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Edmond Press
International Press International Sales Venice: wild bunch The PR Contact Ltd. Venice Phil Symes - Mobile: 347 643 1171 Vincent Maraval Ronaldo Mourao - Mobile: 347 643 0966 Tel: +336 11 91 23 93 Email: [email protected] Email: [email protected] Fax: 041 5265277 Carole Baraton 62nd Mostra Venice Film Festival: Tel: +336 20 36 77 72 Hotel Villa Pannonia Email: [email protected] Via Doge D. Michiel 48 Gaël Nouaile 30126 Venezia Lido Tel: +336 21 23 04 72 Tel: 041 5260162 Email: [email protected] Fax: 041 5265277 Silva Simonutti London: Tel: +33 6 82 13 18 84 The PR Contact Ltd. Email: [email protected] 32 Newman Street London, W1T 1PU Paris: Tel: + 44 (0) 207 323 1200 Wild Bunch Fax: + 44 (0) 207 323 1070 99, rue de la Verrerie - 75004 Paris Email: [email protected] tel: + 33 1 53 01 50 20 fax: +33 1 53 01 50 49 www.wildbunch.biz French Press: French Distribution : Pan Européenne / Wild Bunch Michel Burstein / Bossa Nova Tel: +33 1 43 26 26 26 Fax: +33 1 43 26 26 36 High resolution images are available to download from 32 bd st germain - 75005 Paris the press section at www.wildbunch.biz [email protected] www.bossa-nova.info Synopsis Cast and Crew “You are not where you belong.” Edmond: William H. Macy Thus begins a brutal descent into a contemporary urban hell Glenna: Julia Stiles in David Mamet's savage black comedy, when his encounter B-Girl: Denise Richards with a fortune-teller leads businessman Edmond (William H. -
Keeping Tradition Alive: Just War and Historical Imagination Cian O’Driscoll
Journal of Global Security Studies, 3(2), 2018, 234–247 doi: 10.1093/jogss/ogy003 Research Article Keeping Tradition Alive: Just War and Historical Imagination Cian O’Driscoll University of Glasgow Abstract The just war tradition is one of the key constituencies of international political theory, and its vocab- ulary plays a prominent role in how political and military leaders frame contemporary conflicts. Yet, it stands in danger of turning in on itself and becoming irrelevant. This article argues that scholars who wish to preserve the vitality of this tradition must think in a more open-textured fashion about its historiography. One way to achieve this is to problematize the boundaries of the tradition. This article pursues this objective by treating one figure that stands in a liminal relation to the just war tradition. Despite having a lot to say about the ethics of war, Xenophon is seldom acknowledged as a bona fide just war thinker. The analysis presented here suggests, however, that his writings have much to tell us, not only about how he and his contemporaries thought about the ethics of war, but about how just war thinking is understood (and delimited) today and how it might be revived as a pluralistic critical enterprise. Keywords: just war, ancient Greece, Xenophon, historiography, changing character of war “The past is a different country, they do things differ- its totality, as a rolling story, rather than as an index of ently there.” discrete individuated contributions (Johnson 2009, 252). L. P. Hartley Proponents of this -
Inscriptive Masculinity in Balzac's Comédie Humaine
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, Student Research: Modern Languages and Literatures, Department Modern Languages and Literatures of 4-20-2009 Inscriptive Masculinity in Balzac’s Comédie Humaine Alana K. Eldrige University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/modlangdiss Part of the Modern Languages Commons Eldrige, Alana K., "Inscriptive Masculinity in Balzac’s Comédie Humaine" (2009). Theses, Dissertations, Student Research: Modern Languages and Literatures. 6. https://digitalcommons.unl.edu/modlangdiss/6 This Article is brought to you for free and open access by the Modern Languages and Literatures, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, Student Research: Modern Languages and Literatures by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. INSCRIPTIVE MASCULINITY IN BALZAC’S COMÉDIE HUMAINE by Alana K. Eldrige A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor in Philosophy Major: Modern Languages and Literature (French) Under the Supervision of Professor Marshall C. Olds Lincoln, Nebraska May, 2009 INSCRIPTIVE MASCULINITY IN BALZAC’S COMÉDIE HUMAINE Alana K. Eldrige, Ph.D. University of Nebraska, 2009. Adviser: Marshall C. Olds This reading of La Comédie humaine traces the narrative paradigm of the young hero within Balzac’s literary universe. A dynamic literary signifier in nineteenth-century literature, the young hero epitomizes the problematic existence encountered by the individual in post-revolutionary France. At the same time, he serves as a mouth-piece for an entire youthful generation burdened by historical memory. -
Interdisciplinary Journal of Decadence Studies
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 4, Issue 1 Summer 2021 ‘A Medium More Important than Bodily Sense’: Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken ISSN: 2515-0073 Date of Acceptance: 1 June 2021 Date of Publication: 21 June 2021 Citation: Thomas Vranken, ‘“A Medium More Important than Bodily Sense”: Wilde, the Antipodes, and the Techno-Imagination’, Volupté: Interdisciplinary Journal of Decadence Studies, 4.1 (2021), 65–78. DOI: 10.25602/GOLD.v.v4i1.1508.g1621 volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. ‘A Medium More Important than Bodily Sense’ Wilde, the Antipodes, and the Techno-Imagination Thomas Vranken University of British Columbia Here am I, and you at the Antipodes […]. The messages of the gods to each other travel not by pen and ink and indeed your bodily presence here would not make you more real: for I feel your fingers in my hair, and your cheek brushing mine. The air is full of the music of your voice, my soul and body seem no longer mine, but mingled in some exquisite ecstasy with yours. (Oscar Wilde, letter to Constance Wilde from Edinburgh, 16 December 1884.) A decade ago, in his chapter for The Cambridge History of Australian Literature, Ken Stewart voiced what has long been the conventional understanding of Wilde and his relationship with Britain’s Australian colonies. ‘The image of aristocratic dandyism [Wilde] affected’, Stewart asserted, was the reverse of typically Australian. In witty conversation and -
Sir James Alfred Ewing, K.C.B., M.A., D.Sc, LL.D., F.R.S
150 Obituary Notices. Sir James Alfred Ewing, K.C.B., M.A., D.Sc, LL.D., F.R.S. JAMES ALFRED EWING, a great engineer, scientific man, and charming Scot, was distinguished in many fields of activity. Born in 1855 at Dundee, where his father was a minister of the Free Church of Scotland, he grew up in an intellectual and spiritual atmosphere in which his early education was greatly influenced by his mother, whose critical taste in letters was passed on to her children. From Dundee High School Ewing proceeded in the early seventies to the University of Edinburgh, where his great ability soon manifested itself in the classes of Tait and Fleeming Jenkin, the latter of whom brought him into touch with Sir William Thomson (afterwards Lord Kelvin), then engaged in the development of submarine telegraph cables, an introduction which led to Ewing taking part in three cable-laying voyages to Brazil and the River Plate. Fleeming Jenkin was a man of wide culture, and his literary and scientific circle included Ewing and another young student, Robert Louis Stevenson, then at the commence- ment of an engineering training, soon to be abandoned for a literary career of the greatest distinction, the beginnings of which have been happily described by Ewing in "The Fleeming Jenkins and Robert Louis Steven- son." In 1878, at the early age of twenty-three, Ewing went to Japan as Professor of Mechanical Engineering in the University of Tokyo, a post which he occupied for five years, and there he made his classical researches in the widely different fields of magnetism and seismology. -
Australian Poems You NEED to KNOW
1OO Australian Poems You NEED TO KNOW Edited by Jamie Grant Foreword by Phillip Adams hardiegrant books MELBOURNE-LONDON Convict and Stockrider A Convict's Tour to Hell Francis Macnamara ('Frank the Poet') 16 The Beautiful Squatter Charles Harpur 22 Taking the Census Charles R Thatcher 23 The Sick Stockrider Adam Lindsay Gordon 25 The Red Page My Other Chinee Cook James Brunton Stephens 30 Bell-birds Henry Kendall 32 Are You the Cove? Joseph Furphy ('Tom Collins') 34 How McDougal Topped the Score Thomas E Spencer 35 The Wail of the Waiter Marcus Clarke 38 Where the Pelican Builds Mary Hannay Foott 40 Catching the Coach Alfred T Chandler ('Spinifex') 41 Narcissus and Some Tadpoles Victor J Daley 44 6 i Contents Gundagai to Ironbark Nine Miles from Gundagai Jack Moses 48 The Duke of Buccleuch JA Philp 49 How We Drove the Trotter WTGoodge 50 Our Ancient Ruin 'Crupper D' 52 The Brucedale Scandal Mary Gilmore 53 Since the Country Carried Sheep Harry Morant ('The Breaker') 56 The Man from Ironbark AB Paterson (The Banjo') 58 The Old Whimrhorse Edward Dyson 60 Where the Dead Men Lie Barcroft Boake 62 Australia Bernard O'Dowd , 64 The Stockman's Cheque EW Hornung 65 The Bullocky's Love-episode AF York 67 Bastard and Bushranger «<§!> The Bastard from the Bush Anonymous 70 When your Pants Begin to Go Henry Lawson 72 The Fisher Roderic Quinn 74 The Mystery Man 'NQ' 75 Emus Mary Fullerton 76 The Death of Ben Hall Will H Ogilvie 77 The Coachman's Yarn EJ Brady 80 Fire in the Heavens, and Fire Along the Hills Christopher Brennan 83 The Orange Tree -
American Political Thought: Readings and Materials Keith E. Whittington
American Political Thought: Readings and Materials Keith E. Whittington Index of Materials for Companion Website 2. The Colonial Era, Before 1776 II. Democracy and Liberty John Adams, Letter to James Sullivan (1776) John Cotton, The Bloudy Tenent Washed and Made White (1647) John Cotton, Letter to Lord Say and Seal (1636) Jacob Duche, The Duty of Standing Fast in Our Spiritual and Temporal Liberties (1775) Massachusetts Body of Liberties (1641) James Otis, Rights of the British Colony Asserted and Proved (1764) Elisha Williams, The Essential Rights and Liberties of Protestants (1744) Roger Williams, The Bloudy Tenent Yet More Bloudy (1652) John Winthrop, Arbitrary Government Described (1644) John Winthrop, A Defense of an Order of Court (1637) John Winthrop, Defense of the Negative Vote (1643) III. Citizenship and Community Agreement among the Settlers of Exeter, New Hampshire (1639) Combination of the Inhabitants of the Piscataqua River for Government (1641) Robert Cushman, The Sin and Danger of Self-Love (1621) Fundamental Agreement, or Original Constitution of the Colony of New Haven (1639) Fundamental Orders of Connecticut (1639) Patrick Henry, Give Me Liberty Speech (1775) William Livingston, “The Vanity of Birth and Titles” (1753) Oath of a Freeman in Massachusetts Bay (1632) Thomas Tryon, The Planter’s Speech to His Neighbors and Countrymen (1684) IV. Equality and Status Address of the Mechanics of New York City (1776) Jonathan Boucher, Sermon on the Peace (1763) Charles Inglis, The True Interest of America (1776) William Knox, Three Tracts Respecting the Conversion (1768) William Byrd, Letter to Lord Egmont (1736) Samuel Sewall, The Selling of Joseph (1700) John Saffin, A Brief and Candid Answer (1701) John Woolman Some Considerations on Keeping Negroes (1762) V. -
1943 the Digital Conversion of This Burns Chronicle Was Sponsored by Southern Scottish Counties Burns Association
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1943 The digital conversion of this Burns Chronicle was sponsored by Southern Scottish Counties Burns Association The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com THE ROBER T BURNS ANNUAL AND CHRONICLE 1943 THE BURNS FEDERATION KILMARNOCK 1943 Price Three Shillings and Nine Pence "BURNS CHRONICLE" ADVERTISER CRAIG'S RESTAURANTS for MORNING COFFEE SNACKS · LUNCHEONS AFTERNOON TEA The Rhul The Gordon 123 7-19 Sauchiehall Gordon Street Street Branches throughout the CIty JAMES CRAIG (GLASGOW). LTO •• Woodlands Road. GLASGOW "BURNS CHRONICLE" ADVERTISER JEAN ARMOUR BURNS HOUSES CASTLE STREET, MAUCHLlNE AYRSH I RE Established in 1915 by the Glasgow and District Burns Association These Houses were purchased, repaired, and gifted to the Association by the late Mr. Charles R. Cowie, J.P., of Glasgow. They comprise the Burns House (in which the poet and Jean Armour began housekeeping in 1788), Dr. John M'Kenzie's House, and "Auld Nanse Tinnock's" (the "change-house" of Burns's poem "The Holy Fair"); and provide comfortable acco~modation for nine old ladies, who live rent and rate free and receive a small pension. A portion of the Burns House has been arranged as a Museum, which now contains numerous authentic relics of Jean Armour and the poet: these include the Armour Family Bible and several manuscripts of Burns. An Endowment Fund' for the maintenance of the Houses and the provision of the pensions is being formed. -
Sess. Professor Andrew Jamieson, M.Inst
334 Proceedings of the Royal Society of Edinburgh. [Sess. Professor Andrew Jamieson, M.Inst.C.E. By Mr J. Wilson. (Read January 20, 1913.) PROFESSOR JAMIESON, M.Inst.C.E., whose death took place on the 4th December 1912, at his residence, 16 Rosslyn Terrace, Kelvinside, Glasgow, W., was well known throughout the country as a consulting engineer and as the author of a large number of standard text-books on electrical and engineering subjects. He was elected to the Fellowship of the Royal Society of Edinburgh in 1882. Professor Jamieson, who was the eldest son of the late Rev. George Jamieson, D.D., of Old Machar Cathedral, Aberdeen, was born at Grange, Banffshire, in 1849, and received his education at the Gymnasium, Old Aberdeen, and at Aberdeen University. His apprenticeship was served with Messrs Hall, Russel & Co., marine engineers and shipbuilders, Aberdeen Ironwork. He afterwards entered the service of the Great North of Scotland Railway Company, ultimately attaining the position of chief draughtsman in the loco, and carriage department. When only twenty-three years of age he was appointed assistant to Sir William Thomson (Lord Kelvin) and Professor Fleeming Jenkin, who placed him in charge of the testing staff, to supervise the manufacture of the submarine cables at the Woolwich works of Messrs Siemens Bros. Then followed several years during which Mr Jamieson was mostly abroad. For two years he acted as chief electrical assistant to Thomson and Jenkin, along the coast of Brazil, for the Western Brazilian, and Platino-Brazilian Companies. On returning to this country, the late Sir John Pender and Sir James Anderson appointed him chief electrician to the Eastern Telegraph Company, and he was sent to the Mediterranean to super- intend the laying of the Marseilles-Malta cable. -
ROBERT BURNS and FRIENDS Essays by W. Ormiston Roy Fellows Presented to G
University of South Carolina Scholar Commons Robert Burns and Friends Robert Burns Collections 1-1-2012 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy Patrick G. Scott University of South Carolina - Columbia, [email protected] Kenneth Simpson See next page for additional authors Publication Info 2012, pages 1-192. © The onC tributors, 2012 All rights reserved Printed and distributed by CreateSpace https://www.createspace.com/900002089 Editorial contact address: Patrick Scott, c/o Irvin Department of Rare Books & Special Collections, University of South Carolina Libraries, 1322 Greene Street, Columbia, SC 29208, U.S.A. ISBN 978-1-4392-7097-4 Scott, P., Simpson, K., eds. (2012). Robert Burns & Friends essays by W. Ormiston Roy Fellows presented to G. Ross Roy. P. Scott & K. Simpson (Eds.). Columbia, SC: Scottish Literature Series, 2012. This Book - Full Text is brought to you by the Robert Burns Collections at Scholar Commons. It has been accepted for inclusion in Robert Burns and Friends by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Author(s) Patrick G. Scott, Kenneth Simpson, Carol Mcguirk, Corey E. Andrews, R. D. S. Jack, Gerard Carruthers, Kirsteen McCue, Fred Freeman, Valentina Bold, David Robb, Douglas S. Mack, Edward J. Cowan, Marco Fazzini, Thomas Keith, and Justin Mellette This book - full text is available at Scholar Commons: https://scholarcommons.sc.edu/burns_friends/1 ROBERT BURNS AND FRIENDS essays by W. Ormiston Roy Fellows presented to G. Ross Roy G. Ross Roy as Doctor of Letters, honoris causa June 17, 2009 “The rank is but the guinea’s stamp, The Man’s the gowd for a’ that._” ROBERT BURNS AND FRIENDS essays by W. -
Adam Lindsay Gordon - Poems
Classic Poetry Series Adam Lindsay Gordon - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Adam Lindsay Gordon(19 October 1833 – 24 June 1870) Gordon was born at Fayal in the Azores, son of Captain Adam Durnford Gordon who had married his first cousin, Harriet Gordon, both of whom were descended from Adam of Gordon of the ballad. Captain Gordon, who had retired from the Bengal cavalry and taught Hindustani, was then staying at the Azores for the sake of his wife's health. After living on the island of Madeira, they went to England and lived at Cheltenham in 1840. Gordon was sent to Cheltenham College in 1841 when he was only seven, but after he had been there a year he was sent to a school kept by the Rev. Samuel Ollis Garrard in Gloucestershire. He attended the Royal Military Academy, Woolwich in 1848, where he was a contemporary and friend of Charles George Gordon (no relation, later 'Gordon of Khartoum') and Thomas Bland Strange (later known as 'Gunner Jingo'). There Gordon appears to have been good at sports, but not studious and certainly undisciplined – and like Richard Henry Horne, he was asked to leave. Gordon was again admitted a pupil at Cheltenham College. He was not there for long – he appears to have left in the middle of 1852 – but the story that he was expelled from Cheltenham is without foundation. Then Gordon was sent to the Royal Grammar School Worcester in 1852. Gordon began to lead a wild and aimless life, contracted debts, and was a great anxiety to his father, who at last decided that his son should go to Australia and make a fresh start in 1853 to join the mounted police with a letter of introduction to the Governor. -
The RLS Club News Spring 2017 3 Look Who Club Events
The RLS Club News Issue No 48 Spring 2017 Royal welcome: Louis was honoured with songs and fireworks as Network delegates met at the Chateau of Fontainebleau Fantastic Fontainebleau THE charm of Fontainebleau is a thing the Château of Fontainebleau, once the France, the Association Sur les Canaux apart, as RLS wrote in his essay on the hunting lodge of French Kings. du Nord in Belgium had been consolidat- French Bohemian idyll where he lived Visiting speakers addressed us on top- ing its route and had held a wealth of and loved in his youth, and the European ics relevant to our status as a Cultural RLS-related exhibitions. Network in the Footsteps of Robert Louis Route of the Council of Europe, and The Forest of Fontainebleau extended Stevenson discovered the truth of his member territories gave updates on their its territory with a hiking route to Châtil- words in November during its AGM activities in 2016. lon-sur-Loire, as featured in last year’s weekend. In the Highlands, the Stevenson Way Summer Update, while in the Cevennes Hosted by the Association Robert Lou- had welcomed a group of teenagers from the Association Sur le Chemin de RLS is Stevenson de Barbizon à Grez, the the Inland Voyage route for hiking, histo- had hosted hikers and students on the event’s programme took us to various ry and a ceilidh. In Bristol, home port of Travels with a Donkey trail as well as places visited by RLS in the Fon- the good ship Hispaniola, the Long John many artistic events.