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Bibliography Bibliography Literature262 Allen, Robert C. (1999). “Home Alone Together: Hollywood and the ‘Family Film’.” In: Maltby, Richard/Strokes, Melvin (eds.). Identifying Hollywood’s Audiences. Cultural Identity and the Movies. London: BFI. 109-131. Althusser, Louis. (2001 [1970]). “Ideology and Ideological State Apparatuses (Notes Towards an Investigation).” In: Leitch, Vincent (ed.). The Norton Anthology of Theory and Criticism. New York: W.W. Norton & Company. 1483-1509. Altman, Rick (ed.). (1981). Genre: The Musical. London: Routledge. Altman, Rick. (1999 [1984]). “A Semantic/Syntactic Approach to Film Genre.” In: Altman, Rick. Film/Genre. London: BFI. 216-226. Altman, Rick. (1987). The American Film Musical. Bloomington: Indiana University Press. Altman, Rick. (1999). Film/Genre. London: BFI. Ames, Christopher. (1992). “Restoring the Black Man’s Lethal Weapon. Race & Sexuality in Contemporary Cop Films.” In: Journal of Popular Film & Television. Volume 20, Issue 3. 52-60. Ames, Christopher. (1997). Movies about the Movies. Hollywood Reflected. Lexington: The University Press of Kentucky. Appiah, K. Anthony. (1993). ““No Bad Nigger”: Blacks as the Ethical Principle in the Movies.” In: Garber, Marjorie/Matlock, Jann/Walkowitz, Rebecca L. (eds.). Media Spectacles. London/New York: Routledge. 77-90. Arroyo, José. (2000 [1996]). “Mission: Sublime.” In: Arroyo, José (ed.). Action/Spectacle Cinema. A Sight and Sound Reader. London: BFI. 21-25. Arroyo, José (ed.). Action/Spectacle Cinema. A Sight and Sound Reader. London: BFI 262 Whenever possible a text’s original date of publication is given. If the original date could not be found, the date of the publication the text appeared in is given. © Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2018 N. Bothmann, Action, Detection and Shane Black, https://doi.org/10.1007/978-3-658-24078-3 294 Bibliography Atkinson, Mike. (2000 [1993]). “Demolition Man.” In: Arroyo, José (ed.). Action/Spectacle Cinema. A Sight and Sound Reader. London: BFI. 224-226. Atkinson, Mike. (2000 [1995]). “Delirious Inventions.” In: Arroyo, José (ed.). Action/Spectacle Cinema. A Sight and Sound Reader. London: BFI. 85-90. Bainbridge, Jason. (2009). “‘Worlds Within Worlds.’ The Role of Superheroes in the Marvel and DC Universes.” In: Nadlianis, Angela (ed.). The Contemporary Comic Book Superhero. New York/London: Routledge. 64-85. Balio, Tino. (1993). Grand Design. Hollywood as a Modern Business Enterprise, 1930-1939. New York: Scribner’s. Balio, Tino. (1998). “‘A Major Presence in All of the World’s Most Important Markets.’ The Globalization of Hollywood in the 1990s.” In: Neale, Steve/Smith, Murray (eds.). Contemporary Hollywood Cinema. London/New York: Routledge. 58-73. Balio, Tino. (2002). “Hollywood Production Trends in the Era of Globalisation, 1990-99.” In: Neale, Steve (ed.). Genre and Contemporary Hollywood. London: BFI. Balke, Gregor. (2011). “Die ironische Außenseiterin. Die Thematik des Außenseitertums und das Problem der Daeinsbewältigung im Kontext gesellschaftlicher Entrücktheit in der Teen-Noir-Serie Veronica Mars (2004-2007).” In: Van Bebber, Jörg (ed.). Dawn of an Evil Millennium. Horror/Kultur im neuen Jahrtausend. Darmstadt: Büchner-Verlag. 176-182. Barker, Deborah. (2008). “The Southern-Fried Chick Flick. Postfeminism Goes to the Movies.” In: Ferriss, Suzanne/Young, Mallory (eds.) Chick Flicks. Contemporary Women at the Movies. New York: Routledge. 92-118. Benshoff, Harry M./Griffin, Sean. (2006). Queer Images. A History of Gay and Lesbian Cinema in America. Lanham/Boulder/New York/Toronto/Oxford: Rowman & Littlefield Pulishers, Inc. Berliner, Todd. (2001). “The Genre Film as Booby Trap: 1970s Genre Bending and The French Connection.” In: Cinema Journal, Vol. 40, No. 3. 25-46. Bibliography 295 Bernstein, Jonathan. (1997). Pretty in Pink. The Golden Age of Teen Movies. New York: St. Martin’s Press. Black, Shane. (1993). “Shane Black.” In: Schanzer, Karl/Wright, Thomas Lee. American Screenwriters. New York: Avon Books. 33-50. Blanchet, Robert. (2003). Blockbuster. Ästhetik, Ökonomie und Geschichte des postklassischen Hollywoodkinos. Marburg: Schüren. Blaseio, Gereon. (2004). “Genre und Gender. Zur Interdependenz zweier Leitkonzepte der Filmwissenschaft.” In: Liebrand, Claudia/Steiner, Ines (eds.). Hollywood hybrid. Genre und Gender im zeitgenössischen Mainstream-Film. Marburg: Schüren. 29-44. Bleicher, Joan Kristin. (2002a). “Die Intermedialität des postmodernen Films.” In: Eder, Jens (ed.). Oberflächenrausch. Postmoderne und Postklassik im Kino der 90er. Hamburg: Lit Verlag. 97-112. Bleicher, Joan Kristin. (2002b). “Zurück in die Zukunft. Formen intertextueller Selbstreferentialität im postmodernen Film.” In: Eder, Jens (ed.). Oberflächenrausch. Postmoderne und Postklassik im Kino der 90er. Hamburg: Lit Verlag. 113-132. Bogle, Donald. (1994) Tom, Coons, Mulattoes, Mammies, and Bucks. An Interpretative History of Blacks in American Films. New Third Edition. Oxford: Roundhouse. Bolte, Caralyn. (2008). ““Normal Is the Watchword”: Exiling Cultural Anxieties and Redefining Desire from the Margins.” In: Ross, Sharon Marie/Stein, Louisa Ellen (eds.). Teen Television. Essays on Programming and Fandom. Jefferson/London: McFarland & Company. 93-113. Bordwell, David. (1979). “The Art Cinema as a Mode of Film Practice.” In: Film Criticism, Vol. 4, No. 1. 56-64. Bordwell, David. (1986 [1985]). “Classical Hollywood Cinema: Narrational Principles and Procedures.” In: Rosen, Philip (ed.). Narrative, Apparatus, Ideology. A Film Theory Reader. New York: Columbia University Press. 17-34. Bordwell, David. (1989). Making Meaning. Inference and Rhetoric in the Interpretation of Cinema. Cambridge/London: Harvard University Press. 296 Bibliography Bordwell, David. (2002). “Intensified Continuity. Visual Style in Contemporary American Film.” In: Film Quarterly, Vol. 55, Issue 3. 16-28. Bordwell, David/Staiger, Janet/Thompson, Kristin. (1985). The Classical Hollywood Cinema. Film Style & Mode of Production to 1960. New York: Columbia University Press. Bothmann, Nils. (2012). Terrorist Thrills. The Depiction of Terrorism in US Mainstream Cinema since the 1980‘s. München: AVM – Akademische Verlagsgesellschaft München. Bothmann, Nils. (2013). “Screwballdialoge und soziale Gewalt: Veronica Mars”. In: Hoffstadt, Christian/Korge, Lisa (eds.). TV Dramedy. Bochum: project verlag. 77-86. Bothmann, Nils. (2014a). “Genre- and Gender-Bending in Shane Black’s Kiss Kiss Bang Bang and Iron Man 3.” In: MacDonald, Erin E. (ed.). Robert Downey Jr. from Brat to Icon. Essays on the Film Career. Jefferson: McFarland & Company. 153-165.263 Bothmann, Nils. (2014b). “Che cos’è il cinema d’azione?” In: Fata Morgana, No. 23. 107-121. Bothmann, Nils. (2015). “From (Pseudo)encyclopedic Fiction to America’s First Superhero: Abraham Lincoln: Vampire Hunter.” In: Kapell, Matthew Wilhelm/Pilkington, Ace G. (eds.). The Fantastic Made Visible. Essays on the Adaptation of Science Fiction and Fantasy from Page to Screen. Jefferson: McFarland & Company. 161-174. Bould, Mark. (2005). Film Noir. From Berlin to Sin City. London/New York: Wallflower Press. Braidt, Andrea B. (2004). “Film-Genus. Zu einer theoretischen und methodischen Konzeption von Genre und Gender im narrativen Film.” In: Liebrand, Claudia/Steiner, Ines (eds.). Hollywood hybrid. Genre und Gender im zeitgenössischen Mainstream-Film. Marburg: Schüren. 45-66. 263 Parts of the chapter have been reused, in partly rewritten and extended form, when referenced in this book. Original material from Robert Downey Jr. from Brat to Icon: Essays on the Film Career © 2014 Edited by Erin E. MacDonald by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. www.mcfarlandbooks.com. Bibliography 297 Braidt, Andrea B. (2008). Film-Genus. Gender und Genre in der Filmwahrnehmung. Marburg: Schüren. Braithwaite, Andrea. (2008). ““That Girl of Yours – She’s Pretty Hardboiled, Huh?”: Detecting Feminism in Veronica Mars.” In: Ross, Sharon Marie/Stein, Louisa Ellen (eds.). Teen Television. Essays on Programming and Fandom. Jefferson/London: McFarland & Company. 132-149. Britton, Andrew. (2009 [1979]). “The Ideology of Screen.” In: Grant, Barry Keith (ed.). Britton on Film. The Complete Film Criticism of Andrew Britton. Detroit: Wayne State University Press. 384-424. Britton, Andrew. (2009 [1986]). “Blissing Out: The Politics of Reaganite Entertainment.” In: Grant, Barry Keith (ed.). Britton on Film. The Complete Film Criticism of Andrew Britton. Detroit: Wayne State University Press. 97-154. Britton, Andrew. (2009 [1988]). “The Myth of Postmodernism: The Bourgeois Intelligentsia in the Age of Reagan.” In: Grant, Barry Keith (ed.). Britton on Film. The Complete Film Criticism of Andrew Britton. Detroit: Wayne State University Press. 458-486. Brode, Douglas. (2003). Boys and Toys. Ultimate Action-Adventure Movies. New York: Citadel. Brown, Jeffrey A. (1993). “Bullets, Buddies, and Bad Guys. The “Action-Cop” Genre.” In: Journal of Popular Film & Television. Volume 21, Issue 2. 79-87. Brown, Jeffrey A. (1996). “Gender and the Action Heroine. Hardbodies and the Point of No Return.” In: Cinema Journal, Vol. 35, No. 3. 52- 71. Brown, Jeffrey A. (2011). Dangerous Curves. Action Heroines, Gender, Fetishism and Popular Culture. Jackson: University of Mississippi Press. Brown, Jeffrey A. (2015). Beyond Bombshells. The New Action Heroine in Popular Culture. Jackson: University of Mississippi Press. Bukatman, Scott. (2009). “Secret Identity Politics.” In: Nadlianis, Angela (ed.). 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