew down in a storm. Contrary to legend there were no thunderclaps and there was no flood on the night of 17 June 1867. On the contrary, it was a calm and frosty night in Grenfell in western New South Wales when Henry Lawson was born in a log cabin that served as a temporary community hospital. Henry’s father, 33 year old Niels Larson, was a Norwegian-born miner. His partner in the One-Mile diggings claim, Wilhelm Slee (later Chief Inspector of Mines for New South Wales), was a member of the Grenfell Hospital committee and not the kind of person who would see his mate’s vulnerable 19 year old girl-wife give birth in a tent. But an older, more famous Henry was happy to go along with the tale that he was welcomed into the world with a torrent of wicked weather. Henry’s parents, Niels Larsen and Louisa Albury, met at the goldfields of Pipeclay (now Eurunderee NSW). They were married at the Wesleyan Parsonage Mudgee, eleven months before Henry was born. On the birth of their first child the family name was Anglicised. Louisa registered Henry as ‘Lawson’ and Niels followed suit, also changing his given name to Peter. Peter Lawson’s tombstone in the Hartley Vale cemetery at the foot of Mount York, bears his original name - Niels Hertzberg Larsen, ‘father of Henry Lawson, Peter, Charles, Gertrude and Henrietta’. Henry may not have been born in a tent, but a sturdy well-reinforced tent was certainly his first home.