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Teen-Noir – Veronica Mars Og Den Moderne Ungdomsserie (PDF)
Teen Noir – Veronica Mars og den moderne ungdomsserie AF MICHAEL HØJER I 2004 havde den amerikanske ungdomskanal UPN premiere på Rob Tho- mas’ ungdomsserie Veronica Mars (2004-2007). Serien foregår i den fikti- ve, sydcaliforniske by Neptune og handler om teenagepigen Veronica Mars (Kristen Bell), der arbejder som privatdetektiv, samtidig med at hun går på high school. Trods det faktum, at Veronica Mars havde en dedikeret fanskare bag sig, befandt den sig i samtlige tre sæsoner blandt de mindst sete tv-serier i USA. Da tendensen kun forværredes hen mod afslutningen af tredje sæ- son, var der ikke længere økonomisk grobund for at fortsætte (Van De Kamp 2007). Serien blev sat på pause, inden de sidste fem afsnit blev vist, hvor- efter CW (en fusion af det tidligere UPN og en anden ungdomsorienteret ka- nal ved navn WB) lukkede permanent for kassen. Selvom seriens hardcore fans sendte 10.000 Marsbarer til CW’s hovedkontor i et forsøg på at genop- live serien, og selvom der var flere forsøg fra produktionsholdets side på at fortsætte den enten via tv, en opfølgende film eller endda en tegneserie, er dvd-udgivelsen af Veronica Mars’ tre sæsoner det sidste, man har set til Rob Thomas’ serie. Foruden sin dedikerede fanskare – der bl.a. talte prominente personer som forfatteren Stephen King, filminstruktøren Kevin Smith og Joss Whe- don, der skabte både Firefly og Buffy the Vampire Slayer (UPN/WB, 1997- 2003)1 – var også anmelderne hurtige til at se seriens kvaliteter. Specielt de første to sæsoner af Veronica Mars blev meget vel modtaget. Større, to- neangivende amerikanske medier som LA Weekly, The Village Voice, New York Times og Time roste alle serien med ord som ”remarkably innovative”, ”promising”, ”smart, engaging” og ”genre-defying”. -
Conservative Review
Conservative Review Issue #219 Kukis Digests and Opines on this Week’s News and Views March 11, 2012 In this Issue: Green Firms Get Fed Cash, Give Execs Bonuses, Fail By Ronnie Greene and Matthew Mosk of This Week’s Events ABC News Say What? Comprehensive List of Obama Tax Hikes Watch This! From Americans for Tax Reform A Little Comedy Relief Oil Company Heroes by John Stossel Short Takes Rush Limbaugh Isn't the Only Media Misogynist By the Numbers by Kirsten Powers Polling by the Numbers A Little Bias Links Saturday Night Live Misses Political Chess The Rush Section Great Headlines Missing Headlines Media Distortion: The Economy Roars Back Unemployment Rises; AP Spins for Regime Don't light your hair on fire, Mitt What Obama Says About Oil is Demented By Marc A. Thiessen As Gas Prices Rise, Obama Pushes His Green Sandra Fluke’s Statement is a Brilliant yet Typical Energy Money Laundering Operation Democrat Approach by Gary Kukis A look back to Sandra Flukes' spoken testimony - Transcript included Posted by Steve M Additional Rush Links Sandra Fluke's Amazing Testimony By Ira Stoll Perma-Links Limbaugh and Our Phony Contraception Debate A student demands that a Catholic school give up Too much happened this week! Enjoy... its religion to pay for her birth-control pills. By Cathy Cleaver Ruse The cartoons mostly come from: Sandra Fluke a Self-Described Professional www.townhall.com/funnies. Pro-Abortion Activist by Ethika Politika President Obama and Sandra Fluke If you receive this and you hate it and you don’t By Bill O'Reilly want to ever read it no matter what...that is fine; email me back and you will be deleted from my Who is running Sandra Fluke? list. -
Multicultural Social Cohesion in Veronica Mars
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 2007 Over my dead body: Multicultural social cohesion in Veronica Mars Debra Dudek University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Dudek, Debra, "Over my dead body: Multicultural social cohesion in Veronica Mars" (2007). Faculty of Law, Humanities and the Arts - Papers. 1392. https://ro.uow.edu.au/lhapapers/1392 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Over my dead body: Multicultural social cohesion in Veronica Mars Abstract This paper argues that Veronica Mars foregrounds the notion that multiculturalism is a "field of accumulating whiteness," to borrow Ghassan Hage's phrase, and that multicultural cohesion exists primarily when Brown and Black bodies gain cultural and symbolic capital by accumulating Whiteness. Keywords mars, over, cohesion, veronica, social, body, multicultural, my, dead Disciplines Arts and Humanities | Law Publication Details Dudek, D. (2007). Over my dead body: Multicultural social cohesion in Veronica Mars. The Looking Glass: new perspectives in children's literature, 11 (1). This journal article is available at Research Online: https://ro.uow.edu.au/lhapapers/1392 Over My Dead Body: Multicultural Social Cohesion in Veronica Mars | D... http://www.lib.latrobe.edu.au/ojs/index.php/tlg/article/view/46/23 The Looking Glass : New Perspectives on Children's Literature, Vol 11, No 1 (2007) HOME ABOUT LOG IN REGISTER SEARCH CURRENT ARCHIVES ANNOUNCEMENTS Home > Vol 11, No 1 (2007) > Dudek Font Size: Over My Dead Body: Multicultural Social Cohesion in Veronica Mars Debra Dudek Debra Dudek received her PhD in literature from the University of Saskatchewan, Canada. -
The Community-Centered Cult Television Heroine, 1995-2007
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 2010 "Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007 Tamy Burnett University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Feminist, Gender, and Sexuality Studies Commons, Literature in English, North America Commons, and the Visual Studies Commons Burnett, Tamy, ""Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007" (2010). Dissertations, Theses, and Student Research: Department of English. 27. https://digitalcommons.unl.edu/englishdiss/27 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 by Tamy Burnett A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Specialization: Women‟s and Gender Studies) Under the Supervision of Professor Kwakiutl L. Dreher Lincoln, Nebraska May, 2010 “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 Tamy Burnett, Ph.D. University of Nebraska, 2010 Adviser: Kwakiutl L. Dreher Found in the most recent group of cult heroines on television, community- centered cult heroines share two key characteristics. The first is their youth and the related coming-of-age narratives that result. -
Detectives with Pimples: How Teen Noir Is Crossing the Frontiers of the Traditional Noir Films1
Detectives with pimples: How teen noir is crossing the frontiers of the traditional noir films1 João de Mancelos (Universidade da Beira Interior) Palavras-chave: Teen noir, Veronica Mars, cinema noir, reinvenção, feminismo Keywords: Teen noir, Veronica Mars, noir cinema, reinvention, feminism 1. “If you’re like me, you just keep chasing the storm” In the last ten years, films and TV series such as Heathers (1999), Donnie Darko (2001), Brick (2005) or Veronica Mars (2004-2007) have become increasingly popular and captivated cult audiences, both in the United States and in Europe, while arousing the curiosity of critics. These productions present characters, plots, motives and a visual aesthetic that resemble the noir films created between 1941, when The Maltese Falcon premiered, and 1958, when Touch of Evil was released. The new films and series retain, for instances, characters like the femme fatale, who drags men to a dreadful destiny; the good-bad girl, who does not hesitate in resorting to dubious methods in order to achieve morally correct objectives; and the lonely detective, now a troubled adolescent — as if Sam Spade had gone back to High School. In the first decade of our century, critics coined the expression teen noir to define this new genre or, in my opinion, subgenre, since it retains numerous traits of the classic film noir, especially in its contents, thus not creating a significant rupture. In this article, I intend to a) examine the common elements between teen noir series and classic noir films; b) analyze how this new production reinvents or subverts the characteristics of the old genre, generating a sense of novelty; c) detect some of the numerous intertextual references present in Veronica Mars, which may lead young viewers to investigate other series, movies or books. -
White Noise: Color-Blind Racism and Framing in U.S. News Media
Radboud University Nijmegen White Noise: Color-blind Racism and Framing in U.S. News Media Zuva Martens 4079043 Master Thesis American Studies First Reader: Jorrit van den Berk Second Reader: Markha Valenta 15 June 2016 Martens 4079043 / 1 Content Content ................................................................................................................................... 1 Acknowledgements ................................................................................................................ 2 Abstract .................................................................................................................................. 3 Introduction ............................................................................................................................ 4 Chapter One – The Spark and Color-blind Racism ............................................................... 9 The Spark ........................................................................................................................... 9 Color-blind Racism .......................................................................................................... 13 Chapter Two – Racial Arguments........................................................................................ 18 Minimization of Racism ................................................................................................... 18 Defining Racism ............................................................................................................... 20 -
Caroline-Study-Companion.Pdf
The Jefferson Performing Arts Society Presents 1118 Clearview Parkway Metairie, LA 70001 504-885-2000 www.jpas.org 1 | P a g e Table of Contents Teacher’s Notes………………………..……………….………..……..3 Standards and Benchmarks…………………………....……….…..6 Background…………………………………….………….….……..……7 Family Portraits………………………………………..……….……..80 Children Who Changed the World, 1963…….………….…..101 Children Who Changed the World, 2017.……………….…..125 Reflections on Monuments…………….………….…..…………149 Monuments: Context and Creation……………….……………167 Set Design, Area, Perimeter and Circumference….………179 Additional Resources……………………………….…..….……...213 2 | P a g e Teacher’s Notes Book and Lyrics by Tony Kushner Music by Jeanine Tesori Produced in collaboration with the Loyola University Department of Theatre Arts Directed by Dr. Laura Hope Musical Director Donna Clavijo Set in 1963 Louisiana, a provocative story of political change, social change… and pocket change. In 1963, the Gellman family and their African-American maid, Caroline Thibodeaux, live in sleepy Lake Charles, Louisiana. Caroline is drifting through life as a single mother of four working in a service job to a white family. A fragile, yet beautiful friendship develops between the young Gellman son, Noah, and Caroline. Noah’s stepmother, Rose, unable to give Caroline a raise, tells Caroline that she may keep the money that Noah leaves in his pockets. Caroline balks and refuses to take money from a child but her own children desperately need food, clothing and shoes. Outside of the laundry room, some of the greatest social advancements that the country has seen are being set in motion, and change is knocking on the door. “Caroline or Change” offers opportunities for connection. Two Louisiana families, the Gellman family and the Thibodeaux family are the “Everyman,” average, ordinary people moving through the day-to-day moments of their lives. -
The Humor and Freshness of VERONICA MARS Arrive to HBO
The humor and freshness of VERONICA MARS arrive to HBO Starring Kristen Bell, the fourth season of this fan-favorite series premieres on June 5th, exclusively on HBO and HBO GO MIAMI, FL. May 6th, 2020 – With the fresh and sarcastic humor that characterize her, VERONICA MARS arrives to HBO and HBO GO. Starring Kristen Bell and created by writer Rob Thomas, the fourth season of this series about the clever detective premieres on June 5th. Times per country: Hbocaribbean.com In the fictional coastal community of Neptune, the rich and powerful make the rules and desperately seek to hide their dirty little secrets. Unfortunately for them, Veronica Mars, a brave and intelligent private investigator, is dedicated to solving the most complicated mysteries of this town. Season four begins when young vacationers are killed during spring break, impacting the city's tourism industry, and Mars Investigations is hired by the parents of one of the victims to find the killer. The story will follow Veronica's investigations, which are shrouded in an epic mystery that will lead her to face the powerful elites of the city. The fourth season of VERONICA MARS stars Kristen Bell, alongside Enrico Colantoni and Jason Dohring. The executive producers are Rob Thomas, Diane Ruggiero-Wright, Dan Etheridge, and Kristen Bell. The series is produced by Spondoolie Productions, in association with Warner Bros. Television. Enjoy the fourth season of VERONICA MARS exclusively on HBO and HBO GO starting on June 5th. Posted on 2020/05/06 on hbomaxlapress.com. -
Acting in the Academy
Acting in the Academy There are over 150 BFA and MFA acting programs in the US today, nearly all of which claim to prepare students for theatre careers. Peter Zazzali contends that these curricula represent an ethos that is outdated and limited given today’s shrinking job market for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard courses in voice and speech, move- ment, or performance, to develop an entrepreneurial model that motivates and encourages students to create their own employment opportunities. This book answers questions such as: • How has the League of Professional Theatre Training Programs shaped actor training in the US? • How have training programs and the acting profession developed in relation to one another? • What impact have these developments had on American acting as an art form? Acting in the Academy calls for a reconceptualization of actor training in the US, and looks to newly empower students of performance with a fresh, original perspective on their professional development. Peter Zazzali is Assistant Professor of Theatre at the University of Kansas. John Houseman and members of Group I at Juilliard in the spring of 1972 reading positive reviews of the Acting Company’s inaugural season. Kevin Kline is seated behind Houseman. Photo by Raimondo Borea; Courtesy of the Juilliard School Archives. Acting in the Academy The history of professional actor training in US higher education Peter Zazzali First published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2016 Peter Zazzali The right of Peter Zazzali to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
JOHN BAUMAN, C.A.S. Production Sound Mixer Member, IATSE 695 Emmy and C.A.S
JOHN BAUMAN, C.A.S. Production Sound Mixer Member, IATSE 695 Emmy and C.A.S. Award winner John Bauman, a third generation sound mixer, grew up on set. He parlayed his early exposure into a remarkably diverse background, supplementing his early sound career by reading/writing scripts, picture/sound editing and assistant directing. Twenty years later, with over 30,000 hours of production sound experience, he’s heard it all. John’s comprehensive knowledge and penchant for storytelling give him a film maker’s approach, enabling him to create the best possible sound experience for producers, directors and the audience. Bauman and his crew bring knowledge, discretion, skill, talent, and youthful enthusiasm to every show. John is Los Angeles based and happy to travel. Television (Selected Credits); Production Director/Producer/Company/Network AMERICAN CRIME STORY: IMPEACHMENT (Season 3) Ryan Murphy, Various / Ryan Murphy Prods. / FX HOLLYWOOD (Season one) Ryan Murphy, Various / Ryan Murphy Prods. / Netflix 2020 Emmy Nomination – Outstanding Sound Mixing for a Limited Series or Movie. 12 Emmy Nominations total. RATCHED (Season one) Ryan Murphy, Various / Ryan Murphy Prods. / Netflix 2020 Golden Globe Nominations – Best Drama Series, Best Lead and Supporting Actress VERONICA MARS (Season one reboot series, 5 eps) Various / Rob Thomas / WB TV / Hulu AMERICAN HORROR STORY: APOCALYPSE (Season 8) Various / Ryan Murphy, Brad Falchuk / Fox TV / FX THE O.A. (Season 2) Various / Dede Gardner / Plan B / Netflix AMERICAN CRIME STORY: ASSASSINATION OF VERSACE -
ADVANCE SERVICES Franklin, Massachusetts (508) 520-2076 10
1 - 231 H A R V A R D U N I V E R S I T Y JOHN F. KENNEDY SCHOOL OF GOVERNMENT INSTITUTE OF POLITICS CAMPAIGN FOR PRESIDENT: YOUNG VOTERS, LESSONS LEARNED2004 Wednesday April 27, 2005 Penthouse Littauer Building 79 JFK Street Cambridge, Massachusetts BEFORE:PHILIP SHARP Director Institute of Politics Kennedy School of Government ADVANCE SERVICES Franklin, Massachusetts (508) 520-2076 PARTICIPANTS: Alexandra Acker, Democratic GAIN Carrie Anderson, Student Kristin Blagg, Student Melanie Campbell, National Coalition on Black Civic Participation Gary Davis, World Wrestling Entertainment Meighan Davis, AFL-CIO Organizing Institute John Della Volpe, Schneiders/Della Volpe/Schulman Ben Ferguson, Host, The Ben Ferguson Show Jane Fleming, Young Democrats of America Ron Fournier, The Associated Press Ryan Friedrichs, Skyline Public Works Ivan Frishberg, Grassroots Campaigns, Inc. Jehmu Greene, Rock the Vote Eric Hoplin, College Republican National Committee David King, Institute of Politics Jeffrey Levine, Rutgers University, Eagleton Institute Alexis McGill, Citizen Change Cathy McLaughlin, Institute of Politics Tom McSorley, Student David Nickerson, Notre Dame Jennifer Phillips, Institute of Politics April Rapp, Rutgers University, Eagleton Institute Jordan Sekulow, Ralph Reed for Lt. Governor, Georgia Susan Sherr, Rutgers University, Eagleton Institute ADVANCE SERVICES Franklin, Massachusetts (508) 520-2076 PARTICIPANTS: Continued, Rebecca Sinderbrand, Newsweek Heather Smith, New Voters Project Kate Snow, ABC News, "Good Morning America, Weekend Edition" Elise Stefanik, Student Jaime Uzeta, MTV: Music Television Tobi Walker, The Pew Charitable Trusts Hugh Weber, Young Voters Strategies Project. Paloma Zapeda, Student ADVANCE SERVICES Franklin, Massachusetts (508) 520-2076 4 1 P R O C E E D I N G S 2 (12:08 p.m.) 3 MR. -
Amanda Seyfried
Find Movies, TV shows, Celebrities and more... All | Help IMDb Movies, TV Celebs, Events News & & Showtimes & Photos Community Watchlist Login Amanda Seyfried Top 500 Quick Links Actress | Soundtrack | Producer Biography Photo Gallery Awards Filmography (by Job) Amanda Seyfried was born and raised in Allentown, Message Boards Trailers and Videos Pennsylvania, to Ann (Sander), an occupational therapist, and Jack Seyfried, a pharmacist. She is of German, and some Explore More English and Scots-Irish, ancestry. She began modeling when she was 11, and acted in high school productions as well as taking singing lessons. She landed a recurring role in the ... IMDb Picks: November See full bio » Born: Amanda Michelle Seyfried December 3, 1985 in Allentown, Pennsylvania, USA More at IMDbPro » Contact Info: View agent, publicist and legal Represent Amanda Seyfried? Add or change photos The Night Before Our IMDb Picks section spotlights the 377 photos | 103 videos | 8238 news articles » movies and TV shows we're excited about this November, and we hope you'll find some favorites inside. 7 wins & 15 nominations. See more awards » Visit the IMDb Picks section » Known For Share this page: Like 9,838 people like this. Sign Up to see what your friends like. Related News Film Review: ‘Love the Coopers’ 4 hours ago | Variety - Film News Les Misérables (2012) Mamma Mia! (2008) Dear John (2010) Red Riding Hood (2011) What Angelina Jolie's New Movie Can Tell Us About the Fate of Female Directors in Hollywood 5 hours ago | E! Online Filmography Show all |