DOCSLIB.ORG

L3702 LETHAL WEAPON 2 (USA, 1989) (Other Titles: Arma Lethale 2; Arme Fatale 2; Brennpunkt L.A.; Dodbringende Veben 2)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
L3702 LETHAL WEAPON 2 (USA, 1989) (Other Titles: Arma Lethale 2; Arme Fatale 2; Brennpunkt L.A.; Dodbringende Veben 2) L3702 LETHAL WEAPON 2 (USA, 1989) (Other titles: Arma lethale 2; Arme fatale 2; Brennpunkt L.A.; Dodbringende veben 2) Credits: director, Richard Donner ; writer, Jeffrey Boam. Cast: Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland. Summary: Police thriller set in contemporary Los Angeles. Detectives Riggs (Gibson) and Murtaugh (Glover) must guard a free-wheeling witness (Pesci) in a drug money laundering scheme run by South African diplomats. A comedy of car chases, gun battles, and under-water escapes. Ansen, David. “The arts: Movies: Gibson and Glover return: ‘Lethal weapon 2’ serves up sadism with a smile” 114 Newsweek (Jul 17, 1989), p. 53. [Reprinted in Film review annual 1990] Avins, Mimi. “Shot by shot” Premiere 2/12 (Aug 1989), p. 72-6. Baumann, Paul D. “Screen: Scorching the screen” Commonweal 116 (Oct 6, 1989), p. 529-30. Blair, Iain. “Movies: Mel’s lethal appeal: He’s got killer looks, but shucks, Gibson’s just one of the guys” Chicago tribune (Jul 9, 1989), Arts, p. 4. Blois, Marco de. “Lethal weapon II” 24 images 44-45 (autumn 1989), p. 109. Broeske, Pat H. “A high-caliber Danny Glover” Los Angeles times (Jul 11, 1989), Calendar, p. 1. “Business: Talk about placements” Newsweek 114 (Jul 31, 1989), p. 50. Carr, Jay. “Three stooges with guns” Boston globe (Jul 7, 1989), Arts and film, p. 41. Christensen, Johs H. “Dodbringende veben 2” Levende billeder 5 (Sep 1989), p. 47. Clark, Mike. “‘Lethal 2’ is loaded with bang and blanks” USA today (Jul 7, 1989), p. 1D. Cliff, Paul. “Movie trax” Film monthly 1 (Dec 1989), p. 29. Cooney, Jenny. [Lethal weapon 2] US 3 (Aug 7, 1989), p. 45-6. Corliss, Richard. “Cinema: We don’t need another heroid” Time 134 (Jul 24, 1989), p. 53. [Reprinted in Film review annual 1990] Denby, David. “Movies: Now voyeur” New York 22 (Aug 7, 1989), p. 43. [Reprinted in Film review annual 1990] Denisoff, R. Serge and Romanowski, William D. Risky business: rock in film. New Brunswick, N.J. : Transaction Publishers, 1991. (p. 673, 700-1) Devine, Jeremy M. Vietnam at 24 frames a second [GB] (p. 254) Edelstein, David. [Lethal weapon 2] New York Post (Jul 7, 1989), p. 21. [Reprinted in Film review annual 1990] Ferrario, Davide. “Arma letale 2” Cineforum 29/290 (Dec 1989), p. 95-96. Fiorillo, C. M. “Lethal weapon 2” Films in review 40 (Oct 1989), p. 483-84. [Reprinted in Film review annual 1990] Fischer, Dominique. “L’arme fatale 2” Grand angle 16/119 (Sep 1989), p. 9-10. Gibson, James William. Warrior dreams: paramilitary culture in post-Vietnam America [GB] (p. 42, 52, 73, 263) Givhan, Robin D. “Lethal weapon 2 shoots for bigger things” Detroit free press (Jul 7, 1989), p. 1C. Gray, Marianne. “Lethal weapon 2” Film monthly 1 (Oct 1989), p. 21. Greenberg, James. “Two summer blockbusters, one busy screenwriter: For Jeffrey Boam, an action movie is about character” New York times 138 (Aug 6, 1989), sec. 2, p. 18+ [2 p.] Hellwig, Klaus. “Brennpunkt L.A.” EPD Film 6 (Oct 1989), p. 42. James, Caryn. “Review/film: Chases, crashes, shootings: More in ‘Lethal weapon 2’” New York times 138 (Jul 7, 1989), p. C18. Johns, K. “Lethal weapon 2” Film monthly 1 (Sep 1989), p. 38-40. Jordan, Rene. “The thrill is gone: In Lethal weapon 2 Gibson Glover lose camaraderie” Miami herald (Jul 7, 1989), p. 5G. Kehr, Dave. “Movies: ‘Lethal weapon 2’ a retread with a worn out plot” Chicago tribune (Jul 7, 1989), Friday, p. A. Kempley, Rita. “Movies: ‘Lethal weapon 2’: The dynamite duo redux” Washington post (Jul 7, 1989), p. D1. Kirby, Kathryn. “Lethal weapon 2” Films and filming n.420 (Oct 1989), p. 46. Klawans, Stuart. “Faster, copycat! Kill! Kill!” Village voice 34 (Jul 11, 1989), p. 72. [Reprinted in Film review annual 1990] Kolomitz, Nancy. “Lethal weapon II” Film journal 92 (Jul 1989), p. 9. [Lethal weapon 2] Canadian Catholic review 7 (Oct 1989), p. 358. [Lethal weapon 2] City limits n.415 (Sep 14, 1989), p. 20. [Lethal weapon 2] Hollywood reporter 308/12 (Jun 30, 1989), p. 4, 13. “Lethal weapon 2” Film review annual 1990 Englewood, N.J. : J.S. Ozer, 1981- (p. 731-38) “Lethal weapon 2” Motion picture guide annual (edited by Jay Robert Nash and Stanley Ralph Ross) Chicago : Cinebooks, 1987-2000. (1990, p. 134) [Lethal weapon 2] Premiere 2/10 (Jun 1989), p. 68. [Lethal weapon 2] Rolling stone 572 (Feb 22, 1990), p. 39. [Lethal weapon 2] St. Anthony messenger 97 (Sep 1989), p. 239. [Lethal weapon 2] Screen international n.713 (Jul 15, 1989), p. 34. [Lethal weapon 2] Time out n.995 (Sep 13, 1989), p. 46. Lewis, Leon. “Lethal weapon II” Magill’s cinema annual Englewood Cliffs, N.J. : Salem Press, 1982- (1990, p. 217-20) Lowry, Brian (Bril). “Lethal weapon 2” Variety 335 (Jul 5-11, 1989), p. 18. Matthews, Tom. “Lethal weapon 2” Boxoffice 124 (Sep 1989), R57. McGrady, Mike. “‘Lethal 2’ has all the right moves” Newsday (Jul 7, 1989), pt. III, p. 3. [Reprinted in Film review annual 1990] Modleski, Tania. Feminism without women: culture and criticism in a “postfeminist” age. New York : Routledge, 1991. (p. 136, 141-45, 162) Newman, Kim. “Lethal weapon 2” Monthly film bulletin 56/669 (Oct 1989), p. 305- 6. [Reprinted in Film review annual 1990] Neyt, Geert. “Lethal weapon 2” Film en televisie 388 (Sep 1989), p. 29. Niogret, Hubert. “L’arme fatale no. 2” Positif 344 (Oct 1989), p. 75. Novak, Ralph. [Lethal weapon 2] People weekly 32 (Jul 24, 1989), p. 12. Pecchia, David. “Mel Gibson, Danny Glover in sequel: Another shot at ‘Lethal’ combination” San Francisco chronicle (Jul 2, 1989), Sunday datebook, p. 24. Piantadosi, Roger. [Lethal weapon 2] Washington post (Jul 7, 1989), Weekend, p. 33. Rickey, Carrie. “Glover and Gibson are back in ‘Lethal weapon 2’” Philadelphia inquirer (Jul 7, 1989), Weekend, p. 4. Romanowski, William (see under Denisoff, R. Serge) Sackett, Susan. The Hollywood Reporter book of box office hits Rev. and enl. ed. New York : Billboard Books, 1996. (p. 329) Salamon, Julie. “Film: A white-washed look at ‘The killer’” Wall Street journal (Jul 6, 1989), p. A10. Salminen, Kari. “Repe bondin tappavat gagit” Filmihullu n.8 (1989), p. 34. Shindler, Merrill. [Lethal weapon 2] Los Angeles 34 (Aug 1989), p. 290-92. Stack, Peter. “A shoot-’em-up with laughs: Gibson, Glover return in ‘Lethal’ sequel” San Francisco chronicle (Jul 7, 1989), p. E1. Sterritt, David. “Freeze frames: ... Lethal weapon” Christian science monitor (Jul 10, 1989), p. 10. Svendsen, Trond Olav. “En dodelig blanding” Film & Kino 6 (1989), p. 18-19. Tasker, Yvonne. Spectacular bodies : gender, genre, and the action cinema [GB] (p. 46-7+) Travers, Peter. [Lethal weapon 2] Rolling stone 558 (Aug 10, 1989), p. 31. Walker, Mark Edward. Vietnam veteran films. [GB] (p. 58, 64, 66) Weldon, Michael. The psychotronic video guide New York : St. Martin’s Griffin, 1996. (p. 330) Wellington, Nicholas. “Hollywood’s apartheid” Jump cut 36 (May 1991), p. 66-72. Wiley, Bess. “Heart-stopping stunts for ‘Lethal weapon 2’” American cinematographer 70/9 (Sep 1989), p. 26-32. Wilmington, Michael. “Movie review: A lethal ‘Weapon 2’” Los Angeles times (Jul 7, 1989), Calendar, p. 1. Zimmer, Jacques. “L’arme fatale 2” Revue du cinema 452 (Sep 1989), p. 90; hors ser. 36 (1989), p. 36. .
Load more

Recommended publications
  • L3700 LETHAL WEAPON (USA, 1987) (Other Titles: Arma Lethale; Arme Fatale; Dodbringende Veben; Zwei Stahlharte Profis)
    L3700 LETHAL WEAPON (USA, 1987) (Other titles: Arma lethale; Arme fatale; Dodbringende veben; Zwei stahlharte profis) Credits: director, Richard Donner ; writer, Shane Black. Cast: Mel Gibson, Danny Glover, Gary Busey. Summary: Police thriller set in contemporary Los Angeles. Martin Riggs (Gibson) is no ordinary cop. He is a Vietnam veteran whose killing expertise and suicidal recklessness make him a lethal weapon to anyone he works against or with. Roger Murtaugh (Glover), also a veteran, is an easy-going homicide detective with a loving family, a big house, and a pension he does not want to lose. The only thing Murtaugh and Riggs have in common is that they hate to work with partners, but their partnership becomes the key to survival when a routine murder investigation turns into an all-out war with an international heroin ring. Ansen, David. “The arts: Movies: Urban Rambo” Newsweek 109 (May 16, 1987), p. 72. [Reprinted in Film review annual 1988] “L’Arme fatale” Cine-tele-revue 31 (Jul 30, 1987), p. 16-19. Boedeker, Hal. “Lethal weapon wastes Mel Gibson” Miami herald (Mar 6, 1987), p. 5D. Canby, Vincent. “Film view: Gun movies: Big bore and small caliber” New York times 136 (May 10, 1987), sec. 2, p. 17. Carr, Jay. “‘Lethal weapon’ is high-energy bullet ballet” Boston globe (Mar 6, 1987), Arts and film, p. 36. Christensen, Johs H. “Dodbringende veben” Levende billeder 3 (Sep 1, 1987), p. 51. Cunneff, T. [Lethal weapon] People weekly 27 (Mar 23, 1987), p. 8. Darnton, Nina. “At the movies: A new hit has the industry asking why” New York times 136 (Apr 3, 1987), p.
    [Show full text]
  • Suggestions for Top 100 Family Films
    SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT..
    [Show full text]
  • Robert Wise's the Day the Earth Stood Still Part I
    Robert Wise’s The Day the Earth Stood Still Part I: A Religious Film? By Anton Karl Kozlovic Fall 2013 Issue of KINEMA ROBERT WISE’S THE DAY THE EARTH STOOD STILL Part I: A RELIGIOUS FILM? Abstract Science fiction (SF) films have frequently been the home for subtextual biblical characters, particularly Christ-figures. Crafting these sacred subtexts can make the difference between an ordinary filmandan exceptional one. This investigation intends to explore the religious and other dimensions of the 1951 SF cult classic The Day the Earth Stood Still directed by Robert Wise. In Part 1 of this analytical triptych, the film’s reception as a UFO film with political, artificial intelligence (AI), police and philosophical dimensions was canvassed. It was argued that Wise’s film contains all of the above genre dimensions; however, it can bemore fully appreciated as a profoundly religious film wrapped in contemporary scientific garb. The forthcoming parts will explore the factual elements of this proposition in far greater analytical detail. Introduction: SF and Sacred Storytelling Historically speaking, science fiction (SF) films(1) have harboured numerous hidden biblical characters in typically covert forms. For example, Barry McMillan described many an SF alien as ”a ’transcendent’ being - a benign entity who brings wisdom and knowledge, the imparting of which brings resolution, insight and the beginnings of personal or political harmony” (360). Whilst Bonnie Brain argued that: ”The ascendancy of the aliens derives strongly from their aura of religious authority. Teachers, mystics, priests, or prophets, capable of ”miracles” and, in some cases, ”resurrection,” these aliens flirt with divinity” (226).
    [Show full text]
  • Lethal Weapon 2 (1989)
    Q3 2019 85 Tekst: Luc Quadackers AT THE MOVIES LETHAL WEAPON 2 (1989) Eerlijk is eerlijk: als er geen boekhouder in deze film voor zou komen, dan was ik na een kwartier afgehaakt. Een groot deel ontstijgt amper het B-niveau. Of zoals een vriend van mij zou zeggen: “In z’n genre is hij slecht.” De boekhouder lijkt vervolgens niet eens echt van belang te zijn voor het verhaal. Ongemerkt vormt Joe Pesci als boekhouder Leo Getz (‘Whatever you need, Leo gets’) echter de kurk waarop de film drijft. Getz is kroongetuige in een witwaszaak, waarin hij zelf de hand heeft gehad. Hij heeft bovendien geld afgeroomd van de boeven, die hem dat niet in dank afnemen (in de film wordt overigens geflirt met het ‘Robin Hood-element’). Twee agenten (Mel Gibson en Danny Glover), met een geheel eigen moraal en aanpak, moeten Getz beschermen tot aan de rechtszaak. Getz speelt verder geen belangrijke rol, maar gaat overal mee op pad en bemoeit zich met het politiewerk. Al zegt hij zelf: “I usually stay in the car.” Het mooiste vindt hij de politiewapens en het aanzetten van de sirene. Ook geeft Getz een vrij uitgebreide technische uitleg van een witwasconstructie (wat doet dat trouwens in de film, en wie begrijpt het zonder tien keer te kijken?) en een waarschuwing voor de drive-thru bij hamburgerketens: “Always go to the counter, never go through the drive-thru. They fuck you at the drive-thru.” Tijdens een martelsessie door de crooks houdt hij zijn rug recht (waarom dat nodig zou zijn is overigens onduidelijk).
    [Show full text]
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
    [Show full text]
  • First Friday News & Views
    MARCH 2007 First Friday VOLUME 12 News & Views ISSUE 3 THE MONTHLY NEWSLETTER OF THE A Haggard Miracle FIRST FRIDAY by Jonathan Wilson BREAKFAST CLUB, INC. fter three weeks of intense counseling, the not-so-Reverend Ted Haggard would have folks believe he’s 100% heterosexual. If such success is to be be- lieved, his counselors have something they need to take on the road. I think INSIDE Ted’ll be an excellent show pony so long as they keep him on a short leash and away from temptation. They dare not turn their backs on him. “Dreamgirls” Movie Re- 2 view by Gary Kaufman When interviewed, even the head of Exodus International, a group that touts the idea that homosexuality can be “cured,” doubted Ted’s conversion. No matter that the knowledgeable, even those who want to believe, doubt the account. We need to keep in mind the audience Hag- February Speaker Review 3 by Bruce Carr gard is playing to. These are people who profess to believe the earth is about 6000 years old; Methuselah lived 900 years; Jonah lived seven days in the belly of a whale, and survived; and Jesus was born of a virgin and went on to walk on water, turn water into wine, raise the dead, Briefs & Shorts 3 cure leprosy, and restore sight to the blind. In the ranks of the gullible, these folks are the crème From the Editor 4 de la crème. For them, Haggard’s conversion from gay to straight in record time would be no more than a minor miracle.
    [Show full text]
  • Cowboy Up: the American Cowboy in Fact and Fiction Syllabus
    FSEM 100 Cowboy Up: The American Cowboy in Fact and Fiction Syllabus Semester Spring 2011 Lecturer Dr. Ron Scheer Email [email protected] Section 34604 Office JEF 261 Phone 213-740-1980 Time Mon 2:00 Office hours TTh 2:00 Fax 213-740-4100 Classroom WPH 201 and by appointment Course description The western has been a genre of American movies and popular literature for over a century. The stories told in this genre reflect values that are embedded in American culture. They are typically about men of strong character who represent a certain kind of moral order, and the story being told is about how they confront and overcome villains, outlaws, and other “bad guys” who are enemies of that order. It can be a black-and-white world of good vs. evil, or it can be a world where there are many shades of gray, so that it’s less easy to tell the difference. This conflict is typically played out on the American frontier, in the late 19th century (1865-1900), during the decades after the American Civil War. It is the era of cowboys, the growth of the cattle industry, the fencing of the open range, the demise of the buffalo herds, the final displacement of the Native American tribes, the building of cross- continental railroads, and rapid settlement of the frontier territories fed by waves of immigration and the availability of free land made possible by the Homestead Acts. The conflict in a western typically involves and is eventually resolved by violence – fistfights, gunfire, sometimes even explosives.
    [Show full text]
  • Will #Blacklivesmatter to Robocop?1
    ***PRELIMINARY DRAFT***3-28-16***DO NOT CITE WITHOUT PERMISSION**** Will #BlackLivesMatter to Robocop?1 Peter Asaro School of Media Studies, The New School Center for Information Technology Policy, Princeton University Center for Internet and Society, Stanford Law School Abstract Introduction #BlackLivesMatter is a Twitter hashtag and grassroots political movement that challenges the institutional structures surrounding the legitimacy of the application of state-sanction violence against people of color, and seeks just accountability from the individuals who exercise that violence. It has also challenged the institutional racism manifest in housing, schooling and the prison-industrial complex. It was started by the black activists Alicia Garza, Patrisse Cullors, and Opal Tometi, following the acquittal of the vigilante George Zimmerman in the fatal shooting of Trayvon Martin in 2013.2 The movement gained momentum following a series of highly publicized killings of blacks by police officers, many of which were captured on video from CCTV, police dashcams, and witness cellphones which later went viral on social media. #BlackLivesMatter has organized numerous marches, demonstrations, and direct actions of civil disobedience in response to the police killings of people of color.3 In many of these cases, particularly those captured on camera, the individuals who are killed by police do not appear to be acting in the ways described in official police reports, do not appear to be threatening or dangerous, and sometimes even appear to be cooperating with police or trying to follow police orders. While the #BlackLivesMatter movement aims to address a broad range of racial justice issues, it has been most successful at drawing attention to the disproportionate use of violent and lethal force by police against people of color.4 The sense of “disproportionate use” includes both the excessive 1In keeping with Betteridge’s law of headlines, one could simply answer “no.” But investigating why this is the case is still worthwhile.
    [Show full text]
  • UNICEF People Danny Glover
    6/18/2019 Goodwill Ambassador | UNICEF People | UNICEF 中文 DONATE ﻋرﺑﻲ English Español Français WHO WE ARE WHAT WE DO WHERE WE WORK PRESS CENTRE STATISTICS BLOGS We’re building a new UNICEF.org. As we swap out old for new, pages will be in transition. Thanks for your patience – please keep coming back to see the improvements. UNICEF People Goodwill Ambassadors ShareThis & Advocates Danny Glover RSS feed International Goodwill Ambassador Regional Printer friendly An internationally acclaimed actor and producer, Danny Glover is also well-known for his National Email this article advocacy and philanthropic efforts in healthcare, education and economic justice. He has Alumni supported United Nations campaigns focusing on poverty, disease, and economic Tribute development in Africa, Latin America, and the Caribbean. Mr. Glover was appointed a Children need your UNICEF Goodwill Ambassador on 20 September 2004. help Supporters On behalf of UNICEF, Mr. Glover has visited orphans and vulnerable children and others in Young leaders developing countries who have been affected by HIV/AIDS. He has also participated in a Voices of Youth Digital number of fundraising and advocacy events for UNICEF in Latin America and the USA. Diaries As Goodwill Ambassador, Mr. Glover has seen the devastating effects of landmines on UNICEF staff Children worldwide need your © Brian Bowen Smith children in Ethiopia. “It is the most painful thing to see how young children become help right now. Please donate Real lives “… during all my other trips collateral damage of wars,” he said. Mr. Glover has recorded public service what you can today. around the world I will carry announcements about the impact of landmines and HIV/AIDS on children.
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • Worldradiohistory.Com › Archive-Billboard › 90S › 1990 › BB
    IN THIS ISSUE # t% * ***-x*;: *3- DIGIT 908 006817973 4401 9013 MAR92QGZ PolyGram Has `Fine' MONJTY GREENLY APT A Future In U.S., Says 3740 ELM LONG BEACH CA 90807 Label's Global Chief PAGE 6 Simmons Links Rush Labels With Columbia PAGE 6 R THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT March 31, 1990/$4.50 (U.S.), $5.50 (CAN.), £3.50 (U.K.) Newest Sell -Thru Megahit Pubs, Writers On Lyric Sidelines A `Honey' In Sales, Rentals Trade Groups Won't Fight Labeling Bills vol- BY EARL PAIGE disers because it's a family movie. BY BILL HOLLAND feels the industry needs to take We also see it promising as a gift Tennessee Stickering Bill Appears untary self-regulation more serious- LOS ANGELES -The Buena Vista item." WASHINGTON, D.C. -The leading To Have Fizzled Out ... See Page 5 ly. Home Video release "Honey, I Video buyer Gail Reed at 54 -store associations of music publishers and "NMPA has no position on this as Shrunk The Kids," the last of three Spec's Music in Miami says, "Every songwriters have decided not to join ers and writers, have joined the re- yet," Murphy says. "While no one is for a moment there shouldn't closely watched early -1990 sell - piece rented." In terms of sales, the music industry fight against the cently formed Coalition Against Lyr- saying through blockbusters, jumped out though, she says the Disney comedy passage of state record-labeling bills ics Legislation. be First Amendment protection, free of the box with solid showings in is running "100 pieces" behind at this time.
    [Show full text]
  • New York Women in Film & Television (Nywift)
    NEW YORK WOMEN IN FILM & TELEVISION (NYWIFT) TO CELEBRATE EXCEPTIONAL WOMEN AT ST TH THE 41 ​ ANNUAL NYWIFT MUSE AWARDS VIRTUALLY ON THURSDAY, DECEMBER 17 ,​ 2020 ​ ​ ​ ​ GOLDEN GLOBE WINNING ACTRESS AWKWAFINA, TWO TIME GOLDEN GLOBE WINNING ACTRESS RACHEL BROSNAHAN, GRAMMY AWARD WINNING ACTRESS RASHIDA JONES, PULITZER PRIZE WINNING NEW YORK TIMES JOURNALISTS JODI KANTOR & MEGAN TWOHEY, PRESIDENT OF ORION PICTURES ALANA MAYO, AWARD-WINNING DIRECTOR GINA PRINCE-BYTHEWOOD, AND TONY AWARD-WINNING ACTRESS ALI STROKER TO RECEIVE HONORS NEW YORK, NY – NOVEMBER 30, 2020 – New York Women in Film & Television (NYWIFT) is proud to present ST ​ the 41 ​ Annual NYWIFT Muse Awards virtual event on Thursday, December 17, 2020. The event will be held ​ ​ ​ ​ ​ virtually beginning at 1:00 PM ET and available for all those who register to watch on online at nywift.org/muse. This ​ ​ year’s theme is “Art & Advocacy,” as NYWIFT recognizes the role of the creative community in advancing positive social change. CBS Sunday Morning contributor, comedian, actress, and self-described “Accidental Pundette” Nancy Giles will again emcee the afternoon’s event, which celebrates women of outstanding vision and achievement both in front of and behind the camera in film, television, the music industry, and digital media. The honorees for this year’s Muse Awards are some of the most extraordinary women in the business: Awkwafina will receive a “Made in New York” Award from the Mayor’s Office of Media and Entertainment, for her ​ ​ ​ contributions to NYC’s entertainment industry. She is a Golden Globe-winning actress from Queens, New York, who has used her trademark comedic style and signature flair to become a breakout talent.
    [Show full text]