DOCUMENT RESUME ED 299 948 IR 013 461 TITLE TV Tips for Parents
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Broadcasting Jul 1
The Fifth Estate Broadcasting Jul 1 You'll find more women watching Good Company than all other programs combined: Company 'Monday - Friday 3 -4 PM 60% Women 18 -49 55% Total Women Nielsen, DMA, May, 1985 Subject to limitations of survey KSTP -TV Minneapoliso St. Paul [u nunc m' h5 TP t 5 c e! (612) 646 -5555, or your nearest Petry office Z119£ 1V ll3MXVW SO4ii 9016 ZZI W00b svs-lnv SS/ADN >IMP 49£71 ZI19£ It's hours past dinner and a young child hasn't been seen since he left the playground around noon. Because this nightmare is a very real problem .. When a child is missing, it is the most emotionally exhausting experience a family may ever face. To help parents take action if this tragedy should ever occur, WKJF -AM and WKJF -FM organized a program to provide the most precise child identification possible. These Fetzer radio stations contacted a local video movie dealer and the Cadillac area Jaycees to create video prints of each participating child as the youngster talked and moved. Afterwards, area law enforce- ment agencies were given the video tape for their permanent files. WKJF -AM/FM organized and publicized the program, the Jaycees donated man- power, and the video movie dealer donated the taping services-all absolutely free to the families. The child video print program enjoyed area -wide participation and is scheduled for an update. Providing records that give parents a fighting chance in the search for missing youngsters is all a part of the Fetzer tradition of total community involvement. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
Representing Disempowerment on Teen Drama Television
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-5-2012 12:00 AM Watching High School: Representing Disempowerment on Teen Drama Television Sarah M. Baxter The University of Western Ontario Supervisor Paulette Rothbauer The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sarah M. Baxter 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Baxter, Sarah M., "Watching High School: Representing Disempowerment on Teen Drama Television" (2012). Electronic Thesis and Dissertation Repository. 644. https://ir.lib.uwo.ca/etd/644 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WATCHING HIGH SCHOOL: REPRESENTING DISEMPOWERMENT ON TEEN DRAMA TELEVISION (Spine title: Watching High School) (Thesis format: Monograph) by Sarah Mae Baxter Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarah Mae Baxter 2012 i THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
MF01/N06 Plus Postage
DOCUMENT RESUME ED 292 440 IR 013 191 TITLE A Report to the People. 20Years of Your National Commitment to Public Broadcasting, 1967-1987. 1986 Annual Report. INSTITUTION Corporation for Public Broadcasting, Washington, D.C. REPORT NO ISBN-0-89776-100-6 PUB DATE [15 May 87] NOTE 129p.; Photographs will not reproduce well. PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/n06 Plus Postage. DESCRIPTORS Annual Reports; Cultural Enrichment; Educational Radio; *Educational Television; *Financial Support; *Programing (Broadcast); *Public Television; *Television Viewing IDENTIFIERS *Annenberg CPB Project; *Corporation for Public Broadcasting ABSTRACT This annual report for the Corporation for Public Broadcasting (CPB) for fiscal year 1986 also summarizes the CPB's activities over the last 20 years. The front inside cover folds out to three pages and provides a chronology of the important events in CPB history from its inception in 1967 to 1987. A narrative report on the CPB's 20 years of operation highlights its beginnings, milestones, programming, and audiences; the broadcasting system; and funding. Comments in support of public television by a wide variety of public figures concludes this portion of the report. The 1986 annual report provides information on television programming, radio programming, community outreach, adult learning, program support activities, and system support activities for that fiscal year. The CPB Board of Directors and officers are also listed, and a financial accounting by the firm of Peat, Marwick, Mitchell & Co. is provided. The text is supplemented by a number of graphs, figures, and photographs. (EW) ********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. -
Appendix: 15 Years of Queer Girls, 1998–2013
APPENDIX: 15 YEARS OF QUEER GIRLS, 1998–2013 1998 Show Me Love [Fucking Åmål]. (Sweden) Dir. Lukas Moodysson—set in a dull Swedish town, an unpopular girl falls in love with her popular schoolmate. Set Me Free [Emporte-moi]. (Canada/Switzerland/France) Dir. Léa Pool— follows a young tomboy struggling with her sexuality and the mental illness of her parents. 1999 But I’m a Cheerleader. (US) Dir. Jamie Babbit—satirical comedy about a popular cheerleader, sent to gay conversion camp. Memento Mori [Yeogo goedam II]. (Korea) Dir. Tae-Yong Kim & Kyu- Dong Min—horror fi lm about a relationship between two alienated high school girls. Revolutionary Girl Utena [Shôjo kakumei Utena: Adolescence mokushiroku]. (Japan) Dir. Kunihiko Ikuhar—anime fi lm adaptation of popular manga and anime series about two high school girls who attempt to change the world. © The Editor(s) (if applicable) and The Author(s) 2016 163 W. Monaghan, Queer Girls, Temporality and Screen Media, DOI 10.1057/978-1-137-55598-4 164 APPENDIX: 15 YEARS OF QUEER GIRLS, 1998–2013 2000 Buffy the Vampire Slayer. (US)—Television series that featured an ongoing relationship between young witches Willow (Alyson Hannigan) and Tara (Amber Benson) until 2002. Girls Can’t Swim [Les fi lles ne savent pas nager]. (France) Dir. Anne-Sophie Birot — two teenage girls live in opposite parts of France but spend their summer vacations together. 2001 Clara’s Summer [Clara, cet été là]. (France) Dir. Patrick Grandperret— summer camp is full of self-discovery for two friends. Lost and Delirious. (US) Dir. Léa Pool—new student at a boarding school discovers that her roommates are lovers. -
An Economic Analysis of the Prime Time Access Rule
BEFORE THE FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In re: Review of the Prime Time Access Rule, Section 73.658 (k) of the Commission’s } MM Docket No. 94-123 Rules AN ECONOMIC ANALYSIS OF THE PRIME TIME ACCESS RULE March 7, 1995 ECONOMISTS INCORPORATED WASHINGTON, D.C. CONTENTS I. Introduction……………………………...……………………………………………1 II. Is ABC, CBS or NBC Dominant Today? A. No single network dominates any market...........................................................5 B. Factors facilitating the growth of competing video distributors ................................................................................................7 1. Cable penetration ....................................................................................7 2. Number and strength of independent stations.........................................9 3. Other video outlets................................................................................12 C. Competing video distributors............................................................................13 1. New broadcast networks .......................................................................13 2. New cable networks..............................................................................16 3. First-run syndication .............................................................................17 D. Impact on networks of increased competition ..................................................18 1. Audience shares ....................................................................................18 -
Resume Files/PSA Resume Long 04-15-20.Pdf
PAMELA SCOTT ARNOLD, ACE Motion Picture/Television Editor (917) 749-8305 [email protected] CONSULTING 9to5: The Story of a Movement Editorial Consultant Directors Julia Reichert/Steven Bognar Terra Pesada Editorial Consultant Last Gasp Productions Producer/Director Leslie Bornstein Where Elephants Rule Consulting Editor http://dolfilms.org/where-elephants-rule Director Louise Hogarth Producers Louise Hogarth, Lynn Webb FEATURES In Search of Israeli Cuisine (documentary) A look at Israeli culture through food Sherman Pictures A Menemsha Films release http://www.israelicuisinefilm.com With Michael Solomonov Producer/Director Roger M. Sherman Producer Karen Shakerdge The Only Real Game (documentary) Winner Best Documentary New York Indo-American Arts Council Film Festival 2013 The Only Real Game Movie Release http://onlyrealgamemovie.com/ Feature documentary about the baseball loving populace of war-torn Manipur, India Producer/Director Mirra Bank, producers Richard Brockman, Laine Valentino Co-editors Maxwell Anderson, Adam Zucker Written and directed by Mirra Bank Narrated by Melissa Leo Producers Laine Valentino, Muriel Peters Richard Brockman, Mirra Bank Executive producer Abigail E. Disney, Fork Films Phil Ochs: There But For Fortune (documentary) A.C.E. (American Cinema Editors) EDDIE AWARD WINNER BEST EDITED DOCUMENTARY FOR TELEVISION (for TV version) TELLY AWARD WINNER BEST TV DOCUMENTARY EDITING (for TV version) #4 of Rotten Tomatoes best reviewed movies of 2011 First Run Features Release http://www.philochsthemovie.com/index.html -
Alternative Sources of Funding for Public Broadcasting Stations
Alternative Sources of Funding for Public Broadcasting Stations This report is provided by the Corporation for Public Broadcasting (CPB) in response to the Conference Report accompanying the Military Construction and Veterans Affairs and Related Agencies Appropriations Act, 2012 (H.R. 2055). June 20, 2012 Table of Contents I. Introduction ................................................................................................................... 1 II. Executive Summary ....................................................................................................... 1 III. The Role of Public Broadcasting in the United States ...................................................5 Mission.................................................................................................................... 6 The Role of CPB ...................................................................................................... 8 Education ................................................................................................................ 8 Local Service and Engagement .............................................................................. 11 Serving the Underserved ....................................................................................... 12 News and Public Affairs ......................................................................................... 13 History, Science and Cultural Content .................................................................. 15 IV. The Organizational Structure of Public -
Molecules-Discussion-Guide.Pdf
DISCUSSION GUIDE THERE ARE TWO SIDES TO EVERY STORY Stewart is geeky, gifted but socially clueless. His mom has died and he misses her every day. Ashley is popular, cool but her grades stink. Her dad has come out and moved out – but not far enough. Their worlds are about to collide: Stewart and his dad are moving in with Ashley and her mom. Stewart is 89.9% happy about it even as he struggles to fit in at his new school. But Ashley is 110% horrified and can’t get used to her totally awkward home. And things are about to become a whole lot more mixed up when they attract the wrong kind of attention . ABOUT SUSIN NIELSEN Susin Nielsen got her start feeding cast and crew on the popular television series, Degrassi Junior High. They hated her food, but they saw a spark in her writing. Nielsen went on to pen sixteen episodes of the hit TV show. Since then, Nielsen has written for many Canadian TV series. Her young adult novels have received critical acclaim. She lives in Vancouver with her family and two extremely destructive cats. DISCUSSION QUESTIONS There are lots of examples of words that are used to label people in We Are All Made of Molecules. What effect do these words have on the characters? What do you think the author is saying about labels in this novel? Stewart has different ways of coping with his mother’s death, particularly in how he remembers her. Do you think this helps him deal with his grief? What would you do differently if you were in his situation, if at all? The story is told from two different perspectives: Stewart’s and Ashley’s. -
“Trying to Be a Hot Girl Is Dangerous”
“Trying To Be A Hot Girl Is Dangerous” Consent and Sexual Agency in the Digital Age ANNABEL LEVY “Trying To Be A Hot Girl Is Dangerous” Consent and Sexual Agency in the Digital Age ANNABEL LEVY HAMPSHIRE COLLEGE 2016 CHAIR: LISE SANDERS COMMITTEE MEMBERS: VIVECA GREENE, LILI KIM Table of Contents Foreword . .1 Introduction . .4 Chapter 1: Sex(t) Positive: College Students’ Responses to Sexting . .10 Chapter 2: Sorry For What?: Policing Girls’ Sexuality on the Internet” . 42 Chapter 3: “She Was Drunk”: Inherent Victim-Blaming, Shame and Consent in Degrassi: The Next Generation . 59 Conclusion . 96 Appendix . 100 Works Citied . 101 Foreword I was thirteen and in the eighth grade. I was texting with a fifteen-year-old boy whom I had a crush on that summer. He never knew I existed when we were at sleep-away camp, but somehow he had acquired my AOL instant messenger screen name. Or maybe I somehow acquired his. That fall we IM’d and talked every day, or rather, I typed sentences and asked leading questions while he typed words like “lol” or “yea.” I was eager to impress the older emo boy from camp. I remember telling him I was nervous to enter the 8th grade, and him saying I shouldn’t worry because, as he said, “you’re not ugly ;)” At the time I probably took it as a compliment; at the time it probably made me squeal in girlish delight. Eventually we exchanged numbers and started texting. I added him to my contacts under a secret nickname, Trenchboy.