Appendix: 15 Years of Queer Girls, 1998–2013
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Melanie Lynskey. Height 178 Cm
Actor Biography Melanie Lynskey. Height 178 cm Awards. 2001 New Zealand Film Awards - Nomination - Best Actress - Snakeskin 1994 New Zealand Film Awards - Winner - Best Actress - Heavenly Creatures Film. 2017 1 Mile to you Coach Rowan Dir. Leif Tilden (Lead) Prd. Scott William Alvarez, Tom Butterfield, Peter Holden, F. X. Vitolo Feature Film. 2017 The Changeover Kate Chant Changeover Films Limited Dir. Miranda Harcourt and Stuart McKenzie Prd. Emma Slade 2017 Sadie Rae Dir. Megan Griffiths (Lead) Prd. Megan Griffiths 2017 And Then I Go Janice Dir. Vince Grashaw Prd. Vince Grashaw 2017 I Don 't Feel At Home In This World Ruth Netflix Anymore Dir. Macon Blair Prd. Mette-Marie Kongsved, Neil Kopp, Vincent Savino, Anish Savjani 2016 The Intervention Annie Burn Later Productions Dir. Clea DuVall 2016 The Great & The Small Margaret Cervidae Films Dir. Dusty Bias PO Box 78340, Grey Lynn, www.johnsonlaird.com Tel +64 9 376 0882 Auckland 1245, NewZealand. www.johnsonlaird.co.nz Fax +64 9 378 0881 Melanie Lynskey. Page 2 Feature continued... 2016 Folk Hero & Funny Guy Becky Spitfire Studios Dir. Jeff Grace 2016 Little Boxes Gina Kid Noir Productions Dir. Rob Meyer 2016 Rainbow Time Lindsay Duplass Brothers Productions Dir. Linas Phillips 2015 Digging for Fire Squiggy Garrett Motion Pictures Dir. Joe Swanberg 2014 We'll Never Have Paris Devon Bifrost Pictures Dir. Simon Helberg, Jocelyn Towne 2014 Goodbye to All That Annie Wall Epoch Films Dir. Angus MacLachlan Prd. Anne Carey, Mindy Goldberg 2014 Happy Christmas Kelly Lucky Coffee Productions Dir. Joe Swanberg 2014 Chu and Blossom Miss Shoemaker Baked Industries Dir. -
Teen-Noir – Veronica Mars Og Den Moderne Ungdomsserie (PDF)
Teen Noir – Veronica Mars og den moderne ungdomsserie AF MICHAEL HØJER I 2004 havde den amerikanske ungdomskanal UPN premiere på Rob Tho- mas’ ungdomsserie Veronica Mars (2004-2007). Serien foregår i den fikti- ve, sydcaliforniske by Neptune og handler om teenagepigen Veronica Mars (Kristen Bell), der arbejder som privatdetektiv, samtidig med at hun går på high school. Trods det faktum, at Veronica Mars havde en dedikeret fanskare bag sig, befandt den sig i samtlige tre sæsoner blandt de mindst sete tv-serier i USA. Da tendensen kun forværredes hen mod afslutningen af tredje sæ- son, var der ikke længere økonomisk grobund for at fortsætte (Van De Kamp 2007). Serien blev sat på pause, inden de sidste fem afsnit blev vist, hvor- efter CW (en fusion af det tidligere UPN og en anden ungdomsorienteret ka- nal ved navn WB) lukkede permanent for kassen. Selvom seriens hardcore fans sendte 10.000 Marsbarer til CW’s hovedkontor i et forsøg på at genop- live serien, og selvom der var flere forsøg fra produktionsholdets side på at fortsætte den enten via tv, en opfølgende film eller endda en tegneserie, er dvd-udgivelsen af Veronica Mars’ tre sæsoner det sidste, man har set til Rob Thomas’ serie. Foruden sin dedikerede fanskare – der bl.a. talte prominente personer som forfatteren Stephen King, filminstruktøren Kevin Smith og Joss Whe- don, der skabte både Firefly og Buffy the Vampire Slayer (UPN/WB, 1997- 2003)1 – var også anmelderne hurtige til at se seriens kvaliteter. Specielt de første to sæsoner af Veronica Mars blev meget vel modtaget. Større, to- neangivende amerikanske medier som LA Weekly, The Village Voice, New York Times og Time roste alle serien med ord som ”remarkably innovative”, ”promising”, ”smart, engaging” og ”genre-defying”. -
Prettylittleliars: How Hashtags Drive the Social TV Phenomenon
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses Summer 6-2013 #PrettyLittleLiars: How Hashtags Drive The Social TV Phenomenon Melanie Brozek Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the American Popular Culture Commons, Film and Media Studies Commons, and the Television Commons Brozek, Melanie, "#PrettyLittleLiars: How Hashtags Drive The Social TV Phenomenon" (2013). Pell Scholars and Senior Theses. 93. https://digitalcommons.salve.edu/pell_theses/93 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. #PrettyLittleLiars: How Hashtags Drive The Social TV Phenomenon By Melanie Brozek Prepared for Dr. Esch English Department Salve Regina University May 10, 2013 Brozek 2 #PrettyLittleLiars: How Hashtags Drive The Social TV Phenomenon ABSTRACT: Twitter is used by many TV shows to promote discussion and encourage viewer loyalty. Most successfully, ABC Family uses Twitter to promote the teen drama Pretty Little Liars through the use of hashtags and celebrity interactions. This study analyzes Pretty Little Liars’ use of hashtags created by the network and by actors from the show. It examines how the Pretty Little Liars’ official accounts engage fans about their opinions on the show and encourage further discussion. Fans use the network- generated hashtags within their tweets to react to particular scenes and to hopefully be noticed by managers of official show accounts. -
DOCUMENT RESUME ED 299 948 IR 013 461 TITLE TV Tips for Parents
DOCUMENT RESUME ED 299 948 IR 013 461 TITLE TV Tips for Parents: Using Television To Help Your Child Learn. INSTITUTION Corporation for Public Broadcasting, Washington, D.C. PUB DATE 88 NOTE 24p. PUB TYPE Guides - Non-Classroom Use (055) -- Reports - Descriptive (141) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Commercial Television; *Latchkey Children; Mathematics; *Parent Child Relationship; *Parent Teacher Cooperation; Programing (Broadcast); *Public Television; Reading; *Television Viewing; Writing (Composition) ABSTRACT Recognizing that children watch an average of 25 hours of television per week, this booklet is designed to help parents redirect their children's television viewing to higher quality programs. Ten "tips" are provided to help parents guide their children's television (TV) viewing: (1) set your child's TV schedule; (2) get involved (in the child's viewing); (3) don't be concerned if children of differing ages will be watching at the same time, as they can help each other learn; (4) make public TV a "special friend" for children who are at home alone; (5) consult your child's teacher and other available resources; (6) use TV to spur an interest in reading; (7) use TV to promote writing; (8) help your child explore the world, on-screen and off; (9) help children see math as fun and practical; and (10) set your own pace for family involvement. A list of children's series available on public television is included. (EW) Reproductions supplied by EDRS are the best that can be made from the original document. U S. DEPARTMENT OF EDUCATION Ofha of EducatbwmResearch and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) ATLAS document has been reproduced as received from the person or organization oronetunp it Minor changes nave been made to improve reproduction Quality Points of view or opinions stated in this docu mn, no not necessarily represent official OERI position or policy TV,0N* r,0% Tips for Laica Parents Using Television To Help Your Child Learn I "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY P.C. -
Summer 2019 Calendar of Events
summer 2019 Calendar of events Hans Christian Andersen Music and lyrics by Frank Loesser Book and additional lyrics by Timothy Allen McDonald Directed by Rives Collins In this issue July 13–28 Ethel M. Barber Theater 2 The next big things Machinal by Sophie Treadwell 14 Student comedians keep ’em laughing Directed by Joanie Schultz 20 Comedy in the curriculum October 25–November 10 Josephine Louis Theater 24 Our community 28 Faculty focus Fun Home Book and lyrics by Lisa Kron 32 Alumni achievements Music by Jeanine Tesori Directed by Roger Ellis 36 In memory November 8–24 37 Communicating gratitude Ethel M. Barber Theater Julius Caesar by William Shakespeare Directed by Danielle Roos January 31–February 9 Josephine Louis Theater Information and tickets at communication.northwestern.edu/wirtz The Waa-Mu Show is vying for global design domination. The set design for the 88th annual production, For the Record, called for a massive 11-foot-diameter rotating globe suspended above the stage and wrapped in the masthead of the show’s fictional newspaper, the Chicago Offering. Northwestern’s set, scenery, and paint shops are located in the Virginia Wadsworth Wirtz Center for the Performing Arts, but Waa-Mu is performed in Cahn Auditorium. How to pull off such a planetary transplant? By deflating Earth. The globe began as a plain white (albeit custom-built) inflatable balloon, but after its initial multisection muslin wrap was created (to determine shrinkage), it was deflated, rigged, reinflated, motorized, map-designed, taped for a paint mask, primed, painted, and unpeeled to reveal computer-generated, to-scale continents. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Shiyena Chun Makeup & Grooming
SHIYENA CHUN MAKEUP & GROOMING CELEBRITIES Alicia Witt Derek Luke Joe Dante Amy Yasbeck Djimon Hounsou John Malkovich Ana Ortiz Donald Faison John Romano Anna Gunn Emily Procter Jon Hamm Andrea Bowen Eva Amurri Jon Turtletaub Anthony Michael Evan Rachel Wood Josh Duhamel Hall Evanescence Judd Apatow Antonio Sabato Jr. Freddie Highmore Justin Bartha Beau Bridges Freddy Rodriguez Justin Bruening Ben Foster Hayes Carll Keke Palmer Betty Anne Waters Hayley Atwell Kelly Hu Bitsie Tulloch Henry Winkler Kenny Chesney Bonnie Hunt Jack Nicholson Kerr Smith Brandon T. Jackson Jacob Vargas Kerry Washington Briana Evigan Jada Pinkett Smith Kevin Nealon Brooke Shields Jake T. Austin Kim Cattrall Carmen Electra James Caan Kimora Lee Carson Kressley Jennifer Westfeldt Simmons Cécile De France Jeremy Piven Lauren Froderman Daniel Dae Kim Jerry Bruckheimer Laurence Fishburne Daniela Ruah Jim Caviezel Leo Howard Danny Huston Jimmy Fallon Lisa Niemi Swayze Dennis Haysbert JJ Abrams Lorne Michaels 1 Ludacris Paris Hilton Shawn Ashmore Maggie Grace Paul Giamatti Shoshana Bush Mark Feurstein Philip Seymour Tara Reid Marlee Matlin Hoffman Taye Diggs Meatloaf Randy Jackson Taylor Swift Michael C Hall Ray Winstone Terry Crews Michael Chiklis Rob Brown Todd Phillips Michael Ealy Romany Malco Tom Papa Mike Epps Rose Byrne Tony Shalhoub Mischa Barton Rose McGowan Tyrese Morgan Fairchild Ryan Eggold Vincent Cassel Muhammad Ali Rydaznrtist Virginia Madsen Nelsan Ellis Sam Rockwell Ziggy Marley Neve Campbell Samuel L. Jackson Zooey Deschanel Nikki Reed Sean Connery Nolan Sotillo Shaun White EDITORIAL AARP GQ Nylon Allure Harper's Bazaar OK Complex In Style People Cosmopolitan In Touch Teen Damsel Magazine L.A. -
Detectives with Pimples: How Teen Noir Is Crossing the Frontiers of the Traditional Noir Films1
Detectives with pimples: How teen noir is crossing the frontiers of the traditional noir films1 João de Mancelos (Universidade da Beira Interior) Palavras-chave: Teen noir, Veronica Mars, cinema noir, reinvenção, feminismo Keywords: Teen noir, Veronica Mars, noir cinema, reinvention, feminism 1. “If you’re like me, you just keep chasing the storm” In the last ten years, films and TV series such as Heathers (1999), Donnie Darko (2001), Brick (2005) or Veronica Mars (2004-2007) have become increasingly popular and captivated cult audiences, both in the United States and in Europe, while arousing the curiosity of critics. These productions present characters, plots, motives and a visual aesthetic that resemble the noir films created between 1941, when The Maltese Falcon premiered, and 1958, when Touch of Evil was released. The new films and series retain, for instances, characters like the femme fatale, who drags men to a dreadful destiny; the good-bad girl, who does not hesitate in resorting to dubious methods in order to achieve morally correct objectives; and the lonely detective, now a troubled adolescent — as if Sam Spade had gone back to High School. In the first decade of our century, critics coined the expression teen noir to define this new genre or, in my opinion, subgenre, since it retains numerous traits of the classic film noir, especially in its contents, thus not creating a significant rupture. In this article, I intend to a) examine the common elements between teen noir series and classic noir films; b) analyze how this new production reinvents or subverts the characteristics of the old genre, generating a sense of novelty; c) detect some of the numerous intertextual references present in Veronica Mars, which may lead young viewers to investigate other series, movies or books. -
An Original Documentary About Lesbian Visibility to Launch $100,000 Indiegogo Campaign to Fund First Phase of Production!
The Official INDIEGOGO Press Kit: October 2nd- Nov 5th INDIEGOGO LINK: IGG.ME/AT/GIRLONGIRLMOV IE “It’s about defending our identity in the face of skepticism.” –Jodi Savitz director/producer Email: [email protected] Facebook.com/girlongirlmovie Vimeo Channel: vimeo.com/channels/girlongirlmovie Tweet @girlongirlmovie Pinterest.com/girlongirlmovie www.girlongirlmovie.com Contact: Jodi Savitz Phone: 954-415-1736 Email: [email protected] PRESS RELEASE Girl on Girl: an original documentary about lesbian visibility to launch $100,000 Indiegogo Campaign to fund first phase of production! [BROOKLYN NY—OCTOBER 2ND, 2013] After garnering over 12,000 fans on Facebook, Girl on Girl director, Jodi Savitz, is reaching out to the public for support. Beginning October 2nd, Savitz will launch a 35-day crowdfunding campaign on the popular fundraising site, Indiegogo, with the goal of raising $100,000 to fund the first phase of production. So far, Girl on Girl has proven its worth through its growing international fan base, and its sponsorship from New York Foundation for the Arts (NYFA) and Curve Magazine. Unlike any documentary film to date, Girl on Girl focuses its lens on the lives of feminine lesbians, and invites the audience to discover what life is like for women whose identity is incessantly trivialized and stigmatized, both outside of and within queer spaces. Girl on Girl challenges assumptions of what society imagines a lesbian to look like and, for the first time, addresses the issue of feminine lesbians feeling invisible even after coming out. The independently produced film features such ‘celesbians’ as Lauren Bedford Russell (The Real L Word: Season 3) and Huffington Post columnist and award-winning lesbian porn producer, Jincey Lumpkin (JuicyPinkBox.com), along with several other women from around the country, including New York, Florida, Utah, and North Carolina. -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
Investigating Veronica Mars the Noir and Teen Clash in Neptune, California
Investigating Veronica Mars The Noir and Teen Clash in Neptune, California by Kim Johansen Østby Master’s Thesis in Media Studies Department of Media and Communication University of Oslo Spring 2010 “[…] why is Veronica Mars so good? It bears little resemblance to life as I know it, but I can't take my eyes off the damn thing.” (Stephen King, Entertainment Weekly, 01/02-2007) I Abstract What happens when you combine the long tradition of film noir and the contemporary television teen drama? Through genre analysis, this thesis explores how the television show Veronica Mars (2004-2007) mixes noir and teen drama and how this creates a dark vision of society and teen life. Through four chapters I investigate key points of the show, such as the narration and aesthetics, the representation of the noir universe through the show’s depiction of social class inequalities and an incapacitated criminal justice system, the show’s exploration of teen drama themes and how this is affected by noir and finally, an analysis of the main characters and how they relate to this hybrid universe. Noir and teen elements pulsate throughout the entire show. Together they create a tense, paranoid and mysterious atmosphere and allow the show to repeatedly explore dark themes and plots that do not commonly appear in teen dramas. The teen private investigator protagonist Veronica must tackle mysteries ranging everywhere from disappearances, blackmail, scams and theft, to situations where she must deceive the FBI, confront and battle a serial rapist and solve the mass murder of her fellow classmates, all while making her way through high school and college. -
Bi Women Quarterly Vol
Winter 2019 Bisexuality & Disability Bi Women Quarterly Vol. 37 No. 1 A publication of the Boston Bisexual Women’s Network, for women everywhere Pap Smears & Paint Parties: A Journey Toward Embracing My Bisexuality By Sara Krahel This year I finally came out to my best friend as bisexual. But first, I have to tell you about my first pap smear. You see, I have cerebral palsy and my legs often spasm when I get uncomfortable or nervous. I was certainly nervous going into the appointment because I knew there would be issues with those infamous stirrups. It was the day that changed my life. Let me set the scene: it is the day of the fated pap smear. I had hooked my arms around one leg in a death grip, a nurse was holding the other, as the gynecologist was performing the procedure as fast as she could. In this circumstance it was not just my legs that seized up, it was my entire lower body, including my vagina. I was visibly sweating and red in the face, trying to hold onto my twitching right leg. The doctor noticed me struggling and told me to “relax and breathe.” I rolled my eyes, knowing that it wouldn’t magically make my entire body stop spazzing, but I took a deep breath to be a good sport. It did not help with the spasms. Although the doctor and nurse were medical professionals, they didn’t get that I couldn’t relax in this compromising position. Can anyone truly relax with strangers holding on to their legs and looking at their genitals? No.