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Marjorie Barnard: a Re-Examination of Her Life and Work
Marjorie Barnard: a re-examination of her life and work June Owen A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales Australia School of the Arts and Media Faculty of Arts and Social Science Thesis/Dissertation Sheet Australia's Global UNSWSYDNEY University Surname/Family Name OWEN Given Name/s June Valerie Abbreviation for degree as give in the University calendar PhD Faculty Arts and Social Sciences School School of the Arts and Media Thesis Title Marjorie Barnard: a re-examination of her life and work Abstract 350 words maximum: (PLEASE TYPE) A wealth of scholarly works were written about Marjorie Barnard following the acclaim greeting the republication, in 1973, of The Persimmon Tree. That same year Louise E Rorabacher wrote a book-length study - Marjorie Barnard and M Barnard Eldershaw, after agreeing not to write about Barnard's private life. This led to many studies of the pair's joint literary output and short biographical studies and much misinformation, from scholars beguiled into believing Barnard's stories which were often deliberately disseminated to protect the secrecy of the affair that dominated her life between 1934 and 1942. A re-examination of her life and work is now necessary because there have been huge misunderstandings about other aspects of Barnard's life, too. Her habit of telling imaginary stories denigrating her father, led to him being maligned by his daughter's interviewers. Marjorie's commonest accusation was of her father's meanness, starting with her student allowance, but if the changing value of money is taken into account, her allowance (for pocket money) was extremely generous compared to wages of the time. -
PLEASE DO NOT REMOVE THIS PAGE Finding Furphy Country: Such Is Life and Literary Tourism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RMIT Research Repository Thank you for downloading this document from the RMIT Research Repository 7KH50,75HVHDUFK5HSRVLWRU\LVDQRSHHQDFFHVVGDWDEDVHVKRZFDVLQJWWKHUHVHDUFK RXWSXWVRI50,78QLYHUVLW\UHVHDUFKHUV 50,755HVHDUFK5HHSRVLWRU\KWWSUHVHDUFKEDQNUPLWHGXDX Citation: Magner, B 2013, 'Finding Furphy country: such is life and literary tourism', JASAL - Journal of the Association for the Study of Australian Literature, vol. 13, no. 1, pp. 1-18. See this record in the RMIT Research Repository at: http://researchbank.rmit.edu.au/view/rmit:22904 Version: Published Version Copyright Statement: © 2013 Author, Association for the Study of Australian Literature Link to Published Version: http://www.nla.gov.au/openpublish/index.php/jasal/article/view/2597 PLEASE DO NOT REMOVE THIS PAGE Finding Furphy Country: Such is Life and Literary Tourism BRIGID MAGNER RMIT University Joseph Furphy, considered to be ‘the father of the Australian novel’, is best known for Such is Life, a little-read and often baffling novel about life in rural Australia. In 1981 Manning Clark claimed that Furphy is ‘the author of a classic which few were to read and no one was ever to establish clearly what it was all about’. Julian Croft observes that Such is Life is a ‘cultural monument’ which is ‘more often referred to than read for pleasure’ since it ‘tests the skill, patience and endurance of those who attempt it’ (TC 275). The demanding nature of the novel, with its unusually complex narrative structure, inter- textual references and playful use of language, can be off-putting to many readers but it has attracted a small number of dedicated followers, who have been largely responsible for the efforts to memorialise Furphy and his contribution to Australian literary culture. -
Australian Literature: Culture, Identity and English Teachingi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Australian literature: culture, identity and English teachingi ANNETTE PATTERSON Queensland University of Technology The development of the Australian Curriculum has reignited a debate about the role of Australian literature in the contexts of curricula and classrooms. A review of the mechanisms for promoting Australian literature including literary prizes, databases, surveys and texts included for study in senior English classrooms in New South Wales and Victoria provides a background for considering the purpose of Australian texts and the role of literature teachers in shaping students’ engagement with literature. In taking the pulse of Australian literature generally it is worth pausing to think about some of Australia’s literary prizes and their accompanying guidelines and criteria. Many texts set for study in classrooms first appear on our radar through these prize lists. One of the most prestigious and oldest awards is the Miles Franklin Award which commenced in 1957. The winner of that year was Patrick White for his novel Voss. In the 54 years since the prize was established it has been won by female writers on 12 occasions, including four-time winner Thea Astley. Given Thea Astley’s repeat performances, the prize has been awarded to nine individual female authors. Male authors have won the award on 39 occasions including repeat wins by Patrick White (2) Kim Scott (2) Alex Miller (2) Tim Winton (4) Thomas Keneally (2) and Peter Carey (3). Overall, the award went to 30 individual male authors. -
University of Queensland Library
/heuhu} CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION In tlie UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Heiherington t • i w lA ‘i 1 11 ( i ii j / | ,'/? n t / i i / V ' i 1- m i V V 1V t V C/ U V St Lucia, University of Queensland Library 1976 CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION in the UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Hetherington St Lucia, University of Queensland Library 1976 Copyright 1976 University of Queensland Library National Library of Australia card number and ISBN 0 9500969 8 9 CONTENTS Page Frontispiece: Father Leo Hayes ii Foreword vii Preface ix Catalogue of the Hayes Manuscript Collection 1 Subject index 211 Name index: Correspondents 222 Name index - Appendix 248 Colophon 250 V Foreword University Libraries are principally agencies which collect and administer collections of printed, and in some cases, audio-visual information. Most of their staff are engaged in direct service to the present university community or in acquiring and making the basic finding records for books, periodicals, tapes and other information sources. Compiling a catalogue of manuscripts is a different type of operation which university libraries can all too seldom afford. It is a painstaking, detailed, time-consuming operation for which a busy library and busy librarians find difficulty in finding time and protecting that time from the insistent demand of the customer standing impatiently at the service counter. Yet a collection of manuscripts languishes unusable and unknown if its contents have not been listed and published. -
The Not Quite Real Miles Franklin: Diaries As Performance
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online The Not Quite Real Miles Franklin: Diaries as Performance SANDRA KNOWLES, UNIVERSITY OF NEW SOUTH WALES “Did she not threaten us all with her diary, to be published when she was safely dead?” (Marjorie Barnard qtd. in Carole Ferrier, As Good as a Yarn with You 21) With the recent publication of The Diaries of Miles Franklin by Paul Brunton, this famous Australian author has once again entered into our national consciousness. Regarded by both critics and colleagues as a mysterious, private person, Franklin’s diaries would appear to provide the long awaited story of her intimate life. In Carole Ferrier’s publication of letters, As Good as a Yarn with You, she records Katharine Susannah Pritchard’s posthumous description of the author as “a sim- ple, loveable person, and yet more than that. Somebody we never knew” (6). Marjorie Barnard similarly commented, “Who knows exactly what Miles felt— even when she told you?” (qtd. in Ferrier 6). Ferrier also writes that in her letters, “Franklin does not generally reveal a great deal about her personal life” (6). Brunton’s publication has been eagerly received. This edition celebrates Franklin as a na- tional icon, and also conforms to public and private discourses by portraying the Franklin diary subject as an authentic representation of the once living writer. However, there are many features in Franklin’s diary manuscripts that indicate they were clearly intended for publication. -
The Unpublished Plays of Miles Franklin
The Unpublished Plays of Miles Franklin Jocelyn Hedley Master of Arts (Research) 2007 Faculty of Arts University of New South Wales THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hedley First name: Jocelyn Other name/s: Patricia Abbreviation for degree as given in the University calendar: MRes School: English, Media and Performing Arts Faculty: Arts Title: The Unpublished Plays of Miles Franklin Abstract 350 words maximum: (PLEASE TYPE) With the publication of her novel, My Brilliant Career, in 1901, Miles Franklin became the darling of the Sydney literati. Great things were expected of the little girl from the bush. But five years later, nothing had eventuated; her talent, Miles thought, was barely recognised in Australia. In the hope of gaining greater writing opportunities, she shipped to Chicago where she became involved in social reform. It was hard work and ill paid, and though she bewailed the fact that it sapped her writing energy, she nonetheless felt a commitment to the cause such that she remained for almost a decade. In her spare time, though, she continued to write – and not just prose. More and more she wrote for the theatre, attempting to push into a world of which she had always dreamed. Blessed with a beautiful singing voice, she had long desired to be on the stage. This was impossible, though; her voice, she believed, had been ruined by bad training in her youth. To write for the stage, then, though a poor substitute, was at least in the field of her original ideal. Miles’ plays, though, are not remembered today, and are little thought of in scholarship, are considered, in fact, to have failed. -
Performing Gender and Genre in Miles Franklin's My Career Goes Bung"
Connotations Vol. 9.3 (1999 / 2000) Performing Gender and Genre in Miles Franklin's My Career Goes Bung" BARBARA SCHMIDT-HABERKAMP Gender and genre are issues at the heart of both My Brilliant Career and its sequel My Career Goes Bung: both novels chronicle their heroines' rebellion against "prescribed femaleness" (Bung 447)1 and contest the gendering of genre by calling into question the distinction between supposedly superior Australian 'masculine' realism and imported British 'feminine' romance. In his article" My Career Goes Bung: Genre-Parody, Australianness and Anglophilia," Sanjay Sircar discusses the tension between realism and stylization in Miles Franklin's novel, with particular regard to genre-parody of cheap English serialized formula fiction as represented by the Penny Post novel, and he analyses the way in which they correspond to "the tensions between literary and social Australian [sic] and anglophilia" (200). While Sircar draws attention to the continual slippages between the two modes of writing, it seems to me that he retains the distinction between realism and stylization, as well as the distinction between "naive narrated self" and "the more aware narrating self" (185). This essentialism results in repeated insecurity about which passages are actually authorially and/ or narratorially conscious or unconscious (175, 187,191,194,196,197), and leads Sircar to conclude that Bung's "parodic retention of its English prototype's traces may signal the unconscious continuation of that prototype's power" (200). Rather than attribute unconscious slippages to either author, narrator or heroine, I would like to show that Bung programmatically sets out to parody prescribed literary discourse by marking the frequently cited laws Reference: Sanjay 5ircar, liMy Career Goes Bung: Genre-Parody, Australianness and Anglophilia," Connotations 8.2 (1998/99): 175-200. -
Ariel 35(3-4) Covers.Indd
Colonial Displacements: Another Look at Miles Franklin’s My Brilliant Career Tanya Dalziell In this paper, I revisit Miles Franklin’s My Brilliant Career (1901), a text that is now fi rmly entrenched in the Australian literary and feminist canons in part because of the feminist fervour and nationalist earnest- ness of its Australian Girl protagonist, Sybylla Melvyn. I do so in the knowledge that much critical material has been produced in response to this text to the extent that Susan Gardner has declared in mock exasper- ation: “Hasn’t enough been said?” (22). My answer is a very serious no. This essay considers what has not been said because of its very famil- iarity. In short, colonial tropes of savagery, slavery and barbarity, and orientalist tropes of the eastern harem and the fi gure of the sultan, are fi gures in the text that articulate wider social anxieties over settler sub- jects, class orders and hegemonic gender relations. In other words, My Brilliant Career is far-fetched, not so much in its unlikeliness, but be- cause it brings from afar remotely connected fi gures that found expres- sion in the settler vernacular for purposes other than securing and su- perintending autochthonous populations happened on by Europeans in the course of uncertain colonial contacts. However, together with the fi gure of the Australian Girl, these tropes do serve as the means by which the fl exible ideological work of colonial economies is represented and executed. They deviously determine to recognize and fi x the identity of “others”—the Irish and Aborigines in particular—and shore up the hegemony of atrophying class structures. -
My Brilliant Career
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 5 No. 1; February 2014 Copyright © Australian International Academic Centre, Australia A Brilliant Example for Women—Comments on My Brilliant Career Xiuqing Zhang Business College of Beijing Union University, Yangjingli Road, Beijing 100025, China E-mail: [email protected] Doi:10.7575/aiac.alls.v.5n.1p.58 Received: 05/01/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.5n.1p.58 Accepted: 27/02/2014 Abstract Based on the theory of American feminist critic Elaine Showalter，this paper analyzes a peculiar feature of early Australian novel My Brilliant Career and discovers that it spans three phases of Women’s Literature. Through her indefatigable strive for equality between men and women, independent personality and self-fulfillment, the bush girl Sybylla in the novel had set a brilliant example for today’s women. Keywords: My Brilliant Career; Sybylla; Phases of Women’s Literature; struggle 1. Introduction Reading Australian early novel My Brilliant Career, I was deeply impressed by the fragrance of the bush landscape penetrating through the whole novel as well as amazed by the extraordinary literary gift of the sixteen-year–old young girl who finished the great work within a few weeks. The writer of the novel Miles Franklin (1879—1954) by name was one of the most famous woman writers in Australia, and her maiden work, being considered an Australian classic, caused a great sensation throughout the Australian literary circles since its publication in 1901. The founder of Australian realism Henry Lawson wrote Preface to the book and sang high praise of the novel, “the descriptions of bush life and scenery came startlingly, painfully real to me, and I know that, as far as they are concerned, the book is true to Australia ——the truest I ever read”. -
Australian Influence on the American Women's Labor Movement
TIS The Independent Scholar A peer-reviewed interdisciplinary journal ISSN 2381-2400 www.ncis.org ISSN 2381-2400 Volume 5 (August 2019) Editorial Board Shelby Shapiro, Ph.D. (General Editor) [email protected] Amanda Haste, Ph.D. (Humanities Editor) [email protected] Joan Cunningham Ph.D. (STEM Editor) [email protected] Tula Connell, Ph.D. [email protected] Laurence Schiller, Ph.D. [email protected] Patricia Silver, Ph.D. [email protected] Tim R. Woolley, Ph.D. [email protected] OPEN ACCESS This work is licensed under a Creative Commons Attribution 4.0 International License The Independent Scholar Vol. 5 (August 2019) ISSN 2381-2400 This work is licensed under a Creative Commons Attribution 4.0 International License EDITORIAL BOARD Tula Connell (Ph.D. American History; M.A. European History) is an historian of the United States focusing on 20th century labor and social movements, and author of the monograph Conservative Counterrevolution: Challenging Liberalism in 1950s Milwaukee (University of Illinois Press, 2016), in the series, “The Working Class in American History” edited by Nelson Lichtenstein et al. Connell is a writer, editor and media professional with more than 20 years’ experience in labor communications. She serves on the board of the Labor and Working Class History Association, where she co-chairs the Committee on Independent Scholars. Joan Cunningham (Ph.D. Public Health: Epidemiology) is a cancer epidemiologist, recently retired from the Medical University of South Carolina. She holds an MSc (Biology: aquatic eco-embryology) from the University of Guelph, Ontario, Canada and Ph.D. (Public Health: epidemiology) from the University of Texas School of Public Health (Houston). -
DONAT GALLAGHER a GREAT AUSTRALIAN Cohn
DONAT GALLAGHER A GREAT AUSTRALIAN Cohn Roderick, Miles Franklin: Her Brilliant Career. Adelaide: Rigby, 1982. $19.99. 199 pp. Nowadays Miles Franklin is best known as the author of her first novel, written when she was only twenty years old and titled with conscious irony My Brilliant Career. My Career Goes Bung was written two years later. Both titles are prophetic, both misleading. Stella Maria Sarah Miles Franklin was never to become a "success," if success is measured by sales and critical acclaim, by offices held or honours received. Large numbers of her rejected manuscripts have never been printed. Of all her many books only My Brilliant Career and All That Swagger sold at all well or received recognition in her lifetime. Until the revival of feminism and the renascence of the Australian film industry brought My Brilliant Career back into well-deserved prominence, All That Swagger was her only work still read, and then mainly by students of Australian literature. Apart from a few private testimonials, Stella's devoted work for feminist and trade union causes went unhonoured. Her only significant memorial, the annual Miles Franklin Award for an Australian novel or play, was created by herself. But from another point of view Stella's life was inspiring. The issues to which she principally devoted her energies apart from her own writing were Feminism, Trades Unionism, Austra- lianism and Australian Literature. It is open to anyone to withhold sympathy from any of these causes, or to quarrel with Stella's understanding of them. But it is impossible to follow her life through Professor Cohn Roderick's new biography, Miles Franklin: Her Brilliant Career, without being moved by the self-sacrifice, energy, persistence and courageous humour which marked her devotion. -
Literature As Olympic Event?: Understanding the Scoreboard for Australian Women's Writing
eTropic 16.2 (2017): ‘Bold Women Write Back’ Special Issue | 89 Literature as Olympic Event?: Understanding the Scoreboard for Australian Women’s Writing Katherine Bode Australian National University he Olympics were in full swing when I was approached to be part of a town hall forum on T gender equality in Australian literature at James Cook University. I have never watched much sport. But in July 2016 I had a three-month old baby to look after, meaning I was spending a lot of time on the couch watching daytime television; and when the Olympics are on, there’s not much other daytime television on offer. And for someone who doesn’t watch a lot of sport—indeed, for a sleep-deprived parent—the Olympics are perfect. You don’t have to know much about the individual events; you can switch on and off whenever you want; and perhaps most importantly, you know your team— in my case, Australia—and you can understand the scoreboard: how many medals do we have? My Olympics watching activities might seem a long way away from the place of women in Australian literature. But sitting on the couch, watching the pole vaulting and feeding my baby, it occurred to me that there is a degree of overlap between my watching of the Olympics and an increasingly prominent means of understanding and advocating for women in literature: metrics regarding women’s representation. As is the case elsewhere, in Australia shortlists and awards for literary prizes invariably generate discussion about the number of women featured. In 2013, the Stella Prize was established in response to the low number of women awarded Australia’s most prestigious literary prize, the Miles Franklin.