35-40.Pdf (481.8Kb)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Marjorie Barnard: a Re-Examination of Her Life and Work
Marjorie Barnard: a re-examination of her life and work June Owen A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales Australia School of the Arts and Media Faculty of Arts and Social Science Thesis/Dissertation Sheet Australia's Global UNSWSYDNEY University Surname/Family Name OWEN Given Name/s June Valerie Abbreviation for degree as give in the University calendar PhD Faculty Arts and Social Sciences School School of the Arts and Media Thesis Title Marjorie Barnard: a re-examination of her life and work Abstract 350 words maximum: (PLEASE TYPE) A wealth of scholarly works were written about Marjorie Barnard following the acclaim greeting the republication, in 1973, of The Persimmon Tree. That same year Louise E Rorabacher wrote a book-length study - Marjorie Barnard and M Barnard Eldershaw, after agreeing not to write about Barnard's private life. This led to many studies of the pair's joint literary output and short biographical studies and much misinformation, from scholars beguiled into believing Barnard's stories which were often deliberately disseminated to protect the secrecy of the affair that dominated her life between 1934 and 1942. A re-examination of her life and work is now necessary because there have been huge misunderstandings about other aspects of Barnard's life, too. Her habit of telling imaginary stories denigrating her father, led to him being maligned by his daughter's interviewers. Marjorie's commonest accusation was of her father's meanness, starting with her student allowance, but if the changing value of money is taken into account, her allowance (for pocket money) was extremely generous compared to wages of the time. -
Places of Publication and the Australian Book Trade: a Study of Angus & Robertson’S London Office, 1938-1970
Places of Publication and the Australian Book Trade: A Study of Angus & Robertson’s London Office, 1938-1970 By Jason Donald Ensor BA (UQ) Post Grad Dip Australian Studies (UQ) MA (UQ) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Humanities Research Institute and School of Media, Communications and Culture Murdoch University Perth, Western Australia October 2010 CONTENTS Abstract iv Statement of Originality v Acknowledgements iv Author’s Note x Photo: The London Office Circa 1950s ix 1 Introduction 1 Sample Documents 24 2 Is a Picture Worth 10,175 Australian Novels? 28 The Australian Book Trade, 1930 to the Second World War 3 Reprints, International Markets and Local Literary Taste 54 4 “The special preserve” of British publishers: Imported Titles and the Australian Book Trade, 1930 68 5 “A policy of splendid isolation”: Angus & Robertson (Sydney), British Publishers and the Politics of Co-operation, 1933 to the Second World War 101 Angus & Robertson’s London Office, Second World War to 1956 6 “We are just boys from the bush when it comes to publishing in London”: Angus & Robertson’s London Office, Second World War to 1949 130 7 The Case of the “Bombshell Salesman”: Angus & Robertson’s London Office, 1950 to 1952 159 8 “Too Australian to be any good in England”: Angus & Robertson’s London Office, 1953 to 1956 191 Angus & Robertson’s London Office, 1957-1970 9 “Kicked to pieces”: Angus & Robertson’s London Office, 1957 to 1961 216 10 “Re-assembling the pieces”: Angus & Robertson’s London Office, 1962-1965 255 11 “Taking some of the sail off the ship”: Angus & Robertson’s London Office, 1966-1970 289 12 Learning from a Distance (Conclusion): Angus & Robertson, Exports and Places of Publication 316 Appendixes A-E 325 Bibliography 374 ABSTRACT Places of Publication is a sustained study of the practice of Angus & Robertson’s London office as publishers and exporters / importers, using a mixed-methods approach combining the statistical analysis of bibliographic data with an interpretative history of primary resource materials. -
PLEASE DO NOT REMOVE THIS PAGE Finding Furphy Country: Such Is Life and Literary Tourism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RMIT Research Repository Thank you for downloading this document from the RMIT Research Repository 7KH50,75HVHDUFK5HSRVLWRU\LVDQRSHHQDFFHVVGDWDEDVHVKRZFDVLQJWWKHUHVHDUFK RXWSXWVRI50,78QLYHUVLW\UHVHDUFKHUV 50,755HVHDUFK5HHSRVLWRU\KWWSUHVHDUFKEDQNUPLWHGXDX Citation: Magner, B 2013, 'Finding Furphy country: such is life and literary tourism', JASAL - Journal of the Association for the Study of Australian Literature, vol. 13, no. 1, pp. 1-18. See this record in the RMIT Research Repository at: http://researchbank.rmit.edu.au/view/rmit:22904 Version: Published Version Copyright Statement: © 2013 Author, Association for the Study of Australian Literature Link to Published Version: http://www.nla.gov.au/openpublish/index.php/jasal/article/view/2597 PLEASE DO NOT REMOVE THIS PAGE Finding Furphy Country: Such is Life and Literary Tourism BRIGID MAGNER RMIT University Joseph Furphy, considered to be ‘the father of the Australian novel’, is best known for Such is Life, a little-read and often baffling novel about life in rural Australia. In 1981 Manning Clark claimed that Furphy is ‘the author of a classic which few were to read and no one was ever to establish clearly what it was all about’. Julian Croft observes that Such is Life is a ‘cultural monument’ which is ‘more often referred to than read for pleasure’ since it ‘tests the skill, patience and endurance of those who attempt it’ (TC 275). The demanding nature of the novel, with its unusually complex narrative structure, inter- textual references and playful use of language, can be off-putting to many readers but it has attracted a small number of dedicated followers, who have been largely responsible for the efforts to memorialise Furphy and his contribution to Australian literary culture. -
Australian Literature: Culture, Identity and English Teachingi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Australian literature: culture, identity and English teachingi ANNETTE PATTERSON Queensland University of Technology The development of the Australian Curriculum has reignited a debate about the role of Australian literature in the contexts of curricula and classrooms. A review of the mechanisms for promoting Australian literature including literary prizes, databases, surveys and texts included for study in senior English classrooms in New South Wales and Victoria provides a background for considering the purpose of Australian texts and the role of literature teachers in shaping students’ engagement with literature. In taking the pulse of Australian literature generally it is worth pausing to think about some of Australia’s literary prizes and their accompanying guidelines and criteria. Many texts set for study in classrooms first appear on our radar through these prize lists. One of the most prestigious and oldest awards is the Miles Franklin Award which commenced in 1957. The winner of that year was Patrick White for his novel Voss. In the 54 years since the prize was established it has been won by female writers on 12 occasions, including four-time winner Thea Astley. Given Thea Astley’s repeat performances, the prize has been awarded to nine individual female authors. Male authors have won the award on 39 occasions including repeat wins by Patrick White (2) Kim Scott (2) Alex Miller (2) Tim Winton (4) Thomas Keneally (2) and Peter Carey (3). Overall, the award went to 30 individual male authors. -
My Brilliant Career, by Miles Franklin
The Project Gutenberg eBook, My Brilliant Career, by Miles Franklin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: My Brilliant Career Author: Miles Franklin Posting Date: December 16, 2010 [eBook #11620] Release Date: March 17, 2004 [Last updated: June 6, 2011] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MY BRILLIANT CAREER*** E-text prepared by an anonymous Project Gutenberg contributor MY BRILLIANT CAREER MILES FRANKLIN 1901 PREFACE A few months before I left Australia I got a letter from the bush signed "Miles Franklin", saying that the writer had written a novel, but knew nothing of editors and publishers, and asking me to read and advise. Something about the letter, which was written in a strong original hand, attracted me, so I sent for the MS., and one dull afternoon I started to read it. I hadn't read three pages when I saw what you will no doubt see at once —that the story had been written by a girl. And as I went on I saw that the work was Australian—born of the bush. I don't know about the girlishly emotional parts of the book—I leave that to girl readers to judge; but the descriptions of bush life and scenery came startlingly, painfully real to me, and I know that, as far as they are concerned, the book is true to Australia —the truest I ever read. -
University of Queensland Library
/heuhu} CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION In tlie UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Heiherington t • i w lA ‘i 1 11 ( i ii j / | ,'/? n t / i i / V ' i 1- m i V V 1V t V C/ U V St Lucia, University of Queensland Library 1976 CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION in the UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Hetherington St Lucia, University of Queensland Library 1976 Copyright 1976 University of Queensland Library National Library of Australia card number and ISBN 0 9500969 8 9 CONTENTS Page Frontispiece: Father Leo Hayes ii Foreword vii Preface ix Catalogue of the Hayes Manuscript Collection 1 Subject index 211 Name index: Correspondents 222 Name index - Appendix 248 Colophon 250 V Foreword University Libraries are principally agencies which collect and administer collections of printed, and in some cases, audio-visual information. Most of their staff are engaged in direct service to the present university community or in acquiring and making the basic finding records for books, periodicals, tapes and other information sources. Compiling a catalogue of manuscripts is a different type of operation which university libraries can all too seldom afford. It is a painstaking, detailed, time-consuming operation for which a busy library and busy librarians find difficulty in finding time and protecting that time from the insistent demand of the customer standing impatiently at the service counter. Yet a collection of manuscripts languishes unusable and unknown if its contents have not been listed and published. -
Winter School Is In!
ISSUE 10 SUMMER 2019 STUDENTS NOMINATED FOR EXCELLENCE IN THE HSC SHOWCASES AND EXHIBITIONS WINTER SCHOOL IS IN! JUNIOR SCHOOL ENGAGES WITH THE ART WORLD CONTENTS | ISSUE 10 SUMMER 2019 01 From the Principal 30 A year of SEED 02 Early entry relieves the pressure of exams 31 The doll in the Junior School library 03 Winter school is in! 32 PLC Sydney Preschools Open Day 06 Junior School engages with the art world 33 PLC Sydney and PLC Armidale combine to support drought relief 08 Students nominated for excellence in the HSC Showcases and Exhibitions 34 Muck Up Day: A great Australian tradition 10 Hats off to Cate! EX-STUDENTS’ NEWS 11 PLC Reads Australia 36 President's Report 2019 12 Striking a creative light in the Countess of Jersey Society 37 ESU announcements 14 An incredible scientific adventure 40 Save the date 16 A hands-on experience for Year 3 41 Alumni events 2019: Honouring an iconic PLC Sydney teacher: 17 Enriching science with our Miss Audrey Keown OAM Scientists-in-Residence 42 Celebrating PLC Sydney across 18 Performances showcase the best generations of drama and music 43 Getting to know the Ex-Students' Union 20 In profile: Zilin Zhang, Sherry Zou, President Marina Clark (Lvoff, 1978) Maggie O’Reilly and Imogen Stewart 44 Welcome to the ESU Class of 2019 Same latitude, different longitude, 23 Class of 2020: Common Room handover different schools 44 Once upon a time they were all girls in 24 Nine days in New York, two in LA and 45 Croydon… today women reunite for the lots to do! Croydon Circle We are only one being— 26 How can the “old girls” network we are a pipe band! 46 help today’s students? 27 Seniors buddy up with juniors 47 A morning of college history for reading 48 Where are they now? 28 60 seconds with… Mr John Trimble 29 60 seconds with… Ms Julie Shields FROM THE PRINCIPAL 1 Education is in a period of significant change. -
The Not Quite Real Miles Franklin: Diaries As Performance
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online The Not Quite Real Miles Franklin: Diaries as Performance SANDRA KNOWLES, UNIVERSITY OF NEW SOUTH WALES “Did she not threaten us all with her diary, to be published when she was safely dead?” (Marjorie Barnard qtd. in Carole Ferrier, As Good as a Yarn with You 21) With the recent publication of The Diaries of Miles Franklin by Paul Brunton, this famous Australian author has once again entered into our national consciousness. Regarded by both critics and colleagues as a mysterious, private person, Franklin’s diaries would appear to provide the long awaited story of her intimate life. In Carole Ferrier’s publication of letters, As Good as a Yarn with You, she records Katharine Susannah Pritchard’s posthumous description of the author as “a sim- ple, loveable person, and yet more than that. Somebody we never knew” (6). Marjorie Barnard similarly commented, “Who knows exactly what Miles felt— even when she told you?” (qtd. in Ferrier 6). Ferrier also writes that in her letters, “Franklin does not generally reveal a great deal about her personal life” (6). Brunton’s publication has been eagerly received. This edition celebrates Franklin as a na- tional icon, and also conforms to public and private discourses by portraying the Franklin diary subject as an authentic representation of the once living writer. However, there are many features in Franklin’s diary manuscripts that indicate they were clearly intended for publication. -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
The Rise of the Australian Novel
Richard Nile The Rise of the Australian Novel (PhD Thesis, School of History University of New South Wales, December 1987) UNIVERSITY OF N.S.W. - 8SEP 1988 LIBRARY TABLE OF CONTENTS PAGE INTRODUCTION 1 CHAPTER 1 PRODUCTION 34 CHAPTER 2 PROFESSIONAL! SAT ION 91 CHAPTER 3 CENSORSHIP 140 CHAPTER 4 REPUTATION 183 CHAPTER 5 MODERNISM 225 CHAPTER 6 WAR 268 CHAPTER 7 INDUSTRIALISM 312 CONCLUSION 357 APPENDICES 362 BIBLIOGRAPHY 378 THIS THESIS IS MY OWN WORK this thesis is dedicated to weirdo Those who read many books are like the eaters of hashish. They live in a dream. The subtle poison that penetrates their brain renders them insensible to the real world and makes them prey of terrible or delightful phantoms. Books are the opium of the Occident. They devour us. A day is coming on which we shall all be keepers of libraries, and that will be the end. (Anatole France 1888) I was wondering about the theory of the composite man. The man who might evolve in a few thousand years if we broke down all the barriers. Or if they broke themselves down, which is more likely. A completely unrestricted mating - black, white, brown, yellow, all the racial characteristics blended, all the resulting generations coming into the world free of the handicaps that are hung round the necks of half-casts now. (Eleanor Dark 1938) ACKNOWLEDGEMENTS To write this history of Australian literature was as difficult as it was enjoyable. Many times I felt very alone, locked into a private world of books and ideas. Yet many people expressed interest in this project and offered their support. -
State Library of NSW, Sydney Australia Rachel Franks And
Franks and Galassi A war of words State Library of NSW, Sydney Australia Rachel Franks and Monica Galassi A war of words: reading conflict in the writings of Miles Franklin Abstract: In Bring the Monkey: a light novel (1933), Miles Franklin, in her only work of crime fiction, queries the almost universal veneration of the war veteran. In addition to issuing challenges to readers, throughout this work, on matters of class constructed disadvantage and discrimination based on gender, Franklin calls into question the idea of the military hero; with a recipient of the Victoria Cross posited as the novel’s villain. In this way the text serves to normalise the need to question all that is around us, even if those questions are controversial and are deliberately at odds with both political and popular efforts to construct a national narrative. In 1951 Franklin penned a more overtly anti-war work, The Dead Must Not Return, a play in two acts. Drawing on the social commentaries within these two texts, and the Miles Franklin Papers held at the State Library of NSW, this paper explores the ethics of writing about war. In particular this paper highlights the role non-combatants can play in producing commentaries on conflict, thus destabilising traditional accounts that often privilege white masculinity and subsequently marginalise civilian, female contributions to national war efforts. Moreover, this paper seeks to acknowledge the impact of war – as expressed through the creative writing practice of Miles Franklin – upon all members of society. Biographical notes: Dr Rachel Franks is the Coordinator, Education & Scholarship, State Library of NSW and a Conjoint Fellow, University of Newcastle. -
The Unpublished Plays of Miles Franklin
The Unpublished Plays of Miles Franklin Jocelyn Hedley Master of Arts (Research) 2007 Faculty of Arts University of New South Wales THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hedley First name: Jocelyn Other name/s: Patricia Abbreviation for degree as given in the University calendar: MRes School: English, Media and Performing Arts Faculty: Arts Title: The Unpublished Plays of Miles Franklin Abstract 350 words maximum: (PLEASE TYPE) With the publication of her novel, My Brilliant Career, in 1901, Miles Franklin became the darling of the Sydney literati. Great things were expected of the little girl from the bush. But five years later, nothing had eventuated; her talent, Miles thought, was barely recognised in Australia. In the hope of gaining greater writing opportunities, she shipped to Chicago where she became involved in social reform. It was hard work and ill paid, and though she bewailed the fact that it sapped her writing energy, she nonetheless felt a commitment to the cause such that she remained for almost a decade. In her spare time, though, she continued to write – and not just prose. More and more she wrote for the theatre, attempting to push into a world of which she had always dreamed. Blessed with a beautiful singing voice, she had long desired to be on the stage. This was impossible, though; her voice, she believed, had been ruined by bad training in her youth. To write for the stage, then, though a poor substitute, was at least in the field of her original ideal. Miles’ plays, though, are not remembered today, and are little thought of in scholarship, are considered, in fact, to have failed.