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Teen-Noir – Veronica Mars Og Den Moderne Ungdomsserie (PDF)
Teen Noir – Veronica Mars og den moderne ungdomsserie AF MICHAEL HØJER I 2004 havde den amerikanske ungdomskanal UPN premiere på Rob Tho- mas’ ungdomsserie Veronica Mars (2004-2007). Serien foregår i den fikti- ve, sydcaliforniske by Neptune og handler om teenagepigen Veronica Mars (Kristen Bell), der arbejder som privatdetektiv, samtidig med at hun går på high school. Trods det faktum, at Veronica Mars havde en dedikeret fanskare bag sig, befandt den sig i samtlige tre sæsoner blandt de mindst sete tv-serier i USA. Da tendensen kun forværredes hen mod afslutningen af tredje sæ- son, var der ikke længere økonomisk grobund for at fortsætte (Van De Kamp 2007). Serien blev sat på pause, inden de sidste fem afsnit blev vist, hvor- efter CW (en fusion af det tidligere UPN og en anden ungdomsorienteret ka- nal ved navn WB) lukkede permanent for kassen. Selvom seriens hardcore fans sendte 10.000 Marsbarer til CW’s hovedkontor i et forsøg på at genop- live serien, og selvom der var flere forsøg fra produktionsholdets side på at fortsætte den enten via tv, en opfølgende film eller endda en tegneserie, er dvd-udgivelsen af Veronica Mars’ tre sæsoner det sidste, man har set til Rob Thomas’ serie. Foruden sin dedikerede fanskare – der bl.a. talte prominente personer som forfatteren Stephen King, filminstruktøren Kevin Smith og Joss Whe- don, der skabte både Firefly og Buffy the Vampire Slayer (UPN/WB, 1997- 2003)1 – var også anmelderne hurtige til at se seriens kvaliteter. Specielt de første to sæsoner af Veronica Mars blev meget vel modtaget. Større, to- neangivende amerikanske medier som LA Weekly, The Village Voice, New York Times og Time roste alle serien med ord som ”remarkably innovative”, ”promising”, ”smart, engaging” og ”genre-defying”. -
Fiction Nonfiction Children’S & Teen
KIRKUS vol. lxxx, no. 8 | 15 april 2012 REVIEWS the world’s toughest book critics for more than 75 years fiction nonfiction children’s & teen Jo Baker offers up an Mary Downing Hahn impressive family saga Michael J. Sandel returns dissects the effects of a that is poignant and rarely with an exquisitely reasoned, double murder on a whole predictable p. 780 skillfully written treatise on community in a gripping big issues of everyday life p. 831 historical thriller p. 855 in this issue: children’s & teen books in continuing series kirkus q&a featured indie Poet Helen Frost and David Perlstein lambastes nature photographer Rick American Middle East policy Lieder discuss their stunning and the hypocrisy of Gulf politics first-time collaboration, in his new satire p. 888 Step Gently Out p. 858 www.kirkusreviews.com Chairman The Invisible Dystopia HERBERT SIMON # President & Publisher MARC WINKELMAN Chief Operating Officer Last week, Vicky Smith, Children’s & Teen Editor, referenced Paolo Bacigalupi, speaking on the overwhelming MEG LABORDE KUEHN [email protected] heteronormativity of teen dystopias. We asked Bacigalupi to expand on the subject, and he graciously agreed. Editor ELAINE SZEWCZYK 9 [email protected] Managing/Nonfiction Editor Looking at recent trend s in young people’s lit, I’ve sometimes joked that the term ERIC LIEBETRAU [email protected] “dystopia” actually means a story where “The Man” screws with someone’s love life. But in fact, Features Editor MOLLY BROWN dystopian literature has a long tradition of screwing with people’s love lives—it’s an ideal invasion [email protected] Children’s & Teen Editor that emphasizes the power of the state. -
Detectives with Pimples: How Teen Noir Is Crossing the Frontiers of the Traditional Noir Films1
Detectives with pimples: How teen noir is crossing the frontiers of the traditional noir films1 João de Mancelos (Universidade da Beira Interior) Palavras-chave: Teen noir, Veronica Mars, cinema noir, reinvenção, feminismo Keywords: Teen noir, Veronica Mars, noir cinema, reinvention, feminism 1. “If you’re like me, you just keep chasing the storm” In the last ten years, films and TV series such as Heathers (1999), Donnie Darko (2001), Brick (2005) or Veronica Mars (2004-2007) have become increasingly popular and captivated cult audiences, both in the United States and in Europe, while arousing the curiosity of critics. These productions present characters, plots, motives and a visual aesthetic that resemble the noir films created between 1941, when The Maltese Falcon premiered, and 1958, when Touch of Evil was released. The new films and series retain, for instances, characters like the femme fatale, who drags men to a dreadful destiny; the good-bad girl, who does not hesitate in resorting to dubious methods in order to achieve morally correct objectives; and the lonely detective, now a troubled adolescent — as if Sam Spade had gone back to High School. In the first decade of our century, critics coined the expression teen noir to define this new genre or, in my opinion, subgenre, since it retains numerous traits of the classic film noir, especially in its contents, thus not creating a significant rupture. In this article, I intend to a) examine the common elements between teen noir series and classic noir films; b) analyze how this new production reinvents or subverts the characteristics of the old genre, generating a sense of novelty; c) detect some of the numerous intertextual references present in Veronica Mars, which may lead young viewers to investigate other series, movies or books. -
Investigating Veronica Mars the Noir and Teen Clash in Neptune, California
Investigating Veronica Mars The Noir and Teen Clash in Neptune, California by Kim Johansen Østby Master’s Thesis in Media Studies Department of Media and Communication University of Oslo Spring 2010 “[…] why is Veronica Mars so good? It bears little resemblance to life as I know it, but I can't take my eyes off the damn thing.” (Stephen King, Entertainment Weekly, 01/02-2007) I Abstract What happens when you combine the long tradition of film noir and the contemporary television teen drama? Through genre analysis, this thesis explores how the television show Veronica Mars (2004-2007) mixes noir and teen drama and how this creates a dark vision of society and teen life. Through four chapters I investigate key points of the show, such as the narration and aesthetics, the representation of the noir universe through the show’s depiction of social class inequalities and an incapacitated criminal justice system, the show’s exploration of teen drama themes and how this is affected by noir and finally, an analysis of the main characters and how they relate to this hybrid universe. Noir and teen elements pulsate throughout the entire show. Together they create a tense, paranoid and mysterious atmosphere and allow the show to repeatedly explore dark themes and plots that do not commonly appear in teen dramas. The teen private investigator protagonist Veronica must tackle mysteries ranging everywhere from disappearances, blackmail, scams and theft, to situations where she must deceive the FBI, confront and battle a serial rapist and solve the mass murder of her fellow classmates, all while making her way through high school and college. -
HHWCD Coming Saturday Rain Or Shine by RICK NORTON More Than Liquid Sunshine
FRIDAY 161st YEAR • NO. 163 NOVEMBER 6, 2015 CLEVELAND, TN 22 PAGES • 50¢ HHWCD coming Saturday rain or shine By RICK NORTON more than liquid sunshine. Saturday’s event is free and Dunson “The collection program is tailored to ics wastes year-round. Associate Editor Gates open at the Tri-State Exhibition urged Bradley County residents to take relieve Bradley County residents of all of A traditional part of gearing up for Center promptly at 8 a.m. and will close advantage of the opportunity to clean up their household toxic wastes including each HHWCD event is educating area Rain or shine — and one year there just as promptly at 1 p.m., according to and clear out their cluttered basements, paints, solvents, cleaners, pesticides, residents about items that can be accept- was even snow — Saturday’s semi-annu- Cheryl Dunson, executive vice president garages, storage sheds and closets of automotive fluids, aerosols, old comput- ed at Tri-State, and those that cannot. al Household Hazardous Waste of marketing for Santek Waste Services items and substances considered to be ers, television sets and fluorescent light “We accepted almost 38,000 pounds of Collection Day will proceed as scheduled. Inc. Dunson coordinates the HHWCD household hazardous waste. bulbs,” she said. household chemicals and electronics in And right now, most forecasters are event while her employer, Santek, oper- These include an assortment of waste Dunson also reminded area residents April [at the last HHWCD event],” calling for the wet stuff. But in the eyes of ates the Bradley County Landfill under streams, like household chemicals and of the availability of the Peerless Road volunteers who share a cause, it’s little contract with county government. -
Mulheres Fatais, Detetives Solitários E Criminosos Loucos1 João De Mancelos Quatro Capítulos Do Livro
Mulheres fatais, detetives solitários e criminosos loucos1 João de Mancelos Quatro capítulos do livro 1 Mancelos, João de. Mulheres fatais, detetives solitários e criminosos loucos: Estudos sobre cinema. Lisboa: Colibri, 2015. Matar sem castigo: Por que têm êxito os criminosos e falham os detetives nos filmes neo-noir? “Mother of Mercy, is this the end of Rico?” — LeRoy, Mervyn. Little Caesar (1930). 1. O que há de novo no neo-noir? Carros velozes, revólveres fumegantes e cenas de crime salpicadas de sangue… Histórias onde o assassinato, o sexo e a traição se confundem… Detetives duros e mulheres fatais, belas de morrer — e tal pode acontecer, porque levam qualquer um à desgraça… Becos escuros e bares manhosos onde se pode vender a alma ou mandar matar um inimigo, através de um assassino a soldo… Meio século depois, uma aura ainda irradia dos filmes noir, que se tornaram num género de culto e marcaram uma era. Inicialmente, o rótulo noir apenas se aplicava ao ciclo de filmes feitos entre 1941 e 1958, em Hollywood, principiando com The Maltese Falcon (1941), de John Huston, e terminando com Touch of Evil (1958), de Orson Welles. Contudo, na atualidade, considera-se que este período pode ser dilatado, de modo a incluir Underworld (1927), como a primeira película noir, e Odds Against Tomorrow (1959), de Robert Wise, ou Taxi Driver (1976), de Martin Scorcese, como o último (Hirsch 3). De meados da década de setenta até hoje, principiou uma nova fase, conhecida por neo- noir ou, na terminologia de outros especialistas, contemporâneo, pós-clássico ou moderno noir. -
What Can TV Teach Us About the Spiritually Healthy Institution? Susan Scheibler Loyola Marymount University, [email protected]
Jesuit Higher Education: A Journal Volume 6 | Number 2 Article 17 12-2017 What Can TV Teach Us About the Spiritually Healthy Institution? Susan Scheibler Loyola Marymount University, [email protected] Follow this and additional works at: https://epublications.regis.edu/jhe Recommended Citation Scheibler, Susan (2017) "What Can TV Teach Us About the Spiritually Healthy Institution?," Jesuit Higher Education: A Journal: Vol. 6 : No. 2 , Article 17. Available at: https://epublications.regis.edu/jhe/vol6/iss2/17 This Scholarship is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in Jesuit Higher Education: A Journal by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. Scheibler: What TV Can Teach Us About the Spiritually Healthy Institution? What Can TV Teach Us About the Spiritually Healthy Institution? Susan Scheibler Associate Professor of Film, TV, & Video Games McGrath & Reilly, Loyola Marymount University LMU President’s Institute [email protected] Collection: Introduction and Abstract Overview This article posits that the television series Bones offers a model for a lively, vital, and spiritually Snyder, Necessary Companions: st healthy 21 century Catholic institution of higher education. It does this through a close analysis of Faith and Reason the series as a whole as informed by arguments posed by Catholic thinkers, and it argues that the show—through its characters, settings, stories, plots, and themes—self-consciously and McGrath & Reilly, consistently engages and explores various aspects of faith and reason, justice and ethics, within the President’s Institute on the context of a multidisciplinary research institution. -
It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
“IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture. -
Moniek Van Der Kallen. 0209082
Moniek van der Kallen Master thesis Film and Television Sciences Utrecht Tutor: Ansje van Beusekom Second reader: Rob Leurs Reader with English as first language: Andy McKenzie How to end the season of a formulaic series. A comparative analysis of the series HOUSE MD and VERONICA MARS about the recurring conflict in the narrative lines of television series’ season finales: resolution versus continuity. TABLE OF CONTENTS ABSTRACT.…………………………....………………………..…..1 KEYWORDS………………………………………………………...1 INTRODUCTION.……………………..………………………..…..2 METHOD ……………………………………..…………………......4 Story levels ……………..………….…………………………………………...….4 The WOW-method………………………….…………………………..……….…5 The story steps of the Ruven & Batavier Schedule ……………………………….6 THEORY: SERIES, SERIALS AND SOAP OPERAS …………..8 THE CHARACTERISTICS OF SOAP OPERAS ………….....…………...…………....14 Narrative subjects ………………………………………………..……..………...14 Narrative structures ….............……………………………………..…………….15 The organization of time ........................................................................................16 1. NARRATIVE STRATEGIES IN HOUSE MD ...…………..…19 EPISODE 1.01 PILOT. Building expectations for the series ..........................................19 Characteristics of a pilot of a series. Introducing the characters, creating expectations…………………………………..………………..……......19 Story endings…..…………………………………..……………………….…....24 Promises for future conflict……….………………..…………………………….26 EPISODE 1.22 THE HONEYMOON. Starting new narratives instead of ending them..27 Introduction a new romantic narrative, -
Star Channels, June
JUNE 3 - 9, 2018 staradvertiser.com FAMILY FEUD Logan Roy (Brian Cox) controls one of the world’s biggest media and entertainment conglomerates in the new drama Succession. As the aging patriarch approaches his twilight years, his four children consider what the future holds for them. Jeremy Strong, Kieran Culkin, Sarah Snook and Alan Ruck play the Roy siblings. Premiering Sunday, June 3, on HBO. NEW EPISODES! Join host, Lyla Berg, as she invites you to visit some Meet the people of Hawai‘i’s most cherished landmarks and sits down with guests who share their work on moving and places our community forward. Tune in to new episodes that make of Island Focus the first and third Wednesday 1st & 3rd of each month, 6:30pm on Channel 53. Hawai‘i special. Wednesday of the Month Also available on Video On-demand Channel 52, olelo.org | - - 6:30 pm Channel 53 ‘Olelonet and ‘Olelo YouTube. ON THE COVER | SuccessION Father knows best An aging patriarch fights see how massive wealth and power distorts features Hiam Abbass (“Lemon Tree,” 2008) as and twists and wounds this family.” Logan’s third wife, Marcy, a formidable force in for his company in HBO’s Set in New York City, HBO’s newest drama her own right. ‘Succession’ takes a look at politics, money and power The remaining staff includes COO Frank as the characters consider what the future (Peter Friedman, “Safe,” 1995), who acts as a By Kyla Brewer might hold for them when Logan steps down mentor for Kendall. Allesandro (Parker Sawyers, TV Media from Waystar. -
Representing Disempowerment on Teen Drama Television
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-5-2012 12:00 AM Watching High School: Representing Disempowerment on Teen Drama Television Sarah M. Baxter The University of Western Ontario Supervisor Paulette Rothbauer The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sarah M. Baxter 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Baxter, Sarah M., "Watching High School: Representing Disempowerment on Teen Drama Television" (2012). Electronic Thesis and Dissertation Repository. 644. https://ir.lib.uwo.ca/etd/644 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WATCHING HIGH SCHOOL: REPRESENTING DISEMPOWERMENT ON TEEN DRAMA TELEVISION (Spine title: Watching High School) (Thesis format: Monograph) by Sarah Mae Baxter Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarah Mae Baxter 2012 i THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Petition for Cancelation
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA743501 Filing date: 04/30/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Petition for Cancellation Notice is hereby given that the following party requests to cancel indicated registration. Petitioner Information Name Organization for Transformative Works, Inc. Entity Corporation Citizenship Delaware Address 2576 Broadway #119 New York City, NY 10025 UNITED STATES Correspondence Heidi Tandy information Legal Committee Member Organization for Transformative Works, Inc. 1691 Michigan Ave Suite 360 Miami Beach, FL 33139 UNITED STATES [email protected] Phone:3059262227 Registration Subject to Cancellation Registration No 4863676 Registration date 12/01/2015 Registrant Power I Productions LLC 163 West 18th Street #1B New York, NY 10011 UNITED STATES Goods/Services Subject to Cancellation Class 041. First Use: 2013/12/01 First Use In Commerce: 2015/08/01 All goods and services in the class are cancelled, namely: Entertainment services, namely, an ongo- ing series featuring documentary films featuring modern cultural phenomena provided through the in- ternet and movie theaters; Entertainment services, namely, displaying a series of films; Entertain- mentservices, namely, providing a web site featuring photographic and prose presentations featuring modern cultural phenomena; Entertainment services, namely, storytelling Grounds for Cancellation The mark is merely descriptive Trademark Act Sections 14(1) and 2(e)(1) The mark is or has become generic Trademark Act Section 14(3), or Section 23 if on Supplemental Register Attachments Fandom_Generic_Petition.pdf(2202166 bytes ) Fandom Appendix pt 1.pdf(4769247 bytes ) Fandom Appendix pt 2.pdf(4885778 bytes ) Fandom Appendix pt 3.pdf(3243682 bytes ) Certificate of Service The undersigned hereby certifies that a copy of this paper has been served upon all parties, at their address record by First Class Mail on this date.