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The Course of World War II Class 4 William A
The Course of World War II Class 4 William A. Reader [email protected] The Nazi-Soviet Pact Hitler on Poland On 28 March 1939, Hitler denounced the 1934 Non-Aggression Pact with Poland and had his military begin preparations for an invasion of Poland Hitler had two problems with Poland • Situated between Germany and Russia, Poland barred the invasion route into Russia • Poland had a large German population and territories that Hitler felt belonged to Germany To ensure the quiet eastern border that Hitler desired for his attack on France, Poland had to subordinate itself to Germany Hitler on Poland - 2 To Hitler, Polish subordination meant • Joining the Anti-Comintern Pact • Ceding Danzig and predominantly-German areas to Germany • Allowing Germany to build a highway across the Polish corridor While Poland was willing to negotiate over Danzig and allow Germany to build a highway across the Polish Corridor, it would not cede territory to Germany nor join the Anti-Comintern Pact This led Hitler to decide on an invasion of Poland • It also led him to seek an agreement with Stalin Stalin’s View of Nazism Stalin saw National Socialism as simply a nastier form of monopoly capitalism – more brutal than the capitalism of the Western democracies but essentially the same • Stalin did not realize that Hitler and the Nazis were racist ideologues committed to expansion eastward and to the replacement of Russians by Germans as the population of Western Russia • What Stalin did not understand was that, under Hitler, Germany’s capitalist and economic -
The Scottish Background of the Sydney Publishing and Bookselling
NOT MUCH ORIGINALITY ABOUT US: SCOTTISH INFLUENCES ON THE ANGUS & ROBERTSON BACKLIST Caroline Viera Jones he Scottish background of the Sydney publishing and bookselling firm of TAngus & Robertson influenced the choice of books sold in their bookshops, the kind of manuscripts commissioned and the way in which these texts were edited. David Angus and George Robertson brought fi'om Scotland an emphasis on recognising and fostering a quality homegrown product whilst keeping abreast of the London tradition. This prompted them to publish Australian authors as well as to appreciate a British literary canon and to supply titles from it. Indeed, whilst embracing his new homeland, George Robertson's backlist of sentimental nationalistic texts was partly grounded in the novels and verse written and compiled by Sir Walter Scott, Robert Bums and the border balladists. Although their backlist was eclectic, the strong Scottish tradition of publishing literary journals, encyclopaedias and religious titles led Angus & Robertson, 'as a Scotch firm' to produce numerous titles for the Presbyterian Church, two volumes of the Australian Encyclopaedia and to commission writers from journals such as the Bulletin. 1 As agent to the public and university libraries, bookseller, publisher and Book Club owner, the firm was influential in selecting primary sources for the colony of New South Wales, supplying reading material for its Public Library and fulfilling the public's educational and literary needs. 2 The books which the firm published for the See Rebecca Wiley, 'Reminiscences of George Robertson and Angus & Robertson Ltd., 1894-1938' ( 1945), unpublished manuscript, Mitchell Library, State Library of New South Wales, ML MSS 5238. -
Artistic Identity in the Published Writings of Margaret Thomas (C1840-1929)
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1993 Artistic identity in the published writings of Margaret Thomas (c1840-1929) Lynn Patricia Brunet University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Brunet, Lynn Patricia, Artistic identity in the published writings of Margaret Thomas (c1840-1929), Master of Creative Arts (Hons.) thesis, School of Creative Arts, University of Wollongong, 1993. -
1 Cathy Perkins. the Shelf Life of Zora Cross. Clayton
Cathy Perkins. The Shelf Life of Zora Cross. Clayton: Monash University Publishing, 2020. 285 pp. A$29.95. ISBN: 978-1-925835-53-3 Once a week for two years, I caught the bus from West End to Teneriffe in Brisbane for French classes, stepping off at Skyring Terrace near the new Gasworks Plaza. I was terrible at French and never did my homework, but I persisted out of a lifelong dream of writing in Paris. When I picked up Cathy Perkins’s The Shelf Life of Zora Cross, I realised that I was walking a street with a literary connection: Skyring was the surname of writer Zora Cross’s grandfather. Chance encounters bring us to poetry. In the basement of the Mitchell Library in NSW, a collection of letters led researcher Cathy Perkins to the author of the enormously popular Songs of Love and Life, published in 1917. Although this work sold four thousand copies via three reprints, by the time of Cross’s death in 1964 the author was slipping into obscurity. Two efforts had been made to draw attention to her importance in Australia’s literary history: Dorothy Green’s Australian Dictionary of Biography entry (1981) and an attempted biography by Michael Sharkey which was abandoned in favour of a biography of Cross’s partner, writer David McKee Wright. By the mid-1980s, Perkins writes, Cross had ‘fallen so far from literary consciousness that poets Judith Wright and Rosemary Dobson felt safe in recommending that the Australian Jockey Club name a horserace after her’ (86–87). By contrast Perkins, when she found a reference to Songs of Love and Life in the basement among the letters of George Robertson, publisher at Angus and Robertson, she was captivated. -
Marjorie Barnard: a Re-Examination of Her Life and Work
Marjorie Barnard: a re-examination of her life and work June Owen A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales Australia School of the Arts and Media Faculty of Arts and Social Science Thesis/Dissertation Sheet Australia's Global UNSWSYDNEY University Surname/Family Name OWEN Given Name/s June Valerie Abbreviation for degree as give in the University calendar PhD Faculty Arts and Social Sciences School School of the Arts and Media Thesis Title Marjorie Barnard: a re-examination of her life and work Abstract 350 words maximum: (PLEASE TYPE) A wealth of scholarly works were written about Marjorie Barnard following the acclaim greeting the republication, in 1973, of The Persimmon Tree. That same year Louise E Rorabacher wrote a book-length study - Marjorie Barnard and M Barnard Eldershaw, after agreeing not to write about Barnard's private life. This led to many studies of the pair's joint literary output and short biographical studies and much misinformation, from scholars beguiled into believing Barnard's stories which were often deliberately disseminated to protect the secrecy of the affair that dominated her life between 1934 and 1942. A re-examination of her life and work is now necessary because there have been huge misunderstandings about other aspects of Barnard's life, too. Her habit of telling imaginary stories denigrating her father, led to him being maligned by his daughter's interviewers. Marjorie's commonest accusation was of her father's meanness, starting with her student allowance, but if the changing value of money is taken into account, her allowance (for pocket money) was extremely generous compared to wages of the time. -
Historians, Tasmania
QUEEN VICTORIA MUSEUM AND ART GALLERY CHS 72 THE VON STIEGLITZ COLLECTION Historians, Tasmania INTRODUCTION THE RECORDS 1.von Stieglitz Family Papers 2.Correspondence 3.Financial Records 4.Typescripts 5.Miscellaneous Records 6.Newspaper Cuttings 7.Historical Documents 8.Historical Files 9.Miscellaneous Items 10.Ephemera 11.Photographs OTHER SOURCES INTRODUCTION Karl Rawdon von Stieglitz was born on 19 August 1893 at Evandale, the son of John Charles and Lillian Brooke Vere (nee Stead) von Stieglitz. The first members of his family to come to Van Diemen’s Land were Frederick Lewis von Stieglitz and two of his brothers who arrived in 1829. Henry Lewis, another brother, and the father of John Charles and grandfather of Karl, arrived the following year. John Charles von Stieglitz, after qualifying as a surveyor in Tasmania, moved to Northern Queensland in 1868, where he worked as a surveyor with the Queensland Government, later acquiring properties near Townsville. In 1883, at Townsville he married Mary Mackenzie, who died in 1883. Later he went to England where he married Lillian Stead in London in 1886. On his return to Tasmania he purchased “Andora”, Evandale: the impressive house on the property was built for him in 1888. He was the MHA for Evandale from 1891 to 1903. Karl von Stieglitz visited England with his father during 1913-1914. After his father’s death in 1916, he took possession of “Andora”. He enlisted in the First World War in 1916, but after nearly a year in the AIF (AMC branch) was unable to proceed overseas due to rheumatic fever. -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
Adam Lindsay Gordon - Poems
Classic Poetry Series Adam Lindsay Gordon - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Adam Lindsay Gordon(19 October 1833 – 24 June 1870) Gordon was born at Fayal in the Azores, son of Captain Adam Durnford Gordon who had married his first cousin, Harriet Gordon, both of whom were descended from Adam of Gordon of the ballad. Captain Gordon, who had retired from the Bengal cavalry and taught Hindustani, was then staying at the Azores for the sake of his wife's health. After living on the island of Madeira, they went to England and lived at Cheltenham in 1840. Gordon was sent to Cheltenham College in 1841 when he was only seven, but after he had been there a year he was sent to a school kept by the Rev. Samuel Ollis Garrard in Gloucestershire. He attended the Royal Military Academy, Woolwich in 1848, where he was a contemporary and friend of Charles George Gordon (no relation, later 'Gordon of Khartoum') and Thomas Bland Strange (later known as 'Gunner Jingo'). There Gordon appears to have been good at sports, but not studious and certainly undisciplined – and like Richard Henry Horne, he was asked to leave. Gordon was again admitted a pupil at Cheltenham College. He was not there for long – he appears to have left in the middle of 1852 – but the story that he was expelled from Cheltenham is without foundation. Then Gordon was sent to the Royal Grammar School Worcester in 1852. Gordon began to lead a wild and aimless life, contracted debts, and was a great anxiety to his father, who at last decided that his son should go to Australia and make a fresh start in 1853 to join the mounted police with a letter of introduction to the Governor. -
PLEASE DO NOT REMOVE THIS PAGE Finding Furphy Country: Such Is Life and Literary Tourism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RMIT Research Repository Thank you for downloading this document from the RMIT Research Repository 7KH50,75HVHDUFK5HSRVLWRU\LVDQRSHHQDFFHVVGDWDEDVHVKRZFDVLQJWWKHUHVHDUFK RXWSXWVRI50,78QLYHUVLW\UHVHDUFKHUV 50,755HVHDUFK5HHSRVLWRU\KWWSUHVHDUFKEDQNUPLWHGXDX Citation: Magner, B 2013, 'Finding Furphy country: such is life and literary tourism', JASAL - Journal of the Association for the Study of Australian Literature, vol. 13, no. 1, pp. 1-18. See this record in the RMIT Research Repository at: http://researchbank.rmit.edu.au/view/rmit:22904 Version: Published Version Copyright Statement: © 2013 Author, Association for the Study of Australian Literature Link to Published Version: http://www.nla.gov.au/openpublish/index.php/jasal/article/view/2597 PLEASE DO NOT REMOVE THIS PAGE Finding Furphy Country: Such is Life and Literary Tourism BRIGID MAGNER RMIT University Joseph Furphy, considered to be ‘the father of the Australian novel’, is best known for Such is Life, a little-read and often baffling novel about life in rural Australia. In 1981 Manning Clark claimed that Furphy is ‘the author of a classic which few were to read and no one was ever to establish clearly what it was all about’. Julian Croft observes that Such is Life is a ‘cultural monument’ which is ‘more often referred to than read for pleasure’ since it ‘tests the skill, patience and endurance of those who attempt it’ (TC 275). The demanding nature of the novel, with its unusually complex narrative structure, inter- textual references and playful use of language, can be off-putting to many readers but it has attracted a small number of dedicated followers, who have been largely responsible for the efforts to memorialise Furphy and his contribution to Australian literary culture. -
Australian Elegy: Landscape and Identity
Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead. -
Vernacular and Middle Styles in Australian Poetry
Kunapipi Volume 3 Issue 1 Article 7 1981 Vernacular and middle styles in Australian poetry Mark Oconnor Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Oconnor, Mark, Vernacular and middle styles in Australian poetry, Kunapipi, 3(1), 1981. Available at:https://ro.uow.edu.au/kunapipi/vol3/iss1/7 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Vernacular and middle styles in Australian poetry Abstract It is generally recognized that there is a move at present towards the ver· nacular style in poetry; and it seems obvious that this bears some relation to the increasing literary confidence and national assertiveness of the sixties and seventies, and to the upsurge in other Australian art·forms, most notably film and drama. Undoubtedly there has been a change not only in the writers but in public taste. Readership or audience that wants the home product and the local theme is one of the phenomena that connect the new drama, the new films, and much of the new poetry and the new short stories. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol3/iss1/7 MARK O'CONNOR Vernacular and Middle Styles in Australian Poetry It is generally recognized that there is a move at present towards the ver· nacular style in poetry; 1 and it seems obvious that this bears some relation to the increasing literary confidence and national assertiveness of the sixties and seventies, and to the upsurge in other Australian art·forms, most notably film and drama. -
To View All of the Historic RYCT Office Bearers
Year Commodore-in-Chief / Patron Commodore Vice Commodore Rear Commodore 1880 1881 Sir J H LeFroy Patron H J Stanley H S Barnard 1881 1882 Sir George Strahan K.C.M.G. Patron H J Stanley H S Barnard 1882 1883 H J Stanley H S Barnard 1883 1884 A G Webster H S Barnard 1884 1885 A G Webster H S Barnard 1885 1886 A G Webster H S Barnard 1886 1887 Sir Robert Hamilton KCB A G Webster H S Barnard 1887 1888 Sir Robert Hamilton KCB A G Webster H W Knight 1888 1889 Sir Robert Hamilton KCB A G Webster H W Knight 1889 1890 Sir Robert Hamilton KCB A G Webster H W Knight 1890 1891 Sir Robert Hamilton KCB A G Webster H W Knight 1891 1892 Sir Robert Hamilton KCB H W Knight W J Watchorn 1892 1893 The Rt Hon Viscount Gormanston H W Knight W J Watchorn G.C.M.C 1893 1894 The Rt Hon Viscount Gormanston H W Knight W J Watchorn G.C.M.C 1894 1895 The Rt Hon Viscount Gormanston H W Knight R Sawyers G.C.M.C 1895 1896 The Rt Hon Viscount Gormanston H W Knight R Sawyers G.C.M.C 1896 1897 The Rt Hon Viscount Gormanston H W Knight R Sawyers G.C.M.C 1897 1898 The Rt Hon Viscount Gormanston H W Knight R Sawyers G.C.M.C 1898 1899 The Rt Hon Viscount Gormanston H W Knight F N Clarke G.C.M.C 1899 1900 The Rt Hon Viscount Gormanston H W Knight F N Clarke G.C.M.C 1900 1901 Capt Sir Arthur Havelock G.C.S.I.