AMC-Theatres®-Prepares-For-Marvel's-Iron-Man

Total Page:16

File Type:pdf, Size:1020Kb

AMC-Theatres®-Prepares-For-Marvel's-Iron-Man April 5, 2013 AMC Theatres® Prepares For Marvel's Iron Man 3 With Marvel's Iron Man Marathon Guests Can Relive the Iron Man Saga Through Each of the Four Movies, Including 2012's Blockbuster Smash MARVEL'S THE AVENGERS, and the Debut of Marvel's IRON MAN 3 on Thursday, May 2, for just $30 at AMC locations nationwide Kansas City, Mo. (April 5, 2013) - After saving the world with the Avengers, Tony Stark is back in Marvel's IRON MAN 3, which opens May 3. But before witnessing Iron Man's next encounter, fans can see his story unfold from the beginning when AMC Theatres hosts Marvel's IRON MAN Marathon on Thursday, May 2, at 110 AMC locations throughout the country. Marvel's IRON MAN Marathon begins at 1 p.m. and will feature IRON MAN, IRON MAN 2, MARVEL'S THE AVENGERS in RealD 3D, culminating with Marvel's IRON MAN 3 in RealD 3D at 9 p.m. AMC guests at Marvel's IRON MAN Marathon will receive commemorative lanyards shaped like Iron Man's arc reactor and special edition RealD 3D Iron Man glasses while supplies last. In addition, AMC Stubs members who purchase tickets in advance will receive $5 in Bonus Bucks to use on the day of the event. Tickets for the event, which include all four movies, the collectible lanyard and the special edition RealD 3D glasses, are $30. MARVEL'S IRON MAN MARATHON - Thursday, May 2, beginning at 1 p.m. IRON MAN IRON MAN 2 MARVEL'S THE AVENGERS 3D in RealD 3D Marvel's IRON MAN 3 in RealD 3D Tickets for Marvel's IRON MAN Marathon are on sale at AMC now. For more information, a list of participating AMC locations and to purchase tickets, visit www.amctheatres.com/ironman. For more information about the AMC Stubs program, visit amcstubs.com. Marvel's IRON MAN 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy's hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man? Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel's IRON MAN 3 is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel's iconic Super Hero Iron Man, who first appeared on the pages of "Tales of Suspense" (#39) in 1963 and had his solo comic book debut with "The Invincible Iron Man" (#1) in May of 1968. Marvel's IRON MAN 3 is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios' President Kevin Feige is producing and Jon Favreau, Louis D'Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures. About Marvel Entertainment Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world's most prominent character-based entertainment companies, built on a proven library of over 8,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in entertainment, licensing and publishing. For more information visit marvel.com. About AMC Theatres AMC Theatres delivers distinctive and affordable movie-going experiences in 344 theatres with 4,988 screens primarily in the United States. The company operates 25 of the 50 highest grossing theatres in the country, including four of the top five. AMC has propelled industry innovation and continues today by delivering premium sight and sound, enhanced food and beverage and diverse content. AMCTheatres.com. MEDIA CONTACT Ryan Noonan, (816) 480-4724 [email protected] .
Recommended publications
  • MICHAEL BONVILLAIN, ASC Director of Photography
    MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J.
    [Show full text]
  • Copy of Copy of Copy of Streetwear Creative Wide Presentation
    "Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own.
    [Show full text]
  • THE FIGHT for AFRICA He Has Campaigned with George Clooney and Produced a Book with Ryan Gosling
    048-049 Giving_Layout 2 27/11/2019 16:43 Page 1 INTERVIEW THE FIGHT FOR AFRICA He has campaigned with George Clooney and produced a book with Ryan Gosling. JOHN PRENDERGAST tells us why the fight against exploitation in Africa has defined his life. WHAT ARE THE ROOTS interests, and objectives. When he decided to because they follow the celebrities and OF YOUR ACTIVISM? ramp up his activism on Africa, we found learn from them. The celebrities also can I am a work-in-progress human rights and ways to work more closely together, help “make it loud,” as George Clooney peace activist, constantly evolving to try to particularly by travelling to African war would say. They make it really hard for make the biggest impact I can with the gifts zones. politicians to turn away or say they didn’t that I have been given. Ever since I was We faced many dangerous situations and know. young, I have always identified with the were inspired by remarkable people underdog. From my own difficult everywhere we went. Those experiences have TELL US ABOUT THE SENTRY childhood I developed a real discomfort created a trust and bond that reinforces our For three decades I worked on with unfairness. commitment to do all we can to make a humanitarian aid, development policy, As I learned more about the world, and difference. We’re two Irish guys from the peacekeeping, conflict resolution, and learned about the injustices and midwestern US doing more than we ever human rights monitoring, all in Africa. But inequalities that are at the core of our thought would be possible.
    [Show full text]
  • TCPDF Example
    Beat: Technology NEXT EVOLUTION OF THE MARVEL CINEMATIC UNIVERSE BRINGS TO LIFE ANT- MAN DIGITAL 3D, DIGITAL HD AND DISNEY MOVIES PARIS - BURBANK, 09.12.2015, 08:45 Time USPA NEWS - The next evolution of the Marvel Cinematic Universe brings a founding member of The Avengers to spectacular life for the first time in Marvel's 'ANT-MAN,' the pulse-pounding action adventure now available to own on Digital 3D, Digital HD and Disney Movies Anywhere, and on Blu-ray 3D Combo Pack,... The next evolution of the Marvel Cinematic Universe brings a founding member of The Avengers to spectacular life for the first time in Marvel's 'ANT-MAN,' the pulse-pounding action adventure now available to own on Digital 3D, Digital HD and Disney Movies Anywhere, and on Blu-ray 3D Combo Pack, Blu-ray, DVD, Digital SD and On-Demand Dec. 8, 2015. Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor Dr. Hank Pym plan and pull off a heist that will save the world. The in-home releases include 'Making Of An Ant-Sized Heist: A How-To Guide,' a fast-paced behind-the-scenes look at how to pull off a heist movie, focusing on Scott Lang's hilarious heist 'family,' Ant-Man's costume, and the film's amazing stunts and effects; 'Let's Go To The Macroverse,' a fascinating look at creating the world from Ant-Man's perspective, from macro photography through the subatomic; 'WHIH NewsFront,' a hard-hitting collection of content, including a glimpse at the future of Pym Technologies with Darren Cross, anchor Christine Everhart's interview with soon-to-be-released prisoner Scott Lang on his notorious VistaCorp heist; Deleted & Extended Scenes; Gag Reel; Audio Commentary By Peyton Reed And Paul Rudd.
    [Show full text]
  • Teaching World History with Major Motion Pictures
    Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking.
    [Show full text]
  • With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
    With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO.
    [Show full text]
  • Sagawkit Acceptancespeechtran
    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
    [Show full text]
  • Thorragnarok59d97e5bd2b22.Pdf
    ©2017 Marvel. All Rights Reserved. CAST Thor . .CHRIS HEMSWORTH Loki . TOM HIDDLESTON Hela . CATE BLANCHETT Heimdall . .IDRIS ELBA Grandmaster . JEFF GOLDBLUM MARVEL STUDIOS Valkyrie . TESSA THOMPSON presents Skurge . .KARL URBAN Bruce Banner/Hulk . MARK RUFFALO Odin . .ANTHONY HOPKINS Doctor Strange . BENEDICT CUMBERBATCH Korg . TAIKA WAITITI Topaz . RACHEL HOUSE Surtur . CLANCY BROWN Hogun . TADANOBU ASANO Volstagg . RAY STEVENSON Fandral . ZACHARY LEVI Asgardian Date #1 . GEORGIA BLIZZARD Asgardian Date #2 . AMALI GOLDEN Actor Sif . CHARLOTTE NICDAO Odin’s Assistant . ASHLEY RICARDO College Girl #1 . .SHALOM BRUNE-FRANKLIN Directed by . TAIKA WAITITI College Girl #2 . TAYLOR HEMSWORTH Written by . ERIC PEARSON Lead Scrapper . COHEN HOLLOWAY and CRAIG KYLE Golden Lady #1 . ALIA SEROR O’NEIL & CHRISTOPHER L. YOST Golden Lady #2 . .SOPHIA LARYEA Produced by . KEVIN FEIGE, p.g.a. Cousin Carlo . STEVEN OLIVER Executive Producer . LOUIS D’ESPOSITO Beerbot 5000 . HAMISH PARKINSON Executive Producer . VICTORIA ALONSO Warden . JASPER BAGG Executive Producer . BRAD WINDERBAUM Asgardian Daughter . SKY CASTANHO Executive Producers . THOMAS M. HAMMEL Asgardian Mother . SHARI SEBBENS STAN LEE Asgardian Uncle . RICHARD GREEN Co-Producer . DAVID J. GRANT Asgardian Son . SOL CASTANHO Director of Photography . .JAVIER AGUIRRESAROBE, ASC Valkyrie Sister #1 . JET TRANTER Production Designers . .DAN HENNAH Valkyrie Sister #2 . SAMANTHA HOPPER RA VINCENT Asgardian Woman . .ELOISE WINESTOCK Edited by . .JOEL NEGRON, ACE Asgardian Man . ROB MAYES ZENE BAKER, ACE Costume Designer . MAYES C. RUBEO Second Unit Director & Stunt Coordinator . BEN COOKE Visual Eff ects Supervisor . JAKE MORRISON Stunt Coordinator . .KYLE GARDINER Music by . MARK MOTHERSBAUGH Fight Coordinator . JON VALERA Music Supervisor . DAVE JORDAN Head Stunt Rigger . ANDY OWEN Casting by . SARAH HALLEY FINN, CSA Stunt Department Manager .
    [Show full text]
  • Release Date of Spider Man Far from Home
    Release Date Of Spider Man Far From Home Dissoluble Claus set-down no weekly quadruplicating indissolubly after Yank supercools shriekingly, quite chiastic. Seamanlike and composite Sherman bivouacking almost wherein, though Grover disenfranchised his rate fractionizes. Alessandro remains unmortgaged after Lem bitted flaringly or smokes any bidet. Tom holland adventure is in imax at the auditorium has a living to secretly seize control of far The developer will be required to provide privacy details when they submit their next app update. Upcoming Marvel Cinematic Universe film Spider-Man Far one Home will next release next day earlier than its quick release about It will hit. Man straight From Home the carpet! Sam watch this be from home app store to the. Cloud DVR storage space is limited. Spider-Man Far the Home Spider-Man Homecoming Blu-ray. Spider-Man Far beyond Home when is late out What's another plot. With spider man far from home release date range of their responsible burden he releases and hd content. Man to take any real lead with squid in chief know believe his identity. Man be able to tackle freshman year and a new villain by the name of Master Planner? May select date to Nov. Ditko returned to Mr. This is what kicks off the initial ad request on the page. Spider-Man Far your Home spidermanmovie Instagram. Spider-Man Far both Home 2019 Fandango. Aunt may release date as far. There are older contracts that still involve other parties that mean we need to work things out before we move forward on it.
    [Show full text]
  • Female Representation in the Marvel Cinematic Universe
    Volume 10 Issue 2 (2021) AP Research Superheroines and Sexism: Female Representation in the Marvel Cinematic Universe Folukemi Olufidipe1, Ms. Yunex Echezabal1 1Doral Academy Charter High School, Miami, FL, USA DOI: https://doi.org/10.47611/jsrhs.v10i2.1430 ABSTRACT The Marvel Cinematic Universe (MCU) is the highest-grossing film franchise of all time and since the premiere of Iron Man in 2008, it has risen to fame as a source of science-fiction entertainment. Sexism in the film industry often goes brushed aside but the widespread success of Marvel Studios calls attention to their treatment of gender roles. This paper explores the progression of six female superheroes in the MCU and what effect feminist movements have had on their roles as well as upcoming productions in the franchise. This paper used an interdisciplinary, mixed- methods design that studied movie scripts and screen time graphs. 14 MCU movies were analyzed through a feminist film theory lens and whenever a female character of interest was chosen, notes were taken on aspects including, but not limited to, dialogue, costume design, and character relationships. My findings showed that females in the MCU are heavily sexualized by directors, costume designers, and even their male co-stars. As powerful as some of these women were found to be, it was concluded that Marvel lacks in female inclusivity. Marvel’s upcoming productions, many of which are female-focused, still marginalize the roles of their superheroines which is a concern for the future of the film industry. Marvel is just one franchise but this study shows how their treatment of female characters uphold patriarchal structures and perpetuate harmful stereotypes that need to be corrected in the film industry as a whole.
    [Show full text]
  • Iron Man 3 Notes
    ADVANCE rom Marvel Studios comes “Iron Man 3,” which continues the epic, big-screen adventures of the world’s favorite billionaire-inventor-Super Hero, Tony Stark aka FIron Man. Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man? Based on the ever-popular Marvel comic book Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968, “Iron Man 3” returns Robert Downey Jr. (“Sherlock Holmes: A Game of Shadows,” “Tropic Thunder”) as Tony Stark, the iconic Super Hero, along with Gwyneth Paltrow (“Thanks for Sharing,” “Contagion”) as Pepper Potts, Don Cheadle (“Flight,” “Hotel Rwanda”) as James “Rhodey” Rhodes, Guy Pearce (“The Hurt Locker,” “Memento”) as Aldrich Killian, Rebecca Hall (“The Prestige,” “The Town,”) as Maya Hansen, Jon Favreau ( “Identity Thief,” “People Like Us”) as Happy Hogan and Ben Kingsley (“Schindler’s List,” “Gandhi,”) as The Mandarin.
    [Show full text]
  • Hotel Artemis (2018) Una Produzione Taglia E Cuci Dalla Genesi Travagliata Che Sperpera L'aura Da B Movie À La John Carpenter
    Hotel Artemis (2018) Una produzione taglia e cuci dalla genesi travagliata che sperpera l'aura da B movie à la John Carpenter. Un film di Drew Pearce con Jodie Foster, Dave Bautista, Sofia Boutella, Sterling K. Brown, Jenny Slate, Jeff Goldblum, Charlie Day, Zachary Quinto, Kenneth Choi, Brian Tyree Henry. Genere Azione durata 94 minuti. Produzione Gran Bretagna 2018. Uscita nelle sale: giovedì 1 agosto 2019 Una storia ambientata nel mondo della criminalità, in un contesto prossimo futuro, dove esiste un ospedale per fuorilegge. Emanuele Sacchi - www.mymovies.it 2028. Sherman e Lev rapinano una banca durante il giorno dell'annunciata rivolta di Los Angeles, scoppiata in seguito alla privatizzazione dell'acqua. Dopo una sparatoria con la polizia Lev rimane gravemente ferito e per salvargli la vita non resta che Hotel Artemis, la clinica segreta riservata a una ristretta cerchia di fuorilegge. Ben presto la collisione tra la tensione interna all'Artemis e quella sulle strade di Los Angeles porterà a una escalation di violenza. Ci sono film che evidenziano sin da subito la propria travagliata genesi: è il caso di 'Hotel Artemis', con una sceneggiatura che viene da molto lontano e una produzione che evidenzia qualche gap di troppo tra ambizioni e budget. Il risultato è che le idee migliori di Drew Pearce - ricercatissimo sceneggiatore di Hollywood, con all'attivo titoli come 'Iron Man 3' e 'Mission Impossible: Rogue Nation' - sono nel frattempo già state riproposte o inconsapevolmente fagocitate in altri titoli di genere. Come la fortunatissima saga di 'John Wick', ad esempio, costruita attorno all'hotel Continental e alle sue regole, straordinariamente simili a quelle di 'Hotel Artemis'.
    [Show full text]